Relevant bibliographies by topics / Opera study

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Opera study'

Author: Grafiati
Published: 19 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Opera study.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Opera study"

1

Tesařová, Petra. "OPERa Study." Klinicka onkologie 26, no. 6 (December 15, 2013): 425–33. http://dx.doi.org/10.14735/amko2013425.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Zaslaw, Neal. "Scylla et Glaucus: A case study." Cambridge Opera Journal 4, no. 3 (November 1992): 199–228. http://dx.doi.org/10.1017/s0954586700003773.

Full text
Abstract:
The policies of centralisation pursued by Louis XIV and his ministers affected most aspects of French life and culture. From 1645 opera had been imported from Italy by Louis' minister Cardinal Mazarin, originally out of political motives. When it had become ‘naturalised’, assuming its characteristic French guise under the despotic direction of Lully's Académie Royale de Musique, it continued to serve political purposes. In return for a monopoly on theatre music, Lully saw to it that opera served not only as entertainment for the nobility and bourgeoisie, but also as propaganda for the state and for the divine right of the King. An incidental effect of these policies was that the number of French operas produced was small compared to the number in Italy. This was due to the monopoly; to the centralisation, which meant that with few exceptions ‘French’ opera really meant ‘Parisian’ opera; and to the lavishness of the productions, which made frequent changes of repertory impractical even with subsidies. Each première was an event of note, chronicled in official and unofficial sources – the archival documents, mémoires, correspondence, periodicals, pamphlets and books of the day. This profusion of documentation frequently makes possible a degree of precision about the history of early French opera that can rarely be attained for other national schools.
APA, Harvard, Vancouver, ISO, and other styles
3

Rosmiati, Ana. "PILIHAN DIKSI DALAM PRODUCT PLACEMENT DALAM SINETRON TUKANG OJEK PENGKOLAN." Acintya : Jurnal Penelitian Seni Budaya 13, no. 2 (March 9, 2022): 129–43. http://dx.doi.org/10.33153/acy.v13i2.3998.

Full text
Abstract:
This research on the accuracy of diction in the placement of product placement in the soap opera Tukang Ojek Pengkolan (TOP) at the RCTI Television Station is interesting considering that there are advertising products that are inserted when the soap opera is running. Product placement has become a trend to be shown in soap operas and films in Indonesia with the aim of introducing products effectively because at the same time as the broadcast time, TOP soap operas are one of the soap operas that air on RCTI with high viewership ratings. The story in this soap opera is relatively light about the life of a motorcycle taxi driver. The problem in this research is how to choose an effective diction placement in the product placement of the soap opera Tukang Ojek Pengkolan and how to place the product placement in the soap opera Tukang Ojek Pangkalan when viewed from the nature of the advertisement. The purpose of this study was to find an effective choice of diction placement in the product placement of the soap opera Tukang Ojek Pengkolan and to describe the advertising nature of the product placement found in the soap opera Tukang Ojek Pengkolan. This type of research is a qualitative descriptive research. The data source in this study is the primary data source in the form of the soap opera Tukang Ojek Pengkolan (TOP).Keywords : Product placement, advertisement, soap opera TOP
APA, Harvard, Vancouver, ISO, and other styles
4

TÜRKMENOĞLU, Ömer, and Dilek ALİYAZICIOĞLU. "A STUDY ABOUT THE "ARSHIN MAL ALAN" OPERETTA." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (August 15, 2021): 287–304. http://dx.doi.org/10.46291/zfwt/130215.

Full text
Abstract:
Azerbaijan became acquainted with opera at the beginning of the twentieth century thanks to the tours organized by Russian and European operas to Baku. The intense admiration of the Azerbaijani people led Azerbaijani composers to produce works in opera style. In that period, Üzeyir Hacıbeyli combined his knowledge of authorship, historiography, scientists, education, journalism and musicians in the art of opera, based on the impact of the strong and aesthetic touch of art on people, and laid the foundations of opera in the East by composing the mugam opera "Leyli and Mecnun". In the revolution and democracy struggle that started in Azerbaijan, the artists and intellectuals of the period started an enlightenment movement through their works. On this occasion, Hacıbeyli turned from the opera style to the operetta style. Operetta is a musical / dialogue stage piece that takes its subject from social problems and aims to make the audience laugh while making them think. Hacıbeyli compiled the topics of his operettas from the reactionary perspectives that prevent his people from adopting modern life, offered solutions through his works and gave new and modern perspectives to his audience. The "Arşın Mal Alan" has gained a worldwide reputation thanks to the musical structure that it has created by carefully synthesizing the elements of the Azerbaijani national music style, folk mahnis, dances and mugam traditions with the European operetta style. This work, which is about the tradition of arranged marriage rebelled by the new generation, has been translated into more than sixty languages worldwide thanks to its musical and sociological success and has been adapted to the big screen. Considering that it is a very popular work in our country and in other countries where it has been staged and is of such importance for the Turkish world opera literature, the work does not take place in our opera scenes enough and it is noteworthy that the number of publications such as articles, theses and books about it in Turkey. With this study, it is thought to contribute to the literature. In this article, the history of Azerbaijan operetta, the life of Üzeyir Hacıbeyli and the operetta "Arşın Mal Alan" are examined. Keywords: Azerbaijan Opera, Üzeyir Hacıbeyli, Operetta, Opera, Arşın Mal Alan
APA, Harvard, Vancouver, ISO, and other styles
5

Rachmawati, Yul, and Tangguh Okta Wibowo. "KENIKMATAN IRONIS BAGI MANTAN PREMAN DI YOGYAKARTA SETELAH MENONTON SINETRON PREMAN PENSIUN." Jurnal Komunikasi 12, no. 2 (September 9, 2018): 111–20. http://dx.doi.org/10.21107/ilkom.v12i2.4513.

Full text
Abstract:
ABSTRACTThis study attempts to explore how the reception of the audiences after watching Preman Pensiun(PP) soap opera, a comedy soap opera by Aris Nugraha which has aired up to three series. Theproblematization of this study comes when PP soap opera raises a question, how do audiences’response in the city other than Bandung? This study tries to understand how receptive thugs whoare retired or ex-thugs after watched PP soap operas in their daily lives. For data collection,researchers conducted in-depth interviews after approaching three informants as former thugs in Yogyakarta. The result of this study is the communication of former thugs in daily life after they have constructed and reproduced values adopted from PP soap opera. Last, PP soap opera givespleasure for the ex-thugs in providing entertainment, but also it gives ironic pleasure and paradoxwhen they feel away with the pleasure.Keywords: daily lives of ex-thugs; ironic pleasure; Preman Pensiun soap opera; reception of thugs
APA, Harvard, Vancouver, ISO, and other styles
6

Roll, Julia, and Sven-Ove Horst. "The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany." Baltic Screen Media Review 5, no. 1 (December 20, 2017): 90–109. http://dx.doi.org/10.1515/bsmr-2017-0014.

Full text
Abstract:
AbstractToday, opera houses are confronted by new (global) digital media offers that enable people to remain outside the opera house while attending a live-opera, e.g. via livestreamed opera performances in the cinema. This is a challenge for media managers in these fields because they need to find new ways to work with these new opportunities. Within a cultural marketing context, branding is highly relevant. Based on the brand image approach by Kevin Lane Keller (1993), we use a complex qualitative-quantitative study in order to investigate if, and how, the brand images of live-opera performances and live-streamed operas differ between countries and cultural contexts. By comparing Estonia and Germany, we found that the perception of live-opera is rather a global phenomenon with only slight differences. Furthermore, the ‘classical’ opera performance in an opera house is still preferred, with a corresponding willingness to pay, while the live-streamed opera offer may provide a modern touch. The study may help media managers in adapting their brand management to include new digital product offers and to find targeted differentiation strategies for increasingly competitive markets.
APA, Harvard, Vancouver, ISO, and other styles
7

Yazar, İlhan Uğur. "The Influence of Orientalism in the 18th and 19th Century Opera Librettos." Journal of Human Sciences 19, no. 2 (June 21, 2022): 300–310. http://dx.doi.org/10.14687/jhs.v19i2.6283.

Full text
Abstract:
This study aims to trace the change and transformation of meaning and influence of orientalism and in the West from the 18th century through the 19th century in the operas where both content and visual codes were penetrated in the subtlest way, which first evolved geographically and politically, then diplomatically and culturally, and finally the purpose of domination by the West. While opera librettos embodied orientalism visually, the evolving content of orientalism shaped the operas. From this viewpoint, this study discusses the interaction between the East and the West in the 18th century, and the reflection of the historical memory in the performing arts in the 19th century, in which the attempts for domination emerged. In this context, ‘Tamerlano’ Opera by George Frederick Händel and the ‘Abduction from the Seraglio’ Opera by Wolfgang Amadeus Mozart in the 18th century are looked through, and ‘Aida’ Opera by Giuseppe Verdi in the 19th century is construed subsequently.
APA, Harvard, Vancouver, ISO, and other styles
8

Wang, Xiao. "Spiritual Inheritance: A Case Study of Henan Opera." Journal of Contemporary Educational Research 5, no. 9 (September 30, 2021): 26–30. http://dx.doi.org/10.26689/jcer.v5i9.2531.

Full text
Abstract:
Despite many scholarly debates on Chinese opera, the study of how opera hit rock bottom remains scarce. Therefore, this article addresses this reason through a case study of Henan Opera. Informed by a systematic approach, there have been various improvements, good and bad criticisms, as well as affirmations in regard to opera. The lack of the Chinese opera spirit is the root of the difficulties in the development of Chinese opera.
APA, Harvard, Vancouver, ISO, and other styles
9

Herzfeld, Gregor. "Poe and “Gothic Opera”." Edgar Allan Poe Review 16, no. 1 (April 1, 2015): 1–18. http://dx.doi.org/10.5325/edgallpoerev.16.1.00001.

Full text
Abstract:
Abstract This article seeks to fulfill two aims: The first is a more documentary one, namely, to give a broad overview, including short characteristics, of the rich operatic production following Poe's texts. The second is a more interpretative one, that is, to investigate the reasons that brought Poe to such a privileged position. Given the special outline of his stories, the composers seem to be interested in a kind of sensual operatic experience, which André Schaeffner labeled “theater of fear” with regard to Debussy. Following this lead, the article aims to reconstruct a line of tradition using “Gothic” elements in operas, creating a “Gothic opera,” which can be traced back to Weber's Freischuütz, Marschner's Vampyr, and Wagner's Flying Dutchman. In order to explore what has attracted opera composers to Poe's works for the last hundred years, I study Poe's ideas on literary musicality, the reception of Gothic features in music and opera, and the aesthetic concepts that might be a unifying factor in these different operas. My idea is that there is a certain aesthetics of atmosphere that can be realized especially well in music and opera, respectively. Composers who are fascinated by Gothic conceptions of atmosphere do not bypass Poe as one of its most ingenious masters and readily adapt his texts to operatic works. By way of reading four of the Poe operas more closely, the aesthetics of a fearful musical atmosphere will be exemplified.
APA, Harvard, Vancouver, ISO, and other styles
10

Minying, YE. "Translation Norms of Yueju Opera to Go Global: A Case Study of The Legend of Liang Shanbo and Zhu Yingtai: A Yueju Opera Translation by Shi Yili." Asia-Pacific Journal of Humanities and Social Sciences 2, no. 2 (June 30, 2022): 040–46. http://dx.doi.org/10.53789/j.1653-0465.2022.0202.005.p.

Full text
Abstract:
As one of China’s major operas and world intangible cultural heritage, Yueju Opera plays an important role in the process of translating Chinese traditional culture. From the perspective of external propaganda, this paper firstly introduces the Projects for Disseminating Chinese Operatic Dramas Overseas, chiefly edited by He Qixin of Renmin University of China, expounds its studying concept and value, and mainly focuses on the Shi Yilis translation of The Legend of Liang Shanbo and Zhu Yingtai — A Yueju Opera in this series. By analyzing the unique translation norms adopted by this translation version, it publicizes traditional cultural opera, which is not limited to the script translation itself. This provides more referent methods and perspectives to inspire individuals, relevant institutions, and even central government. Thus, they can further solve many problems and seize more opportunities encountered in the cause of “going global” of Yueju Opera.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Opera study"

1

Marx, Hannelie. "Narrative and soap opera a study of selected South African soap operas /." Diss., Connect to this title online, 2007. http://upetd.up.ac.za/thesis/available/etd-05192008-162153/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

林鳳珊 and Fung-shan Lam. "A study of Cantonese opera scripts of the 1920s and1930s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31215452.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bay, Muhammet Fatih. "Study Of Electron Identification In The Opera Detector." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609649/index.pdf.

Full text
Abstract:
The OPERA experiment is designed to perform first direct observation of $nu_{tau}$ appearance in an almost pure $nu_{mu}$ beam. The OPERA detector is a hybrid set-up which combines a lead/emulsion target with various electronic detectors. It is located in Gran Sasso Laboratory (LNGS), 730 km away from CERN where neutrino beam is produced. A good electron identification in the ECC brick would also allow OPERA to search for $nu_{mu}rightarrownu_{e}$ oscillations. We have studied electron identification in the Emulsion Cloud Chamber (ECC) brick which was exposed to CERN SPS H4 electron beam. Emulsion scanning was performed in LNGS scanning laboratory. FEDRA framework was used for the data analysis. In total, we have found 30 electron showers in the brick. The characteristics of each shower have been studied. The background base-track contamination in the shower was estimated as $20pm 4$. This is mainly due to shower overlap of electrons and passing through cosmic rays.
APA, Harvard, Vancouver, ISO, and other styles
4

Rojas, Rajs Maria Teresa. "Telepresence learning environments for opera singing, a case study." Doctoral thesis, Universitat Politècnica de Catalunya, 2012. http://hdl.handle.net/10803/125029.

Full text
Abstract:
The present study analyzes the data obtained in the execution of the Opera eLearning project, a multidisciplinary effort to develop a solution for Opera singing distance lessons at the graduate level, using high bandwidth to deliver quality audio and video experience that has been evaluated by singing teachers, chorus and orchestra directors, singers and other professional musicians. The research work includes the phases of design, execution and evaluation of pilot tests, followed by further development and execution of several experimental exercises with the system, all of them carried out between July 2008 and April 2009. This is an empirical research, an exploratory case study that has provided enough data to arrive to a sustainable model for a telepresence learning environment. Different usability methods have been implemented in order to assure users of the quality of the product. The main objective is to prove whether the system or artifact proposed can be used to deliver a complete remote singing class at a higher education level; for that purpose, we have defined several research categories that describe the usability of the system in multiple dimensions. We have used “design as research” approaches to promote innovation in the technological area. The theoretical framework is based on a wide variety of fields; from acoustics, physics, music, professional singing to telecommunications and multimedia technology. However, the common thread and central issue under analysis is distance education, through the construction of a remote learning system. We have also included the corresponding justification of the scientific methodology employed
El presente estudio analiza los datos obtenidos en la ejecución del proyecto Opera eLearning, un esfuerzo multidisciplinario para desarrollar una solución que permita dar clases a distancia de canto lírico a nivel de educación superior, utilizando conexiones de banda ancha con el fin de proveer una experiencia de vídeo y audio de calidad, la que ha sido evaluada por profesores de canto, directores de coros y orquesta, cantantes y otros músicos profesionales. El trabajo de investigación incluye las fases de diseño, ejecución y evaluación de las pruebas piloto, seguido del posterior desarrollo y ejecución de varios ejercicios experimentales con el sistema, todos ellos efectuados entre Julio de 2008 y Abril de 2009. Esta es una investigación empírica, un caso de estudio exploratorio que ha obtenido datos suficientes como para definir un modelo sostenible de entorno de enseñanza por telepresencia. Diversos métodos de usabilidad fueron implementados con el fin de asegurar a los usuarios la calidad del producto. El objetivo principal es probar si el sistema o artefacto propuesto puede ser usado para realizar de modo remoto una clase completa de canto lírico a nivel de educación superior; con tal propósito, hemos definido varias categorías de investigación que describen la usabilidad del sistema en múltiples dimensiones. Hemos utilizado el enfoque de “diseño como investigación” para promover la innovación en el área tecnológica. El marco teórico se basa en una amplia variedad de campos; desde la acústica, la física, la música, el canto profesional hasta las telecomunicaciones y tecnología multimedia. Sin embargo, el hilo común y tema central bajo análisis es la educación a distancia, ya que se trata de la construcción de un sistema de aprendizaje remoto. También se he incluido la justificación correspondiente a la metodología científica empleada.
APA, Harvard, Vancouver, ISO, and other styles
5

Stanek, Mark C. "Guitar in the opera literature : a study of the instrument's use in opera during the 19th and 20th centuries." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1285408.

Full text
Abstract:
This dissertation is a study of the use of guitar in opera. Ten operas were chosen from the early nineteenth century to the middle of the twentieth century as a representative cross section of operas that use the guitar. The operas studied are: The Barber of Seville by Gioachino Rossini, Oberon by Carl Maria von Weber, Don Pasquale by Gaetano Donizetti, Beatrice and Benedict by Hector Berlioz, Otello and Falstaff by Giuseppe Verdi, La vida breve by Manuel de Falla, The Nightingale by Igor Stravinsky, Wozzeck by Alban Berg, and Paul Bunyan by Benjamin Britten. The study examines the technical aspects of each guitar part and how the guitar relates to the libretto and to the other instruments of the orchestra.The study finds that, with some exceptions, the guitar parts are idiomatic and not difficult to execute. There is some need on the part of the guitarist to edit the parts for technical and historical reasons and editorial suggestions are made by the author. The guitar is often related to the libretto and often appears onstage, yet it is almost always used as a prop and the performing guitarist is placed offstage or in the orchestra pit. There are significant problems found concerning the guitar's lack of volume. Composers tend to limit the number of instruments in use with the guitar. They do not, however, tend to give the guitar louder dynamics when other instruments are used at the same time. The guitar is generally used in outdoor scenes, to evoke a folk idiom, or when specifically referred to in the libretto. The use of the guitar is found to be mostly limited to simple accompaniments which do not utilize the full resources of the instrument.
School of Music
APA, Harvard, Vancouver, ISO, and other styles
6

Williams, Jonathan Huw. "Jean-Philippe Rameau's Anacreon (1754) : a critical study and edition." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389613.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Law, Ho-chak, and 羅浩澤. "Kun opera: a study of its notations and instrumental sonority." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46427740.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Grossman, Anna Libbie. "Identity Unknown: A Study and Performance of Interactive Rock Opera." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1340296546.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Branstetter, Leah Tallen. "Angels and Arctic Monkeys: A Study of Pop-Opera Crossover." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1249493305.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Ma, Doog-Hoon. "Production of television drama serial : case study of YTV Emmerdale and MBC Chunwon." Thesis, University of Leeds, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364896.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Opera study"

1

Marion, Meisig, ed. Opera minora. Wiesbaden: Harrassowitz, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Danesi, Marcel. Opera Italian!: Learn Italian as you enjoy Italian opera! : a self study. Welland, ON: Éditions Soleil Publishing, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Tsūkai! Operagaku: Amazing study of a history of opera. Tōkyō: Shūeisha Intānashonaru, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Opera coaching: Professional techniques and considerations. New York: Routledge, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Bengt, Löfstedt, ed. Opera omnia. München: K.G. Saur, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

North, Roger. Wagner's most subtle art: An analytical study of Tristan und Isolde. London: R. North, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Fanelli, Jean Grundy. Opera for everyone: A historic, social, artistic, literary, and musical study. Lanham, Md: Scarecrow Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

North, Roger. Wagner's most subtle art: An analytic study of "Tristan und Isolde". London: Roger North, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Mozart's operas: A critical study. 2nd ed. Oxford: Clarendon Press, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

1959-, Ke Lin, ed. Min zu xi ju xue: Ethnic opera study. Beijing Shi: Min zu chu ban she, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Opera study"

1

Hepokoski, James A. "Boito and F.-V. Hugo's "Magnificent Translation": A Study in the Genesis of the Otello Libretto." In Reading Opera, edited by Arthur Groos and Roger Parker, 34–59. Princeton: Princeton University Press, 1988. http://dx.doi.org/10.1515/9781400859597.34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Liu, Ke. "Study on Reform of Traditional Chinese Opera." In Lecture Notes in Electrical Engineering, 801–6. London: Springer London, 2013. http://dx.doi.org/10.1007/978-1-4471-4805-0_101.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kolokytha, Olga. "Developing Texts for Animated Opera: A Unique Case Study." In The Palgrave Handbook of Script Development, 545–55. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82234-7_37.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Huang, Qin, and Yajun Wang. "A study on the translation of Peking Opera terminology." In Terminology Translation in Chinese Contexts, 98–119. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Routledge studies in Chinese translation: Routledge, 2021. http://dx.doi.org/10.4324/9781003006688-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Jiafang, Dai, and Lau Sze Wing. "A Diachronic Study of Jingju Yangbanxt Model Peking Opera Music." In Listening to China’s Cultural Revolution, 11–35. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137463579_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Mateo, Marta. "Reception, text and context in the study of opera surtitles." In Doubts and Directions in Translation Studies, 169–82. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/btl.72.18mat.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Mich, Luisa, and Roberto Peretta. "Mobile Web Strategy for Cultural Heritage Tourism: A Study on Italian Opera Houses." In HCI in Business, Government and Organizations. Interacting with Information Systems, 194–208. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58481-2_16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Golding, Rosemary. "Ernest Newman, ‘Introduction’ in Gluck and the Opera: A Study in Musical History." In Music in Nineteenth-Century Britain, 134–42. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003003908-11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Leonetti, Francesca. "Angiola D’Orso ante lo cómico calderoniano: Amore, honore e potere." In Studi e saggi, 251–66. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.16.

Full text
Abstract:
This contribution aims to offer a study of the Italian adaptation of the Calderonian comedy Amor honor y poder by Angiola D'Orsi, in which the mechanisms that have allowed the recreation of the semantics of comedy, complex and strongly rooted in the stereotyped formulas of every literary tradition, are highlighted. Art comedian, dramatist, translator and highly experienced actor-manager (capocomico), Angiola D'Orsi shows her ability to acclimate the Spanish opera to the new context of reception, through an operation of mediation and interpretation of the two ideological and dramatic systems. Through the comparative analysis of the figures carrying comedy, characterized by linguistic and character stereotypes, we examine the ways in which their dramatic and cultural redefinition is carried out, closely linked to Italian theatrical practice and in accordance with the traditional mask of Zanni.
APA, Harvard, Vancouver, ISO, and other styles
10

Veeraragavan, Narasimha Raghavan, Roman Vitenberg, and Hein Meling. "Reliability Modeling and Analysis of Modern Distributed Interactive Multimedia Applications: A Case Study of a Distributed Opera Performance." In Distributed Applications and Interoperable Systems, 185–93. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-30823-9_16.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Opera study"

1

"The influence study of Western opera to Chinese opera creation." In 2017 International Conference on Humanities, Arts and Language. Francis Academic Press, 2018. http://dx.doi.org/10.25236/humal.2017.64.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Yi-Bin Zhang, Jie Zhou, and Xie Wang. "A study on Chinese traditional opera." In 2008 International Conference on Machine Learning and Cybernetics (ICMLC). IEEE, 2008. http://dx.doi.org/10.1109/icmlc.2008.4620824.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Zhang, Laimin. "Study of status improvement of Huangmei Opera." In 2016 2nd International Seminar on Social Science and Humanistic Education. Asian Academic Press Co., Limited, 2017. http://dx.doi.org/10.24104/rmhe/2017.03.02008.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Pirjo, Suvilehto. "“Puppetry and Opera Are Striking.” Students’ Experiences of Collaboration and Curiosity in Puppetry Opera as a Case Study." In 2nd International Conference on Advanced Research in Education. Acavent, 2019. http://dx.doi.org/10.33422/2nd.educationconf.2019.11.794.

Full text
Abstract:
This paper will focus on the possibilities of puppetry and opera in early childhood education studies (ECE), and among children in day care in a class of twenty 4−5-year-olds. The research centres around 200 university students in the middle of a project on opera and puppetry in their ECE programme. Opera is about strong emotions (see Trevarthen 2012, 263), and puppetry is a vehicle to make feelings visible (Lintunen, 2009, Majaron 2012, 11, Scheel, 2012). Puppetry and opera can be used in collaboration, and they are combined in this ECE programme as a part of the university studies in drama and literary arts. A method called Pritney has been created to realize the project. The theoretical background consists of puppetry and literary arts. The paper will present some findings from cases in which puppetry and opera have been used experimentally with ECE students, and subsequently with kindergarten children. There is a need for collaborative encounters during the processes of puppetry and opera. Based on the observations and remarks of university students doing their puppetry and opera project, this paper considers the value of conveying puppetry and opera to a child audience as a stimulation for curiosity and emotions. All this reflection is followed by the examples of practice in ECE studies. Performing opera with puppets is beneficial. In summary, the artistic experiments created by puppetry and opera are valuable in transferring cultural heritage and creating aesthetic and pedagogical moments. There is also a short consideration of a project called “Rinnalla−Hand in Hand” (2018−2020) funded by Finnish ministry of education, in which the Pritney method is further developed (see also Suvilehto 2019).
APA, Harvard, Vancouver, ISO, and other styles
5

Wei, Yifeng. "Study on the Protection of Han Opera Master Mi Yingxian's Opera Culture On Its Historical Contribution to the Formation of Peking Opera." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.151.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hanyan Li and Jinjun Feng. "Simulation study of field emitter arrays using Opera-3D." In 2008 IEEE International Vacuum Electronics Conference (IVEC). IEEE, 2008. http://dx.doi.org/10.1109/ivelec.2008.4556526.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Haiyan, Xu. "The utilization of traditional music culture in contemporary local opera of China—a case study of Sizhou Opera." In Proceedings of the 2019 3rd International Conference on Education, Culture and Social Development (ICECSD 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icecsd-19.2019.26.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Li, Caizhen. "A study on the Artistic Characteristics and Practices of Chinese Contemprory Opera Taking Concert Opera qEjiameiqas an Example." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.139.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

V. Branco, Matheus, Bruno S. Dupczak, and Daniel Tenfen. "Case Study on the Application of Statcom to Improve the Voltage Control And Stability In Wind Power Plants." In Congresso Brasileiro de Automática - 2020. sbabra, 2020. http://dx.doi.org/10.48011/asba.v2i1.1027.

Full text
Abstract:
A gera¸c˜ao de energia e´olica no Brasil apresenta um crescimento exponencial nos ´ultimos anos. Contudo, existem limita¸c˜oes quanto ao fornecimento de potˆencia reativa pelos aerogeradores, o que pode comprometer o controle de tens˜ao coordenado pelo Operador Nacional do Sistema El´etrico (ONS). Para tanto, s˜ao necess´arias ferramentas adicionais de compensa¸c˜ao de reativos, visando a estabilidade da opera¸c˜ao do Sistema Interligado Nacional (SIN). Buscando atender os requisitos t´ecnicos impostos pelo ONS, este trabalho apresenta an´alises de opera¸c˜ao em regime permanente e de transit´orios eletromecˆanicos de um Compensador S´ıncrono Est´atico no complexo e´olico Ventos da Bahia II. O trabalho verifica a viabilidade t´ecnica de implanta¸c˜ao deste sistema, destacando as vantagens para o controle de tens˜ao em situa¸c˜oes de opera¸c˜ao normal e sob contingˆencias.
APA, Harvard, Vancouver, ISO, and other styles
10

Wang, Xu, and Xinhui Song. "Education of Chinese Traditional Operas in Colleges from the Perspective of Cultural Identity–A Case Study of Lv Opera." In International Conference on Mental Health and Humanities Education (ICMHHE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200425.025.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Opera study' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography