Journal articles on the topic 'Peter and Paul Parish'

The article analyzes the number and composition of the factory parishes’ settlements of the Barnaul ecclesiastical government in the second half of the 18th — early 19th centuries. It is concluded that the parish territories were not stable. In 1750-1760 there was a process of settlements redistribution between parishes. This was due to the formation of factory churches network. In subsequent times, the boundaries of the parishes changed due to the emergence of new settlements in the study area. At the end of the period under study, the largest number of settlements was in the Vvedensky parish of the Novo-Pavlovsk plant (46), the second in terms of indicator was the Voskresensky parish of the Kolyvan plant (30). The remaining churches had a smaller number of settlements, comparable to each other (12-14).
 It was revealed that most factory parishes were "formed" by two types of settlements: factory towns and villages. However, in the 1750s there was not a single rural settlement in the Peter and Paul parish of Barnaul, there were only residents of the factory. The Voskresensky parish of the Kolyvansky plant differed significantly in composition. It included the population of the factory, villages, mines and military fortifications (redoubts, outposts). The identified list of settlements will allow to build topologically correct territories of parishes using GIS tools in the future.

Montrose was one of Scotland's earliest royal burghs, but historians have largely overlooked its parish kirk. A number of fourteenth and fifteenth-century sources indicate that the church of Montrose was an important ecclesiastical centre from an early date. Dedicated to Saints Peter and Paul, by the later middle ages it was a place of pilgrimage linked in local tradition with the cult of Saint Boniface of Rosemarkie. This connection with Boniface appears to have been of long standing, and it is argued that the church of Montrose is a plausible candidate for the lost Egglespether, the ‘church of Peter’, associated with the priory of Restenneth. External evidence from England and Iceland appears to identify Montrose as the seat of a bishop, raising the possibility that it may also have been an ultimately unsuccessful rival for Brechin as the episcopal centre for Angus and the Mearns.

The Parish of St. Peter and Paul in Rembieszyce is located in the province of Kielce, in the commune of Małogoszcz. It was founded in 1438 with the efforts of Odrowąż family, the owners Rembieszyce and surrounding villages. From its inception until today, it was composed of four settlements: Rembieszyce, Karsznice, Mieronice and Wola Tesserowa. The present article discusses the history of the parish Rembieszyce in the years 1800–1945, taking into account such issues as the place of the parish in the church administrative structure, its emoluments, priests and church service, and finally the population of the parish. The basic sources for the research are primarily materials stored in the Archives of the Diocese of Kielce, such as lists of the presbytery funds, inventories fundi instructi, statistical lists concerning the parish, reports, and documents prepared for the sake of the parish representatives pastoral visit to the dean, and reports prepared by those in charge of the parish before visiting the parish by representatives of the diocese. The author has also used documents from the archive of the Parish of Rembieszyce (the parish records registering births and deaths and the parish chronicle). Among the printed sources, one should mention the diocesan directories published regularly in the nineteenth and early twentieth century. Other documents, such as correspondence, complement the present study. Analysis of the source material leads to some interesting conclusions. First and foremost, the parish of Rembieszyce in the nineteenth and first half of the twentieth century was one of the smallest and poorest parishes in the diocese. Low emoluments incumbency in Rembieszyce often caused difficulties in its manning. Suffice it to say that over the nearly 150 years the parish had as many as 25 priests with the title administrator and only one proboszcz, i.e. vicar. Twice it was vacant for lack of candidates willing to take over its management. Throughout the period under research on can observe a small but steady increase in the number of inhabitants of the parish. Larger losses in the population were observed only during the period of epidemics and during World War II. Parish of Rembieszyce was fairly uniform in terms of religious and therefore free from sectarian tensions. The majority of its inhabitants were Roman Catholics. Jews constituted a small percentage of the total population (about 3% in the nineteenth century, less than 4% in the first half of the last century). Other denominations in the parish has also been recorded. Last but not least, among the inhabitants of the parish throughout the period that is in the interest of the present study (with some exceptions) female parishioners statistically dominated male ones. This phenomenon is not only characteristic of the parish under research but occurred throughout the province of Kielce.

This article discusses the practice of dedicating churches to saints in cities on the territory of the state of the Teutonic Order in Prussia. Special attention is paid to three church groups — parish churches, churches owned by monastic orders — Dominicans, Franciscans, Cistercians and Augustinians — Heremites, as well as cathedrals in the capitals of the bishoprics of Kulm, Pomesan, Warmia and Sambia. Among the most popular patron saints was the Virgin Mary, which was due to her patronage of the Teutonic Order as well as the cultural influence of the Hanseatic cities, and her veneration in certain mendicant orders such as the Cistercians. Other popular saints included St Peter and St Paul, and St Nicholas, who also acted as the patron saint of merchants. St Adalbert was also worshipped locally, due to his missionary work in Prussia. Patrons of the churches were also venerated in medieval Europe and were introduced to the region during the process of Christianization.

The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 65 (2017), issue 2
 The article discusses an important period in Church history, namely the so-called Church reform. It occurred after King Zygmunt August (1564) and the Polish clergy (1577) had adopted the resolutions of the Council of Trent. The implementation of those resolutions started at the turn of the 17th century. One of the proposals was to renew the life of clergy—their attitude to obligations and improvement of morals, customs and even appearance. Wincenty de Seve’s inspection in the years 1608–1609 concerned the area of the archdeaconry of Gniezno. For the purposes of this article, its four deaneries were analysed, i.e. Holy Trinity, Saints Peter and Paul, Łekno and Sompolno.
 The main purpose of the visitation was to inspect the parish, which played an extremely important role in society. The article discusses the image of the parish clergy emerging from the findings of the inspection, which took into account guidelines for the reform. This image shows that both those who were role models and those who drastically violated various norms were exceptions. The most numerous group were priests, who mostly met the requirements, but various irregularities were noticeable. The biggest problems of the next, slightly smaller group were women and alcohol. The offences also included ignorance, sloppiness and inappropriate clothing.
 The inspection shows that at the beginning of the 17th century, attempts were made to implement the reform of parish clergy, but traces of old habits and new requirements were still to go hand in hand.

To honour the scholar whose distinguished contribution to medieval intellectual history has included examination of the early history of Parisian scholarship, I have chosen to examine an aspect of the work of two major teachers and authors in that ‘monde scolaire qui préfigure déjà le monde universitaire de demain’, the school of Notre Dame. The work of Peter Lombard and Peter Cantor makes clear that in the second half of the twelfth century, Judaism was being placed firmly and permanently on the Parisian theological agenda. Peter Lombard (d. 1160) lectured on the Psalms and the Letters of St Paul. His commentaries on these books came quickly to be received as the standard teaching texts in Paris, the magna glossatura replacing, for those books, the glossa ordinaria of Anselm of Laon and his associates. Medieval exegetes held these particular books of the Bible in esteem. For Aquinas, articulating common opinion, they contained ‘almost the whole of theological doctrine’. And thus, it might well be claimed, almost the whole of theological doctrine about Judaism.

Artykuł ma na celu zrekonstruowanie sytuacji kościoła parafialnego w Grzegorzewie na podstawie określonych źródeł – siedemnastowiecznych wizytacji archidiakonatu gnieźnieńskiego, do którego miejscowość ta wówczas należała. Wykorzystane zostały cztery zachowane obecnie wizytacje z lat 1608-1609, 1632-1633, 1639-1640, 1696-1699. Założenie takie w sposób oczywisty wpływa na zakres merytoryczno-chronologiczny oraz treść artykułu. Omawia on lokalizację i wezwanie kościołów w Grzegorzewie oraz inkorporację kościoła parafialnego do kanonii kapituły uniejowskiej dokonaną w XVI w. W sposób szczegółowy traktuje stan kościoła parafialnego św. Stanisława i św. Mikołaja na przestrzeni XVII w.: zasięg terytorialny parafii, zabudowania, wyposażenie i uposażenie, funkcje społeczne (szkołę, szpital, bractwo), obsadę personalną, poziom duchownych oraz jego skutki. Przywołane zostały również pewne wiadomości dotyczące oratorium niegdyś św. Mikołaja, a w XVII w. św. Piotra i Pawła również wpływającego na rekonstrukcję sytuacji Kościoła w Grzegorzewie. THE PARISH CHURCH IN GRZEGORZEW IN THE LIGHT OF CHURCH VISITATIONS CARRIED OUT IN SEVENTEENTH CENTURY IN ARCHDEACONSHIP OF GNIEZNO The aim of submitted article is reconstruction of the history and events about the parish church in Grzegorzew. The theoretical study is based on specific sources the documents according to church visitations carried out in seventeenth century in archdeaconship of Gniezno. The four preserved visitations which were taken place in the following periods of time 1608-1609, 1632-1633, 1639-1640, 1696-1699 were analysed. It is obvious that such assumption Has the influence on scope not only essential and chronological but also on the content of the article. The article discuss such important issues as location and call the churches in Grzegorzew. Moreover it gives a careful consideration to incorporation of the parish church to canonry chapter of Uniejów in seventeenth century. In detail it describes the situation of the parish church dedicated to St Stanislaus and St Nicholas in seventeenth century especially : territorial range of the parish, buildings, equipment, facilities, basic salary, social function (school, hospital, company); staff and the level of priesthood and its effects. The information about the oratorio dedicated to St Nicholas which was changed into oratorio dedicated to St Peter and St Paul was mentioned.

The family is the first and foremost educator in terms of faith and noble values through the relationships that occur both between husband and wife, parents and children, and relationships between children. This study aims to find three concepts of parents as priests, prophets and kings. Researchers conducted qualitative research with the results of observations, interviews and documentation used by researchers to determine the implementation of the family as the household church of the parish of St. Peter and Paul Kabanjahe. The informants used were 15 families consisting of 15 parents and 15 children. The data analysis process uses technical triangulation and source triangulation. Based on the findings of the researchers, the implementation of the family as a household church has not been fully implemented due to a lack of family understanding of the real household church. In this case the family emphasizes physical life rather than spiritual life. The recommendation in this study is that it is necessary to carry out catechesis to build parents' understanding as a household church in children's education.

The Kalisz Orthodox church from the 1870s (Fig. 1) was demolished in the interwar period and quickly replaced by a “new” Orthodox church by the same name (Fig. 6). The surviving official correspondence reveals a specific set of arguments for the dismantling of the “old” church, e.g. that it was becoming dilapidated, was a threat to public safety and constituted an alien addition to the architectural landscape of the city. The demolition of the Orthodox church was to provide jobs for the unemployed and to open up the possibility of erecting a post office in that spot. The municipal authorities convinced the Ministry of Culture and Art that the local Orthodox parish was not interested in reclaiming the church for their own needs, even though this was not the case. The community ultimately conceded to having the church dismantled but demanded that a new temple be erected as compensation. The example of Kalisz aptly illustrates the attitude the authorities of the Second Republic of Poland had towards Russian Orthodox churches that had been erected in the partition period. The situation mirrored the controversies around the fate of the Orthodox church in Saski Square in Warsaw, if in a more provincial environment. The architectural style of the “new” Orthodox church in Kalisz puzzles many authors – the building, clearly representative of Russian historicism, is associated with Rundbogenstil and Latin- and Occidental-style Orthodox churches, which were spared by the interwar Polish authorities who wished to convert Orthodox citizens to Catholicism within the framework of the so-called neo-Union.

In the first issue of New Theatre Quarterly (February 1985), David Williams presented a conspective overview of the work of Peter Brook at the International Centre for Theatre Research in Paris. More recently, in NTQ26 (May 1991), Paul B. Cohen analyzed Brook's evolving views on the interaction between performers and audience – the worlds of the imagination and the everyday. Here, Peter Brook himself, in conversation with Jean Kalman, discusses with a characteristically eclectic range of references and comparisons the idea of the theatrical ‘event’ and how it is generated, touching in passing on subjects as diverse as the construction and deconstruction of linear narrative and the significance and nature of improvisation. The interviewer, Jean Kalman, is a lighting designer who has collaborated with Peter Brook on many of his productions in recent years, including The Cherry Orchard, The Mahabharata, Woza Albert! and The Tempest.

Until recently, honorary plaques were rarely the subject of studies by Polish historians. Only in recent years have studies been published discussing their nature and purpose. Unfortunately, due to their previous neglect, including by local authorities, many of these valuable objects were removed from their original place of exhibition, and some were even destroyed. One such plaque, requiring restoration, is from Reszel, commemorating soldiers from the local Roman Catholic parish who fell in the battles with Napoleon in the years 1813–1815. Before the Second World War this plaque was located outside the Church of Saints Peter and Paul, which could be dated to the refurnishing of its interior in 1822–1843. The table’s inscriptional field contains permanent and temporary elements. The former includes inscriptions with the names of fallen soldiers and their place of their origin. The second includes military ranks, names, places and dates of death, dates of birth, decorations received and others. The correct reading of these inscriptions – often written in the form of abbreviations – as well as their verification led to numerous findings, including those relating to units under whose banners fought soldiers from Reszel par�ish in individual battles with Napoleon.

AbstractThe rise of the global market economy has advanced forms of centrist, corporatist and statist rule that are insensitive to local indicators that this novel social order is ecologically, and socially, unsustainable. For many political theologians, and for secular political ecologists, the related crises of species extinction and climate change, combined with structural economic crisis, require a fundamental relocalization of the global economy and of the harvesting of natural resources. The contest between the political economy of global ‘free’ trade and a relocalized economy and polity bears analogies with debates around the relation between the local and the universal in Christian ecclesiology. In the eucharistic body politics of Saint Paul Christian communion is focused in the eucharistic gathering. However, centrist tendencies in ecclesiastical polity emerged in fourth-century accounts of the universal church. The subsequent doctrine of the primacy of Peter gave a powerful push to centrist over localist accounts of the esse of the Church in the West, and the contest between local and universal in Anglican and Catholic ecclesiologies continues to this day. Orthodox theologians Zizioulas and Afanassieff, describe and fill out the doctrinal implications of a primitive ecclesiology in which ‘the eucharist makes the church’.2 This recovery of a local eucharistic ecclesiology offers valuable resources for thinking about the nature of communion between Anglicans in a Communion increasingly riven by controversy, and for thinking about the nature of the parish in a Church of England prone in the last forty years to centrist and managerial conceptions of the Church, and to the denigration of the local parish church as theesseof the ministry and mission of the Church in England.

Статья представляет собой расширенный текст доклада на III научно-практической конференции «Империя и Церковь», проходившей 14–15 апреля 2022 г. в Санкт-Петербургской духовной академии. Приходское летописание, введенное указом Святейшего Синода во второй половине XIX века, — один из важнейших документальных источников по региональной гражданской и церковной жизни конца XIX — начала XX вв. Анализируемая в статье летопись приходской крепостной церкви апостолов Петра и Павла г. Петропавловска — единственная из корпуса хронографических документов благочиния городских церквей Петропавловского округа, которая не была утеряна в послереволюционный период. На страницах документа отображаются исторические факты из жизни прихода периода 1848–1922 гг., перекликающиеся с событиями, имеющими общероссийское измерение: строительство железных дорог, стихийные бедствия, патриотическая деятельность жителей, учреждение викарной архиерейской кафедры, меценатство, начало советских антирелигиозных гонений, зарождение обновленческого раскола и проч. Статья написана на основании ранее не введенных в научный оборот документов, хранящихся в фондах Центрального государственного архива Республики Казахстан (г. Алматы). The article is an extended text of the report at the III scientific-practical conference “Empire and the Church”, held on April 14–15, 2022 at the St. Petersburg Theological Academy. The parish chronicle, introduced by decree of the Holy Synod in the second half of the 19th century, is one of the most important documentary sources on regional civil and church life in the late 19th and early 20th centuries. The chronicle of the parish fortress church of the Apostles Peter and Paul in Petropavlovsk, analyzed in the article, is the only one from the corpus of chronographic documents of the deanery of the city churches of the Petropavlovsk District that was not lost in the post-revolutionary period. The pages of the document display historical facts from the life of the parish from 1848 to 1922, echoing events that have an all-Russian dimension: the construction of railways, natural disasters, the patriotic activity of residents, the establishment of a vicar bishop’s chair, patronage, the beginning of Soviet antireligious persecution, the emergence of a renovationist schism and other The article is based on documents not previously introduced into scientific circulation, stored in the funds of the Central State Archive of the Republic of Kazakhstan (Almaty).

One of the parishes of the ancient Sergievski posad of the Moscow province got its name from the wooden church in the name of the Renewal of the Church of the Resurrection of Christ, in the vernacular of the Resurrection. It was erected to the north of the monastery in 1654 by decree of Tsar Alexei Mikhailovich and with the blessing of Patriarch Nikon in memory of the events of the defense of the monastery in 1608-1610. By 1782, by the time the settlement received urban status – the status of a posad, the Resurrection Church remained wooden, while in other parishes the temples were stone. Moreover, there was another wooden church of this parish next to it – in the name of the Apostles Peter and Paul (Petropavlovskai). It was possible to replace wooden buildings with a stone (brick) temple only in the first quarter of the XIX century. Initially, it was supposed to carry out construction in a couple of seasons of 1811-1812. To do this, Metropolitan Platon's permission (resolution) was obtained, the plan and facade of the church with the chapel were approved, a suitable artel of builders was found, the work of a brick factory was organized, other building materials were prepared. However, the events of the Patriotic War of 1812 and its consequences slowed down the progress of work. The buildings were returned to construction in 1814. The consecration of the temple took place in two stages, as all construction and finishing works were completed. In 1818, the main altar was consecrated in the name of the Renewal of the Church of the Resurrection of Christ on the new antimins, and the next year, 1819, the chapel with the throne in the name of the Apostles Peter and Paul on the old antimins. Both events took place with the participation of an outstanding local native Archimandrite Nikanor (26.11.1787-17.09.1856) and the clergy of Sergievski posad. In everyday life, residents often call it Petropavlovsk church. In the XX century, it experienced ruin and rebirth and is now a courtyard of the Trinity-Sergius Lavra.

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The cases of the fires of Notre-Dame in Paris and St Peter and St Paul in Nantes present the effects of the gradual neglect of monument conservation and their impact on a decrease in safety. The causes and consequences of the fires were described. Differences in the methods of technical protection and reconstruction after a fire have been specified. It was reported that in the Cathedral in Nantes, the wooden truss was replaced with a concrete one, whereas in Notre-Dame the original truss will be recreated. The need to select fire protection and reconstruction methods on a case-bycase basis and use comprehensive fire-resistance systems was indicated.

Böhm’s mysticism aroused the opposition of orthodox Lutheranism. Evangelical parish priest of the Peter and Paul church in Görlitz Gregorius Richter suspect a heresy in Aurora and threate- ned Böhm with banishment. Numerous Aurora texts indicate that Böhme took into account the four principles of the Reformation. Böhm’s Aurora contains the reformational principle the grace itself and the anthropology implied by it, about the non-free will of human being. While in Luther thoughts were dominated by the functional Christology, in the Böhme’s – essential Christology. The essence of this Christology is to call Christ Aurora. From the essential Christology, Böhme, however, derived a functional conclusion, which is the postulate of the following Christ. In contrast to Luther, who focused on the des qua, Böhme focuses primarily on des quae. Although Auroracontains numerous references to the Bible, the very title of Böhme’s most famous work is the result of an experience with a tin vessel. Luther would blame Böhme of illumination, that is, the possibili- ty of an internal, omitting the biblical Word, communicating the Spirit of God with human. Böhme was a theosophist, means either theologian and philosopher, in one person. As a theologian, he drew the knowledge from God’s revelation, and as a philosopher he perceived the traces of God in the world. He had a premonition that reason and faith can not contradict themselves, because ultimately they have a common source in God.

The article highlights the features of the font poster from the collection of “The 4th BLOCK: Museum, Archive, Laboratory” (further – “The 4th BLOСK: MAL”) by four leading contemporary designers from different cultural regions of the alphabetical writing system, namely: Paul Peter Piech (UK), Paula Troxler (Switzerland), Parisa Tashakori (Iran), Paula Scher (USA). Attention is paid to the peculiarities of their creative methods, experimental findings, specifics of compositional means and methods of font design. An attempt is made to assume and find out whether the mentality and worldview universals of each nation affect the specificity of cultural works of a particular country, in particular, the font used in the design of the poster. Thus, the fact that Paul Peter Piech belonged to English culture with its industrial orientation, the flourishing of the media business and labor movements, was reflected in the character of his font. Raised in the tradition of Swiss design, Paula Troxler deliberately destroys the spatial unity of the font composition. The unicity of Parisa Tashakori’s font posters lies in the attempt of the woman-designer to emphasize the contradictions in society between the need for emancipation and the need to return a woman to her traditional roles. The author, as the heir to the Iranian culture of calligraphic inscriptions, uses a single complex of font composition with the involvement of images. Paula Scher’s work is inspired by the urban graffiti language, the networked structure of New York streets and the geometric volumes of high-rise buildings. In the context of current trends and searches in the field of font posters, the prospects for further methodological analysis of the creative achievements in the design environment of individual countries and their awareness within the framework of the research nature of the work are identified. The directions in further research of the visual language of the font poster from the collection of the “The 4th BLOСK: MAL” are determined, taking into account the realities of “metamodernism”.

The article focuses on the analysis of the size of Orthodox parishes in Barnaul as well as the dynamics of the proportion of urban and rural population in the second half of the 18th - 19th centuries. It is concluded that there were four Orthodox parishes in Barnaul. By the end of the 18th century, the population of 24 villages was attributed to them, from 1808 - 29, by the mid-20s of the 19th century the parish territory reached its maximum size and included 33 villages. The population of rural areas in urban parishes increased during the first half of the 19th century. The indicator reached its maximum values by 1846 (51.6%). The increase was associated both with an increase in the number of villages assigned to the churches of Barnaul, and with an increase in the number of inhabitants in them. Since the end of the 1840s, with the beginning of active church building in Altai, the “area” and the number of rural population in urban parishes began to decline. The urban population was unevenly distributed between parishes. The proportion of the townspeople of the Peter and Paul Church among other parishes of Barnaul until 1860 was more than 70%, later it decreased to 34%. The clergy, built in the 1860s of the Intercession Church, "served" an average of 32% of the city's population. In the first half of the 19th century, 17% and 9% of the townspeople were assigned to the Zakharievskaya and Odigitrievskaya churches. In subsequent years, the figures were 27% and 7%.

Per S. Ridderstad om Stina HanssonSvensk bröllopsdiktning under 1600- och 1700-talen. Renässansrepertoarernas framväxt, blomstring och tillbakagångGöteborg: Göteborgs universitet 2011, 526 s.
 Valborg Lindgärde om Pieta van BeekThe first female student: Anna Maria van Schurman (1636)Utrecht: Igitur 2010, 280 s.
 Christina Svensson om Anna CullhedHör mänsklighetens röst. Bengt Lidner och känslans språkLund: ellerströms förlag 2011, 415 s.
 Sofi Qvarnström om AristotelesRetoriken. Översättning, noter och inledning av Johanna Akujärvi, med introduktion av Janne Lindqvist GrindeÖdåkra: Retorikförlaget 2012, 236 s.
 Johan Stenström om Ulf Peder OlrogStudier i folkets visor Utgivna och kommenterade av Mathias Boström, Märta Ramsten och Karin Strand.Stockholm: Svenskt visarkiv i samarbete med Samfundet för visforskning, 2010, 307 s. (Skrifter utg. av svenskt visarkiv, 31.)
 Mats Jansson om Lars ElleströmVisuell ikonicitet i lyrik. En intermedial undersökning med speciellt fokus på svenskspråkig lyrik från sent 1900-talGidlunds förlag: Möklinta 2011, 168 s.
 Anders Nilsson om Clas Zilliacus (red.)Erhållit Europa/ vilket härmed erkännes. Henry Parland-studierHelsingfors/Stockholm: Svenska litteratursällskapet i Finland/Atlantis 2001, 237 s. (Skrifter utg. av Svenska litteratursällskapet i Finland, 750)
 Peter Henning & Paul Tenngart om Jacques RancièreDen okunnige läraren. Fem lektioner i intellektuell frigörelseGöteborg: Glänta produktion 2011, 191 s. Aisthesis. Scènes du régime esthétique de l’art Paris: Editions Galilée 2011, 328 s.

- M.A. van Bakel, H. Esen-Baur, Untersuchungen über den vogelmann-kult auf der Osterinsel, 1983, Franz Steiner Verlag GmbH, 399 pp. - Leen Boer, Bronislaw Malinowski, Malinowski in Mexico. The economics of a Mexican market system, edited and with an introduction by Susan Drucker-Brown, London: Routledge and Kegan Paul, 1982 (International Library of Anthropology)., Julio de la Fuente (eds.) - A.P. Borsboom, Betty Meehan, Shell bed to shell midden, Australian Institute of Aboriginal Studies, Canberra, 1982. - H.J.M. Claessen, Peter Geschiere, Village communities and the state. Changing relations among the Maka of Southeastern Cameroon since the colonial conquest. Monographs of the African Studies Centre, Leiden. London: Routledge and Kegan Paul Ltd. 1982. 512 pp. Appendices, index, bibliography, etc. - H.J.M. Claessen, Jukka Siikala, Cult and conflict in tropical Polynesia; A study of traditional religion, Christianity and Nativistic movements, Helsinki: Academia Scientiarum Fennica, 1982, 308 pp. Maps, figs., bibliography. - H.J.M. Claessen, Alain Testart, Les Chasseurs-Cueilleurs ou l’Origine des Inégalités, Mémoires de la Sociéte d’Ethnographie 26, Paris 1982. 254 pp., maps, bibliography and figures. - Walter Dostal, Frederik Barth, Sohar - Culture and society in an Omani town. Baltimore - London: The Johns Hopkins University Press, 1983, 264 pp., ill. - Benno Galjart, G.J. Kruyer, Bevrijdingswetenschap. Een partijdige visie op de Derde Wereld [Emancipatory Science. A partisan view of the Third World], Meppel: Boom, 1983. - Sjaak van der Geest, Christine Okali, Cocoa and kinship in Ghana: The matrilineal Akan of Ghana. London: Kegan Paul International (in association with the International African Institute), 1983. 179 pp., tables, index. - Serge Genest, Claude Tardits, Contribution de la recherche ethnologique à l’histoire des civilisations du Cameroun / The contribution of enthnological research to the history of Cameroun cultures. Paris, CNRS, 1981, two tomes, 597 pp. - Silvia W. de Groot, Sally Price, Co-wives and calabashes, Ann Arbor, The University of Michigan Press, 1984, 224 p., ill. - N.O. Kielstra, Gene R. Garthwaite, Khans and Shahs. A documentary analysis of the Bakhtiary in Iran, Cambridge University Press, Cambridge, 1983. 213 pp. - G.L. Koster, Jeff Opland, Xhosa oral poetry. Aspects of a black South African tradition, Cambridge Studies in oral and literate culture 7, Cambridge University Press, Cambridge , London, New York, New Rochelle, Melbourne, Sydney, 1983, XII + 303 pp. - Adam Kuper, Hans Medick, Interest and emotion: Essays on the study of family and kinship, Cambridge University Press, 1984., David Warren Sabean (eds.) - C.A. van Peursen, Peter Kloos, Antropologie als wetenschap. Coutinho, Muidenberg 1984 (204 p.). - Jerome Rousseau, Jeannine Koubi, Rambu solo’: “la fumée descend”. Le culte des morts chez les Toradja du Sud. Paris: Editions du CNRS, 1982. 530 pages, 3 maps, 73 pictures. - H.C.G. Schoenaker, Miklós Szalay, Ethnologie und Geschichte: zur Grundlegung einer ethnologischen geschichtsschreibung; mit beispielen aus der Geschichte der Khoi-San in Südafrika. Dietrich Reimer Verlag, Berlin 1983, 292 S. - F.J.M. Selier, Ghaus Ansari, Town-talk, the dynamics of urban anthropology, 170 pp., Leiden: E.J. Brill, 1983., Peter J.M. Nas (eds.) - A.A. Trouwborst, Serge Tcherkézoff, Le Roi Nyamwezi, la droite et la gauche. Revision comparative des classifications dualistes. Cambridge: Cambridge University Press, Paris:Éditions de la Maison des sciences de l’homme, 1983, 154 pp. - Pieter van der Velde, H. Boekraad, Te Elfder Ure 32: Verwantschap en produktiewijze, Jaargang 26 nummer 3 (maart 1983)., G. van den Brink, R. Raatgever (eds.) - E.Ch.L. van der Vliet, Sally Humphreys, The family, women and death. Comparative studies. London, Boston etc.: Routledge & Kegan Paul, 1983 (International Library of Anthropology). xiv + 210 pp. - W.F. Wertheim, T. Svensson, Indonesia and Malaysia. Scandinavian Studies in Contemporary Society. Scandinavian Institute of Asian Studies: Studies on Asian Topics no. 5. London and Malmö: Curzon Press, 1983, 282 pp., P. Sørensen (eds.) - H.O. Willems, Detlef Franke, Altägyptische verwandtschaftsbezeichnungen im Mittleren Reich, Hamburg, Verlag Born GmbH, 1983.

In 1965, in an interview in Sight and Sound, Peter Brook eloquently discussed the difficulties of filming Shakespearian plays, decrying the ‘sad history of Shakespeare on the screen’ and denouncing the majority of Shakespearian films as ‘pitiful’ and ‘unspeakably bad’. Speaking at UNESCO's Shakespeare Quatercentenary Celebration in Paris, he said, in essence, that Shakespeare was impossible to film at all. However, the winter of 1968–9 found Brook in Northern Jutland, filming one of Shakespeare's most profoundly intricate tragedies, King Lear. When the film was released in 1970–1, critical reaction ranged from rapture to outrage. Nigel Andrews called Brook's Lear ‘a distinct achievement’, praising the acting, the setting, and, above all, Brook's use of the camera to ‘transcend repre-sentationalism’. Frank Kermode hailed Lear as a ‘fully realized and deeply imagined version of this great work … a masterly conception of the play’. Charles Phillips Reilly cautiously labelled the film ‘a mixed bag’, lauding Paul Scofield's performance as Lear and Brook's understanding of the themes of the play, but criticizing the camera work, especially in the storm sequence. Pauline Kael, the formidable reviewer for The New Yorker, simply said ‘I hated it’, and dismissed the film as ‘gray and cold … the drear far side of the moon’. According to Kael, the concept was ‘second-rate’, the script ‘plotless’, and the actors walking corpses.12 She dubbed the film ‘Peter Brook's “Night of the Living Dead”’.

Resumen En el presente artículo (i) se desarrolla una crítica al discurso histórico-filosófico de Kant para explicitar sus condiciones de posibilidad, desde lo cual se erige un modelo hermenéutico que (ii) hace inteligible la historia filosofante de la filosofía presente en Los progresos de la metafísica desde los tiempos de Leibniz y Wolff, mostrando cómo las condiciones operan allí y constituyen una determinada narrativa que da cuenta de las perspectivas desde las cuales se ofrece la historia; después (iii) se realiza la interpretación de la historia desde el modelo con el fin de señalar su sostenibilidad; al final, (iv) se vincula la historia filosófica con la propia filosofía trascendental de Kant, legitimando con ello al modelo y señalando cómo el horizonte del proyecto crítico es esa misma historia.
 Palabras clave Metafísica: Historia; Razón; Teleología; Discurso.
 Referencias
 
 Allison, Henry E., Kant’s Transcendental Idealism. An Interpretation and Defense, USA: Yale University Press, 2004.
 Allison, H. E., Editor’s Introduction, a What real progress has metaphysics made in Germany since the time of Leibniz and Wolff?, en Kant, Immanuel, Theoretical Philosophy after 1781, edit. Henry Allison, Peter Heath, Cambridge University Press, USA, 2002.
 Allison, Henry E., “General Introduction”, en Kant, Immanuel, Theoretical Philosophy after 1781, edit. Henry Allison y Peter Heath, USA: Cambridge University Press, 2002.
 Beiser, Frederick C., “Moral Faith and the Highest Good”, en The Cambridge Companion to Kant and Modern Philosophy, edit. Paul Guyer, USA: Cambridge University Press, 2006.
 Caimi, Mario, “La metafísica de Kant”, en Kant, Immanuel, Los Progresos de la metafísica desde los tiempos de Leibniz y Wolff, trad. Mario Caimi, México: Fondo de Cultura Económica, UNAM, UAM, 2011.
 Duque, Félix, “Estudio Introductorio”, en Kant, Immanuel, Los progresos de la metafísica, trad. Félix Duque, Madrid: Tecnos, 1987.
 Ferrarin, Alberto, The Powers of Reason. Kant and the Idea of Cosmic Philosophy, USA: University of Chicago Press, 2015.
 Grondin, Jean, Introduction to Metaphysics. From Parmenides to Levinas, trad. Lukas Soderstorm, USA: Columbia University Press, 2012.
 Guyer, Paul, “The Unity of Nature and Freedom”, en Guyer, Paul, Kant’s System of Nature and Freedom, USA: Oxford University Press, 2005.
 Heidegger, Martin, Kant y el problema de la metafísica, trad. Gred Ibscher Roth, México: Fondo de Cultura Económica, 1996.
 Kant, El conflicto de las facultades, trad. Roberto Rodríguez Aramayo, en Immanuel Kant, Kant III, España: Gredos, 2014.
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 Kant, Immanuel, Crítica de la razón pura, trad. Mario Caimi, México: FCE, UNAM, UAM, 2011.
 Kant, Immanuel, Los progresos de la metafísica, trad. Mario Caimi, México: Fondo de Cultura Económica, UNAM, UAM, 2011.
 Kant, Immanuel, Conjectural beginning of human history, trad. Allen W. Wood, en Immanuel Kant, Anthropology, History and Education, edit. Gunter Zoller, Robert B. Louden, USA: Cambridge University Press, 2007.
 Kant, Immanuel, On the use of teleological principles in philosophy, trad. Gunter Zoeller, en Kant, Immanuel, Anthropology, History and Education, edit. Gunter Zoller, Robert B. Louden, USA: Cambridge University Press, 2007.
 Kant, Immanuel, On a recently prominent tone of superiority in philosophy, trad. Peter Heath, en Kant, Immanuel, Theoretical Philosophy after 1781, edit. Henry Allison, Peter Heath, USA: Cambridge University Press, 2002.
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 Kuhen, Manfred, “Kant’s Critical Philosophy and its Reception –the first five yearse (1781-1786)”, en The Cambridge Companion to Kant and Modern Philosophy, edit. Paul Guyer, USA: Cambridge University Press, 2006.
 Leibniz, Gottfried, El método verdadero, trad. J. Echeverría, en Leibniz, Leibniz, España: Gredos 2014.
 Longuenesse, Béatrice, Kant and the Capacity to Judge. Sensibility and Discursivity in the Transcendental Analytic of the Critique of Pure Reason, trad. Charles T. Wolfe, USA: Princeton University Press, 1998.
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 Martínez Marzoa, Felipe, Releer a Kant, España: Anthropos, 1989.
 Platón, Fedón, trad. Carlos García Gual, en Platón, Platón I, España: Gredos, 2014.
 Platón, Menón, trad. Francisco José Olivieri, en Platón, Platón I, España: Gredos, 2014.
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 Spinoza, Baruch, Ética demostrada según el orden geométrico, trad. Oscar Cohan, México: Fondo de Cultura Económica, 2015.
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 Vieinard-Baron, Jean-Louis, Platón et l’idealisme allemande (1770-1830), Paris: Beauchesne, 1979.
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 Zammito, John, The Genesis of Kant’s Critique of Judgment, USA: The University of Chicago Press, 1992.
 

<strong>Oskar B&auml;tschmann</strong>, 1943 geb. in Luzern, Promotion und Habilitation in Z&uuml;rich, Professuren in Deutschland, 1990/91 Getty Scholar, 1991&ndash;2009 o. Prof. f&uuml;r Kunstgeschichte an der Universit&auml;t Bern, 2001&ndash;2003 Dekan der Phil.-hist. Fakult&auml;t, 2009&ndash;2018 am Schweizerischen Institut f&uuml;r Kunstwissenschaft SIK-ISEA, Z&uuml;rich; 2005 Professeur de France am Institut National d&rsquo;Histoire de l&rsquo;Art, Paris, 2009/10 Wittkower Professor an der Bibliotheca Hertziana Rom (Max Planck-Institut), 2012/13 Samuel H. Kress Professor am Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, D.C.; 20132015 Chair Professor National Normal University of Taiwan, Taipei. &ndash;19801986 Pr&auml;sident der VKKS; 1992&ndash;1996 und 1999&ndash;2015 Vorstandsmitglied der Schweizerischen Akademie der Geistes- und Sozialwissenschaften, 20042012 Nationaler Forschungsrat, SNF. &ndash; Zahlreiche Publikationen zur Geschichte und Theorie der K&uuml;nste vom 15. bis zum 20. Jahrhundert (Ausstellungsk&uuml;nstler, L. B. Alberti, Giovanni Bellini, Hans Holbein d. J., Benedetto Varchi, Nicolas Poussin, Ilya Kabakov, &Eacute;douard Manet, Ferdinand Hodler, Heinrich W&ouml;lfflin u. a.). <strong>Ginster Eheberg</strong>, 1971&ndash;1975 Studium der Kunstgeschichte, Arch&auml;ologie und Theaterwissenschaft in M&uuml;nchen, 1975&ndash;1980 Regie- und Dramaturgieassistentin an den B&uuml;hnen der Hansestadt L&uuml;beck, dem Musiktheater Gelsenkirchen und der Hamburgischen Staatsoper, 1980&ndash;1996 Beleuchterin an der Bayerischen Staatsoper und an den M&uuml;nchner Kammerspielen, anschliessend Pr&uuml;fung zur Beleuchtungsmeisterin. Engagements u. a. an der Bayerischen Staatsoper M&uuml;nchen, den Bregenzer Festspielen, dem Th&eacute;&acirc;tre du Ch&acirc;telet Paris und dem Royal Opera House of Covent Garden, 1996&ndash;2015 Beleuchtungsmeisterin und Lichtgestalterin am Schauspielhaus Z&uuml;rich. Nach der Pensionierung ab 2016 Studium der Kunstgeschichte und Theorie und Geschichte der Fotografie am Kunsthistorischen Institut der Universit&auml;t Z&uuml;rich, 2018 Bachelor of Arts, 2020 Master of Arts, jeweils Grundlagenforschung zu Lily Klee; zur Zeit Doktorandin mit dem Projekt &raquo;Interdisziplin&auml;re Studien zu Lily Klee&laquo; (Arbeitstitel) bei Prof. Dr. Bettina Gockel und PD Roger Fayet. <strong>Walther Fuchs</strong>, Masterstudium der Kunstgeschichte an den Universit&auml;ten Bern und Z&uuml;rich. Promotion in Allgemeiner Geschichte an der Universit&auml;t Z&uuml;rich. Assistenz- und Ausstellungst&auml;tigkeiten an der Schweizerischen Nationalbibliothek Bern, am Medizinhistorischen Institut und Museum der Universit&auml;t Z&uuml;rich (Ausstellung Paul Klee und die Medizin, 2005) und am Anthropologischen Institut der Universit&auml;t Z&uuml;rich. Seit 2001 Leiter des Digiboo Verlags, Z&uuml;rich, Mitherausgeber der Zeitschrift <em>Die Zwitscher-Maschine / Journal on Paul Klee. Zeitschrift f&uuml;r internationale Klee-Studien</em>. Publikationsliste vgl. waltherfuchs.com <strong>Marie Kakinuma</strong>, Kunsthistorische Fachreferentin des Zentrum Paul Klee. Auswahl von Publikationen: <em>Vom Japonismus zu Zen. Paul Klee und der Ferne Osten</em>, mit Osamu Okuda, Scheidegger &amp; Spiess, Z&uuml;rich 2013; <em>Paul Klee. Sonderklasse unverk&auml;uflich</em>, mit Wolfgang Kersten und Osamu Okuda, Wienand Verlag, K&ouml;ln 2015; &raquo;The Forest of Paul Klee. Pursuing &sbquo;The Traces of a Smile&lsquo;. A Conversation with Osamu Okuda and Marie Kakinuma&laquo;, in: Ausst.-Kat. <em>Paul Klee. Spuren des L&auml;chelns</em>, Utsunomiya Museum of Art und Hyogo Prefectural Museum of Art 2015, S. 220&ndash;235; <em>Das 48-Stunden-Gedicht</em>, von J&uuml;rg Halter und Tanikawa Shuntar. &Uuml;bersetzt aus dem Deutschen von Niimoto Fuminari, aus dem Japanischen von Franz Hintereder-Emde. Herausgegeben und mit einem Nachwort von Marie Kakinuma und Susanne Schenzle. Mit je vier Zeichnungen von Yves Netzhammer und Tabaimo, Wallstein Verlag, G&ouml;ttingen 2016; &raquo;Die Serie der &sbquo;Selbstbildnisse&lsquo; im Jahr 1919 von Paul Klee&laquo;, in: <em>Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift f&uuml;r internationale Klee-Studien</em>, hrsg. von Michael Baumgartner, Walther Fuchs, Osamu Okuda, Nr. 3, Fr&uuml;hling 2017, S.22&ndash;32; <em>Robert Walser und Paul Klee. Gedichtbildband</em>, hrsg. von Marie Kakinuma, &uuml;bersetzt von Megumi Wakabayashi und Koki Matsuu, mit einem Vorwort von Reto Sorg, Heibonsha Publishers Ltd., Tokio 2018; &raquo;Der Spaziergang in Paul Klees k&uuml;nstlerischem Schaffen&laquo;, in: <em>&raquo;Spazieren mu&szlig; ich unbedingt&laquo;: Robert Walser und die Kultur des Gehens</em>, hrsg. von Annie Pfeifer und Reto Sorg, Wilhelm Fink Verlag, Paderborn 2019, S. 167&ndash;185; &raquo;Transparency and Opacity: Recto-Verso Works by Paul Klee&laquo;, in: <em>Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift f&uuml;r internationale Klee Studien</em>, hrsg. von Fabienne Eggelh&ouml;fer, Walther Fuchs, Osamu Okuda, Nr. 7, Sommer 2019, S. 4&ndash;23. &raquo;&sbquo;Das Neue Tage-Buch&lsquo; &ndash; Paul Klee und Hans Kayser im Schweizer Exil, 1933-1935&laquo;, in: <em>Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift f&uuml;r internationale Klee Studien</em>, hrsg. von Fabienne Eggelh&ouml;fer, Walther Fuchs, Osamu Okuda, Nr. 9, Sommer 2020, S. 13&ndash;23. <strong>Wolfgang F. Kersten</strong>, Studium der Kunstgeschichte, Empirischen Kulturwissenschaften, Europ&auml;ischen Ethnologie und Philosophie in T&uuml;bingen und Marburg an der Lahn. Promotion 1985 in Marburg, Habilitation 2002 in Z&uuml;rich. 1985 am Bauhaus-Archiv, Berlin, und von 1986/1991 an der Paul Klee-Stiftung im Kunstmuseum Bern t&auml;tig. 1988&ndash;89 Postgraduiertenstipendium des Getty-Grant-Programs. 1991&ndash;2019 Lehre und Forschung am Kunsthistorischen Institut der Universit&auml;t Z&uuml;rich; parallel Ausstellungst&auml;tigkeiten u. a. in Bern, D&uuml;sseldorf, Kyoto, Leipzig, Schopfheim, Stuttgart, Tokio, Wien und Z&uuml;rich. Seit 2003 zahlreiche Forschungsaufenthalte in Japan. Seit 2019 selbstst&auml;ndig als Wissenschaftler und Verleger t&auml;tig. Mitbegr&uuml;nder und Mitherausgeber folgender Periodika: &raquo;Zurich Studies in the History of Art&laquo; (seit 1993), &raquo;Z&uuml;rcher Schriften f&uuml;r Kunst-, Architektur und Kulturgeschichte&laquo; (seit 1999), &raquo;Klee-Studien&laquo; (seit 2002). Laufende Forschungsprojekte zu Paul Strand, Lily und Paul Klee sowie Yasumasa Morimura. &ndash; Bibliografie und weitere Angaben: khist.uzh.ch/de/kol/ emeriti/Kersten.html) <strong>Osamu Okuda</strong>, Studium der Kunstgeschichte an der Universit&auml;t Kobe und am Kunsthistorischen Seminar der Universit&auml;t Bern. 1996&ndash;2004 war er wissenschaftlicher Assistent der Paul-Klee-Stiftung im Kunstmuseum Bern, 2005&ndash;2016 wissenschaftlicher Mitarbeiter im Zentrum Paul Klee, Bern. Er ver&ouml;ffentlichte zahlreiche Publikationen zu Paul Klee und K&uuml;nstlern seines Umkreises, darunter: <em>Paul Klee. Im Zeichen der Teilung. Die Geschichte zerschnittener Kunst Paul Klees 1883&ndash;1940</em> (Stuttgart 1995; gemeinsam mit Wolfgang Kersten); <em>Paul Klee und der Ferne Osten. Vom Japonismus zu Zen</em> (Z&uuml;rich 2013; mit Marie Kakinuma); <em>Hans Bloesch &ndash; Paul Klee. &raquo;Das Buch&laquo; </em>(W&auml;denswil 2019; mit Reto Sorg). Okuda ist Co-Herausgeber der Online-Zeitschrift <em>Zwitscher Maschine. Journal on Paul Klee / Zeitschrift f&uuml;r internationale Klee-Studien</em>. Osamu Okuda, &raquo;&sbquo;Top&uacute;te topĕtop n&oacute;pĕ-t&oacute;p-t&oacute;p.&lsquo; Paul Klee und die Formen der Kindersprache&laquo;, in: Ausst.-Kat. <em>Paul Klee. Ich will nichts wissen</em>, Zentrum Paul Klee, Bern, 8.5.&ndash;29.8.2021; LaM - Lille M&eacute;tropole Mus&eacute;e d&rsquo;art moderne, d&rsquo;art contemporain et d&rsquo;art brut, Villeneuve-d&#39;Ascq, 25.9.2021&ndash;16.1.2022, S. 8391. <strong>Eva Wiederkehr Sladeczek</strong>, Studium der Kunstgeschichte an den Universit&auml;ten Bern, Berlin und Utrecht; 19861989 im Auktionshaus Stuker, Bern t&auml;tig; 1989/90 Mitarbeit am K&uuml;nstlerverzeichnis der Schweiz 1980&ndash;1990 im Schweizerischen Institut f&uuml;r Kunstwissenschaft, Z&uuml;rich; 1992&ndash;2004 wiss. Mitarbeiterin bei der Paul-Klee-Stiftung, Bern; Mit-Autorin des <em>Catalogue raisonn&eacute;</em> Paul Klee, 9 Bde., 1998&ndash;2004; 2005&ndash;2012 wissenschaftliche Mitarbeiterin im Bereich Archiv des Zentrum Paul Klee, Bern; diverse Publikationen und Ausstellungen zu Paul Klee, darunter: <em>Paul Klee. Handpuppen</em> (Ostfildern 2006; gemeinsam mit Christine Hopfengart); <em>Mit Klee durch Bern. Spazierg&auml;nge in Stadt und Umgebung</em>, Bern 2015; seit 2012 Leiterin Archiv und Dokumentation im Zentrum Paul Klee, Bern. <strong>Lilia Sokolova</strong>, (b. 1992) is an art historian with a specialization in Russian and German modernism as well as contemporary art exhibitions in Europe. She was born into a Mari-Tatar family and grew up in Russia before moving to the United States. In 2015 she received the Master of Arts degree in art history from SCAD University, where her work &raquo;Sacred Image in a New Form: Eastern Orthodoxy in Wassily Kandinsky&rsquo;s Art and Theory&laquo; received the university&rsquo;s Best Thesis Award. In 2016&ndash;2019 she worked on a doctoral research project at the University of Cologne under the supervision of Prof. Dr. Norbert Nu&szlig;baum and in conversation with Friedhelm Mennekes. Her dissertation examines the phenomenon of contemporary nonreligious art exhibitions in active churches in Germany and offers the first comprehensive English-language study of the Kunst-Station Sankt Peter K&ouml;ln. Lilia Sokolova has previously taught art history at Appalachian State University, Lenoir-Rhyne University and SCAD Savannah. She currently lives and works in Cologne. <strong>Livia Wermuth</strong>, (*1989) hat Kunstgeschichte und Social Anthropology an den Universit&auml;ten in Basel, Neuenburg und Dijon studiert. 2020/21 Kunsthistorische Volont&auml;rin mit Schwerpunkt Ausstellungsorganisation in der Abteilung Sammlung, Ausstellungen und Forschung des Zentrum Paul Klee in Bern. Seit 2021 Wissenschaftliche Assistentin im Kunstmuseum Bern. In ihrer wissenschaftlichen und kuratorischen Praxis stellt sie sich unterschiedliche Perspektiven vor, interessiert sich daf&uuml;r, wie Menschen kommunizieren und sich ihren Lebensraum aneignen, sowie f&uuml;r Fragen nach Machtverh&auml;ltnissen, die in eine bestimmte Zeit sowie einen bestimmten Raum eingreifen und diese pr&auml;gen. Publikationen zu Paul Klee, darunter Artikel zu Kinderzeichnungen, Art Brut, nichteurop&auml;ische und pr&auml;historische Kunst in der Zeitschrift <em>KunstEinsicht</em> und im Ausstellungskatalog <em>Paul Klee. Ich will nichts wissen</em> (Paris 2021). Weitere Artikel, darunter &raquo;&Uuml;ber Mutterschaft und andere Mythen&laquo; (Online 2019), &raquo;Sabelo Mlangeni: &sbquo;Portraying the Outsider&lsquo;&laquo; (Online 2019), &raquo;Questions on Security and Power in the Context of Gated Communities&laquo; (Basel 2018), &raquo;On anthropology, Technology, and the Importance of Telling other Stories About African Cities: A Conversation with Prof. Katrien Pype (KU Leuven)&laquo; (Basel 2018).

The object of the study is the personality of the missionary priest of the Minusinsk District Vladimir Kuzmin, the subject is his activity in the context of the concept of “sociocultural image”. Based on the biographical research method, the main aspects of V. Kuzmin’s life were studied. The paper sets the following objectives: to reveal the level of education of the priest, to analyze the situation in society, to study the main directions of cultural and educational activities, to outline the position during the First World War and the revolutions of 1917. Particular attention is paid to the activities of V. Kuzmin in the place of a missionary priest in Askiz parish. His merits in the field of combating drunkenness among parishioners and childhood alcoholism are noted. V. Kuzmin was particularly concerned about drunkenness among the non-Russian population. On his initiative and under his leadership, temperance societies and the Brotherhood of Prayer and Temperance were created in the name of the Holy Apostles Peter and Paul in the Minusinsk District. The problem of drunkenness and alcoholism became especially urgent during the First World War. V. Kuzmin actively collaborated with the magazine “Yenisei Diocesan Gazette”. His publications on the pages of the magazine were always timely and devoted to topical issues in the daily life of not only parishioners, but also the population of the entire province. At meetings of diocesan congresses and pastoral and missionary meetings, he advocated a complete state ban on the sale of alcoholic beverages. As a missionary priest, he proposed specific measures to improve missionary activities. As a dean archpriest, V. Kuzmin was fruitfully engaged in social and political work. He was a member of the Minusinsk City Duma and a member of the District government. During the period of the revolutions of 1917 and the civil war, there was an evolution in the socio-political views and activities of the archpriest V. Kuzmina. He welcomed the February Revolution of 1917 and stood at the head of the Minusinsk group of the Labor People's Socialist Party. Missionary priest V. Kuzmin was an interesting, versatile personality who deserves further attention from researchers.

Full Professor in Architectural Design at the Instituto Universitario di Architettura (IUAV) in Venice, he carries out an intense intellectual activity by connecting teaching, theory, research, and practice. Prize of the Italian Presidency of the Republic for architecture 2017, he has delivered seminars and lectures in some of the main universities including Harvard, UIC Chicago, ETH, etc. From 1984 to 1992 he collaborated with Peter Eisenman, New York, on the projects Romeo and Juliet, Verona (1986, Stone Lion, III Architecture Biennale of Venice), La Villette Park, Paris (1986), Monte Paschi, Siena (1988), etc. Among the main international projects: Great Egyptian Museum, Cairo (2002, third prize); MOMA Warsaw (2007, Honorable Mention); John Paul II Center, Krakow (2007, special mention); Torre della Ricerca, Padua (2008, fourth prize, in collaboration with Peter Eisenman); Museum of Judaism, Ferrara (2010, Special Mention). Main projects completed: Ghiaie Sports Area, Trento (1984-1998); Fortunato Depero Museum of Futurism, Rovereto (1992-2008); Gdańsk Shakespearean Theater (2004-2013). His projects are published in the main international magazines such as Casabella, Domus, Architectural Review, Detail, and have been exhibited at the Venice Biennale (1984, 1985, 1996, 2002, 2010 and 2016), Triennale di Milano, Accademia di San Luca, etc. Awards: Fritz Höger, Berlin, 2017; Architizer A, Belgium, 2016; Iconic Award, Monaco DB, 2015; Gold Medal, Milan, 2015, 2009; Golden Compass, Milan, 2015, 2011; Council of Europe, Landscape Award, 2009. Some significant publications: Il Cosmo della Bildung, Mimesis 2016; Unexpected Parma, MUP 2013; The Daìmon of Architecture, Mimesis 2014; John Hejduk, Incarnatio, Marsilio 2010; The Divine of the Landscape, Marsilio 2008; John Hejduk BRONX, Manual in verse, Mimesis 2020. He recently founded in Venice the Nuova Scuola Architettura, a free school that focuses on the urgency of a new (heretical) gaze at Architecture, a necessity which derives from the cultural abyss of our time. The Accademia Nazionale di San Luca in Rome is currently paying a tribute to his oeuvre in a grand exhibition of gypsum models and maquettes titled “eden-eden. Renato Rizzi”, which can be visited until March third, 2023.

Full Professor in Architectural Design at the Instituto Universitario di Architettura (IUAV) in Venice, he carries out an intense intellectual activity by connecting teaching, theory, research, and practice. Prize of the Italian Presidency of the Republic for architecture 2017, he has delivered seminars and lectures in some of the main universities including Harvard, UIC Chicago, ETH, etc. From 1984 to 1992 he collaborated with Peter Eisenman, New York, on the projects Romeo and Juliet, Verona (1986, Stone Lion, III Architecture Biennale of Venice), La Villette Park, Paris (1986), Monte Paschi, Siena (1988), etc. Among the main international projects: Great Egyptian Museum, Cairo (2002, third prize); MOMA Warsaw (2007, Honorable Mention); John Paul II Center, Krakow (2007, special mention); Torre della Ricerca, Padua (2008, fourth prize, in collaboration with Peter Eisenman); Museum of Judaism, Ferrara (2010, Special Mention). Main projects completed: Ghiaie Sports Area, Trento (1984-1998); Fortunato Depero Museum of Futurism, Rovereto (1992-2008); Gdańsk Shakespearean Theater (2004-2013). His projects are published in the main international magazines such as Casabella, Domus, Architectural Review, Detail, and have been exhibited at the Venice Biennale (1984, 1985, 1996, 2002, 2010 and 2016), Triennale di Milano, Accademia di San Luca, etc. Awards: Fritz Höger, Berlin, 2017; Architizer A, Belgium, 2016; Iconic Award, Monaco DB, 2015; Gold Medal, Milan, 2015, 2009; Golden Compass, Milan, 2015, 2011; Council of Europe, Landscape Award, 2009. Some significant publications: Il Cosmo della Bildung, Mimesis 2016; Unexpected Parma, MUP 2013; The Daìmon of Architecture, Mimesis 2014; John Hejduk, Incarnatio, Marsilio 2010; The Divine of the Landscape, Marsilio 2008; John Hejduk BRONX, Manual in verse, Mimesis 2020. He recently founded in Venice the Nuova Scuola Architettura, a free school that focuses on the urgency of a new (heretical) gaze at Architecture, a necessity which derives from the cultural abyss of our time. The Accademia Nazionale di San Luca in Rome is currently paying a tribute to his oeuvre in a grand exhibition of gypsum models and maquettes titled “eden-eden. Renato Rizzi”, which can be visited until March third, 2023.

<strong>Lars Berg</strong>, Studium der Kunstgeschichte, Mittelalterlichen Geschichte und Klassischen Arch&auml;ologie an der Westf&auml;lischen Wilhelms-Universit&auml;t M&uuml;nster. 2010, Magister Artium im Hauptfach Kunstgeschichte mit einer Arbeit &uuml;ber <em>San Giorgio Maggiore in Venedig. Untersuchungen zu Architektur und Fassadenwirkung in der venezianischen Kirchenbaukunst Andrea Palladios</em>. 2013, Promotion zum Dr. phil. im Hauptfach Kunstgeschichte mit einer Arbeit &uuml;ber <em>Otto Knille (1832&ndash;1898). Ein Historienmaler zwischen D&uuml;sseldorfer Malerschule und Berliner Akademie. Mit einem Katalog seiner Werke</em> an der Heinrich-Heine-Universit&auml;t D&uuml;sseldorf. 2013&ndash;2015, Wissenschaftlicher Volont&auml;r im Herzog Anton Ulrich-Museum, Kunstmuseum des Landes Niedersachsen, in Braunschweig. Seit 2015 Leiter der Graphischen Sammlung im St&auml;dtischen Museum Braunschweig. <strong>Lisa Cornali </strong>est assistante-doctorante au sein de l&rsquo;Institut d&rsquo;histoire de l&rsquo;art et de mus&eacute;ologie de l&rsquo;Universit&eacute; de Neuch&acirc;tel. Durant son cursus acad&eacute;mique, elle se concentre sur l&rsquo;&eacute;tude de l&rsquo;art des XIXe et XXe si&egrave;cles, avec un point fort en histoire culturelle et dans l&rsquo;&eacute;tude des pratiques artistiques de r&eacute;ception et de circulation des mod&egrave;les (copie, &eacute;mulation, emprunt, pastiche). Elle porte un int&eacute;r&ecirc;t particulier aux avant-gardes europ&eacute;ennes, et notamment aux questions de grammaires visuelles telles que d&eacute;velopp&eacute;es par Paul Klee ou Vassily Kandinsky. En cours, sa th&egrave;se de doctorat (Universit&eacute; de Neuch&acirc;tel/&Eacute;cole du Louvre) &eacute;tudie les gravures r&eacute;alis&eacute;es d&rsquo;apr&egrave;s les compositions graphiques du sculpteur anglais John Flaxman (1755&ndash;1826) : elle propose de les aborder comme une exp&eacute;rience du regard d&eacute;terminante pour les artistes europ&eacute;ens du long XIXe si&egrave;cle et pour leurs r&eacute;flexions sur les possibilit&eacute;s d&rsquo;une communication visuelle imm&eacute;diate. <strong>Walther Fuchs</strong>, Masterstudium der&nbsp; Kunstgeschichte an den Universit&auml;ten Bern und Z&uuml;rich. Promotion in Allgemeiner Geschichte an der Universit&auml;t Z&uuml;rich. Assistenz- und Ausstellungst&auml;tigkeiten an der Schweizerischen Nationalbibliothek Bern, am Medizinhistorischen Institut und Museum der Universit&auml;t Z&uuml;rich (Ausstellung <em>Paul Klee und die Medizin</em>, 2005) und am Anthropologischen Institut der Universit&auml;t Z&uuml;rich. Seit 2001 Leiter des Digiboo Verlags, Z&uuml;rich, Mitherausgeber der Zeitschrift <em>Die Zwitscher-Maschine. Journal on Paul Klee/Zeitschrift f&uuml;r internationale Klee-Studien, </em>Schriftenleiter der <em>K&uuml;snachter Jahrhefte</em> und Verfasser zahlreicher Publikationen, vgl. Publikationsliste. <strong>Ulrich Gorsboth</strong>, geb. 1954 in Wuppertal-Elberfeld, Studium (Malerei) an der Fachhochschule f&uuml;r Kunst und Design, K&ouml;ln, bei Werner Schriefers und Studium der P&auml;dagogik an der Erziehungswissenschaftlichen Fakult&auml;t der Universit&auml;t K&ouml;ln (Diplom 1986). 1985 erste Einzelausstellung (Malerei) in K&ouml;ln. 1996 Mitglied des Berufsverbandes Bildender K&uuml;nstler K&ouml;ln. Kunstp&auml;dagogische Projekte in der Erwachsenenbildung und Fachunterricht in Gestaltungslehre. Seit 2000 zahlreiche Workshop- und Ausstellungsprojekte zusammen mit der K&uuml;nstlerin Isolde Gorsboth. Lebt in der Prignitz (Land, Brandenburg). Derzeit: Arbeit an einer Studie &uuml;ber &raquo;Asger Jorn zwischen Bauhaus und N. F. S. Grundtvig&laquo;; vertreten in der Clifton Boulder Gallery, Wittenberge und Amsterdam, www.cliftonboulder.com Auswahl an Ver&ouml;ffentlichungen: &raquo;Zur Morphologie informeller Malerei&laquo; 1998, in: <em>Zwischenschritte</em>, Bouvier Verlag Bonn; &raquo;Einschnitt und Ausdruck&laquo;, in: <em>Die Perfektheit und das Fehler</em>, Ausst.-Kat. zu einem trans-disziplin&auml;ren Projekt der Galerie G.A.S.-station, Berlin 2013; &raquo;Gropius in Wittenberge &ndash; Hinweise zu einem architektonischen Fr&uuml;hwerk&laquo;, <em>Mitteilungen des Vereins f&uuml;r Geschichte der Prignitz</em>, Perleberg 2015; &raquo;Programm des ewig Unfertigen. Norbert Haas findet auch zum 100. Geburtstag Neues zu Asger Jorn&laquo;, in: <em>Kunst und Auktionen</em>, 1. Juli 2016; <em>Bauhaus- und Keramikexperte Hans Peter Jacobson &ndash; ein Nachruf</em>, Wittenberge, 2020; &raquo;Tauben, Falken, Nachtigallen&laquo;, Rezension zu Felice Fey, Verschwiegene Kunst, in: <em>Kunst und Auktionen</em>, 2. Juli 2021; &raquo;&rsaquo;Die Kunst ist tot&lsaquo;? &ndash; &Uuml;ber den Begriff der &rsaquo;lebendigen Kunst&lsaquo; bei Asger Jorn&laquo;, in: Art-Zeitung, G. A. S. -station, Tankstelle f&uuml;r Kunst und Impuls, Berlin, Oktober 2021. <strong>Marianne Keller Tschirren</strong> absolvierte zun&auml;chst ein Musikstudium, bevor sie 2002 das Studium der Kunstgeschichte, Germanistik und Geschichte an der Universit&auml;t Bern aufnahm. Im Rahmen eines dreij&auml;hrigen Forschungsprojekts zu Paul Klees Lehre am Bauhaus promovierte sie mit einer Arbeit &uuml;ber seine Farbenlehre im Unterricht. Sie publizierte unter anderem die Artikel &raquo;Reine Farben versus Tonalit&auml;t. Die Farben im Werk von August Macke, Louis Moilliet und Paul Klee vor der Tunisreise 1914&laquo;, in: Ausst.-Kat. <em>August Macke und die Schweiz</em>, Kunstmuseum Thun und August Macke Haus Bonn, Ostfildern 2013, S. 121&ndash;125, und &raquo;&rsaquo;Die Formung bestimmt die Form&lsaquo;. Paul Klees Unterricht am Bauhaus&laquo;, in: <em>100 Jahre Bauhaus, Otto Haesler, Celle und mehr</em>. Vortr&auml;ge zum Bauhausjubil&auml;um 2019, Celle 2020, S. 146&ndash;155. Nach mehreren Jahren Berufst&auml;tigkeit in der Kulturf&ouml;rderung &uuml;bernahm sie Anfang 2022 die Leitung des Bereichs Archiv/Bibliothek/Forschung am Zentrum Paul Klee, Bern. <strong>Klaus H. Kiefer, </strong>Geboren 1947 und Abitur 1966 in Karlsruhe. Studium der Germanistik und Romanistik 1968&ndash;1974 in Heidelberg, Paris (einschl. Vincennes) und M&uuml;nchen, Erstes Staatsexamen. Als Stipendiat der Studienstiftung Promotion in Neuerer deutscher Literaturwissenschaft 1977 in M&uuml;nchen. Anschliessend Referendariat und Zweites Staatsexamen 1979, DAAD-Lektor in Benin 1980&ndash;1981. Danach wiss. Mitarbeiter und akad. Rat in Bayreuth, Habilitation in Neuerer deutscher Literaturwissenschaft 1989. Lehrstuhl Didaktik der deutschen Sprache und Literatur (ein-schliesslich der Didaktik des Deutschen als Zweitsprache) an der Ludwig-Maximilians-Universit&auml;t M&uuml;nchen 1996&ndash;2012. 1984 Gr&uuml;nder und Vorsitzender der Carl-Einstein-Gesellschaft/Soci&eacute;t&eacute;-Carl-Einstein bis 2010, Ver&ouml;ffentlichungen zur deutschen und franz&ouml;sischen Kunst und Literatur vom 18. Jahrhundert bis zur Gegenwart. <strong>Osamu Okuda</strong>, geb. 1951 in Osaka. Studium der Kunstgeschichte an der Universit&auml;t Kobe und am Kunsthistorischen Seminar der Universit&auml;t Bern. 1996 bis 2004 wissenschaftlicher Assistent an der Paul-Klee-Stiftung im Kunstmuseum Bern. 2005 bis 2016 wissenschaftlicher Mitarbeiter im Zentrum Paul Klee, Bern. Zahlreiche Publikationen zu Paul Klee und K&uuml;nstlern seines Umkreises, darunter: <em>Paul Klee. Im Zeichen der Teilung. Die Geschichte zerschnittener Kunst Paul Klees 1883&ndash;1940</em>, Stuttgart 1995, mit Wolfgang Kersten; <em>Die satirische Muse. Paul Klee, Hans Bloesch und das Editionsprojekt &raquo;Der Musterb&uuml;rger&laquo;</em>, Z&uuml;rich 2005, mit Reto Sorg; <em>Paul Klee und der Ferne Osten. Vom Japonismus zu Zen</em>, Z&uuml;rich 2013, mit Marie Kakinuma; <em>Paul Klee &ndash; Sonderklasse, unverk&auml;uflich</em>, K&ouml;ln 2015, mit Wolfgang Kersten und Marie Kakinuma; &raquo;Le cubisme et l&rsquo;acte cr&eacute;ateur du d&eacute;coupage chez Paul Klee&laquo;, in: Ausst.-Kat. <em>Paul Klee. L&rsquo;ironie &agrave; l&rsquo;&oelig;uvre</em>, Centre Pompidou, Paris 2016; Osamu Okuda, Reto Sorg (Hrsg.), <em>Hans Bloesch, Paul Klee &raquo;Das Buch&laquo;</em>, W&auml;denswil 2019; &raquo;&rsaquo;Top&uacute;te topĕtop n&oacute;pĕ-t&oacute;p-t&oacute;p.&lsaquo; Paul Klee und die Formen der Kindersprache&laquo;, in: Ausst.kat. <em>Paul Klee. Ich will nichts wissen</em>, Zentrum Paul Klee, Bern, 2021 und LaM &ndash; Lille M&eacute;tropole Mus&eacute;e d&rsquo;art moderne, d&rsquo;art contemporain et d&rsquo;art brut, Villeneuve d&#39;Ascq, 2021/2022.

-Stanley L. Engerman, Heather Cateau ,Capitalism and slavery fifty years later: Eric Eustace Williams - A reassessment of the man and his work. New York: Peter Lang, 2000. xvii + 247 pp., S.H.H. Carrington (eds)-Philip D. Morgan, B.W. Higman, Writing West Indian histories. London: Macmillan Caribbean, 1999. xiv + 289 pp.-Daniel Vickers, Alison Games, Migration and the origins of the English Atlantic world. Cambridge MA: Harvard University Press, 1999. xiii + 322 pp.-Christopher L. Brown, Andrew Jackson O'Shaughnessy, An empire divided: The American revolution and the British Caribbean. Philadelphia: University of Pennsylvania Press, 2000. xviii + 357 pp.-Lennox Honychurch, Samuel M. Wilson, The indigenous people of the Caribbean. Gainesville: University Press of Florida, 1997. xiv + 253 pp.-Kenneth Bilby, Bev Carey, The Maroon story: The authentic and original history of the Maroons in the history of Jamaica 1490-1880. St. Andrew, Jamaica: Agouti Press, 1997. xvi + 656 pp.-Bernard Moitt, Doris Y. Kadish, Slavery in the Caribbean Francophone world: Distant voices, forgotten acts, forged identities. Athens: University of Georgia Press, 2000. xxiii + 247 pp.-Michael J. Guasco, Virginia Bernhard, Slaves and slaveholders in Bermuda, 1616-1782. Columbia: University of Missouri Press, 1999. xviii + 316 pp.-Michael J. Jarvis, Roger C. Smith, The maritime heritage of the Cayman Islands. Gainesville: University Press of Florida, 2000. xxii + 230 pp.-Paul E. Hoffman, Peter R. Galvin, Patterns of pillage: A geography of Caribbean-based piracy in Spanish America, 1536-1718. New York: Peter Lang, 1999. xiv + 271 pp.-David M. Stark, Raúl Mayo Santana ,Cadenas de esclavitud...y de solidaridad: Esclavos y libertos en San Juan,siglo XIX. Río Piedras: Centro de Investigaciones Sociales, Universidad de Puerto Rico, 1997. 204 pp., Mariano Negrón Portillo, Manuel Mayo López (eds)-Ada Ferrer, Philip A. Howard, Changing history: Afro-Cuban Cabildos and societies of color in the nineteenth century. Baton Rouge: Louisiana State University Press, 1998. xxii + 227 pp.-Alvin O. Thompson, Maurice St. Pierre, Anatomy of resistance: Anti-colonialism in Guyana 1823-1966. London: Macmillan, 1999. x + 214 pp.-Linda Peake, Barry Munslow, Guyana: Microcosm of sustainable development challenges. Aldershot, U.K. and Brookfield VT: Ashgate, 1998. x + 130 pp.-Stephen Stuempfle, Peter Mason, Bacchanal! The carnival culture of Trinidad. Philadelphia PA: Temple University Press, 1998. 191 pp.-Christine Chivallon, Catherine Benoît, Corps, jardins, mémoires: Anthropologie du corps et de l' espace à la Guadeloupe. Paris: CNRS Éditions, 2000. 309 pp.-Katherine E. Browne, Mary C. Waters, Black identities: Wsst Indian immigrant dreams and American realities. New York: Russell Sage Foundation; Cambridge MA: Harvard University Press, 1999. xvii + 413 pp.-Eric Paul Roorda, Bernardo Vega, Los Estados Unidos y Trujillo - Los días finales: 1960-61. Colección de documentos del Departamento de Estado, la CIA y los archivos del Palacio Nacional Dominicano. Santo Domingo: Fundación Cultural Dominicana, 1999. xx+ 783 pp.-Javier Figueroa-de Cárdenas, Charles D. Ameringer, The Cuban democratic experience: The Auténtico years, 1944-1952. Gainesville: University Press of Florida, 2000. ix + 230 pp.-Robert Lawless, Charles T. Williamson, The U.S. Naval mission to Haiti, 1959-1963. Annapolis MD: Naval Institute Press, 1999. xv + 395 pp.-Noel Leo Erskine, Arthur Charles Dayfoot, The shaping of the West Indian Church, 1492-1962. Kingston: The Press University of the West Indies; Gainesville: University Press of Florida, 1999. xvii + 360 pp.-Edward Baugh, Laurence A. Breiner, An introduction to West Indian poetry. Cambridge: Cambridge University Press, 1998. xxii + 261 pp.-Lydie Moudileno, Heather Hathaway, Caribbean waves: Relocating Claude McKay and Paule Marshall. Bloomington: Indiana University Press, 1999. xi + 201 pp.-Nicole Roberts, Claudette M. Williams, Charcoal and cinnamon: The politics of color in Spanish Caribbean literature. Gainesville: University Press of Florida, 2000. xii + 174 pp.-Nicole Roberts, Marie Ramos Rosado, La mujer negra en la literatura puertorriqueña: Cuentística de los setenta: (Luis Rafael Sánchez, Carmelo Rodríguez Torres, Rosario Ferré y Ana Lydia Vega). San Juan: Ed. de la Universidad de Puerto Rico, Ed. Cultural, and Instituto de Cultura Puertorriqueña, 1999. xxiv + 397 pp.-William W. Megenney, John H. McWhorter, The missing Spanish Creoles: Recovering the birth of plantation contact languages. Berkeley: University of California Press, 2000. xi + 281 pp.-Robert Chaudenson, Chris Corne, From French to Creole: The development of New Vernaculars in the French colonial world. London: University of Westminster Press, 1999. x + 263 pp.

- Peter Boomgaard, John Robert Shepherd, Marriage and mandatory abortion among the 17th-century Siraya. Arlington: American Anthropological Association, 1995, iv + 99 pp. [American Ethnological Society Monograph Series 6.] - Bernice de Jong Boers, Michael Hitchcock, Islam and identity in Eastern Indonesia. Hull: The University of Hull Press, 1996, ix + 208 pp. - Dwight Y. King, Audrey R. Kahin, Subversion as foreign policy; The secret Eisenhower and Dulles debacle in Indonesia. New York: The New Press, 1995, 230 + 88 pp., George McT. Kahin (eds.) - Han Knapen, Harold Brookfield, In place of the forest; Environmental and socio-economic transformation in Borneo and the eastern Malay peninsula. Tokyo, New York, Paris: United Nations University Press, 1995, xiv + 310 pp. [UNU Studies on Critical Environmental Regions.], Lesley Potter, Yvonne Byron (eds.) - Niels Mulder, E. Paul Durrenberger, State power and culture in Thailand. New Haven: Yale University, Southeast Asia Studies, 1996, vii + 200 pp. [Monograph 43.] - Peter Pels, Margaret J. Wiener, Visible and invisible realms; Power, magic and colonial conquest in Bali. Chicago: University of Chicago Press, xiv + 445 pp. - Marie-Odette Scalliet, Annabel Teh Gallop, Early views of Indonesia; Drawings from the British Library. Pemandangan Indonesia di masa lampau; Seni gambar dari British Library. London: The British Library, Jakarta: Yayasan Lontar, 1995, 128 pp., 86 ill., 39 pl. - Cornelia M.I. van der Sluys, Marina Roseman, Healing sounds from the Malaysian rain forest; Temiar music and medicine. Berkeley, Los Angeles: University of California Press, 1993, xvii + 233 pp. - Cornelia M.I. van der Sluys, John D. Leary, Violence and the dream people; The Orang Asli in the Malayan emergency, 1948-1960. Athens, Ohio: Ohio University, Center for International Studies, 1995, xxiii + 238 pp. [Monographs in International Studies, Southeast Asia Series 95.] - H. Steinhauer, Darrell T. Tryon, Comparative Austronesian Dictionary; An introduction to Austronesian studies, Berlin, New York: Mouton de Gruyter, 1995, Part I, Fascicle I: xxviii pp + p.1-666; Fascicle II: xix pp + p.667-1197; Part II: xviii + 749 pp; Part III: xviii + 739 pp; Part IV: xviii + 767 pp. [Trends in Linguistics, Documentation 10 (Werner Winter and Richard A. Rhodes, eds).]

REVIEWS OF BOOKSIRELAND IN PREHISTORY, by Michael Herity and George Eogan. London: Routledge and Kegan Paul, 1977. 302 pp. £8.95. Reviewed by: T. J. HughesTHE LIVING LANDSCAPE: KILGALLIGAN, ERRIS, CO. MAYO, by S. Ó Catháin and Patrick O'Flanagan. Dublin: Comhairle Bhéaloideas Éireann, 1975. 312 pp. Reviewed by: R. H. BuchananTHE IRISH TOWN: AN APPROACH TO SURVIVAL, by Patrick Shaffrey. Dublin: The O'Brien Press, 1975. 192 pp. £5.00. Reviewed by: K. A. MawhinneyLOST DEMESNES: IRISH LANDSCAPE GARDENING 1660–1845, by Edward Malins and the Knight of Glin. London: Barrie and Jenkins, 1976. 208 pp. ,£15.00. Reviewed by: K. A. MawhinneyNORTH BULL ISLAND, DUBLIN BAY — A MODERN COASTAL NATURAL HISTORY, edited by D. W. Jeffrey and others. Dublin: Royal Dublin Society, 1977. 158 pp. Hardback .£6.50, paperback £3.60. Reviewed by: J. P. HaughtonCONFLICT IN NORTHERN IRELAND: THE DEVELOPMENT OF A POLARISED COMMUNITY, by John Darby. Dublin: Gill and Macmillan, 1976. 268 pp. £7.95. Reviewed by: F. W. BoalBELFAST: AREAS OF SPECIAL SOCIAL NEED. REPORT BY PROJECT TEAM. Belfast: Her Majesty's Stationery Office, 1976. 85 pp. £3.25. Reviewed by: Robert D. OsborncDUBLIN: A CITY IN CRISIS, edited by P. M. Delany. Dublin: Royal Institute of the Architects of Ireland, 1975. 108 pp. £3.25. Reviewed by: Anngret SimmsIRELAND'S VERNACULAR ARCHITECTURE, by Kevin Danaher. Cork: Mercier Press for the Cultural Relations Committee of Ireland, 1975. 82 pp., 68 plates. £1.50. Reviewed by: F. H. A. Aalen18TH CENTURY ULSTER EMIGRATION TO NORTH AMERICA, Public Record Office of Northern Ireland Education Facsimiles 121–140. Belfast: H.M.S.O., 1972. £0.45.; PLANTATIONS IN ULSTER, c. 1600–41, by R. J. Hunter. Public Record Office of Northern Ireland Education Facsimilies 161–180. Belfast: H.M.S.O., 1975. £1.00.; RURAL HOUSING IN ULSTER IN THE MID-NINETEENTH CENTURY, prepared by Alan Gailey, Victor Kelly and James Paul with an introduction by E. Estyn Evans, for the Teachers' Centre of the Queen's University, Belfast in association with the Ulster Folk Museum and the Public Record Office Northern Ireland. Belfast: H.M.S.O., 1974. £0.70.; LETTERS OF A GREAT IRISH LANDLORD: A SELECTION FROM THE ESTATE CORRESPONDENCE OF THE THIRD MARQUESS OF DOWNSHIRE, 1809–45, edited with an introduction by W. A. Maguire, for the Public Record Office of Northern Ireland. Belfast: H.M.S.O., 1974. 189 pp. £1–65.; ORDNANCE SURVEY MEMOIR FOR THE PARISH OF DONEGORE, Belfast: Department of Extra-Mural Studies, Queen's University, and the Public Record Office of Northern Ireland, 1974. v + 64 pp. 1 map and 31 plates. £0.75. Reviewed by: A. A. HornerTHE LANDED GENTRY. Facsimile documents with commentaries. Dublin: The National Library of Ireland, 1977. 20 sheets and introduction. £1.00. Reviewed by: J. A. K. GrahameSANITATION, CONSERVATION AND RECREATION SERVICES IN IRELAND, by Michael Flannery. Dublin: Institute of Public Administration, 1976. 178 pp. £5.75. Reviewed by: Michael J. BannonGEOGRAPHY, CULTURE AND HABITAT, SELECTED ESSAYS (1925–1975) OF E. G. BOWEN, selected and introduced by Harold Carter and Wayne K. D. Davies. Llandysul: Gomer Press, 1976. 275 pp. £6. Reviewed by: J. H. AndrewsDICTIONARY OF LAND SURVEYORS AND LOCAL CARTOGRAPHERS OF GREAT BRITAIN AND IRELAND 1550–1850 edited by Peter Eden. Folkestone: William Dawson &amp; Sons. Part I, 1975; Parts II and III, 1976. 377 pp. £6.00 per part. Reviewed by: A. A. HornerFIELDS, FARMS AND SETTLEMENT IN EUROPE, edited by R. H. Buchanan, R. A. Butlin and D. McCourt. Belfast: Ulster Folk and Transport Museum, 1976. 161 pp. £5. Reviewed by: J. H. AndrewsREVIEWS OF MAPSNORTHERN IRELAND — A MAP FOR TOURISTS. 1:250,000(1970); CASTLEWELLAN FOREST PARK. 1:10,000(1975); ADMINISTRATIVE MAPS; MAP CATALOGUE (1975 edition). 26 pp. Reviewed by: J. A. K. Grahame

It is known that the Church of the Nativity of the Blessed Virgin Mary at Silba was demolished in 1828 so as to provide the necessary building material for the completion of the new parish church which inherited the dedication from the old one. As we learn from the archival records, the demolition was authorized by the Archbishop of Zadar Josip Nowak who stipulated that the Franciscan Church of Our Lady of Carmel would function as the local parish church while the new one was being built. All that remains from the old church today is the bell tower which continued to be used by the new parish church. It is obvious from the schematic ground plan and the dimensions of the demolished church, recorded in the now lost document from the parish church archive, that it was a single-nave longitudinal structure with a rectangular sacristy to the east, two shallow chapels extending from the lateral walls and a porch of the lopica type (resembling a loggia) at the front which abutted onto the corner of the bell tower with its own south corner. Apart from the high altar, placed against the back wall, the church had three pairs of side altars. The analysis of the canonical visitations carried out during the second quarter of the seventeenth century demonstrates that the church, recorded for the first time in 1579, was a modest building in which the oil for the anointment of the sick was being kept because the local parish church of that time, dedicated to St Mark, was too far from the village. The church was provided with five side altars put up by the more distinguished individuals and members of the lay fraternities the most prominent of which was that of Our Lady of the Rosary after which the church was called by eighteenth-century locals. Based on the analysis of the 1670 visitation of Archbishop Evangelisto Parzaghi who described the renovation during which certain altars changed their places, the article argues that the church was completed just before this visit. The bell tower was mentioned as a campanile for the first time in 1678.By means of comparative analysis, it can be established that the Church of the Nativity of the Virgin at Silba belonged to the same architectural type as a large group of simple yet spacious churches which were built in rural communities along the east Adriatic coast by local masters during the seventeenth and eighteenth centuries. The activity of such masters on the island of Silba is corroborated by contemporary birth, marriage and death records as well as a number of monuments such as a tombstone in the Church of St Mark and the door lintel in the house of master builder Franić Lorencin (1660), both of which depict building and carving tools. The analysis of the land registry maps and topographical drawings of 1824 and 1833 shows that the church’s south wall, to the east of the chapel of Our Lady of the Rosary, was laid in a different direction compared to that of the rest of the wall, indicating that this portion belonged to an earlier layer of the building which, judging from everything, seems to have been medieval. Therefore, the wall was widened and extended towards the west during the rebuilding documented in the visitation of 1670. This possibility, which a future excavation of the site ought to be confirm, is strengthened by the frequency of such alterations as can be seen on the seventeenth- and eighteenth-century churches on the island of Ugljan and in particular on the Church of St Lawrence at Lukoran, built in 1632, which is the best example of that architectural type.Another feature of these churches is the lopica-type porch which stands out as an architectural element typical of Istria and the Quarnero gulf to which, geographically speaking, the island of Silba gravitates. The lopica porch of the Church of the Nativity at Silba had a particularly elongated plan and featured two symmetrical sets of three supports and an axial main entrance into the porch, that is, the church. It is unlikely that the porch was added prior to the late seventeenth century because during that time, Silba was exposed to the raids of the Turkish pirates who threatened it directly. It is certain that the bell tower was used for defensive purposes and the addition of a porch would have diminished its importance as a fortification structure and hampered the visual communication with the entrance to the church.The examination of the architecture of the bell tower revealed two different building phases: an earlier one which included the body of the bell tower and a later one which saw the addition of the pyramidal structure together with a shallow square drum. In its original form, the bell tower had a compact body featuring a round-headed opening at the centre of each side of the two topmost storeys. Their stylistically undefined morphology corresponds to modest bell towers which were built in this area from the late sixteenth to the eighteenth century. The original pyramidal top had to be dismantled in 1858 due to wear and tear and it was replaced by the present one which has oval openings at the bottom of each side of the drum. This structure is almost identical to the top of the bell tower of the Church of Our Lady of the Rosary at Preko on the island of Ugljan which was built in 1844.Based on the archival records, the article also establishes that the substantially repainted image of the Virgin and Child with SS Mark and Matthew, today at the high altar of the parish church, was originally larger. It was the object of ex-voto veneration and numerous offerings had been placed in its glass case. The painting was cropped so that it could be inserted into the niche of the marble altar piece designed by Ćiril M. Iveković (1898) which meant the loss of the two evangelists. According to the preserved contract and drawing, the lower part of the altar was set up in 1860 by Giovanni dalla Zonca, an altar maker from Vodnjan, and it featured the still preserved wooden statues of SS Peter and Paul which are dated to the mid-seventeenth century on the basis of their stylistic features. Therefore, it can be concluded that painting and the statues were taken from the high altar of the demolished church.

Widows have complex problems, in terms of caring of a child, ekonomic, psychology, sexual, and social. Responding to this problems, in Familiaris Consortio art. 71 the Church should be able to give anttention to the situation and condition of widows. The objectives of this research are: knowing the life situation of widows in St. Vincent parish Kediri, knowing the implementation of pastoral ministry for widows in St. Vincent de Paul parish Kediri and knowing the challenges in implementing pastoral ministry for widows in St. Vincent de Paul parish Kediri. This study uses a qualitative method with data collection technoques through interview with 8 respondents: 7 widows and 1 priest. This research resulted in several conclusions: 1) the life sitution of widows in St. Vincent de Paul parish Kediri has various life problems, both in terms of economic, psychology, spiritual, social, sexual, physical and mental, and parenting problem. 2) Pastoral ministry for widows in St. Vincent de Paul parish Kediri has been implemented. 3) The challenge in carrying out pastoral ministry for widows is getting negative perceptions from the people.

-Gesa Mackenthun, Stephen Greenblatt, Marvelous Possessions: The wonder of the New World. Chicago: University of Chicago Press, 1991. ix + 202 pp.-Peter Redfield, Peter Hulme ,Wild majesty: Encounters with Caribs from Columbus to the present day. An Anthology. Oxford: Oxford University Press, 1992. x + 369 pp., Neil L. Whitehead (eds)-Michel R. Doortmont, Philip D. Curtin, The rise and fall of the plantation complex: Essays in Atlantic history. New York: Cambridge University Press, 1990. xi + 222 pp.-Roderick A. McDonald, Hilary McD.Beckles, A history of Barbados: From Amerindian settlement to nation-state. Cambridge: Cambridge University Press, 1990. xv + 224 pp.-Gertrude J. Fraser, Hilary McD.Beckles, Natural rebels; A social history of enslaved black women in Barbados. New Brunswick NJ and London: Rutgers University Press and Zed Books, 1990 and 1989. ix + 197 pp.-Bridget Brereton, Thomas C. Holt, The problem of freedom: Race, labor, and politics in Jamaica and Britain, 1832-1938. Baltimore: John Hopkins University Press, 1991. xxxi + 517 pp.-Peter C. Emmer, A. Meredith John, The plantation slaves of Trinidad, 1783-1816: A mathematical and demographic inquiry. Cambridge: Cambridge University Press, 1988. xvi + 259 pp.-Richard Price, Robert Cohen, Jews in another environment: Surinam in the second half of the eighteenth century. Leiden: E.J. Brill, 1991. xv + 350 pp.-Russell R. Menard, Nigel Tattersfield, The forgotten trade: comprising the log of the Daniel and Henry of 1700 and accounts of the slave trade from the minor ports of England, 1698-1725. London: Jonathan Cape, 1991. ixx + 460 pp.-John D. Garrigus, James E. McClellan III, Colonialism and science: Saint Domingue in the old regime. Baltimore: John Hopkins University Press, 1992. xviii + 393 pp.-Lowell Gudmundson, Richard H. Collin, Theodore Roosevelt's Caribbean: The Panama canal, the Monroe doctrine, and the Latin American context. Baton Rouge: Louisiana State University Press, 1990. xviii + 598 pp.-Andrés Serbin, Ivelaw L. Griffith, Strategy and security in the Caribbean. New York : Praeger, 1991. xv + 208 pp.-W.E. Renkema, M.J. van den Blink, Olie op de golven: de betrekkingen tussen Nederland/Curacao en Venezuela gedurende de eerste helft van de twintigste eeuw. Amsterdam: De Bataafsche Leeuw, 1989. 119 pp.-Horatio Williams, Obika Gray, Radicalism and social change in Jamaica, 1960-1972. Knoxville: University of Tennessee Press, 1991. xiv + 289 pp.-Daniel A. Segal, Brackette F. Williams, Stains on my name, war in my veins: Guyana and the politics of cultural struggle. Durham: Duke University Press, 1991. xix + 322 pp.-A. Lynn Bolles, Olive Senior, Working miracles: Women's lives in the English-speaking Caribbean. Bloomington: Indiana University Press (and Bridgetown, Barbados: ISER),1991. xiii + 210 pp.-Teresita Martínez Vergne, Margarita Ostolaza Bey, Política sexual en Puerto Rico. Río Piedras PR: Ediciones Huracán, 1989. 203 pp.-David J. Dodd, Dora Nevares ,Delinquency in Puerto Rico: The 1970 birth cohort study. With the collaboration of Steven Aurand. Westport CT: Greenwood, 1990. x + 232 pp., Marvin E. Wolfgang, Paul E. Tracy (eds)-Karen E. Richman, Paul Farmer, AIDS and accusation: Haiti and the geography of blame. Berkeley: University of California Press, 1992. xiv + 338 pp.-Alex Stepick, Robert Lawless, Haiti: A research handbook. (With contributions by Ilona Maria Lawless, Paul F. Monaghan, Florence Etienne Sergile &amp; Charles A. Woods). New York: Garland, 1990. ix + 354 pp.-Lucien Taylor, Richard Price ,Equatoria. With sketches by Sally Price. New York &amp; London: Routledge, 1992. 295 pp., Sally Price (eds)-Edward L. Cox, Kai Schoenhals, Grenada. World bibliographical series volume 119. Oxford: Clio Press, 1990. xxxviii + 181 pp.-Henry Wells, Kai Schoenhals, Dominican Republic. World bibliographical series volume 111. Oxford: Clio Press, 1990. xxx + 211 pp.-Stuart H. Surlin, John A. Lent, Mass communications in the Caribbean. Ames: Iowa State University Press. 1990. xviii + 398 pp.-Ellen M. Schnepel, Max Sulty ,La migration de l'Hindouisme vers les Antilles au XIXe siècle, après l'abolition de l'esclavage. Paris: Librairie de l'Inde, 1989. 255 pp., Jocelyn Nagapin (eds)-Viranjini Munasinghe, Steven Vertovec, Hindu Trinidad: Religion, ethnicity and socio-economic change.-Alvina Ruprecht, Selwyn R. Cudjoe, Caribbean women writers: Essays from the first international conference. Amherst: University of Massachusetts Press, 1990. xv + 382 pp.-J. van Donselaar, Michiel van Kempen et al, Nieuwe Surinaamse verhalen. Paramaribo: De Volksboekwinkel, 1986. 202 pp.''Suriname. De Gids 153:791-954. Amsterdam: Meulenhoff, 1990.-J. van Donselaar, Literatuur in Suriname: nieuwe, nog niet eerder gepubliceerde verhalen en gedichten van Surinaamse auteurs. Preludium 5(3): 1-80. Michiel van Kempen (compiler). Breda: Stichting Preludium, 1988.''Verhalen van Surinaamse schrijvers. Michiel van Kempen (compiler). Amsterdam: De Arbeiderspers. 1989. 248 pp.''Hoor die tori! Surinaamse vertellingen. Michiel van Kempen (compiler). Amsterdam: In de Knipscheer, 1990. 267 pp.-Beth Craig, Francis Byrne ,Development and structures of creole languages: Essays in honor of Derek Bickerton. Amsterdam/Philadelphia: John Benjamins, 1991. x + 222 pp., Thom Huebner (eds)-William W. Megenney, John M. Lipski, The speech of the negros congos of Panama. Amsterdam/Philadelphia: John Benjamins, 1989. vii + 159 pp.-Hein D. Vruggink, Clare Wolfowitz, Language, style and social space: Stylistic choice in Suriname Javanese. Champaign; University of Illinois Press, 1992. viii + 265 pp.-Keith A.P. Sandiford, Brian Douglas Tennyson, Canadian-Caribbean relations: Aspects of a relationship. Sydney, Nova Scotia: Centre for international studies, 1990. vii + 379 pp.-Gloria Cumper, Philip Sherlock ,The University of the West Indies: A Caribbean response to the challenge of change. London: Macmillan Caribbean, 1990. viii + 315 pp., Rex Nettleford (eds)

-Richard Price, C.G.A. Oldendorp, C.G.A. Oldendorp's history of the Mission of the Evangelical Brethren on the Caribbean Islands of St. Thomas, St. Croix, and St. John. Edited by Johann Jakob Bossard. English edition and translation by Arnold R. Highfield and Vladimir Barac. Ann Arbor MI: Karoma, 1987. xxxv + 737 pp.-Peter J. Wilson, Lawrence E. Fisher, Colonial madness: mental health in the Barbadian social order. New Brunswick, N.J.: Rutgers University Press, 1985. xvi + 215 pp.-George N. Cave, R.B. le Page ,Acts of identity: Creloe-based approaches to language and ethnicity. Cambridge: Cambridge University Press, 1985. x + 275 pp., Andree Tabouret-Keller (eds)-H. Hoetink, Julia G. Crane, Saba silhouettes: life stories from a Caribbean island. Julia G. Crane (ed), New York: Vantage Press, 1987. x + 515 pp.-Sue N. Greene, Anne Walmsley ,Facing the sea: a new anthology from the Caribbean region. London and Kingston: Heinemann, 1986. ix + 151 pp., Nick Caistor, 190 (eds)-Melvin B. Rahming, Mark McWatt, West Indian literature and its social context. Cave Hill, Barbados, Department of English, 1985.-David Barry Gaspar, Rebecca J. Scott, Slave emancipation in Cuba: the transition to free labor, 1860-1899. Princeton, New Jersey: Princeton University Press, 1985. xviii + 319 pp.-Mary Butler, Louis A. Perez Jr., Cuba under the Platt agreement, 1902-1934. Pittsburgh: University of Pittsburgh Press, 1986. xvii + 410 pp.-Ana M. Rodríguez-Ward, Idsa E. Alegria Ortega, La comisión del status de Puerto Rico: su historia y significación. Río Piedras, Puerto Rico: Editorial Universitaria. 1982. ix + 214 pp.-Alain Buffon, Jean Crusol, Changer la Martinique: initiation a l'économie des Antilles. Paris: Editions Caribeennes, 1986. 96 pp.-Klaus de Albuquerque, Bonham C. Richardson, Panama money in Barbados, 1900-1920. Knoxville: University of Tennesse Press, 1985. xiv + 283 pp.-Steven R. Nachman, Marcel Fredericks ,Society and health in Guyana: the sociology of health care in a developing nation. Authors include Janet Fredericks. Durham: Carolina Academic Press, 1986. xv + 173 pp., John Lennon, Paul Mundy (eds)