Relevant bibliographies by topics / Project afterlife

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Project afterlife'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Project afterlife"

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Ojansivu, Ilkka Tapani, Kimmo Alajoutsijärvi, and Jari Salo. "Business relationships during project afterlife: antecedents, processes, and outcomes." Journal of Business & Industrial Marketing 30, no. 5 (2015): 572–83. http://dx.doi.org/10.1108/jbim-05-2013-0111.

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Purpose – The purpose of this research is to increase understanding of post-project business relationships in service-intensive projects, a topic unexplored to date. This research contributes to the project marketing research focusing on post-project interaction, by building a conceptual research framework capable of illustrating the path from the initiation of a relationship through the project’s afterlife. Design/methodology/approach – A comparative case study is used across four different service-intensive project contexts to highlight the conceptual research framework, derived from the IMP
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Michael, Mike. "Design, Death, and Energy." Design Issues 34, no. 1 (2018): 15–28. http://dx.doi.org/10.1162/desi_a_00473.

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The article examines two works by the design partnership, Augur–Loizeau: the Afterlife project and the Carnivorous Domestic Entertainment Robots project. Understood as critical and speculative designs, these artifacts are used to reveal some of the prevailing differences in western conceptions of human and nonhuman death. Each of these designs raises “interesting questions” about, for example, the relationship between energy scarcity and entertainment, or the difference between human organ donation and human energy donation. In addition, the article examines how, taken together, these designs
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Shih, Fu-Jin, Meei-Ling Gau, Yaw-Sheng Lin, Suang-Jing Pong, and Hung-Ru Lin. "Death and Help Expected from Nurses when Dying." Nursing Ethics 13, no. 4 (2006): 360–75. http://dx.doi.org/10.1191/0969733006ne881oa.

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This project was undertaken to ascertain the perceptions of a group of Taiwan’s fourth-year bachelor of science in nursing (BSN) students regarding death and help expected from nurses during the dying process. Within the Chinese culture, death is one of the most important life issues. However, in many Chinese societies it is difficult for people to reveal their deepest feelings to their significant others or loved ones. It was in this context that this project was developed because little is known about how Taiwan’s nursing students perceive death and the dying process. Using an open-ended, se
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Piesse, Jude. "Perspective: The History and Afterlife of Darwin’s Childhood Garden." Journal of Victorian Culture 25, no. 2 (2020): 264–78. http://dx.doi.org/10.1093/jvcult/vcz067.

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Abstract This article examines the history and significance of Charles Darwin’s childhood garden at The Mount in Shrewsbury. Unlike the mature Darwin’s garden at Down House, Kent, his childhood garden at The Mount has only recently begun to be restored and it is not well known outside of local or specialist circles. The first part of the article aims to recover the story of the garden for a wider interdisciplinary readership. It builds upon research in the fields of garden history and biography to make a case for the garden’s importance to Darwin’s life and scientific work while also revealing
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Boyd, Jodie. "Just Like You Want Me to Be?" Public Historian 41, no. 2 (2019): 269–89. http://dx.doi.org/10.1525/tph.2019.41.2.269.

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In this article I throw off my designated subject position as the “narrator” and step into the critical historian’s role of interpreter to interrogate my experience of being interviewed for a large-scale lesbian and gay oral history project. From this position I came to recognize that, despite having volunteered for the project, I was wary of the “gay-life framework” I felt had been imposed on the story of my life. In addressing the narrator’s experience of the interview and the narrator’s apparent exclusion from the afterlife of the interview, I claim both a critical space for the narrator bu
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Ashplant, T. G. "Mass Observation (1937-2017) and Life Writing: an Introduction." European Journal of Life Writing 10 (April 22, 2021): MO1—MO15. http://dx.doi.org/10.21827/ejlw.10.37403.

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Mass Observation (MO) was formed in Britain in 1937 as an innovative research project, to develop new methods for accurately gauging public opinion, thereby contributing to a more democratic form of politics and public policy formation. The archive of its first phase (1937-49) was transferred to the University of Sussex in 1970. In 1981 it was revived as the Mass Observation Project (MOP), which continues to the present. The documentation which MO and MOP together generated includes a significant body of life writings. The purpose of this cluster of articles is to introduce the ways in which t
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Leykin, Inna. "The History and Afterlife of Soviet Demography: The Socialist Roots of Post-Soviet Neoliberalism." Slavic Review 78, no. 01 (2019): 149–72. http://dx.doi.org/10.1017/slr.2019.12.

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The discourse on the demographic crisis in contemporary Russia resonates with a neoliberal political project that attempts to govern populations through the market logic of optimization, responsibilization, and efficacy. Yet, as this article argues, the basic categories of the discourse, although evocative of a new neoliberal rationality, were in fact born of epistemological changes that took place in the Soviet science of population in the last decades of the USSR. Specifically, the analytical shift from Marxist-Leninist demography, which stressed a strong economic determinism, to the concept
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Flexner, James L., and Andrew C. Ball. "Sherds of Paradise: Domestic Archaeology and Ceramic Artefacts from a Protestant Mission in the South Pacific." European Journal of Archaeology 19, no. 4 (2016): 728–54. http://dx.doi.org/10.1080/14619571.2016.1147319.

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Postmedieval protestant missionaries working in exotic locations used objects both as a marker of their own ‘civilisation’ in contrast to that of the local populations and as a means of engaging these communities with Christianity. European things were displayed and conspicuously used to encourage a consumer mindset and interest in capitalism, thought to be crucial steps on the path to full conversion. Excavations at a Presbyterian mission house on Tanna Island, Vanuatu, recovered a remarkable assemblage of nineteenth-century British-made transfer-printed ceramics for such a remote location. T
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Wardrip-Fruin, Noah. "Hypermedia, Eternal Life, and the Impermanence Agent." Leonardo 32, no. 5 (1999): 353–58. http://dx.doi.org/10.1162/002409499553569.

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We look to media as memory, and a place to memorialize, when we have lost. Hypermedia pioneers such as Ted Nelson and Vannevar Bush envisioned the ultimate media within the ultimate archive—with each element in continual flux, and with constant new addition. Dynamism without loss. Instead we have the Web, where “Not Found” is a daily message. Projects such as the Internet Archive and Afterlife dream of fixing this uncomfortable impermanence. Marketeers promise that agents (indentured information servants that may be the humans of About.com or the software of “Ask Jeeves”) will make the Web com
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Yu, Pauline. "“Your Alabaster in This Porcelain”: Judith Gautier's Le livre de jade." PMLA/Publications of the Modern Language Association of America 122, no. 2 (2007): 464–82. http://dx.doi.org/10.1632/pmla.2007.122.2.464.

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This article discusses the history of Judith Gautier's Le livre de jade (1867), one of the earliest volumes of translations of Chinese poetry published in any European language. It explores the connection between her interest in this project, which Gautier undertook as an amateur student of Chinese, and both the sinological context and the influence of her father, Théophile. Although her command of Chinese was imperfect, Gautier knew more than many have insinuated; her renditions convey important themes of the Chinese poetic tradition and maintain at times an impressive fidelity to the origina
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Dissertations / Theses on the topic "Project afterlife"

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Ojansivu, I. (Ilkka). "Exploring the underlying dynamics of buyer-seller interaction in project afterlife." Doctoral thesis, Oulun yliopisto, 2014. http://urn.fi/urn:isbn:9789526206004.

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Abstract The marketing view of a business relationship that follows the handover of a project reflects an era before services became common in the industry. At that time, business relationships were assumed to end after project handover, especially in commercial terms. Since then, services have become an integral part of project business, enabling the emergence of a post-project business relationship. It can be validly argued that the literature has not sufficiently recognized the changing practices of project-based companies. Obviously, a business exchange can outlive a project handover, but
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Saigal, Sushil. "Life and afterlife of a development project : origin, evolution, and outcomes of the Tree Growers' Cooperatives Project, India." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610427.

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Lizama, Natalia. "Afterlife, but not as we know it : medicine, technology and the body resurrected." University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0186.

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This thesis contends that technologically-derived resurrections of human bodies and bodily fragments can be viewed as indicative of a 'post-biological' ontology. Drawing from examples in which human bodies are resurrected, both figuratively and actually, this thesis puts forward the term 'post-biological subject' as an ideological framework for conceptualising the reconfiguration of human ontology that results from various medical technologies that 'resurrect' the human body. In this instance, the term 'postbiological', borrowed from Hans Moravec who uses it denote a future in which human bein
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Books on the topic "Project afterlife"

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Paxman, Andrew. Jenkins’s Earthly Afterlife. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190455743.003.0012.

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Jenkins lived on in both a Black Legend, whereby leftists memorialized him as a grasping gringo, and a White Legend, whereby his Mary Street Jenkins Foundation perpetuated his repute as a philanthropist. Ironically, Espinosa Yglesias steered the foundation askew, focusing on private education rather than public and on projects outside Puebla, as he fought the rise of the left at universities and sought protection for his bank. Having lost Bancomer after all amid the nationalizations of 1982, he pursued philanthropy full-time. Espinosa’s story reflects his mentor’s. Both excelled at making mone
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Boeker, Ruth. Locke on Persons and Personal Identity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198846758.001.0001.

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This book offers a new perspective on John Locke’s account of persons and personal identity by considering it within the context of his broader philosophical project and the philosophical debates of his day. Ruth Boeker’s interpretation emphasizes the importance of the moral and religious dimensions of his view. She argues that taking seriously Locke’s general approach to questions of identity over time, means that his account of personhood should be considered separately from his account of personal identity over time. On this basis, Boeker argues that Locke endorses a moral account of person
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Hofer-Robinson, Joanna. Dickens and Demolition. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474420983.001.0001.

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Dickens and Demolition is the first study to trace and measure the material impact of Charles Dickens’s fiction in London’s built environment. The book analyses debates surrounding large-scale metropolitan demolitions, modernisation or reform projects in the mid-nineteenth century and tracks a Dickensian vocabulary in these discussions across multiple media and fora, including written commentaries, parliamentary debates, theatre and the visual arts. It argues that tropes, characters and extracts from his fiction were repeatedly remediated to articulate and negotiate contemporary anxieties abou
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Goyal, Yogita. Runaway Genres. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479829590.001.0001.

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Runaway Genres: The Global Afterlives of Slavery tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. To fathom forms of freedom and bondage today—from unlawful detention to sex trafficking, the refugee crisis, genocide—this project reads a vast range of contemporary literature, showing how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book forwards alternative conceptions of human rights, showing that the revival
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Book chapters on the topic "Project afterlife"

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Miller, Camden, and Alex Bitterman. "Commemorating Historically Significant Gay Places Across the United States." In The Life and Afterlife of Gay Neighborhoods. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-66073-4_15.

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AbstractThe stories of gay spaces across the United States are largely unrecorded, undocumented, and are not centrally collected or archived beyond informal reports and oral histories. Evidence demonstrates that the preservation of historic sites allows for future generations to benefit from intangibles related to community and identity. However, the LGBTQ+ community has been unable to gain benefits that place-based, historic sites can provide, due to an inability to commemorate spaces that have shaped LGBTQ+ history in significant ways. This chapter explores the disparities between the preservation and commemoration of significant LGBTQ+ spaces and the amount of funding distributed to these sites. As of 2016, LGBTQ+ sites comprised only 0.08 percent of the 2,500 U.S. National Historic Landmarks and 0.005 percent of the more than 90,000 places listed in the National Register of Historic Places. This representation is well short of the share of American adults that identify as LGBTQ+ , which in 2017 was approximately five percent of the United States population. In 2010 the Administration of President Barack Obama launched the LGBTQ Heritage Initiative under the National Historic Landmarks Program. This effort underscored a broader commitment to include historically underrepresented groups, including LGBTQ+ individuals. As a result, LGBTQ+ communities became eligible to receive funding for projects through the Underrepresented Community Grant Program. An analysis of the distribution of Underrepresented Community Grant Program funds revealed that the LGBTQ+ community receives considerably less funding compared to other underrepresented communities. The findings from this study suggest that there is still a significant amount of work that remains to be done to integrate LGBTQ+ histories into historic preservation programs that exist at various levels of programming (local, state, and federal).
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Loos, Tamara. "Afterlife." In Bones Around My Neck. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501704635.003.0008.

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This chapter explores the circumstances of Prisdang's afterlife, and how he continues to be harnessed to several causes—international Buddhist diplomacy, monarchism, and democracy. Conservative royalists, antiestablishment politicians, and political progressives have also appropriated him, but for divergent purposes. By refusing to explicate why he fled Siam, he invited interested parties to speculate about and to project onto that silence. The story of his life, as this chapter shows, demonstrates that it is not so easy to encapsulate Prince Prisdang and his multiple political loyalties. All the reclamation projects have it partly right—and partly wrong. And that is likely the real impetus behind Prisdang's defiant grin.
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Martin, Meredith. "The Before- and Afterlife of Meter." In The Rise and Fall of Meter. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691152738.003.0007.

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This chapter turns once more to Robert Bridges, whose death in 1930 marks the end of the book. He did not believe that English meter could be adequately represented by only one system, nor did he believe that the four systems he mastered exhausted its possibilities. He struggled with the pedagogic necessities of his time, founding the Society for Pure English, participating as poet laureate in the national metrical project during the First World War by writing for the war office, and editing the popular anthology of verse, The Spirit of Man. His late career poem “Poor Poll” engages with the modernist polyglossia and the rise of free verse by presenting an English prosody accessible to both high and popular audiences. It was Pound's eventual dismissal of Bridges that guaranteed his obsolescence. Pound's changing reactions to Bridges over the course of Pound's career betray an anxiety about meter's role in poetic mastery, as well as an attempt to control the narrative of English meter.
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Highmore, Ben. "Georges Perec and the Significance of the Insignificant." In The Afterlives of Georges Perec. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474401241.003.0006.

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Georges Perec died in 1982 at the age of forty-five. What is he for us now, thirty-three years later, in the second decade of the twenty-first century? How do we make him our contemporary? To make Perec’s work part of our present-day involves (perhaps counter-intuitively) grasping his project in its historical specificity. It isn’t by cherry-picking useable aspects of the work that we will ensure some relevance to its afterlife: rather, it will be by recognising his larger project as a response to a particular historical situation. While Perec’s situation in the 1960s and 1970s in France is not ours, it still has a relation to our world. Perec becomes our contemporary in the act of seeing these relations, how a continuity of feeling and mood percolates through historical ruptures, and how changes in mood and feeling activate historical continuities. The central claim of this chapter is that a central aspect of Perec’s project was the latter’s attempt to register actuality, that is, that this project was a form of realism. Moreover, like many forms of realism, it was a quest and a question rather than an answer or solution.
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Reckson, Lindsay V. "The Ghost Dance and Realism’s Techno-Spiritual Frontier." In Realist Ecstasy. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479803323.003.0004.

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This chapter examines the mediated life of the Ghost Dance, a pan-tribal religious movement that emerged in the 1880s in the context of U.S. colonial expansion, genocide, and dispossession. Spectacularly suppressed at the Wounded Knee massacre of 1890, the Ghost Dance proliferated in turn-of-the-century ethnographic realism, a project that included literary, photographic, filmic, and sonic texts. Focusing on efforts to record and reenact the dance, this chapter argues that such reenactments signal the reiterative life of colonial violence in the supposed afterlife of the frontier. Yet they also point to realist media as a temporally and affectively dense terrain of performance. In the aftermath of Wounded Knee, realist ethnography drew its authority from the very visionary practices it aimed to reproduce, insisting on realism’s capacity to adequately record spiritual performance while channeling the power of media to resurrect and reanimate the dead. Such performances signal a tight fit between the cultural logic of Indian vanishing and modernity’s dreams of high-fidelity preservation. At the same time, reenactment’s contingencies of performance and reperformance offer a way to rethink the historical nexus between recording and vanishing.
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Brewer Redwine, Elizabeth. "Epilogue—How Cathleen Became Mrs. Monihan." In Gender, Performance, and Authorship at the Abbey Theatre. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192896346.003.0006.

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The Epilogue follows Sara Allgood’s history of performance and contributions to theatrical texts from her early days in Inghinidhe through her film work until her death in Hollywood in1950. What appears again and again in her American film work is an aging actress from Ireland translating stillness in the face of extremity in ways that strengthen even the smallest, sometimes nameless characters against the stereotype of the emotive Irish immigrant. From her earliest days in Inghinidhe, Allgood was part of a project to provide steadying images of Ireland against British melodrama and cartoons; her film work in America continued this work in nearly one hundred film roles. From her unpublished “Memories” and her surviving films, Sara Allgood emerges as a woman focused on creating theater and film, not simply taking direction. Her contribution to both mediums, a refusal to overact, and a gravity and stillness, educates the audience about what to expect of an Irish woman. Tracing the afterlife of her street theater and Abbey career into her later film work may restore some attention to a performer who developed the Abbey Stare for particular ends, revising established readings of both gender and nation in Ireland and America.
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Gee, Emma. "Conclusion." In Mapping the Afterlife. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190670481.003.0013.

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What we call the afterlife is the desire in the present, unachievable and so projected into the future, for a joining of faculties, the dissolution of the divide between us and the universe, the closing of the perceptual loop between what we are and what is. For this, we need to stop perceiving the universe as extraneous to ourselves. The presence of the vision of the universe in the landscape of the afterlife is one attempt to do this—to encapsulate cosmos in the landscape of soul. This is the function of what the author has called in this book the journey-vision paradigm of afterlife space.
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Hofer-Robinson, Joanna. "Paperwork and Philanthropy: Dickens’s Involvement in Metropolitan Improvement." In Dickens and Demolition. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474420983.003.0005.

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This chapter analyses Dickensian afterlives in nineteenth-century philanthropic works alongside an investigation of Dickens’s personal involvement in a scheme to improve London’s provision of housing stock for the East End poor. Dickens collaborated with a number of his social network on this project, including Angela Burdett Coutts and Dr Thomas Southwood Smith. His chief contributions were bureaucratic, and, contemporaneously with this work, he explored tensions between the effectiveness and ineffectiveness of paperwork in Bleak House. Thus, this chapter suggests that Dickens’s practical and administrative involvement in charity work informed his imaginative representation of the utility and futility of paperwork, and how he conceptualised the effectiveness of different forms of writing. Dickens famously contended for pet causes in his fiction, but the various ways in which Dickens’s works were appropriated by other people, and recontextualised to promote or to criticise philanthropic projects, reveal that his writing was not always useful in the sense that he imagined. Indeed, the instrumentality of Dickens’s fiction to effect charitable projects was often indirect. For example, philanthropists, including Mary Carpenter and Octavia Hill, curated literary afterlives to enhance the effectiveness of their arguments in published treatises, even though the novels are not always relevant to their causes.
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Licoppe, Christian. "‘An Attempt at Exhausting an Augmented Place in Paris’: Georges Perec, Observer-Writer of Urban Life, as a Mobile Locative Media User." In The Afterlives of Georges Perec. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474401241.003.0012.

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This chapter describes a thought experiment in which a modern-day Georges Perec, equipped with a smartphone and actively committed to the use of mobile locative media such as Foursquare, would make an Attempt at Exhausting a Place in Paris today. The chapter argues that the initial project epitomized the way the neutral gaze of the onlooker is constitutive of urban public place and the way in which behavior in urban public places could thereby be described and accountable in generic terms intelligible to readers, themselves framed as strangers (in the sense of strangers in public places). This analysis is used as a baseline to show how a fictive, connected Perec would have to cope with the dual accessibility of places and people, both in the physical world and on screen, and especially the ‘parochialisation’ of place and individualization of digital personae online, in a way which would radically transform the initial literary project. This shows how the city augmented with mobile locative media might not be available to description in the same terms as the 20th century metropolis, and how a square in the augmented city might not be a public place in the same sense.
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James, Alison. "Perec and the Politics of Constraint." In The Afterlives of Georges Perec. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474401241.003.0009.

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This chapter argues that Perec’s engagement with the Oulipo at a crucial moment in the group’s history crystallizes the political potential of the Oulipian project, and determines the continuing significance of the group for today’s writers. Perec develops a mode of formal experiment that is perhaps ‘not so very anti’ when compared to the radically oppositional stance of the avant-garde, but which burrows beneath surfaces, exposing hidden determinisms and unexpected coincidences in the fabric of social life. Oulipian constraint thus operates, to borrow Jacques Rancière’s expression, as a ‘redistribution of the sensible’ that opens up the possibility of new forms of life.
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