Academic literature on the topic 'Native American Literatures'

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Journal articles on the topic "Native American Literatures"

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Evans, Robley J., and Laura Coltelli. "Native American Literatures." American Indian Quarterly 16, no. 4 (1992): 603. http://dx.doi.org/10.2307/1185339.

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Elliott, Michael A., and Jace Weaver. "That the People Might Live: Native American Literatures and Native American Community." American Literature 70, no. 4 (December 1998): 900. http://dx.doi.org/10.2307/2902396.

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Barry, Nora, and Brian Swann. "On the Translation of Native American Literatures." MELUS 19, no. 2 (1994): 125. http://dx.doi.org/10.2307/467728.

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Loether, Christopher, and Brian Swann. "On the Translation of Native American Literatures." Ethnohistory 41, no. 1 (1993): 196. http://dx.doi.org/10.2307/3536997.

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Vizenor, Gerald, and Brian Swann. "On the Translation of Native American Literatures." American Indian Quarterly 17, no. 3 (1993): 395. http://dx.doi.org/10.2307/1184884.

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Vizenor, Gerald, and Brian Swann. "On the Translation of Native American Literatures." World Literature Today 67, no. 2 (1993): 422. http://dx.doi.org/10.2307/40149267.

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Ronnow, Gretchen. "Native American Literatures ed. by Laura Coltelli." Western American Literature 27, no. 2 (1992): 139–40. http://dx.doi.org/10.1353/wal.1992.0002.

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Hemenway, Stephen I. "Review: Three American Literatures: Essays in Chicano, Native American, and Asian-American Literature for Teachers of American Literature." Christianity & Literature 34, no. 3 (June 1985): 71–72. http://dx.doi.org/10.1177/014833318503400316.

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Kroeber, Karl. "Native American Literatures: Coming to Light: Contemporary Translations of the Native Literatures of North America . Brian Swann." American Anthropologist 98, no. 1 (March 1996): 153–55. http://dx.doi.org/10.1525/aa.1996.98.1.02a00150.

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Laskowski, Timothy. "Naming Reality in Native American and Eastern European Literatures." MELUS 19, no. 3 (1994): 47. http://dx.doi.org/10.2307/467871.

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Dissertations / Theses on the topic "Native American Literatures"

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Craddock, Tina. "Intergenerational trauma in African and Native American literatures." Thesis, East Carolina University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1558803.

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The enslavement and persecution of African and Native peoples has been occurring in the U.S. since the 1600s. There have been justifications, explanations and excuses offered as to why one race feels superior over another. Slavery, according to the Abolition Project, refers to "a condition in which individuals are owned by others, who control where they live and at what they work" (e2bn.org, 2009). Dr. Maria Yellow Horse Braveheart researched the concept of historical trauma as it relates to American Indians, whereby she found that trauma due to unresolved grief, disenfranchised grief, and unresolved internalized oppression could continue to manifest itself through many generations. This thesis will examine the intergenerational effects of historical trauma as they are depicted in selected African and Native bildungsromans. These specific works were chosen because they allow me to compare and contrast how subsequent generations of these two cultures were still being directly affected by colonialism, especially as it pertains to the loss of their identities. It also allows me to reflect on how each of the main characters, all on the cusp of adulthood, make choices for their respective futures based on events that occurred long before they were born.

Chapters One and Two highlight specific works from African American authors Toni Morrison and Alice Walker. Walker's novel, The Color Purple, depicts the life of an African American girl in the rural South of the 1930s. In this work I will examine how the loss of the male traditional role of provider and protector has affected the family dynamics and led to the male assuming the role of oppressor. In Morrison's Song of Solomon, I will examine the importance of identity and how one man's flight from slavery has affected the family structure of four subsequent generations. Both of the protagonists, Celie and Milkman, were born free, and yet still feel enslaved, just as their ancestors were, by their lack of choices as well as their quest for purpose and personal justice.

Chapters Three and Four will discuss literary works by Native American authors Louise Erdrich and Sherman Alexie, both vocal advocates of educating the lost generations—those who were forbidden to learn of and practice their language or tribal rituals due to colonialism—as well as Anglo-Americans on the importance of preserving the culture and heritage of their people. In Erdrich's The Round House, young Joe Coutts' family is tragically ripped apart by a physically violent attack on his mother. In an attempt to discover the truth of what really happened and who harmed her, Joe embarks on a journey in which borders, both literal and figurative, jurisdiction, and justice will be defined. The choices made by Joe, the adolescent, will have a direct impact on the evolution of Joe, the adult. In Alexie's Flight, Zits is a fifteen year old boy who seemingly belongs nowhere and to no one. It is this lack of identity that initially leads him down a path of destruction and on a magical journey of self-discovery where he will learn that he has within himself the ability to overcome his own personal tragedies, define who he is, and find happiness. The final chapter introduces the concept of restorative justice, a legal term that emphasizes repairing the harm done to crime victims through a process of negotiation, mediation, victim empowerment and reparations. I will also briefly discuss how both African and Native people are reclaiming their cultural identities through naming, ceremony, and traditions. I will briefly define a new concept developed by Dr. Joy Deruy Leary, referred to as post traumatic slave syndrome, and will show that like historical response trauma, its symptoms can be traced back generations to the enslavement of African people. I will argue that justice, identity and the lack of choices are major themes identified in each of these works which tie them all together. I will also argue that these themes have a direct correlation to the signs and symptoms of both Historical Response Trauma and Post Traumatic Slave Syndrome as defined by Dr. Braveheart and Dr. Leary, and how ultimately each of these protagonists used some means of restorative justice to stop the cycle of trauma and begin the process of healing

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Idini, Antonio Giovanni 1958. "Detecting colonialism: Detective fiction in Native American and Sardinian literatures." Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/282702.

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This dissertation compares Native American and Sardinian literatures, focussing on literary renditions of detective stories, a recent development which has occurred in both literatures. The study is based on Procedura (1988), and Il terzo suono (1995), by Sardinian author Salvatore Mannuzzu; The Sharpest Sight (1992), Bone Game (1994), and Nightland (1996) by Choctaw-Cherokee-Irish writer Louis Owens. In both literatures the use of detective fiction embodies the authors' commentary regarding the discourse on colonization. Recurrent thematic features are the concern with history, notably the history of domination and the processes that have led to the present post-colonial condition. The drive towards solving the crime symbolizes and comments upon the necessity of addressing the history of colonization, past and present, both of the land and its people. All the novels included in this study elaborate the basic features of the genre in innovative ways that offer significant commentaries on the condition of these two colonized peoples. The truth at the end of the narration is broken down to a multiplicity of competing narratives. The dispossession and exploitation of ancestral land are textually structured as crimes which further parallel and comment upon the murder of human beings. Also, the characters of the detectives are pivotal for the embodiment of a critique of the classic anthropological model. The gathering of data in order to offer a 'scientific' version of the truth is an endeavor shared by criminal investigators as well as anthropologists, ethnologists and archaeologists. Since classic detective fiction and modern science developed simultaneously around the middle of nineteenth century, it is not coincidental that post-colonial authors of detective fiction feel the necessity to address the self-appointed superiority of so-called scientific discourse. As both cultures have been commodified as objects to be studied by external social scientists, Mannuzzu's and Owens's refusal to depict a univocal solution is also indicative of the clash between definitions elaborated by outsiders versus forms of traditional knowledge within the cultural group.
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Hamilton, Amy T. "Peregrinations: Walking the Story, Writing the Path in Euro-American, Native American, and Chicano/Chicana Literatures." Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/195967.

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This dissertation traces the act of walking as both metaphor and physical journey through the American landscape in American texts. Drawing together texts from different time periods, genres, and cultural contexts, I contend that walking is a central trope in American literature. Textual representations of traversing the land provoke transformation of the self recording the walk and the landscape in the imagination of the walker. The experience of walking across and through the heavily storied American land challenges the walker to reconcile lived experience with prior expectations.While many critics have noted the preponderance of travel stories in American literature, they tend to center their studies on the journeys of Euro-American men and less often Euro-American women, and approach walking solely as metaphor. The symbolic power of a figure walking across the American land has rightfully interested critics looking at travel across the continent; however, this focus tends to obscure the fact that walking, after all, is not only a literary trope - it has real, physical dimensions as well.Walking in the American land is more than the forward movement of civilization, and it is more than the experience of wilderness and wildness. In many ways, walking defines the American ideals of space, place, and freedom. In this context, this dissertation investigates the connections between walking, American literature, and the natural world: What is it about walking that seems to allow American writers to experience the land in a way that horses, cars, trains, and planes prevent? What about the land and the self is revealed at three miles an hour? In the texts I examine, walking provides a connection to the natural world, the sacred, and individual and cultural identity. I trace American responses to nature and cultural identity through the model of walking - the rhythm of footsteps, the pain of blisters and calluses, and the silence of moving through the wilderness on foot.
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Gemein, Mascha N. "“Seeds Must Be Among the Greatest Travelers of All”: Native American Literatures Planting the Seeds for a Cosmopolitical Environmental Justice Discourse." OXFORD UNIV PRESS, 2016. http://hdl.handle.net/10150/622098.

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Wilkes, Nicole. "Standing in the Center of the World: The Ethical Intentionality of Autoethnography." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1874.

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Emmanuel Levinas's philosophy of ipseity and alterity has permeated Western thought for more than forty years. In the social sciences and the humanities, the recognition of the Other and focus on difference, alterity, has influenced the way we ethically approach peoples and arts from different cultures. Because focus on the ego, ipseity, limits our ethical obligations, focusing on the Other does, according to Levinas, bring us closer to an ethical life. Furthermore, the self maintains responsibility for the Other and must work within Levinas's ethical system to become truly responsible. Therefore, the interaction between self and Other is Levinas's principal concern as we move toward the New Humanism. The traditional Western autobiography has been centered in the self, the ego, which may prevent the ethical interaction on the part of the writer because the writer often portrays himself or herself as exemplary or unique rather than as an individual within a culture who is responsible for others. Nevertheless, life writing has expanded as writers strive to represent themselves and their cultures responsibly. One form that has emerged is the literary autoethnography, a memoir that considers ancestry, culture, history, and spiritual inheritance amidst personal reflection. In particular, Native American conceptions of the self within story have inspired conventions of literary autoethnography. This project explores the way Native American worldviews have influenced the autoethnography by looking at four Native American authors: Janet Campbell Hale, N. Scott Momaday, Leslie Marmon Silko, and Carter Revard. Through research, family stories, interviews, and returns to ancestral spaces, autoethnographers can bring themselves and their readers closer to cultural consciousness. By investigating standards in autoethnographic works, this project will illustrate the ethical intentionality of autoethnography.
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Chung, Tzu-I. "American legends: Nation, nature, natives and others, 1608 to 2001." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290058.

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In this dissertation, I explore the complex layers of the dynamic American cultures that inform personal experiences, shape national identities, and impinge upon the global order. Situating this project within recent explorations of cultural globalization within American Studies, Cultural Studies, and the Environmental Justice Movement, I examine cultural narratives united by one colonial trope: the colonial conquest of natural resources through the subjugation of feminine body and feminized land (noble savage), and the retreat of the primitive ignoble savage in the face of civilization and progress. These narratives include Henry Adams and Everett Emerson's opposing representations of Captain John Smith, the articulation of America as 'nature's nation' in Thomas Cole's art and the PBS program Frontier House, the Broadway show Miss Saigon, and the now infamous Wen Ho Lee case. These disparate narratives, at the intersection of discourses of nation, nature, race, and gender, accumulate a collective force even in their separate moments. Adams and Emerson demonstrate a linear view of American history that upholds progress in terms of industrialization and expansionism at the cost of nature, and racialized and gendered others. Cole and Frontier House romanticize subjugation in terms of nature, race and gender, which is construed as an inevitable and necessary step towards progress. In the Broadway musical Miss Saigon and media and political representations of the Wen Ho Lee case, such progress contributes to an American identity that plays a leading role within the current the globalized order. The ancient colonial trope remains alive today through these narratives, I argue, because the apparatuses of global capitalist development and environmentalism have created new global regimes of governmentality that continue, under new guise, the structures and relationships under colonialism. These narratives are part of a cultural process productive of a new 'common sense,' an understanding that helps people grasp cultural representations, solve social conflicts, and negotiate political realities. As such, cultural texts are integral aspects of history and politics.
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Salles, Juliana Almeida. "Empowering natives through autobiographical writing: Lee Maracles Bobbi Lee indian rebel and Leslie Marmon Silkos The turquoise ledge: a memoir." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7043.

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Esta dissertação trata de duas obras autobiográficas escritas por autoras nativas que ganharam reconhecimento na década de 70: Bobbi Lee Indian Rebel (1975), da nativo-canadense Lee Maracle, e The Turquoise Ledge: a Memoir (2010), da nativo-americana Leslie Marmon Silko. A importância destas autoras para a Renascença Nativo-Americana/Canadense é inegável, e cada uma delas contribuiu fazendo uso de estratégias diferentes: enquanto Maracle começou sua carreira com Bobbi Lee Indian Rebel, de cunho autobiográfico, Silko esperou mais de trinta anos para publicar The Turquoise Ledge. A problematização de se ver estas obras pelo olhar estritamente ocidental, ou estritamente nativo, é discutida, assim como o aparentemente inevitável tom político dessas narrativas. Ainda que mais de três décadas separem a publicação das obras selecionadas, perguntas como: Estas obras podem ser consideradas literatura?, Elas têm como principal propósito engrandecer feitos pessoais das autoras?, ou Como essas narrativas contribuem para o empoderamento do povo Nativo? podem nunca chegar a serem respondidas, mas, de fato, incitaram a escrita desta dissertação e nortearam nossa análise
This dissertation brings to the fore two autobiographical works by Native women authors who first gained recognition in the 1970s: Bobbi Lee Indian Rebel (1975), by Native-Canadian Lee Maracle and The Turquoise Ledge: a Memoir (2010), by Native-American Leslie Marmon Silko. These womens undeniable importance to the Native American/Canadian Renaissance is clear, and each of these authors decided to contribute to Native literature using different strategies: while Maracle started her career with Bobbi Lee Indian Rebel, an autobiographical work, Silko waited over thirty years to publish her The Turquoise Ledge. The problematization of seeing either works strictly through Western or strictly through Native perspectives is also addressed here, along with the apparently inevitable political tone present in both narratives. Despite the fact that the two selected works have been written over three decades apart, questions such as: Can these works be considered literature?, Do they have as main purpose to highlight the authors personal accomplishments? or How do they work to empower the Native people? may never be answered, but they did incite the writing of this dissertation and guided our analysis
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Lindström, Cecilia. "Prejudice Within Native American Communities : - a literary study of the prejudice expressed in Love Medicine and The Absolutely True Diary of a Part-Time Indian." Thesis, Högskolan i Gävle, Engelska, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-23858.

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The Native American characters in Love Medicine and The Absolutely True Diary of a Part-Time Indian experience prejudice from other Native Americans and suffer from internalized norms and values. This study examines whether or not the prejudice the fictional characters in Love Medicine and The Absolutely True Diary of a Part-Time Indianexperience and express as Native Americans unite them as a community or not. It also investigateshow they view white society andif the Native American characters have prejudice against the members of their own tribal community. The analysis is partially based on postcolonial theory and focuses on terms such as internalisation, acculturation and prejudice. The thesis found that the communitiesare united on the premises that they conform to the Native American norms but any deviation from these norms has the potential to divide them.
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Davis, Randall Craig. "Firewater Myths : alcohol and portrayals of Native Americans in American literature /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487687959968421.

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Moore, David L. "Native knowing : the politics of epistemology in American and Native American literature /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/9376.

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Books on the topic "Native American Literatures"

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Native American literatures: An introduction. New York: Continuum, 2004.

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That the people might live: Native American literatures and Native American community. New York: Oxford University Press, 1997.

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Native American and Chicano/a literature of the American Southwest : intersections of indigenous literatures. New York: Routledge, 2004.

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Approaches: Essays in native North American studies and literatures. Augsburg: Wissner, 2002.

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American Lazarus: Religion and the rise of African-American and native American literatures. Oxford: Oxford University Press, 2003.

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Brooks, Joanna. American Lazarus: Religion and the rise of African-American and native American literatures. New York, NY: Oxford University Press, 2003.

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Welburn, Ron. Roanoke and wampum: Topics in Native American heritage and literatures. New York: Peter Lang, 2001.

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Native American literatures: An encyclopedia of works, characters, authors, and themes. Santa Barbara, Calif: ABC-CLIO, 1999.

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Peck, David R. American ethnic literatures: Native American, African American, Chicano/Latino, and Asian American writers and their backgrounds : an annotated bibliography. Pasadena, Calif: Salem Press, 1992.

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Cáliz-Montoro, Carmen. Writing from the borderlands: A study of Chicano, Afro-Caribbean, and Native literatures in North America. Toronto: TSAR, 2000.

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Book chapters on the topic "Native American Literatures"

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Patell, Cyrus R. K. "Emergent Ethnic Literatures: Native American, Hispanic, Asian American." In A Concise Companion to Postwar American Literature and Culture, 351–82. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756430.ch14.

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Forsyth, Susan. "Writing Other Lives: Native American (Post)coloniality and Collaborative (Auto)biography." In Comparing Postcolonial Literatures, 144–58. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230599550_12.

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Brooks, Joanna. "First Peoples: An Introduction to Early Native American Studies." In A Companion to the Literatures of Colonial America, 24–37. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996416.ch3.

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Gidley, Mick, and Ben Gidley. "The Native-American South." In A Companion to the Literature and Culture of the American South, 166–84. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756935.ch10.

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Tatonetti, Lisa. "Native American Literatures." In The Cambridge History of Gay and Lesbian Literature, 548–69. Cambridge University Press, 2014. http://dx.doi.org/10.1017/cho9781139547376.036.

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Teuton, Sean. "2. Oral literatures." In Native American Literature, 19–34. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199944521.003.0002.

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Native Americans carefully trained their memories to record and transmit vast bodies of knowledge verbatim because, in an oral society, the known universe always stood only one generation from loss. ‘Oral literatures’ explains that indigenous tales instruct in ethics, ecology, religion, or governance, and record ancient migrations, catastrophes, battles, and heroism. Oral literatures grow from differing landscapes and forms of life, and still form the basis of modern Native American writing. Despite their differences, oral literatures usually communicate a wish to live intimately with a unique ancestral land and its creatures, a commitment to a proper relationship with that land and its broad community, and a belief in the power of story to achieve this accordance.
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"Native American Oral Literatures." In Handbook of Native American Literature, 19–160. Routledge, 2013. http://dx.doi.org/10.4324/9781315051697-7.

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Teuton, Sean. "1. The man made of words." In Native American Literature, 1–18. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199944521.003.0001.

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‘The man made of words’ describes the history of Native Americans, with a strong focus on the 16th-century European colonization period. To recover from nearly 500 years of conquest and disease that devastated indigenous peoples in North America, Native people had to revisit their history and reimagine themselves through literature. As Native American authors learned to write in English, they also mastered literary forms like the novel, adapting these genres to serve indigenous worldviews, and incorporating oral literatures. Despite numerous challenges and a Native American population decreasing rapidly during colonization, many Native American communities are growing their populations and economies, and are reinvesting in cultural and language revitalization.
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"European Responses to Native American Literatures." In Dictionary of Native American Literature, 341–48. Routledge, 1994. http://dx.doi.org/10.4324/9780203306246-47.

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Spry, Adam. "Decolonial Eschatologies of Native American Literatures." In Apocalypse in American Literature and Culture, 55–68. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108663557.005.

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Conference papers on the topic "Native American Literatures"

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Kristianto, Bayu. "Indigenizing Tourism: Native American Representations in Contemporary Travel Literature." In Proceedings of 3rd International Conference on Strategic and Global Studies, ICSGS 2019, 6-7 November 2019, Sari Pacific, Jakarta, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.6-11-2019.2297372.

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Hernandez, Susan D., and Mary E. Clark. "Building Capacity and Public Involvement Among Native American Communities." In ASME 2001 8th International Conference on Radioactive Waste Management and Environmental Remediation. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/icem2001-1251.

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Abstract The United States Environmental Protection Agency (U.S. EPA) supports a number of local community initiatives to encourage public involvement in decisions regarding environmental waste management and remediation. Native American tribal communities, in most cases, operate as sovereign nations, and thus have jurisdiction over environmental management on their lands. This paper provides examples of initiatives addressing Native American concerns about past radioactive waste management practices — one addresses uranium mining wastes in the Western United States and the other, environmental contamination in Alaska. These two projects involve the community in radioactive waste management decision-making by encouraging them to articulate their concerns and observations; soliciting their recommended solutions; and facilitating leadership within the community by involving local tribal governments, individuals, scientists and educators in the project. Frequently, a community organization, such as a local college or Native American organization, is selected to manage the project due to their cultural knowledge and acceptance within the community. It should be noted that U.S. EPA, consistent with Federal requirements, respects Indian tribal self-government and supports tribal sovereignty and self-determination. For this reason, in the projects and initiatives described in the presentation, the U.S. EPA is involved at the behest and approval of Native American tribal governments and community organizations. Objectives of the activities described in this presentation are to equip Native American communities with the skills and resources to assess and resolve environmental problems on their lands. Some of the key outcomes of these projects include: • Training teachers of Navajo Indian students to provide lessons about radiation and uranium mining in their communities. Teachers will use problem-based education, which allows students to connect the subject of learning with real-world issues and concerns of their community. Teachers are encouraged to utilize members of the community and to conduct field trips to make the material as relevant to the students. • Creating an interactive database that combines scientific and technical data from peer-reviewed literature along with complementary Native American community environmental observations. • Developing educational materials that meet the national science standards for education and also incorporate Native American culture, language, and history. The use of both Native American and Western (Euro-American) educational concepts serve to reinforce learning and support cultural identity. The two projects adopt approaches that are tailored to encourage the participation of, and leadership from, Native American communities to guide environmental waste management and remediation on their lands. These initiatives are consistent with the government-to-government relationship between Native American tribes and the U.S. government and support the principle that tribes are empowered to exercise their own decision-making authority with respect to their lands.
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Radulovic, Ana. "FINANCIAL CRISES AND STRUCTURAL CHARACTERISTICS OF THE ECONOMY." In 6th International Scientific Conference ERAZ - Knowledge Based Sustainable Development. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2020. http://dx.doi.org/10.31410/eraz.2020.99.

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Economic structures are a major cause of long-term growth or stagnation. Different economic structures have different ranges of structural learning, innovation, and different effects on income distribution, which are key determinants of economic performance. Through theory about economic structures it is explained why institutions work differently in space and time. This paper shows using a case study in the United States, that the source of recent financial crises rests on the structural characteristics of the economy. Constant deindustrialization is increasing inequality, and a debt-intensive credit boom has emerged to offset the deflationary effects of this structural change. The strong application of the austerity system in Europe and other parts of the world, even after the evidence points to less frugal policies, illustrates the theory of power it has over public policy. The economic structure should be put at the center of analysis, to better understand the economic changes, income disparities and differences in the dynamics of political economy through time and space. This paper provides a critical overview of the rapidly developing comparative studies of institutions and economic performance, with an emphasis on its analytical and political implications. The paper tries to identify some conceptual gaps in the literature on economic growth policy. Emphasis is placed on the contrasting experiences of East Asia and Latin America. This paper argues that the future investments in this field should be based on rigorous conceptual difference between the rules of the game and the game, and between the political and institutional, embedded in the concept of management. It also emphasizes the importance of a serious understanding of the endogenous and distributive nature of institutions and steps beyond the narrow approach of property law relations in management and development. By providing insights from the political channels through which institutions affect economic performance, this paper aims to contribute to the consolidation of theoretically based, empirically based and relevant to policy research on political and institutional foundations of growth and prosperity.
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Galatro, Daniela. "Considerations for Gas Pipeline Blowdown." In 2016 11th International Pipeline Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/ipc2016-64210.

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Blowdown is a planned or unplanned release of pressurized natural gas from stations, equipment (vessels) or pipelines. In high pressure pipelines, the blowdown leads to low temperatures within the fluid and high vent rates due to larger gas inventory volumes. Blowdown is a hazardous operation, and for this reason several methods have been proposed to improve the accuracy in the estimation of the blowdown rate and the blowdown time in pipelines. In general, these approaches include either physical volume or pipe models with numerical and analytical methods of solution. For instance, a very simple approach for the estimation of the blowdown time is presented by American Gas Association (AGA); this approach can be used a as first-approximation to verify the size of the blowdown stack/valve. Another well-known simple method to predict gas-line blowdown times was presented by Weiss, Botros and Jungowski (WBJ) (1988); this method involves the application of correction factors that regards the pipeline as a volume. However, due to the transient nature of the blowdown and the proven accuracy of their formulation, in recent years transient simulations have been performed using commercial simulation software. This work compares simplified approaches and an acknowledged transient method integrating significant effects of fluid mechanics (quasi-steady flow for one phase), heat and mass transfer and rigorous thermodynamics. This transient method is extensively used by process design engineers since it is included as a calculation tool or utility in commercial simulation software. Experimental data taken from acknowledged literature allows estimating the level of accuracy of these approaches. Due to the complexity and sometimes non-availability of the transient models included in commercial simulation software, a novel and innovative simplified hybrid approach is presented in this work. This approach includes novel and improved correlations as well as numerical solutions of a physical model that can be easily translated into a computational code or sequentially structured in a spreadsheet. This method allows for estimating relevant variables associated to the pressure – time computation and the optimal sizing of blowdown stack/valves in gas pipelines, based on recommended gas blowdown times; these times were estimated considering a balance between the maximum permissible blowdown duration and the minimum wall and fluid temperatures that can safely be contained in the pipeline. Finally, comparisons between the results obtained by using commercial software and the novel approach are presented, showing a fair level of accuracy of this method (7.6 % maximum error percentage) considering its simplicity with regard to the transient modelling.
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Reports on the topic "Native American Literatures"

1

Stoffle, R., J. Olmsted, and M. Evans. Literature review and ethnohistory of Native American occupancy and use of the Yucca Mountain Region; Yucca Mountain Project, Interim report. Office of Scientific and Technical Information (OSTI), January 1990. http://dx.doi.org/10.2172/137689.

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