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Journal articles on the topic 'Piat or (Television program)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Piat, Jean-Michel, and Saïd Fattah. "How to Become an Efficient Family Caregiver for a Loved One with Schizophrenia?" World Social Psychiatry 6, no. 1 (2024): 27–29. http://dx.doi.org/10.4103/wsp.wsp_57_23.

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Dr. Saïd Fattah, Chairman of the Scientific WASP Section on Family Intervention Program, wished to share with readers the touching and incredible story of Mr. Jean-Michel Piat, a family caregiver whose mother, brother, and daughter suffered from schizophrenia. Despite the significant stress of living around unstable loved ones, and the heavy burden of caring for those with chronic psychiatric disorders, this family caregiver managed to overcome all these obstacles due to a family psychoeducation program, called Profamille and due to his exemplary resilience and empowerment.

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Natalia, El Chris. "ETHICS IN CHILD PROGRAM IMPRESSIONS ON TELEVISION." Emerging Markets : Business and Management Studies Journal 3, no. 1 (2018): 28–37. http://dx.doi.org/10.33555/ijembm.v3i1.68.

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Although nowadays the new media comes to exist in the society, the conventional media like television is still be a part of Indonesian society, especially is the areas that is untouched by the internet. Television still has its own audience. Television is obliged to perform its functions in providing information, educate, entertain, control and also as a social adhesive. Children as one of television audiences always get more attention because children are the next generation who are very easily influenced by this audiovisual media. Children are the easiest figure to imitate what they see on t

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Guyot, Jacques. "Television program agendas in Europe." Glimpse 11 (2009): 62–67. http://dx.doi.org/10.5840/glimpse2009-1011-1213.

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Arrow, Michelle. "‘Television Program Yes, History, No’." History Australia 2, no. 2 (2005): 46–1. http://dx.doi.org/10.2104/ha050046.

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5

Waterman, David. "Digital Television and Program Pricing." Prometheus 16, no. 2 (1998): 185–95. http://dx.doi.org/10.1080/08109029808629274.

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Kotliar, Svitlana, and Viktoria Fedorenko. "Author's Program as a Face of Domestic Television." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 1, no. 1 (2018): 5–17. https://doi.org/10.31866/2617-2674.1.2018.140831.

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The purpose of the research is to review and analyze the creation and maintenance of authoritative television programs by well-known Ukrainian television broadcasters on justification the main trends in the influence of domestic television on the worldview of spectators. The methodology of the research is based on an experimental method (to define the specificity of the influence of author’s TV programs on the educational direction on national and regional television channels in Ukraine); method of analysis (to study the practical experience of creating author’s TV p

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Iverson, Ethan. "All-Star Television." Journal of Jazz Studies 13, no. 1 (2022): 47–63. http://dx.doi.org/10.14713/jjs.v13i1.198.

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Recorded in 1965 at the Village Gate, but rarely seen until recently, the National Educational Television program Jazz: The Experimenters features music from Charles Mingus and Cecil Taylor. This article explores and contextualizes both the extraordinary performances and critical commentary contained in this program, as provided by Ralph Ellison and Martin Williams. Since being uploaded to YouTube for the Mingus centennial on April 22, 2022, Jazz: The Experimenters has been viewed over 140,000 times, a remarkable number for an old arty black and white TV show, and quite possibly far more than

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Soni, Mayank Jyotsna. "Effects of varying involvement level within a television program on recall of cognitive versus affective advertisement." Journal of Consumer Marketing 34, no. 4 (2017): 338–48. http://dx.doi.org/10.1108/jcm-09-2015-1532.

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Purpose This study aims to explore how different involvement levels within a single television program influence recall of cognitive vs affective advertisements aired during that television program. Design/methodology/approach Two studies of 2 (program involvement: high vs low) × 2 (advertisement involvement: cognitive vs affective) between subject design were conducted; one study was for cognitive program and other study was for affective program. Existing scales were used after conducting reliability and validity tests. Findings The influence of different levels of involvement with a televis

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Kanaker, Osama, and Zulkiple A. Ghani. "BROADCASTERS’ PERCEPTION OF TELEVISION PROGRAMS: A STUDY ON AL-HIJRAH ISLAMIC MALAYSIAN TELEVISION CHANNEL." ‘Abqari Journal 13, no. 1 (2019): 7–17. http://dx.doi.org/10.33102/abqari.vol13no1.52.

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This paper identifies four main characteristics of Islamic television programs. They are reality and objectivity, comprehensiveness, moderation and application of Islamic distinctive features. A questionnaire was distributed to the broadcasters of Al-Hijrah Television to determine their perception on the characteristics of applying the aforementioned characteristics to their programs. Programs of Al-Hijrah Television were also observed to further investigate the application of the characteristics to Al-Hijrah Television programs. The main finding of this paper is that despite the satisfaction

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Azwar, Azwar, Alifia Pradyanti, and Nisfa Siti Elfianti Hidayah. "ETIKA DALAM PROGRAM HIBURAN TELEVISI." JOURNAL OF DIGITAL EDUCATION, COMMUNICATION, AND ARTS (DECA) 1, no. 2 (2018): 91–102. http://dx.doi.org/10.30871/deca.v1i2.792.

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Entertainment programs in the television are currently being criticized by the public. Not only criticism, even some entertainment programs on television received reprimands from the Indonesian Broadcasting Commission (Komisi Penyiaran Indonesia-KPI). This is due to many entertainment programs that use jokes that exceed the limits of reasonableness. Therefore, this study aims to describe how ethics in entertainment programs on television stations, as well as the effects that can be caused to the public on quality and ethical entertainment programs. In this case, research on the NET TV station

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Wahyudin, Aep. "Commodification broadcast television program on local television in Bandung, West Java." SHS Web of Conferences 33 (2017): 00069. http://dx.doi.org/10.1051/shsconf/20173300069.

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12

Ismail. "Producing Television Agriculture Program: Issues and Problems among Malaysian Television Producers." Journal of Social Sciences 6, no. 3 (2010): 356–60. http://dx.doi.org/10.3844/jssp.2010.356.360.

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Calvert, Sandra L. "Children's Attentional Involvement and Distractibility during Educational Computer Interactions." Journal of Educational Technology Systems 22, no. 3 (1994): 251–58. http://dx.doi.org/10.2190/8347-c3y9-frn1-aarb.

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Children's duration of attention to computer programs versus a television program was examined for two grades: kindergarten and third. Twenty-four children, equally distributed by grade and gender, participated individually in a twenty-seven minute session where they could interact with six familiar computer packages. A television program was played as a distractor task. Both age groups attended longer to the computer than to the television program. However, older children attended to the computer more than did the younger children who, in turn, were more distracted by the television program.

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Perry, Leonard P. "MAKING A GOOD TELEVISION/VIDEO PROGRAM." HortScience 26, no. 5 (1991): 483c—483. http://dx.doi.org/10.21273/hortsci.26.5.483c.

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Many have been involved with broadcast television, and others will be, and most have been involved with video production either at home or work. As a powerful educational and motivational tool for teaching, research and extension, it deserves more and improved use. Opportunities will be discussed for broadcast television, with a short video presentation of examples, including regular shows, periodic features or interviews, “live” call-ins, or tips using video or slides. Video production will be covered in more depth including general tips, technical aspects such as formats and equipment, and a

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Savostyanov, Aleksandr Ivanovich. "Technology for creating a television program." Uchenyy Sovet (Academic Council), no. 2 (January 25, 2021): 96–102. http://dx.doi.org/10.33920/nik-02-2102-02.

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The article reveals the process of creating a television program on domestic television. The stages of preparation for the process of creating a TV program, the specifics and features of the implementation of its idea are considered. The material of the article can be used in the framework of the field of training "TV Journalism".

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Donthu, N. "Double Jeopardy in Television Program Choice." Journal of the Academy of Marketing Science 22, no. 2 (1994): 180–85. http://dx.doi.org/10.1177/0092070394222007.

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WRIGHT, DONALD J. "Television Advertising Regulation and Program Quality." Economic Record 70, no. 211 (1994): 361–67. http://dx.doi.org/10.1111/j.1475-4932.1994.tb01854.x.

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Rajulain, Muhammad. "THE EFFECT OF TELEVISION PROGRAM ON CHILDREN’S FOREIGN LANGUAGE ACQUISITION." Diksi 27, no. 1 (2019): 49–55. http://dx.doi.org/10.21831/diksi.v27i1.26176.

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(Title: The Effect of Television Program on Children’s Foreign Language Acquisition). Since it was first discovered in the 1920s, television has become an integral part of modern human life. The influence of television programs or programs on children's foreign language acquisition has become an interesting research subject to study. This study aims to determine the effect of television programs on the acquisition of foreign languages in a subject aged two years and three months using a qualitative method where the researcher also acts as an observer. The data obtained is recorded in the form

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Eko Wahyuanto, Edi Giantoro, Joehananto Djoko Teguh Widodo, and Risnaeni Yuniar. "The Application of Brainstorming Method in Developing Ideas in The Production of Television Documentary Side of Life Episode Not The Same." Technium Education and Humanities 7 (March 5, 2024): 54–65. http://dx.doi.org/10.47577/teh.v7i.10743.

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The Side Of Life Television Documentary Program episode Not The Same is a program that presents information about the issue of sexual harassment to men by women. Male victims of sexual harassment are often not believed and even made into a joke by society. This documentary program presents information through the victim as a resource person in providing a chronology of events and feelings of victims who are not trusted by family and society. The creation of this television documentary program production work aims to produce a television documentary program by maximizing the role of the produce

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Hanif, Iqbal, and Regita Fachri Septiani. "Ensemble Learning For Television Program Rating Prediction." Indonesian Journal of Statistics and Its Applications 5, no. 2 (2021): 377–95. http://dx.doi.org/10.29244/ijsa.v5i2p377-395.

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Rating is one of the most frequently used metrics in the television industry to evaluate television programs or channels. This research is an attempt to develop a prediction model of television program ratings using rating data gathered from UseeTV (interned-based television service from Telkom Indonesia). The machine learning methods (Random Forest and Extreme Gradient Boosting) were tried out utilizing a set of rating data from 20 television programs collected from January 2018 to August 2019 (train dataset) and evaluated using September 2019 rating data (test dataset). Research results show

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Wulandari, Yuni, and Ade Wahyudin. "Strategi Peningkatan Kompetensi Pengarah Acara TVRI Jawa Barat Sesuai SKKNI." Rekam 16, no. 1 (2020): 45–53. http://dx.doi.org/10.24821/rekam.v16i1.3585.

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Strategy for Improving the Competency of Program Directors of TVRI in West Java Complying with SKKNI. A television program production is a complex creative process and it requires a good teamwork. Therefore, it needs a competent program director having the skill in broadcasting and leadership in directing a television program. An effective development of human resources is also needed to enhance the competency and professionalism of a television program director. Based on an interview and an observation at TVRI station in West Java, a fact was found that none of the television program director

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Maharani Amelia Putri, Muhammad Naufal Rahmatullah, Najah Fathin Nur Afsharina, and Meity Suryandari. "Strategi Program Acara Dakwah untuk Meningkatkan Eksistensi di Media Televisi." Tabsyir: Jurnal Dakwah dan Sosial Humaniora 4, no. 4 (2023): 126–34. http://dx.doi.org/10.59059/tabsyir.v4i4.567.

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In today's information and technology era, television media has a very important role in shaping opinions and influencing people's views. The existence of da'wah programs on television media is not only about increasing the number of impressions, but also how these programs can really permeate and have a positive impact on society. Therefore, the strategy of da'wah programs in television media requires special attention and in-depth study. The method in this article uses a literature study, which is a method with data collection by understanding and studying theories from various literature re

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23

Heryanto, Gun Gun. "Ekonomi Politik Media Penyiaran: Rivalitas Idealisme Nilai Islami dan Mekanisme Pasar." Communicatus: Jurnal Ilmu komunikasi 1, no. 1 (2017): 85–98. http://dx.doi.org/10.15575/cjik.v1i1.1212.

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Broadcast television in Indonesia increasingly prevalent with various packaging program specifically religious character of Islamic events. The programs are varied, ranging from reality shows, soap operas, talk shows, comedy, religious lectures and others. Gait television stations keislama program includes phenomena on one side commendable. Because it could be, exposure (exposure) of a religious program a chance to form a strong impact in most Muslim audiences for media to apply the principles konsonansi. This paper discusses the political economy television relation to public space and the id

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Tulasi, Dominikus. "Implementasi Pedoman Perilaku Penyiaran Menurut Perspektif Komisi Penyiaran Indonesia (KPI)." Humaniora 5, no. 1 (2014): 414. http://dx.doi.org/10.21512/humaniora.v5i1.3040.

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This multidiscipline research combines models and theoretical guidance of Indonesia Broadcasting Commission in implementing ethical behavioral guidance toward television broadcasting programs as mass media, a case study at Trans7. This qualitative research examined on how both Television management and Indonesia Broadcasting Commission highlight and perceive behavioral acting of host relating to entertainment programs. In one hand, program producer is able to construct, construe, and reconstruct societal opinions and mindset to its program. On the other hand, Indonesia Broadcasting Commission

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Mubarok, Mubarok, and Urip Mulyadi. "NILAI-NILAI KEBANGSAAN DALAM PROGRAM TAYANGAN RELIGI DI STASIUN TELEVISI." Jurnal Studi Komunikasi dan Media 26, no. 1 (2022): 71–80. http://dx.doi.org/10.17933/jskm.2022.4913.

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Religious broadcast programs on television stations always get the highest quality index compared to other broadcast programs. The results of the Television Broadcasting Program Quality Index Survey conducted by the Indonesian Broadcasting Commission (KPI) always place religious broadcast programs with the best index. This study specifically describes how national values appear in religious broadcast programs on television stations. This research uses critical discourse analysis. The research sample was taken from religious broadcast programs on television stations that aired from January to

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Peruško, Zrinjka, and Antonija Čuvalo. "Comparing Socialist and Post-Socialist Television Culture." Television Histories in (Post)Socialist Europe 3, no. 5 (2014): 131. http://dx.doi.org/10.18146/2213-0969.2014.jethc063.

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This article builds a theoretical model for comparative analysis of media culture based on the notion of genre, and applies it to a comparative analysis of television as a cultural form in socialist and post-socialist Croatia. The paper explores how the shares and generic composition of program modes of information, entertainment and fiction change in time, and how the contribution of different genres to program flow and modes varies with the changes of political, economic and technological context. Longitudinal trends in television flows are comparatively evaluated in relation to trends in ge

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Abdi, Egy, Indri Astuti, and Afandi Afandi. "RANCANGAN DRAFT EVALUASI PROGRAM TELEVISI LOKAL DALAM EDUKASI KONSERVASI BUDAYA KALIMANTAN BARAT." Jurnal Pustaka Komunikasi 6, no. 1 (2023): 109–26. http://dx.doi.org/10.32509/pustakom.v6i1.2544.

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The existence identification of local television as the mainstream media in cultural conservation education that did not apply systemic and scientific program evaluation is problematic which had implications for hampering the level of program progressivity, local television stations, and fulfilling the rights of local communities to obtain information with higher quality content. The purpose of this study was to design a draft evaluation for local television programs specifically for the Warta Citizen Journalism program at Television Ruai Pontianak used the CSE-UCLA evaluation model. This rese

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Warsita, Bambang. "PEMANFAATAN PROGRAM SIARAN TELEVISI PENDIDIKAN UNTUK PENINGKATAN KUALITAS PEMBELAJARAN THE UTILIZATION OF EDUCATION TELEVISION PROGRAM FOR IMPROVING THE QUALITY OF LEARNING." Jurnal Teknodik 17, no. 3 (2019): 126. http://dx.doi.org/10.32550/teknodik.v17i3.567.

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Tulisan ini bertujuan untuk mendiskripsikan tentang pemanfaatan program siaran televisi pendidikan dalam meningkatkan kualitas pembelajaran. Hasil kajian ini menunjukkan bahwa dari berbagai jenis dan macam media pembelajaran yang ada, media televisi mempunyai potensi tinggi untuk menyampaikan pesan pendidikan/pembelajaran maupun kemampuannya dalam menarik minat dan perhatian peserta didik. Pentingnya siaran televisi pendidikan dijadikan sebagai salah satu sumber belajar dalam kegiatan pembelajaran. Bahkan kenyataannya sebagian besar dari kehidupan peserta didik ada di depan televisi. Selain it

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McCleary, Iva Dene, and M. Winston Egan. "Program design: Program design and evaluation: Two‐way interactive television." American Journal of Distance Education 3, no. 1 (1989): 50–60. http://dx.doi.org/10.1080/08923648909526650.

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Muanis, Felipe De Castro. "The worst television is better than no television." Matrizes 9, no. 1 (2015): 87. http://dx.doi.org/10.11606/issn.1982-8160.v9i1p87-101.

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The discussion of a program quality by means of a communication process with its viewer makes generalizations impossible. The constant criticism to television refers, primarily, to its contents, but it is also form, broadcasting, medium and a communi-cation process through which the audience can interrelate in a hermeneutical style, taking Gadamer’s theory — which advocates that one interprets something from one’s own history and experience. If what is said on television is more important than what is shown, then its quality is less in its content and more in its capacity to create communicati

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Reinhard, Joel, and Agustrijanto Agustrijanto. "Strategi Kreatif Daily Lifestyle sebagai Program Unggulan di MNC Channels." KALBISIANA Jurnal Sains, Bisnis dan Teknologi 10, no. 2 (2024): 224–35. http://dx.doi.org/10.53008/kalbisiana.v10i2.1479.

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Strategy is important in every situation, including television. Creativity is also needed when running a television program with the aim of achieving the target being achieved. Creative strategy is a concept created to achieve the goals of a television program. The purpose of this study was to determine the daily lifestyle creative strategy as a flagship program in MNC Channels. Although this program is a new program, this program has a fairly good rating. The methodology in this research is descriptive with data collection through observation and interviews. By using Peter Pringle's program s

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Dobbs, Steve. "OKLAHOMA GARDENING—TWENTY YEARS OF HELPING PEOPLE AND PLANTS GROW." HortScience 30, no. 3 (1995): 444e—444. http://dx.doi.org/10.21273/hortsci.30.3.444e.

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Oklahoma Gardening, a television program produced by the Oklahoma Cooperative Extension Service, Departments of Horticulture and Landscape Architecture and Agricultural Communications, is tied for the longest running consecutively taped gardening program in the nation. The program airs weekly on Oklahoma's PBS affiliate and ranks as the top locally produced program in the viewing region, with a dedicated weekly audience of 150,000 gardening enthusiasts. As an Extension constituent, Oklahoma Gardening is successful at program identification, development, and evaluation—a new twist for most tele

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Fantini, Endah. "REPRESENTASI ADEGAN KEKERASAN DALAM TAYANGAN KOMEDI TELEVISI (ANALISIS SEMIOTIKA TERHADAP PROGRAM OPERA VAN JAVA DI TRANS7)." Majalah Ilmiah Bijak 15, no. 1 (2018): 91–105. http://dx.doi.org/10.31334/bijak.v15i1.135.

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Opera Van Java (OVJ) Television program on Trans7 earns a high rating and share in a relatively short time. This is a new phenomenon in the category of comedy that shows a television program in Indonesia can be successful. This event received much praise, so the OVJ included a comedy that received great public attention. The silly story presented by OVJ is very funny and appealing to all walks of life.Trans7's communications management on this television comedy program has demonstrated professional work in managing comedy programs. This is done by building the synergy / performance of all the

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Nian, Tingting, Yuheng Hu, and Cheng Chen. "Examining the Impact of Television-Program-Induced Emotions on Online Word-of-Mouth Toward Television Advertising." Information Systems Research 32, no. 2 (2021): 605–32. http://dx.doi.org/10.1287/isre.2020.0985.

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In this paper, we exploit a large-scale TV program, the Super Bowl 2016, to investigate the impact of television program–induced emotions on viewers’ online word-of-mouth (WOM) behavior on Twitter toward the Super Bowl ads aired during the game. The results obtained from a difference-in-differences analysis support our hypotheses on the direct and congruence effects of television program–induced emotions. Findings on the direct effect suggest that television program–induced emotional shocks (e.g., frustration after a fumble or joyness after a touchdown) have a significant effect on the arousal

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Septiani, Eka, Nur Indah Sari, and Sri Mulyani. "TANTANGAN DI ERA INDUSTRI 4.0: PENGARUH INTENSITAS TAYANGAN PROGRAM TELEVISI TERHADAP PENGGUNAAN BAHASA INDONESIA." EKSPRESI DAN PERSEPSI : JURNAL ILMU KOMUNIKASI 2, no. 1 (2019): 65. http://dx.doi.org/10.33822/jep.v2i1.1033.

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Television media is one of the challenges we are currently facing in era 4.0. The challenge that we face through television media are, among other things,how we can choose educational television programs, especially those that still prioritize the use of Indonesian language that is good and correct in its presentation. Ironically, most television programs presented no longer heed the standard Indonesian language. This study aims to find out how teenagers in this case are students can view and choose television programs that they watch every day. Based on these objectives, researchers used desc

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Irawan, Rahmat Edi, and Indra Prawira. "The Irony of National Traveling Industry in the Midst of the Intensifying of Traveling Programs at Indonesian Television." Advanced Science Letters 21, no. 4 (2015): 860–62. http://dx.doi.org/10.1166/asl.2015.5903.

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This study would like to find about the link between the intensifying of traveling programs in Indonesian national television program compare with growth of the national tourism industry. Although the amount and duration of the roads program improved, but it is not significantly help the expansion of the national tourism industry. This study aims to gain a critical overview of the traveling program’s existence at the television industry with the improvement of tourism in Indonesia. This study used a qualitative method in which data is obtained by using the literature method. The results of thi

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Ciurea, Maria, and Veronica Catargiu. "The Adoption of the Recovery Program – is this a Way to Improve the Financial Performance of the Romanian Television Society?" New Trends and Issues Proceedings on Humanities and Social Sciences 3, no. 4 (2017): 96–103. http://dx.doi.org/10.18844/prosoc.v3i4.1519.

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Through this scientific approach we wanted to tackle a controversial and least investigated area for the Romanian media market that is the public television service. In the current economic context, our objective has been to analyze the way the adoption of the Recovery Program and its implementation have led to an improvement in the financial performance of the Romanian Television Society. Keywords: recovery program; financial performance; tax debt/ liabilities; financial results; public television;

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Лебедев, Алексей. "FORMAT TELEVISION NEWS OF THE PROGRAM «STAR»." Вопросы теории и практики журналистики 4, no. 1 (2015): 60–69. http://dx.doi.org/10.17150/2308-6203.2015.4(1).60-69.

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Angelini, James R., Debbie P. C. Goh, Susan Tyler Eastman, et al. "Prominence of Characters on Television Program Websites." Howard Journal of Communications 20, no. 3 (2009): 276–94. http://dx.doi.org/10.1080/10646170903065894.

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Irwansyah. "Sovereignty in Content Program: Indonesia Television Case." Advanced Science Letters 23, no. 8 (2017): 7792–94. http://dx.doi.org/10.1166/asl.2017.9578.

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KUBOTA, Eiichi. "Television and Interactivity : Producing "SIM - TV" Program." Journal of the Society of Mechanical Engineers 99, no. 937 (1996): 980–83. http://dx.doi.org/10.1299/jsmemag.99.937_980.

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Suzuki, Shizuo. "Production of Visual Simulation for Television Program." Journal of the Institute of Television Engineers of Japan 43, no. 1 (1989): 27–32. http://dx.doi.org/10.3169/itej1978.43.27.

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Danaher, Peter J., and Donald F. Mawhinney. "Optimizing Television Program Schedules Using Choice Modeling." Journal of Marketing Research 38, no. 3 (2001): 298–312. http://dx.doi.org/10.1509/jmkr.38.3.298.18867.

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The authors examine the rescheduling of television programs to maximize the total ratings for one network across a week. The key idea is to design a choice experiment in which television programs are rescheduled and presented to respondents. Respondents read these program schedules (much like the regular TV Guide listings) and give their preferences, including not watching any of the listed programs. Because there are potentially billions of possible schedules, the authors give a procedure for designing a fractional factorial experiment that can accommodate both programs of varying length and

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Petrenko, Sergei. "Template Video Editing as a Sign of an Information TV Program." Bulletin of KNUKiM. Series in Arts, no. 38 (August 16, 2018): 21–31. https://doi.org/10.31866/2410-1176.38.2018.141736.

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The purpose of the work. To investigate the process of forming the stereotyped video editing, as well as its systematic consideration by studying information programs as sources of this process.The article analyzes the techniques of video editing inherent in television news, refutes the idea that template video editing in information releases hinders adequate perception of information and distorts its content. The task of editing any information release is to make it accessible and understandable to the ordinary viewer. Research methodology. A systematic approach is used to

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DAMEYANTI, PUTRI, MADE SUSILAWATI, and DESAK PUTU EKA NILAKUSMAWATI. "PENGEMBANGAN PROGRAM BERITA INFOTAINMENT TV NASIONAL BERDASARKAN PREFERENSI MASYARAKAT MENGGUNAKAN ANALISIS KONJOIN." E-Jurnal Matematika 9, no. 4 (2020): 272. http://dx.doi.org/10.24843/mtk.2020.v09.i04.p308.

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Current technological advances cause information to be obtained quickly. Such information can be obtained through printed media or electronic media. Television is included in the category of electronic media. The infotainment program is one of the television programs. Almost all television stations have infotainment programs running every day. This proves that people love the infotainment program, so the infotainment program still running until now. People’s as watchers/audiens of the infotainment program have the right to provide an assessment of the quality of infotainment programs related t

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Morissan, Morissan. "The Inﬂuence of Politicians on Television Content in Post-Authoritarian Indonesia". Jurnal Ilmu Sosial dan Ilmu Politik 20, № 3 (2017): 204. http://dx.doi.org/10.22146/jsp.27205.

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The downfall of the last authoritarian ruler in May 1998 marked the beginning of the transition to democracy in Indonesia. Before 1998, the autocratic government ﬁrmly monitored media content for decades. With the current broadcast liberalization, Indonesian televisions can produce almost any kind of program contents. However, a question arises, who actually controls television content in the era of liberalization? How do political and economic factors inﬂuence television workers in shaping content? This empirical research intends to focus on the inﬂuence politicians have on television program

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Sukmawati, Dian, and Ade Armando. "Otoritas Komisi Penyiaran Indonesia dalam Pengaturan Isi Siaran." Jurnal Komunikasi Global 8, no. 2 (2019): 151–73. http://dx.doi.org/10.24815/jkg.v8i2.14774.

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Although the Indonesian Broadcasting Commission (KPI) supervised all of the television programs, there are a lot of programs getting a warning because of breaking the rule of P Broadcasting Code of Conduct (P3) and Broadcasting Program Standard (SPS). Focusing on program Pagi-Pagi Pasti Happy, this research investigated the authority of KPI in terms of being a watchdog of television content in Indonesia. This research deployed political economy theory because it has studied not only media analysis in general but also the problems faced by the media industry and who controlled media. To critici

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Nurlimah, Nila. "PROGRAM ACARA RAMAH ANAK DI TELEVISI." EDUTECH 23, no. 2 (2024): 250–59. http://dx.doi.org/10.17509/e.v23i2.71402.

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Tayangan anak merupakan satu dari sekian banyak program yang disuguhkan di layar kaca. Program anak sejatinya ditujukan bagi anak-anak agar mereka mendapatkan nilai-nilai positif bagi perkembangan dirinya. Berdasarkan survei komposisi penonton televisi berdasarkan usia, penonton anak-anak (usia 5 – 14 tahun) di Bandung pada bulan Pebruari hingga Juni 2011 meningkat dari 12,3 % menjadi 15,6%, dimana kenaikan ini cukup signifikan dibandingkan dengan kota-kota besar lain yang disurvei (data AGB Nielsen 2011). Sementara itu dalam Survei Indeks Kualitas Program Siaran Televisi periode II tahun 2017

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Dewi, Yemima Agnes Lolita, Yulianti Fajar Wulandari, and Sultan Himawan. "Strategi Tim Kreatif Nusantara TV Dalam Meningkatkan Eksistensi Program Kok Bisa Viral." Brand Communication 3, no. 3 (2024): 273–86. https://doi.org/10.70704/bc.v3i3.317.

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In the era of globalization with the advancement of technology such as television, many televisions compete to present programs that are entertaining yet informative and educational. Kok Bisa Viral is a program that is present on Nusantara TV station which is a semi-national television. The challenge of increasing the existence of the program arises for the creative team in the midst of various programs from other television stations. This research was conducted to find out the Strategy of Nusantara TV Creative Team in Improving the Existence of Kok Bisa Viral Program. The research used a qual

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Lynch, Christopher. "Our Lady of Television: Bishop Sheen's Television Rhetoric of Womanhood." Journal of Communication and Religion 20, no. 2 (1997): 81–91. https://doi.org/10.5840/jcr19972028.

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Close textual analysis of forty-two broadcasts of the fifties program Life is Worth Living with Bishop Sheen found that Sheen's construction of womanhood did not compromise doctrinal theology about Mary the model of womanhood. Due to the constraints of the hegemonic Protestant culture he did not make explicit doctrinal statements. His implicit rhetoric of womanhood claimed that women were "spiritual mothers" by nature and called to bridge the world by suffering and submission. In the process he helped to maintain Catholicism in the American consumer world that threatened traditional images of

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