Relevant bibliographies by topics / San Francisco (church), Assisi

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  2. Dissertations / Theses
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  5. Conference papers

Academic literature on the topic 'San Francisco (church), Assisi'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "San Francisco (church), Assisi"

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Kirkham, Anne. "Saint Francis of Assisi’s Repair of the Church." Studies in Church History 44 (2008): 46–61. http://dx.doi.org/10.1017/s0424208400003478.

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A round 1230 Burchard of Ursperg, a Premonstratensian canon, writing about the Fourth Lateran Council (1215), reported that ‘with the world already growing old, two religious orders arose in the Church – whose youth is renewed like the eagle’s’. The success of the Franciscans in contributing to what Burchard saw as the renewal of the Church’s youth was simultaneously assisted and celebrated by documenting the life of the founder, Francis (1182–1226), in words and images soon after his death and throughout the thirteenth century. Within these representations, the pivotal event in securing Francis’s religious ‘conversion’ was his encounter with the decaying church of San Damiano outside Assisi. His association with the actual repair of churches in the written and pictorial accounts of his life was a potent allegorical image to signal the revival of the Church and the role of Francis and his followers in this. This essay focuses on how references to the repair of churches were used to call attention to the role of the Franciscans in the revival of the Church in the thirteenth century.
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Bigaroni, Marino, and Agnes Van Baer. "San Damiano - Assisi: The First Church of Saint Francis." Franciscan Studies 47, no. 1 (1987): 45–97. http://dx.doi.org/10.1353/frc.1987.0007.

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Polzer, Joseph. "Concerning the chronology of Cimabue's oeuvre and the origin of pictorial depth in Italian painting of the later middle ages." Zograf, no. 29 (2002): 119–42. http://dx.doi.org/10.2298/zog0329119p.

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A study devoted to the gradual emergence of pictorial depth in Cimabue's paintings, and how it applies, together with other factors, to the understanding of their sequential chronology. The conclusions reached underscore the vast difference in Cimabue 's conservative art and the exceptional naturalism of the evolving Life of Saint Francis mural cycle lining the lower nave walls in the upper church of San Francesco at Assisi.
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Ubelaker, Douglas H., and Catherine E. Ripley. "Ossuary of San Francisco Church, Quito, Ecuador: Human Skeletal Biology." Smithsonian Contributions to Anthropology, no. 42 (1999): 1–32. http://dx.doi.org/10.5479/si.00810223.42.1.

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Delannoy, Jaime. "The acoustics of the church San Francisco of Santiago of Chile." Journal of the Acoustical Society of America 109, no. 5 (May 2001): 2304. http://dx.doi.org/10.1121/1.4744086.

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París Marqués, Amparo. "Seis ápocas de los maestros que intervinieron en la construcción de la iglesia de San Juan de los Panetes de Zaragoza (1722)." Studium, no. 23 (August 12, 2018): 113–31. http://dx.doi.org/10.26754/ojs_studium/stud.2017232607.

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Cuentas y materiales utilizados en la construcción de la iglesia de San Juan de los Panetes de Zaragoza, según seis albaranes de pago a los maestros que intervinieron en las obras. Palabras clave. Orden de San Juan de Jerusalén. Iglesia de San Juan de los Panetes (Zaragoza). Blas Ximénez. Pedro Izaguirre. Francisco de Urbieta. Domingo Sastre. Tomás de Mesa. Lorenzo Arbex. Abstract. Accountancy and materials used in the construction of the church of Saint John de los Panetes, in Zaragoza, according to six slips with the payment to the master builders who took part in the works. Key Words Order of Knights of the Hospital of Saint John of Jerusalem. Church of Saint John de los Panetes (Zaragoza). Blas Ximénez. Pedro Izaguirre. Francisco de Urbieta. Domingo Sastre. Tomás de Mesa. Lorenzo Arbex
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Zucchi, Alberta. "Churches as Catholic Burial Places: Excavations at the San Francisco Church, Venezuela." Historical Archaeology 40, no. 2 (June 2006): 57–68. http://dx.doi.org/10.1007/bf03376726.

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Feduchi Benlliure, Ignacio, Javier Feduchi Benlliure, Luz Feduchi Benlliure, and Luis Fernández Aldaco. "Restauración de "San Francisco el Grande". Madrid. España." Informes de la Construcción 40, no. 399 (February 28, 1989): 5–21. http://dx.doi.org/10.3989/ic.1989.v40.i399.1510.

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Jiménez, Leticia, Diana E. Arano, José L. Ruvalcaba, and Fanny Unikel. "Characterization of Inherent Materials of San Antonio Altarpiece in San Roque Church, Campeche." MRS Proceedings 1618 (2014): 153–60. http://dx.doi.org/10.1557/opl.2014.464.

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ABSTRACTThe altarpiece dedicated to San Antonio de Padua was made of wood assembled and self-supporting structure attached to the wall. It is a straight plant altarpiece designed to withstand sculptures. This master piece belongs to the a set of Baroque altarpieces preserved in the state of Campeche and is located in San Roque Church in the City of San Francisco de Campeche, Mexico. This altarpiece was decorated following the traditional technique of the seventeenth century in Mexico, a technique derived from Spain. According to literature sources we know that the strata are the wood, the imprimatura, the pictorial strata and metal sheets that make the golden color and corladuras. The characterization of the constituent materials was of great importance for the interpretation of the constructions system and manufacture of the decoration. The present study shows the results of analysis techniques such as optical microscopy, Particle Induce X Ray Emission (PIXE), and X Ray Florescence Spectroscopy (XRF) and interpretation of the different layers constituting the altarpiece of San Antonio.
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Pelegrinelli, André Luiz Marcondes. "O autógrafo de frei Francisco e frei Leão: texto e imagem em relação na Chartula di Assisi (séc. XIII)." Antíteses 12, no. 24 (December 23, 2019): 646. http://dx.doi.org/10.5433/1984-3356.2019v12n24p646.

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A experiência no monte Alverne, em 1224, foi essencial para a conformação do franciscanismo medieval. Francisco foi estigmatizado e os frades que o acompanhavam na experiência eremítica tiveram também suas experiências com o fundador transformadas. Leão, frade, secretário e confessor de Francisco, recebeu do santo um fragmento de pergaminho com dois escritos autógrafos, a Laudes dei Altissimi no lado carne e, no lado pelo, uma bênção de inspiração bíblica, a Benedictio Fratri Leoni data. O pequeno fragmento de pergaminho ainda existe, o autógrafo é considerado uma relíquia, objeto de devoção na Basilica di San Francesco, em Assis. Neste artigo, analisaremos o objeto como conformação das linguagens textual e visual, considerando a materialidade do pergaminho que, relacionando essas dimensões, implica em diferentes possibilidades de leitura que concluem no mesmo sentido analógico. Através de análise codicológica, paleográfica, do texto e das imagens, promomos pensar a Benedictio Fratri Leoni data como imagem-caligrama veiculando a bênção de modo não linear que considera a espacialidade do fragmento de pergaminho e dele faz uso.
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Dissertations / Theses on the topic "San Francisco (church), Assisi"

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Bernad, Gil Higinia Silvia. "San Francisco de Asís en la obra de Francisco de Zurbarán y Joan Miró: vigencia de lo santo y lo bello en el tiempo." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/401553.

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Es la presentación de las pinturas de Zurbarán en torno a San Francisco de Asís y Joan Miró. Se trata de 16 lienzos originales y 10 grabados respectivamente cuya única temática es el santo de Asís en todo su esplendor místico. El itinerario es una mirada profunda al interior espiritual y religioso de la orden franciscana, tanto como práctica religiosa, comunidad social y actitud humana. El proceso de investigación descansa en una triple vía: la primara es una indagación sobre lo bello y lo santo, la segunda es un estudio del nacimiento de la orden franciscana (siglo XII) y su concepción estética de la luz. La tercera es el estudio de la pintura de Zurbarán enmarcada en la época de la Contrarreforma. Finalizando esta trayectoria con la aportación de Joan Miró Concluyendo con la aportación de los grabados de Joan Miró entorno al cántico del sol de San Francisco de Asís.
This is the representation of Zurbaran’s paintings centered on Saint Francis of Assis and Joan Miro. It is about 16 original canvasses and 10 engravings respectively whose only main theme is the Saint of Assisi in its full mystic splendor. This essay pretends to be the itinerary in the form of a deep look towards the spiritual and religious interior of the Franciscan Order, seen both as a religious practice and social community and also as a humane attitude. The investigation process is focused on a triple vision: the first, is an investigation around the beautiful and the sacred, the second, is a study on the birth of the Franciscan Order (12th Century) and its aesthetic conception of light. The third line of research lies on where the art begins in the realization of Zurbaran’s work during the Catholic Reformation. Concluding with the contribution of Joan Miro’s engravings within the Canticle of the Sun off Saint Francis of Assis.
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Weldon, C. Michael. "Church consolidations and closures mentoring reconciliation through ritual /." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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Thesis (D. Min.)--Catholic Theological Union at Chicago, 2002.
Vita. Includes abstract. Appendix: A ritual of group grieving -- Kairos: a ritual honoring common ground -- Rite for completion of reconciliation of groups -- Rite of reconciliation: a day of atonement -- Reconciliation rite for impasse -- Rituals of transition: a week of farewell for parish closure -- Rite of leavetaking of a church -- Rites for inauguration of a newly consolidated parish -- Rites of reception and memorial of the closed parish with a blessing of the foundation stone ... Includes bibliographical references (leaves 323-337).
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Ong, Wes. "Parallel, separate, or multilingual congregations? a study of four, large North American Chinese churches in search of a ministry paradigm for Sacramento Chinese Baptist Church /." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

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Books on the topic "San Francisco (church), Assisi"

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Magro, Pasquale. La basilica sepolcrale di San Francesco in Assisi. Assisi: Casa editrice francescana, 1991.

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Romanini, Angiola Maria. Assisi: Gli affreschi della Basilica di San Francesco. Milano: Rizzoli, 1997.

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Corina, Santistevan, ed. Centuries of hands: An architectural history of St. Francis of Assisi Church and its missions ranchos de Taos, New Mexico and the historic American buildings surveys of St. Francis of Assisi Church and the Chapel of Our Lady of Talpa. Santa Fe, N.M: Sunstone Press, 1996.

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The story of St. Francis of Assisi: In twenty-eight scenes. Brewster, Massachusetts: Paraclete Press, 2015.

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Franziskus und die Vollendung der Kirche im siebten Zeitalter: Zum Programm der Langhausfresken in der Oberkirche von San Francesco in Assisi. Frankfurt am Main: P. Lang, 1992.

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Bildfolge, Zeit- und Bewegungspotential im Franzzyklus der Oberkirche San Francesco in Assisi: Ein Beitrag zur Klärung der Giotto-Frage. Frankfurt am Main: P. Lang, 1991.

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Assisi: The frescoes in the Basilica of St. Francis. New York: Rizzoli, 1998.

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Burns, Jeffrey M. San Francisco: A history of the Archdiocese of San Francisco. Strasbourg: Editions du Signe, 1999.

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1892-, Wilson Carol Green, Flamm Roy, Baird Joseph Armstrong, and San Francisco Alumnae Panhellenic, eds. Sacred places of San Francisco. Novato, CA: Presidio Press, 1985.

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Botello, Oldman. Los Tiznados: Orígenes de San Francisco y San José. Caracas, Venezuela: Congreso de la República, Ediciones de la Camara de Diputados y la Alcaldia del Municipio Ortiz, 1998.

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Book chapters on the topic "San Francisco (church), Assisi"

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"Byzantine Icons, Franciscan Prayer: Images Of Intercession And Ascent In The Upper Church Of San Francesco, Assisi." In Franciscans at Prayer, 357–82. BRILL, 2007. http://dx.doi.org/10.1163/ej.9789004156999.i-507.100.

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"The Date of the St Francis Cycle in the Upper Church of San Francesco at Assisi: The Evidence of Copies and Considerations of Method." In The Art of the Franciscan Order in Italy, 113–67. BRILL, 2005. http://dx.doi.org/10.1163/9789047404620_009.

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"The Beholder as Witness: The Crib at Greccio from the Upper Church of San Francesco, Assisi and Franciscan Influence on Late Medieval Art in Italy." In The Art of the Franciscan Order in Italy, 169–88. BRILL, 2005. http://dx.doi.org/10.1163/9789047404620_010.

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Graziano, Frank. "San Francisco de Asís, Golden." In Historic Churches of New Mexico Today, 241–66. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190663476.003.0009.

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A brief sketch of Golden’s boom and bust as a mining town serves as preface to the restoration of San Francisco De Asís by Fray Angélico Chávez in 1960. The chapter then analyzes the concept of la querencia (attachment to and identification with a place) as it pertains to historic churches and the people committed to their caretaking. The discussion pursues a case in point—an abnegate, querencia-driven, recent restorer of San Francisco—and how resumed use of the church led eventually to conflict between the restorer and the new pastor and mayordomos. The chapter concludes with brief exposition of several ghost-town churches, and with visiting information to these and to Golden.
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"Church and Chapel in Parque de San Francisco." In Sacred Buildings, 86–90. Birkhäuser, 2008. http://dx.doi.org/10.1007/978-3-7643-8276-6_13.

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"Chapter 4. Turning Point: Negotiating San Damiano’s singularity, ca. 1226 to 1230." In Clare of Assisi and the Thirteenth-Century Church, 67–88. University of Pennsylvania Press, 2016. http://dx.doi.org/10.9783/9780812292923-007.

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Brown, Amanda. "Introduction." In The Fellowship Church, 1–17. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197565131.003.0001.

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This chapter introduces the African American intellectual and theologian Howard Thurman and the physical embodiment of his thought: the Church for the Fellowship of All Peoples. The Fellowship Church, which Thurman cofounded in San Francisco in 1944, was the nation’s first interracial, intercultural, and interfaith church. Amid the growing nationalism of the World War II era and the heightened suspicion of racial and cultural “others,” it successfully established a pluralistic community based on the idea “that if people can come together in worship, over time would emerge a unity that would be stronger than socially imposed barriers.” Rooted in the belief that social change was inextricably connected to internal, psychological transformation and the personal realization of the human community, it was an early expression of Christian nonviolent activism within the long civil rights movement. The Introduction locates the Fellowship Church within its historical context and argues that, rather than being “56 years ahead of his time” as the SF Gate reported in 2010, the Fellowship Church was actually right on time—a distinct product of its historical moment and a provocative expression of midcentury liberal American thought.
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Graziano, Frank. "Historic Churches on the High Road to Taos." In Historic Churches of New Mexico Today, 38–71. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190663476.003.0002.

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The Penitentes’ Good Friday devotions at San Antonio in Córdova are described, particularly the tinieblas (tenebrae) ritual. The Truchas section treats the conservation of altar screens painted by Pedro Antonio Fresquís. The history of the settlement of Las Trampas is then detailed, including discussion of fortified plazas and fortress churches, and followed by observations regarding current maintenance of San José church. The section on San Lorenzo at Picurís Pueblo describes feast-day events and then surveys the history of the five San Lorenzo churches constructed at the pueblo, including attitudes toward the current church. Several other adobe churches on this route are also discussed, and the chapter concludes with an analysis of the sculptural form and sensory qualities of San Francisco de Asís in Ranchos de Taos. Visiting information is integrated throughout the chapter.
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McKay, David O. "The Hawaiian Mission." In Pacific Apostle, edited by Reid L. Neilson and Carson V. Teuscher, 74–102. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042850.003.0005.

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McKay’s steamship docked at Honolulu, Hawaii, on February 4, 1921. The tropical beauty of the islands impressed McKay as he ventured throughout the islands. Mormon missionaries had enjoyed proselyting success in the Hawaiian Islands since their arrival in the 1850s. McKay spoke at well-attended conferences across the islands, visited church-owned plantations and schools, and were immersed in the local culture. McKay noted the multicultural composition of the local church membership, enjoyed homemade luaus prepared by local Latter-day Saints, offered guidance to young missionaries, and marveled at geographic landmarks, including volcanoes, coral reefs, and waterfalls. On February 26, 1921, McKay and Cannon boarded a steamer bound for San Francisco, California, where they planned to transfer steamers and travel to French Polynesia.
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Turnock, Bryan. "New Hollywood Horror." In Studying Horror Cinema, 159–80. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.003.0009.

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This chapter discusses New Hollywood horror, addressing how the counterculture movement in the United States championed alternative spiritual experiences while rejecting mainstream organised religion. As such the so-called Church of Satan, established in San Francisco in 1966, quickly gained tens of thousands of followers while membership of the Catholic Church fell precipitously. It was against this backdrop that Ira Levin's novel Rosemary's Baby (published 1967) managed to capture the mood and resonate with a society in a state of transition. Whilst the story also plays on the distrust of the older generational establishment, so much a feature of the youth counterculture of the 1960s, its themes of alienation and loss of personal control go back to the dawn of horror cinema. Its arrival also came at a time when Hollywood found itself facing some of its greatest challenges in terms of market forces and changing demographics. The chapter looks at how the major studios reacted to this, assimilating new approaches to film-making while retaining much of their influence and power, albeit under new ownership. It also considers Roman Polanski's film adaptation of Levin's novel in 1968.
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Conference papers on the topic "San Francisco (church), Assisi"

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Sánchez, Mónica. "PROPUESTA DE REUBICACIÓN MEDIANTE RECONSTRUCCIÓN VIRTUAL. CASO DE ESTUDIO: RETABLO MAYOR DE SAN FRANCISCO DE SAN ESTEBAN DE GORMAZ (SORIA)." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3537.

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This paper briefly shows the skills acquired not only in the field of Conservation-Restoration, but also in Virtual Restoration as applied to Cultrual Heritage. The work under consideration is the Mayor Altarpiece of the old Convent of San Francsico, today Church of San Esteban Protomartir in San Esteban de Gormaz, Soria. Built in 1628 in one of the most important workshops of the Diocese, in 1985 renovation works and refurbishment of the church had uncovered wall paintings in advocation to the founder of the Order behind the wooden reredos, one of the few examples of pictorial altarpieces preserved in Spain that forced the transfer of the wooden altarpiece to a shrine in the same locality where it is currently disassembled.This Cultural Property is a great example of heritage on which to apply the techniques of 3D modeling for virtual restoration and reconstruction of the environment as well, which aims to attempt visual recovery and potential unit without counyerfeiting, as methods of conservation, restoration and dissemination of Cultural Heritage.
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Williams, Tiffany H. "Abstract B023: Cancer disparities and faith-based messaging in the African American church." In Abstracts: Twelfth AACR Conference on the Science of Cancer Health Disparities in Racial/Ethnic Minorities and the Medically Underserved; September 20-23, 2019; San Francisco, CA. American Association for Cancer Research, 2020. http://dx.doi.org/10.1158/1538-7755.disp19-b023.

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