Relevant bibliographies by topics / Pedro Pascual (wind player)

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Academic literature on the topic 'Pedro Pascual (wind player)'

Author: Grafiati
Published: 5 June 2025
Last updated: 16 July 2025

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Journal articles on the topic "Pedro Pascual (wind player)"

1

Ruiz, Jiménez Juan. "Contratación de un grupo de ministriles en la ciudad de Baza (1583)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394162.

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El 23 de diciembre de 1583, el cabildo de la colegiata de Baza contrataba el primer grupo de ministriles estables en esta institución. Todo apunta a que el patrocinio de estos instrumentistas fue mixto y que contó también con el soporte del cabildo de la ciudad y de las iglesias y monasterios que en ella había, así como de las cofradías que residían en estas instituciones sacras
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2

Ruiz, Jiménez Juan. "Incorporación de los ministriles a los efectivos musicales de la catedral de Granada (1543/1562/1563)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394863.

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Incorporación de los ministriles a los efectivos musicales de la catedral de Granada (1543/1562/1563). Incorporation of the wind players to the musical resources of the Granada cathedral (1543/1562/1563).
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3

Ruiz, Jiménez Juan. "Alboroto en la celebración de la misa y encarcelamiento de los ministriles y organista de la catedral de Granada (1595)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10395027.

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El proceso entablado por el tribunal de la Inquisición de Granada contra algunos miembros de la comunidad catedralicia, entre ellos los ministriles y el organista, por el escándalo que se causó durante la misa celebrada el segundo día de Pascua de Resurrección, en 1595, el cual terminó con su encarcelamiento, nos permite conocer la estructura del coro y la situación y acceso a las tribunas de los ministriles y del órgano. Nos confirma igualmente que la catedral tenía, en esa fecha, seis ministriles activos a su servicio y datos referentes a la participación de los ministriles y del órgano en la liturgia de la misa, de sus combinaciones tímbricas y de la distribución del trabajo de los dos organistas que la institución tenía asalariados. Finalmente, aporta información sobre los instrumentos bajos que los ministriles tañían fuera de la esfera sacra para su propio entretenimiento. The trial brought by the court of the Inquisition of Granada against some members of the cathedral community, including the minstrels and the organist, for the scandal caused during the mass celebrated on the second day of Easter in 1595, which ended with their imprisonment, allows us to know the structure of the choir and the situation and access to the tribunes of the minstrels and the organ. It also confirms that the cathedral had, at that date, six active minstrels in its service, as well as information on the participation of the wind players and the organ in the liturgy of the mass, their timbral combinations and the distribution of the work of the two organists who were salaried by the institution. Finally, it provides information on the bass instruments that the minstrels played outside the sacred sphere for their own entertainment.
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4

Ruiz, Jiménez Juan. "Pedro de Porras Morales, sacabuche de la capilla real de Madrid (†1633)." Paisajes sonoros históricos (c.1200-c.1800), January 11, 2025. https://doi.org/10.5281/zenodo.14631562.

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En este artículo, recojo los principales datos biográficos conocidos de un excepcional ministril sacabuche del siglo XVII, Pedro de Porras Morales. Tras su paso por Lerma, Sigüenza, Burgos y Cuenca, fue admitido en la capilla real de Madrid. A esta ciudad llega con la intención de imprimir el primer libro de ministriles hispano, lo cual hace efectivo en 1623, probablemente en la Imprenta Real, la cual estaba a cargo de Tomás Junta. En Madrid, Porras Morales compaginó sus servicios a la capilla real con la actividad docente que desarrollaría en su casa de la Puerta de Fuencarral hasta su fallecimiento el 19 de marzo de 1633. In this article, I will give the main known biographical details of an exceptional 17th-century sackbut player, Pedro de Porras Morales. After his time in Lerma, Sigüenza, Burgos and Cuenca, he was admitted to the royal chapel in Madrid. He arrived in Madrid with the intention of printing the first Spanish book for wind players, which he did in 1623, probably in the Imprenta Real, which was run by Tomás Junta. In Madrid, Porras Morales combined his services to the royal chapel with teaching, which he carried out at his house in Puerta de Fuencarral until his death on 19 March 1633.
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Ruiz, Jiménez Juan. "Una monja bajonista en el convento de San Pablo de Cáceres (1642)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394977.

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En 1642, Margarita Petronila de Porras ingresaba como monja bajonista en el convento cacereño de San Pablo. Era hermana del famoso ministril Pedro de Porras que pudo ser su maestro y un importante agente en la transmisión de repertorio musical a este cenobio franciscano. In 1642, Margarita Petronila de Porras entered the convent of San Pablo in Cáceres, as a dulcian-player nun. She was the sister of the famous ministril Pedro de Porras, who may have been her teacher and an important agent in the transmission of musical repertoire to this Franciscan monastery.
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6

Ruiz, Jiménez Juan. "Inventario de los instrumentos y libros del ministril Pedro Crespo en Valladolid (1589)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10395335.

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El inventario <em>post mortem</em> realizado el 9 de septiembre de 1589 de los bienes del ministril Pedro Crespo nos permite conocer los instrumentos y libros que debía usar en el ejercicio de su profesión. The <em>post mortem</em> inventory carried out on 9 September 1589 of the goods of the minstrel Pedro Crespo allows us to know the instruments and books that he must have used in the exercise of his profession.
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7

Ruiz, Jiménez Juan. "Ministriles en la primera fundación de la ciudad de Buenos Aires (1536)." Paisajes sonoros históricos (c.1200-c.1800), December 17, 2023. https://doi.org/10.5281/zenodo.10397506.

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En la expedición de Pedro de Mendoza que partió de Sevilla, en 1535, para la conquista del territorio del río de la Plata, se encontraban un buen número de instrumentistas que estuvieron presentes en la primera fundación de la ciudad de Buenos Aires, el 2 de febrero de 1536.&nbsp; Estos músicos serían los encargados de solemnizar las ceremonias cívicas y religiosas en la efímera vida de este primer enclave bonaerense que fue destruido en 1541. Pedro de Mendoza's expedition that left Seville in 1535 to conquer the territory of the Río de la Plata included a good number of instrumentalists who were present at the first foundation of the city of Buenos Aires on 2 February 1536.&nbsp; These musicians would be in charge of solemnising the civic and religious ceremonies in the ephemeral life of this first settlement of Buenos Aires, which was destroyed in 1541.
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8

Ruiz, Jiménez Juan. "Entierro del ministril Pedro Crespo en Valladolid (1589)." Paisajes sonoros históricos (c.1200-c.1800), October 16, 2024. https://doi.org/10.5281/zenodo.13942181.

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El ministril Pedro Crespo falleció en Valladolid en septiembre de 1589. Sus mandas testamentarias nos permiten conocer los pormenores que dictó con respecto a su entierro y ceremonias litúrgicas mortuorias. The minstrel Pedro Crespo died in Valladolid in September 1589. His testamentary orders allow us to know the details he dictated regarding his burial and liturgical ceremonies.
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9

Ruiz, Jiménez Juan. "Ministriles españoles en el puerto de San Juan de Ulúa (México)." Paisajes sonoros históricos (c.1200-c.1800), December 15, 2023. https://doi.org/10.5281/zenodo.10392074.

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Los galeones que capitaneaban la flota de Indias llevaban entre su tripulación varios ministriles asalariados. En su ruta, uno de los puertos más destacados era el de San Juan de Ulúa (México), situado frente a Veracruz, paso obligado para llegar al virreinato de Nueva España. En este puerto fallecieron algunos de esos ministriles, en cuya almoneda de bienes encontramos diversos instrumentos. The galleons that led the fleet of the Indies carried among their crew several salaried wind players. On its route, one of the most prominent seaports was that of San Juan de Ulúa (Mexico), located in front of Veracruz, a must to get to The Viceroyalty of New Spain. In this port, some of those ministriles died, in whose auction of goods we found various instruments.
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10

Ruiz, Jiménez Juan. "Incorporación de los ministriles a los efectivos musicales de la colegiata de Santa María la Mayor de Valladolid (1564-1576)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394795.

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Incorporación de los ministriles a los efectivos musicales de la colegiata de Santa María la Mayor de Valladolid (1564-1576). Incorporation of the wind players to the musical resources of the collegiate church of Santa María la Mayor in Valladolid (1564-1576).
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Books on the topic "Pedro Pascual (wind player)"

1

Fiala, Michele L., and Martin Schuring. Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.001.0001.

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This volume contains interviews with twenty-six of the most prominent oboists from around the world. The chapters are in prose format and highlight different aspects of each musician’s career, focusing on musicianship and pedagogy in ways that are applicable to all musicians. The interviews contain topics such as creating musical interpretations and shaping phrases, the relationship of vocal to instrumental music, taking orchestral auditions, and being a good ensemble player/colleague. The subjects describe their pedagogy and their thoughts on breathing and support on wind instruments, developing finger technique, and creating a useful warm-up routine. The oboists discuss their ideals in reed making, articulation, and vibrato. They also share stories from their lives and careers. The oboists and English hornists profiled from North America are Pedro Diaz, Elaine Douvas, and Nathan Hughes (Metropolitan Opera Orchestra); John Ferrillo (Boston Symphony Orchestra); Carolyn Hove (Los Angeles Philharmonic); Richard Killmer (Eastman School); Nancy Ambrose King (University of Michigan); Frank Rosenwein and Robert Walters (Cleveland Orchestra); Humbert Lucarelli (soloist); Grover Schiltz (formerly Chicago Symphony); Eugene Izotov (San Francisco Symphony, originally from Russia); Allan Vogel (Los Angeles Chamber Orchestra retired); David Weiss (formerly Los Angeles Philharmonic); Randall Wolfgang (New York City Ballet and formerly Orpheus Chamber Orchestra); Alex Klein (Brazil, formerly Chicago Symphony and currently Calgary, Canada); and Sarah Jeffrey, Toronto Symphony Orchestra. The performers based in Europe are Neil Black, Nicholas Daniel, and Gordon Hunt (England); Maurice Bourgue and David Walter (France); Thomas Indermühle (Switzerland); László Hadady (Hungary and France); and Omar Zoboli (Italy). From Australia is Diana Doherty of the Sydney Symphony Orchestra.
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Book chapters on the topic "Pedro Pascual (wind player)"

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Fiala, Michele. "Pedro Díaz." In Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.003.0004.

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Pedro Díaz is the solo English Horn of the Metropolitan Opera Orchestra. In this interview, he talks about his start in music, auditions, becoming an English horn player, musical phrasing, and breathing and support on a wind instrument. He also discusses the relationship of vocal to instrumental music, how to become a good ensemble player, his pedagogy, and highlights of his career.
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You might also be interested in the extended bibliographies on the topic 'Pedro Pascual (wind player)' for particular source types:
Journal articles
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