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Books on the topic 'Nature in literature. German literature German fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Baudach, Frank. Planeten der Unschuld, Kinder der Natur: Die Naturstandsutopie in der deutschen und westeuropäischen Literatur des 17. und 18. Jahrhunderts. Tübingen: Niemeyer, 1993.

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2

Könneker, Carsten. "Auflösung der Natur, Auflösung der Geschichte": Moderner Roman und NS-"Weltanschauung" im Zeichen der theoretischen Physik. Stuttgart: Metzler, 2001.

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3

Gibbs, Marion E. Medieval German Literature. London: Taylor & Francis Group Plc, 2004.

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4

E, Gibbs Marion. Medieval German literature. New York: Routledge, 2000.

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5

Gibbs, Marion E. Medieval German literature. New York: Routledge, 2000.

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6

M, Johnson Sidney, ed. Medieval German literature: A companion. New York: Garland Pub., 1997.

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7

Goodbody, Axel. Nature, Technology and Cultural Change in Twentieth-Century German Literature. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230589629.

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8

1940-, Rollfinke Jacqueline, ed. The call of human nature: The role of scatology in modern German literature. Amherst: University of Massachusetts Press, 1986.

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9

Nature's hidden terror: Violent nature imagery in eighteenth-century Germany. Columbia, SC, USA: Camden House, 1991.

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10

The post-war novella in German-language literature: An analysis. New York: AMS Press, 1998.

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11

Spiewok, Wolfgang. Deutsche Novellen des Mittelalters. Greifswald: Reineke-Verlag, 1994.

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12

Spiewok, Wolfgang. Deutsche Novellen des Mittelalters. Greifswald: Reineke-Verlag, 1994.

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13

Spiewok, Wolfgang. Deutsche Novellen des Mittelalters. Greifswald: Reineke-Verlag, 1994.

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14

Im ganzen Land schön: Die Schweiz mit der Tageskarte ; ein Reisebuch. Zürich: Limmat, 2006.

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15

Botschaften von einem anderen Stern. Frankfurt am Main: Insel, 2009.

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16

Böhme, Hartmut. Natur und Subjekt. Frankfurt am Main: Suhrkamp, 1988.

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17

Middlebrow literature and the making of German-Jewish identity. Stanford, Calif: Stanford University Press, 2010.

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18

Historische Romane für Kinder und Jugendliche: Die römische Geschichte und die Französische Revolution im Spiegel der historischen Kinder- und Jugendliteratur der Jahre 1960 bis 1983. Frankfurt am Main: Haag + Herchen, 1985.

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19

Housebound: Domestic space and selfhood in contemporary German fiction. Rochester, NY: Camden House, 2012.

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20

Suicide in the German novel, 1945-89. Frankfurt am Main: P. Lang, 2002.

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21

NRW, Kunststiftung, ed. Eigentlich Heimat: Nordrhein-Westfalen literarisch. Düsseldorf, Germany: Lilienfeld, 2014.

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22

Katherine, Mansfield. In a German pension. London: Century Hutchinson, 1988.

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23

Katherine, Mansfield. In a German pension. London: Penguin Books, 1999.

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24

Katherine, Mansfield. In a German Pension. Ottawa: eBooksLib, 2005.

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25

The ordinary in the novel of German modernism. Bielefeld: Aisthesis, 2011.

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26

Sieg, Christian. The ordinary in the novel of German modernism. Bielefeld: Aisthesis, 2011.

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27

German winter nights. Columbia, SC: Camden House, 1998.

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28

Kofman, Sarah. Freud and fiction. Cambridge, UK: Polity Press, 1991.

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29

Kofman, Sarah. Freud and fiction. Boston: Northeastern University Press, 1991.

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30

editor, Haberlein Bianca, ed. Herzog Herpin: Kritische Edition eines spätmittelalterlichen Prosaepos. Berlin: Erich Schmidt, 2014.

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31

Wendekrisen: Der Pikaro im deutschen Roman der 1990er Jahre. Trier: WVT, Wissenschaftlicher Verlag Trier, 2006.

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32

Die Fiktionalität der Natur: Studien zum Naturbegriff in Erzähltexten der Romantik und des Realismus. Berlin: Weidler, 2005.

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33

Balancing acts: Intercultural encounters in contemporary German and Austrian literature. Tübingen: Stauffenburg, 2001.

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34

(Illustrator), Pat Touret, ed. Heidi (German Children's Classics). Ladybird Books Ltd, 1991.

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35

Thoreau, Henry David. Walden (Webster's German Thesaurus Edition). ICON Group International, Inc., 2006.

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36

The Call of the Wild (Webster's German Thesaurus Edition). ICON Classics, 2005.

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37

Harold, Bloom. Modern German Fiction (German Literature Series). Chelsea House Pub (L), 1994.

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38

Der Fisch: Thriller. 2nd ed. Berlin: Aufbau Verlag, 2008.

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39

Anna, Seghers, and Alfred Döblin. Early 20th Century German Fiction (German Library). Continuum International Publishing Group, 2003.

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40

German House. Center Point Large Print, 2020.

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41

German House. HarperCollins Publishers, 2020.

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42

Hess, Annette, and Elisabeth Lauffer. German House. HarperCollins Publishers, 2019.

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43

Hess, Annette, and Elisabeth Lauffer. German House. HarperCollins Publishers, 2020.

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44

Hess, Annette. German House. HarperCollins Publishers, 2019.

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45

The German House. HarperVia, an imprint of HarperCollinsPublishers, 2019.

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46

Hess, Annette. The German House. Harpercollins, 2019.

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47

Hess, Annette. The German House. HarperCollins B and Blackstone Publishing, 2019.

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48

1923-, Willson A. Leslie, ed. Contemporary German fiction. New York: Continuum, 1996.

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49

Milner, Andrew, and J. R. Burgmann. Science Fiction and Climate Change. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621723.001.0001.

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Abstract:

Despite the occasional upsurge of climate change scepticism among Anglophone conservative politicians and journalists, there is still a near consensus among climate scientists that current levels of atmospheric greenhouse gas are sufficient to alter global weather patterns to disastrous effect. The resultant climate crisis is simultaneously both a natural and a socio-cultural phenomenon and in this book Milner and Burgmann argue that science fiction occupies a critical location within this nature/culture nexus. Science Fiction and Climate Change takes as its subject matter what Daniel Bloom famously dubbed ‘cli-fi’. It does not, however, attempt to impose a prescriptively environmentalist aesthetic on this sub-genre. Rather, it seeks to explain how a genre defined in relation to science finds itself obliged to produce fictional responses to the problems actually thrown up by contemporary scientific research. Milner and Burgmann adopt a historically and geographically comparatist framework, analysing print and audio-visual texts drawn from a number of different contexts, especially Australia, Britain, Canada, China, Finland, France, Germany, Japan and the United States. Inspired by Raymond Williams’s cultural materialism, Pierre Bourdieu’s sociology of culture and Franco Moretti’s version of world systems theory, the book builds on Milner’s own Locating Science Fiction to produce a powerfully persuasive study in the sociology of literature.

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50

Collected Novellas German and Austrian Literature. Dalkey Archive Press, 2011.

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