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Dissertations / Theses on the topic 'Qiu ji'

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Published: 13 December 2022
Last updated: 19 July 2025

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1

Wong, Hon-meng, and 黃漢明. "Non-mainstream intellectual phenomenon in the mid-Tang period : characteristics of Dan Zhu's (724-770) Chun qiu study and related social background = Zhong Tang ru xue si xiang de yi cai : Dan Zhu (724-770) zhi "Chun qiu" de te dian ji qi xiang guan she hui bei jing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/197550.

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The intellectual development in the Tang Dynasty (618-907) could be generally divided into two phases, with the first one inherited from the Han Wei period focusing on the meaning of words, while the second phase focuses on the teaching of the Confucian classics. Among the various scholars during the course of this transformation, Dan Zhu (啖助,724-770) has been recognized as a non-mainstream but yet very influential character. To avoid the An-Shi Rebellion, Dan Zhu resided in the south-eastern part of the country where he taught Lu Chun (陸淳) the Chun Qiu (春秋) classic. Many famous Tang political reformers including Lu Wen (呂溫) and Liu Zong Yuan (柳宗元) are considered by historians as Dan Zhu’s students and followers. This has made Dan Zhu even more influential than other Confucius scholars in that period. Nevertheless, due to the controversial nature of his teachings, Dan Zhu was heavily criticized by Ouyang Xiu (歐陽修) as being specious and at the same time appraised by Cheng Yi (程頤) to be one of the fore-runners who founded the Song Confucianism. This research reveals that Dan Zhu abandons the approach of focusing on the meaning wording and goes directly into the teachings of the classics. He considers that there are large amount of mistakes in the then contemporary explanation of Chun Qiu, he also considers that Tang scholars have not just worked in isolation without much view sharing, but also misinterpreted Confucius’ teachings. Moreover, the Tang scholars are treating Chun Qiu as history or even as literature, rather than Confucius’ teaching on how the society should be run. From Dan Zhu’s perspective, Confucius was trying to make use of histories to set proper behavioural standards and protocols for running the country, with an objective of saving the imperial control of Zhou (周). During the mid-Tang period, China was undergoing major social changes from a feudal to a modern society. Tang imperials whose ancestors carried a nomadic blood stream tried to strengthen their control by adopting Confucianism; and placing more emphasis on the south-eastern region where the Han Chinese of the Southern Dynasty was concentrated. Coupling with the civil examination (科舉) reform and the impacts of Zen Buddhism, the Tang society was undergoing major social-political transformation which Dan Zhu was situated right on its course. The research concludes that Dan Zhu’s ideas fit well with Xuan-zong’s (唐玄宗) appeal for revival of Confucius teachings and the social-political setting in Mid-Tang. Although Dan Zhu is considered a non-mainstream scholar, his teachings have brought about significant impacts on later development of the Neo-Confucianism. Nonetheless, Dan Zhu has not deviated from the fundamental principles of a Confucian whose destiny is to serve the people and the country, and of course for Dan Zhu, the Tang Dynasty.<br>published_or_final_version<br>Chinese<br>Master<br>Master of Philosophy
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2

Yeung, Chi-wah. "A study of the popularity of football in Hong Kong in the 1950s and 1960s = Er shi shi ji wu, liu shi nian dai Xianggang zu qiu xing cheng yuan yin de tan suo /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2533511x.

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Ping, Ping. "Cong "da er quan" de zu zhi dao zi chan zhuan yong xing de zu zhi Guangzhou yi jia ji qi zhi zao ye guo you qi ye de zu zhi bian qian /." online access from ProQuest databases, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/pqdiss.pl?3052138.

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Drake, Fred W. Ren Fuxing. "Xu Jiyu ji qi Ying huan zhi lüe." Beijing : Wen jin chu ban she, 1990.

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5

Yan, Caiqin. "17 shi ji zhong qi zhi19 shi ji chu yue nan hua yi yan jiu(1640-1802)." Xiamen : Xiamen da xue, 2007. http://anulib.anu.edu.au/anuonly/ebooks/chinese_thesis_031.pdff.

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Chen, Fangyang. "Xiao chuan bing yin bing ji tan tao ji huan jie qi zhi ben de duo yuan xing /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b19986300a.pdf.

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Huang, Shaofen. "Zhen ci dui ying ji fan ying zhong xue ya he xin shuai de ying xiang ji qi ji li tan tao : wen xian zong shu /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b20009537a.pdf.

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8

Gary, Julie. "Esthétique de la musique en Chine médiévale : idéologies, débats et pratiques chez Ruan Ji et Ji Kang." Thesis, Lyon, École normale supérieure, 2015. http://www.theses.fr/2015ENSL1061/document.

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Dans la Chine du IIIè siècle, les mutations politiques et intellectuelles considérables survenues après l’effondrement des Han favorisent l’éveil d’une conscience inédite de l’individu, ainsi que l’émergence de nouvelles tendances philosophiques (le néo-taoïsme de l’Étude du Mystère) et l’apparition d’une activité artistique en rupture avec la tradition qui s’est imposée durant quatre siècles d’hégémonie confucéenne. La musique, qui occupe une place d’élection dans la vie des lettrés, voit évoluer le statut et la pratique auxquels elle était jusqu’alors confinée, l’outil moralisateur au service de la concorde sociale s’affirmant désormais comme une distraction libre et privée, affranchie de ses finalités politiques et civilisatrices. Notre travail prend pour objet les conceptions de la musique qui ont vu le jour dans ce contexte de l’avènement esthétique et d’une valorisation sans précédent des émotions individuelles. En nous concentrant plus particulièrement sur Ruan Ji 阮籍 (210-263) et Ji Kang 嵇康 (223-262), figures de proue de la pléiade des Sept Sages de la Forêt de Bambous et éminents poètes, philosophes et musiciens, nous avons cherché à étudier la réflexion esthétique qui s’élabore dans leurs écrits autour des questions de l’origine et la nature de la musique, de ses fonctions morales et sociales, de son utilisation politique ou macrobiotique, de ses vertus éthiques ou diététiques, ou encore de son lien aux émotions. L’analyse textuelle est complétée par celle de pratiques ou de gestes musicaux : le sifflement chez Ruan Ji, la cithare chez Ji Kang, qui donnent corps aux discours et illustrent leur mise en œuvre concrète dans la vie de ces auteurs. De sorte que l’esthétique ne se définit plus seulement comme un discours, mais aussi comme un ethos, et que l’effort d’affranchissement de la musique est contemporain d’une d’émancipation des sujets mêmes de l’expérience esthétique<br>In third-century China, the huge political and intellectual mutations occurring after the collapse of the Han dynasty result in the awakening of a new self-consciousness of man and the emergence of new philosophical trends (the so called Dark Learning), or also an artistic activity breaking off with four centuries of Confucian orthodoxy. Music, which occupies a privileged position in the life of literati, evolves as well, as far as its traditional status and practice are both concerned. No more considered a tool of moralization for the sake of civilized order or social harmony, it becomes a private and free distraction, emancipated from political or any other pragmatic purpose. The conceptions of music appearing in this context of nascent aesthetics provide the subject matter of our research. Focusing on Ruan Ji 阮籍 (210-263) and Ji Kang 嵇康 (223-262), two leading figures of the well-known literati group “the Seven Sages of the bamboo grove” who were also famous poets, thinkers and musicians, we attempt to examine their aesthetic thought throughout their main writings on music, concerning issues such as the origins and nature of music, its moral or social functions, its political or macrobiotic use, its ethical or dietetic virtues, and also its relation to man’s emotions. The textual analysis is completed by the study of musical practices or gestures (Ruan Ji’s whistling, Ji Kang’s playing the zither), that illustrate the effective application of their ideas in concrete life. Therefore, aesthetics does not only consist in a mere discourse, but becomes a kind of ethos, in which the emancipation of music is inseparable from that of the individual himself, through his aesthetic experience
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Huang, Juyan. "Kang zhan shi qi Guangdong jing ji sun shi yan jiu /." [Guangzhou] : Guangdong ren min chu ban she, 2005. http://www.loc.gov/catdir/toc/chi0801/2007351650.html.

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Revision of the auther's thesis (Ph. D.--Zhongshan da xue, 2000).<br>"Guangdong you xiu zhe xue she hui ke xue zhu zuo chu ban ji jin zi zhu xiang mu; Guangdong Sheng zhe xue she hui ke xue 'jiu wu' gui hua zhong dian yan jiu ke ti." 880-05 Includes bibliographical references (p. 334-354).
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Ho, Wai Chung. "Cong "Zuo zhuan" dao "Shi ji" : kan xian Qin zhi Qin Han jian "tian ren guan" liu bian zhi yi li /." View abstract or full-text, 2004. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202004%20HOW.

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Feng, Yu Cheng. "Etude critique de trois versions commentees du xiyou ji -- lizhuowu xiansheng piping xiyou ji ("xiyou ji commente par maitre li zhi") -- vers 1625 ; xinjuan chuxiang guben xiyou zhengdao shu ("nouvelle gravure d'une edition ancienne du "voyage en occident" qui demontre la voie (taoistei) -- 1662; xijou ji zhenquan ("la vraie signification du xijou ji") -- 1694." Paris 7, 1997. http://www.theses.fr/1997PA070104.

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Le xiyou ji (1592, la peregrination vers l'ouest) est avant tout un livre d'eveil. La quete du moine historique xuanzang (environ 602-664) se revele etre la quete de chacun d'entre nous, desireux de mieux se connaitre. Quelle est la place de l'homme dans la societe et dans l'univers? face au cours changeant des choses quelle attitude convient-il d'adopter ; l'option bouddhique conduisant au nivana face auquel le monde de l'impermanence ne releve que de la verite relative? ou bien l'option chinoise considerant l'absolu comme faisant partie du processus du perpetuel devenir? le perlinage sur la trace du bouddha et la quete des soutras, entrepris par le tripitaka des tang prennent un aspect fantastique grace a la presence des quatre personnages aux pouvoirs surnaturels -- sun wukong (conscient-de-la-vacuite), zhu bajie (conscient-de-ses-capacites), sha heshang (conscient-de-la-purete), le cheval-dragon -- et grace aussi aux multiples aventures plus extraordinaires les unes que les autres qui nous sont contees. Or, curieusement, le recit de ce voyage au-dela de la frontiere du monde connu se revele capable de renvoyer au reel et d'engager une discussion sur le sens de la vie, en impliquant les trois enseignements traditionnels chinois-- neo-confucianisme, bouddhisme et taoisme. En effet, a travers la culture du commentaire -- pingdian, particuliere aux lettres chinoises, un espace de dialogue est instaure par les commentateurs qui tentent de degager une signification autre que celle vehiculee par le recit au premier degre. Grace a ce meta-espace, certains themes essentiels sont souleves : la representativite du singe-coeur pour le coeur-esprit de la voie -- daoxin -- et le coeur-esprit de l'homme -- renxin --; l'intelligibilite de ce pour quoi est l'univers a travers l'extra-ordinaire, etc. Le premier theme reflete la preoccupation des neoconfuceens vis-a-vis de la deviation des etudes du coeur-esprit-- xinxue. Le second theme repond a la confiance fondamentale des chin
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Ho, Mei Yuk. "Empress Lu a re-assessment = Lü hou ji qi li shi ping jia/." Click to view the E-thesis via HKUTO, 1987. http://sunzi.lib.hku.hk/hkuto/record/B31949058.

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Qin, Bairong. "Dang dai Zhongguo de ai guo zhu yi biao yan : zai Hunan Miluo ji nian Qu Yuan /." View abstract or full-text, 2006. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202006%20QIN.

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Meng, Shuhui. "Zhu Xi ji qi men ren de jiao hua li nian yu shi jian /." Tai Bei : Guo li Tai Wan da xue, 2003. http://catalogue.bnf.fr/ark:/12148/cb39292461m.

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Th. doct.--histoire--Taibei--National Taiwan University = Guo li Tai Wan da xue, 2001.<br>Mention parallèle de titre ou de responsabilité : Instruction in virtue and its practice by Chu Hsi and his disciples. Bibliogr. p. 441-458.
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Wang, Hao. "Dunhuang xiao shuo ji qi xu shi yi shu = Dunhuang xiaoshuo jiqi xushi yishu /." Hefei Shi : Anhui ren min chu ban she, 2005. http://www.loc.gov/catdir/toc/chi0701/2006430115.html.

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Ma, Min. "Guo du xing tai, Zhongguo zao qi zi chan jie ji gou cheng zhi mi." Beijing : Zhongguo she hui ke xue chu ban she : Jing xiao Xin hua shu dian, 1994. http://books.google.com/books?id=E9k3AAAAMAAJ.

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Ho, Wai-chi. "Fu Wei-Lin (?-1667) and his Ming-Shu = Fu Weilin (?-1667) ji qi "Ming shu" /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25139125.

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Lee, Hak Keung. "Man hua hui yue : "Shanghai man hua" shi qi Ye Qianyu de zuo pin ji qi shou zhong, 1928-1930 /." View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20LEE.

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Fagundes, Ricardo Augusto Lopes. "Tai Chi Chuan na atenção primária à saúde: avaliação de equilíbrio funcional e do medo de queda em idosos de uma unidade de saúde." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/142791.

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A queda em idosos é um problema significativo em saúde pública, já que este tipo de acidente pode resultar em fraturas, diminuição da mobilidade e aumento da mortalidade. Neste contexto, o Tai Chi Chuan (TCC) pode ser visto como uma prática corporal promissora na Atenção Primária à Saúde (APS). Nesta dissertação, foram produzidos dois artigos. No primeiro, avaliamos a relação entre a prática de TCC, como atividade de grupo em uma Unidade de Saúde, no equilíbrio estático e dinâmico de idosos. Para isto, 80 idosos da comunidade (≥ 60 anos) foram convidados a realizar entrevista e avaliação de equilíbrio e a participar de um grupo de TCC (amostra por conveniência). Os participantes foram avaliados antes e seis meses após o treinamento da “Sequência Simplificada de TCC de 24 Movimentos” (baseada no estilo Yang), 1x/semana. As 19 pessoas que frequentaram ≥8 aulas foram consideradas praticantes. Foram realizadas 26 aulas durante o estudo, com uma média de 18 participantes. Ocorreu uma melhora de aproximadamente dois pontos na Escala de Equilíbrio Funcional de Berg (p<0,001) no grupo de praticantes sendo que 100% destes, ou melhoraram ou mantiveram os escores anteriores. Tratase de uma das primeiras avaliações da prática de TCC realizada no âmbito da APS, no Brasil. No segundo artigo, (um relato de experiência) descrevemos as condições necessárias para a prática do TCC e o programa de treinamento de forma detalhada. Concluindo, o TCC é uma prática corporal utilizada para a promoção da saúde. Acreditamos ser possível sua inserção na APS trazendo, desta forma, benefícios na melhora do equilíbrio de idosos da comunidade.<br>Falls in the elderly is a significant problem in public health, since this type of accident can result in fractures, decreased mobility and increased mortality. In this context, the Tai Chi Chuan (TCC) can be seen as a promising body practice in Primary Health Care (PHC). In this dissertation, two articles have been produced. In the first article, we evaluated the relationship between the practice of TCC, as a group activity in a Health Unit in static and dynamic balance in elderly people. In order for this to happen, 80 community elderly (≥ 60 years) were invited to participate in interviews and evaluations of balance and as well as in a TCC group (convenience sample). Participants were evaluated before and six months after the training of “24 simplified TCC forms” (based on Yang style), 1x/week. The 19 people who attended ≥ 8 classes were considered practitioners. During the study, 26 lessons were conducted, with an average of 18 participants. There was an improvement of approximately two points on the Berg scale of balance performance (p <0.001) in the group of practitioners and 100% of these, either maintained or improved their previous scores. This is one of the first evaluations of the practice of TCC within the PHC, in Brazil. In the second article (an experience report) we described the necessary conditions for the practice of TCC and the training program in detail. In conclusion, TCC is a body practice that is used to promote health. We believe it is possible its insertion into the PHC bringing thus benefits in improving balance of older adults.
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Chan, Yau-kin. "The rise and fall of Zhangsun Wuji (?-659) Zhangsun Wuji ji jue qi yu shi bai /." Click to view the E-thesis via HKUTO, 1996. http://sunzi.lib.hku.hk/hkuto/record/B31950784.

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Zhang, Jinling. "Nü zhen zi de xian dai yao xue yan jiu ji qi lin chuang ying yong /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b19986968a.pdf.

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Qian, Yang Peijuan. "Zhen jiu zhi liao fu xie xing chang yi ji zong he zheng de qu xue gui lü /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b1998618xa.pdf.

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Tsang, Wai-sin. "Xu Can : a study of her life and ci poetry = Xu Can sheng ping ji qi ci yan jiu /." View the Table of Contents & Abstract, 2007. http://sunzi.lib.hku.hk/hkuto/record/B36845310.

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Mei, Yunting. "Zhong yi yao zhou qi zhi liao zi gong nei mo yi wei zheng de yan jiu gai kuang /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b19987535a.pdf.

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Pan, Xincheng. "Zhong yi yao zhi liao bao kuai xing zi gong nei mo yi wei zheng yan jiu gai kuang /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b20009318a.pdf.

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Luk, Ka-wai, and 陸家慧. "A study of the colour word "gold" and its combination = Yan se ci "jin" ji qi zu he yan jiu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/193560.

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“Gold” is a colour indicating the colour of an object. It is a unique colour word which represents the colour of gold. From ancient to the present, “gold” is a common Chinese word which is frequently used in the literature. Furthermore, “gold” is the symbol of goodness in the traditional Chinese society. Nowadays, “gold” represents noble, luxury, wealth, hope, etc in the cultural connotation. This dissertation consists of five chapters. The first chapter introduces the research background, purpose of the topic and key points of the study. The second chapter is divided into three parts. In the first part, it begins to look for the semantic origin of the colour word “gold” by analyzing its original meaning, aboriginal meaning and quotative meaning. In the second part, it demonstrates the development of cultural connotation in China and elaborates the cultural connotation in the present Chinese society. In the third part, the colour word “gold” is compared with the colour words “yellow” and “red” to identify their differences and similarities of cultural connotations. In the third chapter, it mainly focuses on phraseology function of “gold” and its combinations. Meanwhile, the aspects of word-formation, syntactical functions, sentence structure of “gold” and its combinations will be discussed. The fourth chapter analyzes the usage and effect of “gold” and its combinations with regard to rhetoric. It also illustrates and explains the features of usage and rhetorical effects on seven categories of figures of speech which are fairly typical. The last chapter is the conclusion of the whole dissertation. “Gold” is a very unique colour word which differentiates from other colour words such as “red”, “yellow” and so on. “Gold” has been representing a positive image from the past, even nowadays, “gold” is still one of the most glamorous colours.<br>published_or_final_version<br>Chinese Language and Literature<br>Master<br>Master of Arts
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Ye, Guohua. "Shen jing gen xing jing zhui bing sheng huo zhi su tiao cha ji qi shou fa zhi liao yan jiu /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b20009549a.pdf.

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Li, Ke. "Shi du cha ju yu xi tong you hua Zhongguo xian dai hua jin cheng zhong de qu yu jing ji /." Beijing : Zhongguo she hui ke xue chu ban she, 2000.

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Wong, Ching-him Felix. "A critical study of the policies formulated and the religious culture disseminated by the Jesuits in China during the sixteenth and seventeenth centuries Shi liu, shi qi shi ji zai hua Yesu hui shi zhi zheng zhi ce lüe ji qi suo chuan bo zhi zong jiao wen hua /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B41634226.

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Wong, Leung-wo. "A study of the poetry and literary ideas of Liu Dabai (1880-1932) Liu Dabai shi ji qi shi lun yan jiu /." Click to view the E-thesis via HKUTO, 1994. http://sunzi.lib.hku.hk/hkuto/record/B31212700.

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Chen, Kwan-ho. "Lu Shiyi (1611-1672) : his life and ideas of statecraft = Lu shi yi zhi sheng ping ji qi zhi guo si xiang /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B24702122.

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Mu, Jian. "Zhuzi de shi li guan ji qi yu li de guan xi zhi yan jiu : yi Zhuzi "Si shu" xue wei zhong xin /." View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20MU.

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Chui, Wai-ngor. "The design of a Chinese culture subject aiming at enhancing cultural awareness and the evaluation of its effectiveness Yi wen hua jue xing wei jiao xue mu di zhi Zhongguo wen hua ke jiao xue she ji ji qi cheng xiao ping gu /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38787441.

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Chen, Huachang. "A study of Cao Cao's connection with Daoism and his poetry of immortals = Cao cao yu dao jiao ji qi you xian shi yan jiu /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25018619.

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Dawacairen. "Xizang huo fo de zheng zhi jiao se ji qi li shi bian qian = The political role of living Buddha in Tibet and their historical transformations /." click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15722636a.pdf.

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Lau, Shuk-yi. "A study of the border town by Shen Congwen and his other short novels Shen Congwen de "Bian cheng" ji qi ta xiao shuo yan jiu /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41005211.

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Mok, Kar-wing Maria. "Guangdong decorative arts of the Qing dynasty its characteristics and regional features = Qing dai Guangdong gong yi de te se ji qi di yu xing yin su/." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31987734.

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Wong, Ah-yin. "On Eileen Chang's view of men and their images in her novels Lun Zhang Ailing de nan xing guan ji qi xiao shuo zhong de nan xing xing xiang /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43208691.

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Zhang, Lijuan. "Ti zhi zhuan xing yu guo you qi ye gong ren fen hua de duo chong luo ji = Institutional transformation and the multi-facet logic of differentiation of state-owned enterprise workers /." View abstract or full-text, 2006. http://library.ust.hk/cgi/db/thesis.pl?SOSC%202006%20ZHANG.

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Kwok, Suk-yee. "An analysis of the Sui Dynasty's downfall with special reference to internal conflicts in the government during Sui Yangdi's reign Cong Sui Yangdi shi qi tong zhi ji tuan nei bu fen lie kan Sui dai zhi su wang /." Click to view the E-thesis via HKUTO, 1991. http://sunzi.lib.hku.hk/hkuto/record/B31949940.

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Tsang, Kwok-wah. "A study of bishop R.O. Hall's contribution (1895-1975) to Hong Kong education and social welfare He Minghua hui du (yi ba jiu wu zhi yi jiu qi wu) dui Xianggang zhi she hui ji jiao yu zhi gong xian /." Click to view the E-thesis via HKUTO, 1993. http://sunzi.lib.hku.hk/hkuto/record/B31950449.

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Ouyang, Sutong. "Leng zhan shi dai de shi jie wei ji yu Meiguo de ze ren : dui Laiyinhuoerde Nibuer hou qi zheng zhi shen xue de yan jiu = World crisis in cold war and American responsibility : on Reinhold Niebuhr's later political theology /." click here to view the abstract and table of contents click here to view the fulltext, 2005. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b1884280xa.pdf.

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Lo, Kwai-ying. "The political and social conditions of the Tang Dynasty during the An Lushan rebellion as reflected in Du Fu's Poems Cong Du shi kan Tang dai An Shi zhi luan qi jian zhi zheng zhi ji she hui shi kuang /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B40675336.

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Wong, Hon-meng. "The attitude of Wuzong and Li Deyu on the policy of the extermination of Buddhism during the Huichang reign (841-846) of the Tang dynasty Tang Huichang (841-846) nian jian Wuzong ji Li Deyu dui mie Fo zheng ce zhi qu tai /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42925794.

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Chow, Ka-kin Kelvin, and 周家建. "A study of the Chinese Canadians identity and social status in comparison with other minority ethnic groups in the 20th Century = 20 shi ji Jianada Hua ren yu qi ta shao shu zu yi de she hui shen fen yu di wei bi jiao." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/202365.

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In tracing the experience of Chinese Canadians in the 20th Century, we need to look further back into its history. Most people believe that the increasing number of immigrants from Hong Kong, Taiwan and China in the 1980s and 1990s played the most important roles in the social and economic changes during the latest decades of the 20th Century. The contribution of the Chinese Canadians settlement throughout the 20th Century should also be considered as it marks the beginning of the rise of their social status and identity in Canada. Although the Chinese Canadians earned their fame and status since the 1980s, they had been racially discriminated for more than a century. To probe into the situation, the social and political situations in the Chinese Canadian community will be meticulously analyzed and their contribution in difference aspects examined. In addition, other minority ethnic groups, such as the Japanese, Jewish and Indian, will be used as a comparison to demonstrate the change of policies towards the Chinese in Canada. In doing so, both English and Canadian Chinese newspapers will be used to illustrate the cultural difference between the “whites” and “non-whites”. To illustrate the changes, the 20th Century will be break into three parts. In most of the pre-Second World War period, the Chinese community was isolated from the mainstream community with their activities largely confined to Chinatowns in cities, such as Vancouver, Victoria, Toronto and so on. For the Chinese living in small townships, such as Prince Rupert, Richmond and so on, their daily life will also be examined. When Canada declared war on Japan on 7th December 1941, Canada became an ally of China during the war. A sentiment of acceptance of the Chinese in the mainstream society began to take shape. Some of the Chinese chose to contribute their efforts to Canada by joining the Canadian Armed Forces and went into battle alongside the White Canadians. After the Second World War, Canada adopted a new policy towards the minority ethnic groups and Chinese Canadians started to enjoy political equality. In May 1947, the Canadian Government repealed the Chinese Immigration Act. In 1967, after the liberalization of the Canadian immigration policy, the Chinese, once again, were allowed to immigrate freely to Canada as an individual. With granted full citizenship, the Chinese social and political status began to change. In 1957, Douglas Jung, a Canadian born Chinese, was elected a Member of the Parliament, which can be seen as the beginning of the Chinese involvement in the political arena of the Canadian community. Since then, Chinese Canadians were able to achieve equality in the society. Based on documentary accounts and oral history research, this thesis re-constructed the history of Canadian Chinese involvement in the 20th Century and the change of their identity and social status thereafter.<br>published_or_final_version<br>Social Work and Social Administration<br>Doctoral<br>Doctor of Philosophy
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Ngan, Yi-wan Prinnie. "A study of the rights of self-determination in marriage of Chinese women and their position in the family from the late Ch'ing to the May Fourth period Wan Qing zhi wu si shi qi Zhongguo fu nü hun yin zi zhu quan ji jia ting di wei de tan tao/." Click to view the E-thesis via HKUTO, 1985. http://sunzi.lib.hku.hk/hkuto/record/B31948698.

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Lin, Chen-Yao, and 林貞瑤. "From Gui Bo Shang Tong to Ji Wang Qiu Shi—A Study of Xing Zhi." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/03200981931928007350.

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碩士<br>國立中山大學<br>中國語文學系研究所<br>91<br>Integrated with the study of Chinese Classics, the Ch’en-wei thoughts posed as the mainstream of East Han’s philosophy studies but the thoughts also aroused different opinions. As early as in the beginning of West Han Dynasty, Liu Shin tried to oppose the studies of Modern Scripts with the studies of Ancient Scripts. Yang Xiong, a great thinker in late West Han Dynasty, tried to suppress the popularity of superstition with the concept of Dao Fa Zi Ran (meaning that Daoism lies in the Nature). In the beginning of East Han Dynasty, Heng Tan is the first thinker who openly criticized the official philosophy. He wrote “Xing Lun” to declare his opposition against the dominant Ch’en-wei thoughts and also offered suggestions about contemporary politics in the hope of attracting attention from the Emperor and serving the country. However, his suggestions irritated the Emperor instead and he was never promoted to an important position. After Heng Tan, Wang Chong, a thinker not in any official post, carried forward Heng’s thoughts and, based on the principle of Ji Xu Wang (meaning to criticize the untrue), lashed even more strongly against the Ch’en-wei thoughts. This thesis is an attempt to analyze Heng’s and Wang’s thoughts based on their books, “Xing Lun” and “Lun Heng.” It is found that both of them, enlightened by rationalism and spurred by the sense of mission as orthodox scholars, tried to fight against the contemporary Boshi system on the basis of Bo Tong (meaning comprehensive studies), to criticize the ridiculousness of the Ch’en-wei thoughts by manifesting the principle of Ji Xu Wang and finally to achieve the ideal of Xing Zhi (meaning to criticize the untrue and to serve the country with one’s thoughts). Both Heng and Wang cast a deep influence on the Ming-Fa thoughts at the end of East Han Dynasty and gave birth to the following Naturalism. Their importance to the development of Chinese philosophy can be clearly seen hereby.
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Chen, Wei-Hsin, and 陳薇新. "The Research of Ji Qu Music“Liu Hua Qi”." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/51259871523434492692.

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碩士<br>國立臺灣藝術大學<br>表演藝術研究所<br>97<br>Ji Qu is the most detailed music form from Qu Pai music. Ji Qu is produced from many parts of Qu Pai, and brings different sound effects. The research of Ji Qu “Liu Hua Qi” combines two original Qu Pai in “Shi Liu Hua” and “Qi Yan Hui”. Thus, it uses three Qu Pai of the “Shi Liu Hua”, “Qi Yan Hui”, and “Liu Hua Qi” to be a subject to investigate. These subjects are gleaned from three music scores of “Jicheng Qupa”, “Liuye Qupu”, and “Nashuying Qupu”. To analyze libretto, it not only differentiates the “Shi Liu Hua” to see if it has nan qu or bei qu, but also establishes “Qi Yan Hui” and “Liu Hua Qi” libretto form. Besides, it explores how “Shi Liu Hua” and “Qi Yan Hui” connect to be Ji Qu “Liu Hua Qi”. Regarding music, it not only analyzes musical form in “Shi Liu Hua”, “Qi Yan Hui”, and “Liu Hua Qi” three Qu Pai, but also explores the way how Ji Qu “Liu Hua Qi” music connect. Although Ji Qu “Liu Hua Qi” is an independent Qu Pai, it can discover the “Shi Liu Hua” and “Qi Yan Hui” style in the libretto and music analysis. In terms of music analysis and music production, Ji Qu is the Qu Pai form which has a single motive and structure. These are evolved the different music materials, and become the new Qu Pai full of variety.
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HSU, CHING-CHENG, and 徐青正. "A Study on Huang Yi's "Xun Qin ji "." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/2hnnn3.

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碩士<br>國立雲林科技大學<br>漢學應用研究所<br>105<br>Abstract This thesis A Study on Hunag Yi’s “Xun Qin Ji” aims to offer an overview on Hunag Yi’s scientific narrative in the history of martial arts novel. He employs the finesse of time-travel, depicting the contemporary travel though time back to the past and weaving the historical facts into the plots. Such innovation is a giant breakthrough in the domain of martial arts novel. Hung Yi’s creativity is unprecedented—He is the first-ever author in the field to introduce technological prediction of traveling through time and to combine the martial arts plot. He also gets rid of the traditional elements of using supernatural power, which is common in conventional martial arts novel. Because of his groundbreaking initiation, many novelists followed this presentation of time-travel. Owing to the above-mentioned reasons, the researcher of this thesis wishes to explore Hunag Yi’s “Xun Qin Ji” in the following aspects: its author, the background, the motif, the writing technique, and so on. The researcher hopes that analyzing this novel presents the turning point of how Hunag Yi transcends the obsolete martial arts novel and provides the later-on researchers with the inspiration of grandmaster Hunag Yi.
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趙春蘭. "The study of poem monk Qi-ji and his "Bai Lian Ji" ( "White Lotous Colletion of poems" )." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/8dfvez.

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