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Dissertations / Theses on the topic 'Sculptures and paintings'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Leyva-Perez, Irina. "Alchemy and Symbolism in the Work of Carlos Estevez." FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/740.

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The purpose of this thesis was to explore how alchemy has influenced Carlos Estevez’s work through a study of the symbolic repertoire and the philosophical concepts associated with it in his art, particularly how these are expressed in his artworks and how alchemy has evolved thematically in his oeuvre. The study of alchemy influenced this artist so deeply that even pieces that were not primarily inspired by this philosophical system show traces of it, essentially by representing the concept of transformation, crucial to understanding the alchemical process. This thesis is based on Carl Gustav

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2

Dabat, Amandine. "Hàm Nghi (1871-1944) : empereur en exil, artiste à Alger." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040138.

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Hàm Nghi (1871-1944), empereur patriote selon l’historiographie vietnamienne, victime ou acteur de la résistance anticoloniale selon les historiens français, fut exilé à Alger dans l’espoir de mettre fin au mouvement Cần Vương. Déporté à l’âge de dix-huit ans, pion sur l’échiquier politique de l’Indochine, il était considéré par une partie des autorités françaises comme un homme politique influent. Il fut surveillé toute sa vie et ne fut jamais autorisé à entrer en contact avec l’Indochine. Cependant, celui qui était désormais appelé « prince d’Annam », noua des amitiés avec des élèves vietnam

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3

Streeter, Stephanie. "Stray: Paintings, Drawings, and Sculpture." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/honors/18.

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The artist discusses her Bachelor of Fine Arts Exhibition, Stray, held at Slocumb Galleries, East Tennessee State University, from April 4th to April 8th. The show exhibit consists largely of self-portraits derived from the artist’s dreams, in an array of media including mixed media on paper, oil on canvas, and wire frame sculpture, all completed in the Spring of 2011, with the exception of one sculpture. Ideas explored include the influence of dreams, representation of the self, masking, disguising, the loss of home, and the tendency of memory to fade. Influences discussed include the written

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4

Keffer, Mark. "Sculpture < painting < boxing." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314217573.

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5

Lykins, Victoria L. "Painting in a sculptural manner." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864931.

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6

Baker, Charles. "An Exhibition of Painting, Sculpture and Video." Thesis, Waterloo, Ont. : University of Waterloo [Dept. of Fine Arts], 1997. http://etd.uwaterloo.ca/etd/cbaker1997.pdf.

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Thesis (M.F.A.)-University of Waterloo, 1997.<br>Includes bibliographical references (p. 65). Issued also in PDF format and available via the World Wide Web. Requires Internet connectivity, World Wide Web browser, and Adobe Acrobat Reader.

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7

O'Brien, Kelly A. "Putting Lipstick on a Sculpture." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/art_design_theses/107.

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Putting Lipstick on a Sculpture is a mixed body of sculptural and two-dimensional work investigating our society’s superficial expectations of beauty. The glitzy covers of glitter and spandex are used over more traditional structural materials to confuse the viewer’s expectations, much like labels categorizing usual fine art. The sculptures are on display for the audience’s aesthetic judgments, while paintings blur lines of what is classified as traditional and acceptable for emphasis.

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8

Borders, James D. "Spontaneous strategies /." Online version of thesis, 2009. http://hdl.handle.net/1850/10878.

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9

Sakoda, Maho. "George Eliot and Pre-Raphaelitism : literature, painting, sculpture and photography." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/64074/.

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This thesis explores the multi‐layered inter-relationships between the works of George Eliot and those of the Pre‐Raphaelites. Taking up the very different mediums of painting, sculpture, and photography as they emerge in Pre‐Raphaelitism, it assesses their relation to Eliot's novels as reinforcing a web of Victorian visual art and literature. The discussion begins by examining proximities between the paintings of Dante Gabriel Rossetti and Eliot's Adam Bede and Daniel Deronda. I explore, in particular, their shared interest in dichotomies of female representation in the nineteenth century, an

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10

Richards, Christopher. "Ed Mieczkowski's Contradictory Cues in Dimensionality in Painting and Sculpture." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1467906772.

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11

Amato, Angela. "An illusion of reality /." Online version of thesis, 1987. http://hdl.handle.net/1850/10307.

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12

Gilroy-Ware, Cora. "Marmorealities : classical nakedness in British sculpture and historical painting, 1798-1840." Thesis, University of York, 2013. http://etheses.whiterose.ac.uk/5541/.

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Exploring the fortunes of naked Graeco-Roman corporealities in British art achieved between 1798 and 1840, this study looks at the ideal body’s evolution from a site of ideological significance to a form designed consciously to evade political meaning. While the ways in which the incorporation of antiquity into the French Revolutionary project forged a new kind of investment in the classical world have been well-documented, the drastic effects of the Revolution in terms of this particular cultural formation have remained largely unexamined in the context of British sculpture and historical pai

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13

Dias, Sarah Frances. "Core values and principles generators of significance in architecture, painting and sculpture." Doctoral thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2017. http://hdl.handle.net/10400.5/14116.

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14

Struthers, Sally A. "Donatello's Putti : their genesis, importance, and influence on quattrocentro sculpture and painting /." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487777170405547.

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15

Huynh, Boi Tran. "Vietnamese Aesthetics From 1925 Onwards." University of Sydney. Sydney College of the Arts, 2005. http://hdl.handle.net/2123/633.

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Twentieth century art in Viêt-Nam underwent immense changes due to the nation�s encounters with the West, through colonialism and two great wars. This thesis examines the significant impact of architecture, clothing painting and sculpture on the development of Vietnamese aesthetics. The very public nature of architecture and clothing will be used as a cultural backdrop for the changing aesthetic ideals in painting and sculpture. The thesis examines the aesthetic merits of Socialist Realism, introduced after reunification in 1975, in particular, its relationship to the art of the Republi

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16

Andrieu, Mélanie. "Une spécificité Cobra, les oeuvres collectives: émergence d'une pratique et exemplarité de Christian Dotremont." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209838.

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Cette thèse est une étude du mouvement Cobra à travers les œuvres collectives, une de ses composantes caractéristiques. Il s’agit tout d’abord de comprendre le mouvement, ses origines et influences, ainsi que sa visée d’un art libre, ouvert, expérimental, partie prenante de la vie. Dans un contexte social d’après-guerre, souvent politisé, Cobra défend l’action collective, définie notamment dans les notions d’antispécialisme et d’interspécialisme. Il convient de mettre en exergue les origines de cette pratique, et saisir les divers aspects qu’elle arbore, notamment au travers de revues, d’expos

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17

Howard, Helen Catherine. "The pigments of English medieval wall painting." Thesis, Courtauld Institute of Art (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369503.

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18

Lazzarini, Elena. "The nude in central Italian painting and sculpture (1500-1600) : definition, perception and representation." Thesis, University of Leicester, 2005. http://hdl.handle.net/2381/30490.

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This interdisciplinary study of the male and female nude explores the cultural, social and political context in sixteenth-century Italy in order to discover new connections between images of the nude and everyday life. Many of the sources concerning behaviour, undressing and sexual activities in diverse settings, which are believed to reflect actual behaviour (Rudolf Bell, 1999), were written in Italian at a time when the printing industry began to flourish. This new literature, which has received scant attention from art historians, reached a wider audience and directly completed with prescri

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19

clark, jared lindsay. "One Million Paintings 2005-2007: A Thesis." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/935.

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I assist discarded collectives of objects to volunteer themselves for inclusion into the privileged legacy of flatness – assuring them they can be transformed into Painting. Reducing my interventions - often to mere arrangement - respects the possibility of this transformation while frankly retaining the objects' original functional identities. Every surface of any object is a readymade painting – especially flat ones. By stacking objects and aligning their surfaces on one privileged side into a flat mega-surface, I am composing and collaging – even building – a painting. With my amateur inter

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20

Salisbury, Brian. "OF GODS, BEASTS AND MEN: DIGITAL SCULPTURE." Master's thesis, Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002587.

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21

Preater, Jason. "Francisco Pacheco and polychromy in Seville (1580-1649)." Thesis, University of Bristol, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300702.

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22

Haughton, Ann. "Mythology and masculinity : a study of gender, sexuality and identity in the art of the Italian Renaissance." Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/68267/.

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The concerns of this thesis are aligned with approaches to the historical study of sexuality, gender and identity in art, society and culture which are increasingly articulate and questioning at present. However, it is distinct from these recent studies because it redirects attention toward a stimulating encounter with the past through new theoretical proposals and interpretive perspectives on the manner in which mythology asserts itself as the vehicle for expressing male same-sex erotic behaviour, gender performance and masculine identity in the visual culture of the Italian Renaissance. By f

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23

Eichler, Victoria. "Come to Light." VCU Scholars Compass, 2007. http://hdl.handle.net/10156/1714.

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24

Smith, Anthony David Stephen. "Patriotism and neo-classicism : the 'historical revival' in French and English painting and sculpture, 1746-1800." Thesis, University College London (University of London), 1987. http://discovery.ucl.ac.uk/1317949/.

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The aim of this thesis is to explore the links between historicism and patriotism in French and English painting and sculpture From 1748 to 1800. It argues that the reaction to Rococo hedonism took the Form of an 'historical revival' to rejuvenate European culture and society by a return to an heroic morality for the individual and the community. While artists generally Followed historians and poets in their choice of themes, they managed to produce images that defined and diffused the exemplary heroic virtues, and to endow different periods of history with tangibility and verisimilitude. Whil

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25

Heller, Shawn Earl. "This Art Is For The Birds." VCU Scholars Compass, 2007. http://hdl.handle.net/10156/1335.

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26

Carpenter, Kenneth Erwin. "A veritable psychology : Walter Pater's art criticism." Thesis, Birkbeck (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323598.

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27

Hoffman, Peter. "Willful Misinterpretation." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1810.

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My work in painting and sculpture is an ongoing problem-solving activity in which the issues of how to present images or objects, and how to make a compelling piece of art, frequently clash. By combining a sense of earnestness in the means in which my work is made with self-conscious and deliberately awkward choices, my work occupies a place between pleasureful, visual abandon and the calculated, humorously abject. Through combinations of disparate elements, formal choices, and attitudes towards subject matter, I am making work that seeks to create new images within contradictions.

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28

Summanen, Grace. "Dimension." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1310497356.

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29

Little, Alicia E. "Fragments are formless, as they do not hold together(things that are not touching)." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523452860384935.

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30

Poe, Rachel. "Architectural insomnia." Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/5603.

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My artistic practice addresses issues of how memory shapes our identity and how to use memory in order to better understand our perspective. Through the construction of liminal space I reflect upon the subconscious and conscious mind. These images address issues of identity and how longing and nostalgia affect the human psyche. Through photographs of sculptures, paintings and light installations I address the architectural spaces in the world around me as catalysts.

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31

Mann, Pamela Florence. "Meaning, gesture and Gauguin." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35891/1/35891_Mann_1998.pdf.

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This thesis discusses the difference between two dimensional painting and sculpture although they have proceeded along parallel paths. Feminist. Post-colonial and psychoanalytical discourses intertwine to cover complexities within the artwork of Gauguin and my own. Just as painting and sculpture run along parallel paths though covering problems inherent in their differences so to do I attempt to describe similarities at the same time as recognising the areas where the two do not meet. Issues covered include the search for meaning, in such a way as to make the art works relevant at the close

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32

Haudenschield, Heather. "The Nothing." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/123.

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This thesis is a description and analysis of work that I produced during my Graduate studies at The University of New Orleans. The central theme of these work is the end of the world. Through prints, sculpture and painting I explore this idea.

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33

Mazzer, Mary. "Witch's brew." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1208626408.

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34

Mothershead, Tanner. "The other side of the wind." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6813.

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35

Robb, Charles. "The Self as Subject and Sculpture." Thesis, Monash University, 2008. https://eprints.qut.edu.au/16903/1/16903.pdf.

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This paper analyses and contextualises the artist’s exploration of self-portraiture through the sculptural bust format. Conventionally, the portrait bust epitomises an antiquated view of the human subject as fixed, finite and knowable. The classicistic allusion of the form seems the perfect embodiment of a pre-modern and hopelessly idealised view of subjectivity and its capacity to be represented. This paper will show how, despite these impressions, the portrait bust is in fact a highly volatile sculptural form in which presence and absence are brought into question. When used as a vehicle

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36

Lee, Stephanie Maria. ""The Will to Create" Exhibition Photographic Documentation of, and Narrative on the Body of Work in Sculpture, Painting and Mandala." Fogler Library, University of Maine, 2008. http://www.library.umaine.edu/theses/pdf/LeeSM2008.pdf.

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37

Blaney, Gerald W. "Nicolas Poussin, Charles Le Brun and the Royal Academy of Painting and Sculpture, Paris 1648, a kinship of aesthetics." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ50497.pdf.

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38

Carter, Warren Matthew. "Figuring the New Deal : policy and ideology in Treasury Section of Painting and Sculpture in Washington, D.C., 1934-1943." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1444135/.

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This thesis uses neo-Marxist theories of the state and their application to New Deal historiography as the framework within which to analyse the artworks produced under the auspices of the Treasury Section of Painting and Sculpture from 1934 to 1943 in Washington, D.C. Taking as its focus the murals and sculptures produced for the Justice Department, the Interior Department, and the Social Security Administration buildings it seeks to demonstrate how Section art reflected the twists and turns of the Roosevelt administration as it moved through the First New Deal, the Second New Deal, and the c

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39

Ratliff, Marguerite Z. "Love of Nature." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/1670.

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40

Ragazzi, Alexandre. "Os modelos plásticos auxiliares e suas funções entre os pintores italianos = com a catalogação das passagens relativas ao tema extraídas da literatura artística." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280014.

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Orientador: Luiz Cesar Marques Filho<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-17T07:36:06Z (GMT). No. of bitstreams: 1 Ragazzi_Alexandre_D.pdf: 130803920 bytes, checksum: c31f1fe5f72d513ab06d0886a0f294cb (MD5) Previous issue date: 2010<br>Resumo: Procedimento surgido na Itália central durante o Quatrocentos, o uso de modelos plásticos auxiliares estava entre as diversas etapas que compunham o longo processo de realização de uma pintura. Essa prática artística consistia na elaboração de estatuetas

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41

Masters, David Michael II. "What Lies Within or Beneath." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1385040239.

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42

Wolfe, Julia J. "Meet me in the sewers at dawn." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6522.

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I make installations, objects, paintings, drawings, prints, and arrangements of found words (which some have classified as poetry). I take note of ideas, imagery, and phrases from places that are commonly seen and heard but often go unnoticed. The work combines humor and innocence with an awareness of our culture of mass-production and consumption, resulting in an approachable, whimsical criticism.

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43

Jesko, Alex. "Pyramid scheme." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6773.

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I was watching the tele the other night and a commercial came on exclaiming that scientists have found a way to translate waveforms into text to help the deaf. I realized at that moment; I am as much a scientist as I am an artist. In this regard, composition is deemed a scientific recipe. Ingredients such as conveying the rhythm of linguistic discoveries to further guide fragmented responses of memories. Analyzing frequencies emerging upon application of colors adjacent as well as finding the visual balance that coheres with a particular tempo as relating to sound and vibration to exploit the

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44

Grenier, Marlène. "Les artistes propagateurs de l'idéal allemand en art pictural et en sculpture au Canada au XIXe siècle." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq26215.pdf.

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45

Bishop, Christine Elizabeth. "Light and Life." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/1951.

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46

Collier, Jenniffer C. "Architectonic Gestures: Shadow Structures." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1257803279.

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47

Risner, Maria. "Undesirable Forms." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etd/3427.

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The Master of Fine Arts exhibition, Undesirable Forms, presents a collection of paintings and sculptures that focus on the repulsion and discomfort a woman can experience within her mind and body. These works were exhibited at the Tipton gallery, in downtown Johnson City. The pieces included in this exhibition consist of encaustic paintings on panel, and sculptures created from plaster life-casts. The ideas discussed in this paper are influenced by Julia Kristeva and Sigmund Freud’s work relating to the abject/grotesque female body. This paper also discusses inspiration from other artists, suc

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48

Ross, Marina. "My pleasure (forever yours)." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6261.

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My practice consists of painting, ceramic sculptures, and performance to consider the construction of self-identity and the role of agency and labor in this construction. Mining my life experiences as a point of departure, I question how visual images, sculptural abstractions, and physical movement create a multi-dimensional representation of the self and how the body is a vehicle for the expression and formation of the self. I source images from family photos and film stills to question how I have embodied qualities from the women in these images. I will discuss my thesis exhibition My Pleasu

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49

Peterman, Aaron L. "Judgement." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1347734.

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The objective of this creative project is the creation of sculptures and paintings that make statements concerning judgment and its subsets, fault, blame, martyrdom, self-sacrifice, and absolution. The group of pieces shown at the Thesis Exhibition explores recurring themes and iconography within a historical context, while addressing issues in a contemporary social framework. Repetitive elements and images such as self-portraits, the pointing finger, and the heart, are set in the present, but layered with the iconography and history of Saint Sebastian. The techniques used to achieve these wor

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50

Wightman, Shaun. "PITIFUL CREATURES." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4188.

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By focusing on character, humor, and loose narrative, I create a world full of quirky, pitiful creatures that blur the lines between illustration and "Fine Art". Inspired by golden age cartoons, Pop-Surrealism, and late 50's commercial art, I make work that speaks of the awkwardness of human emotion while keeping a "tongue in cheek" attitude about everyday life. This work is expressed through illustration, animation, sculpture, and a lot of sarcasm.<br>M.F.A.<br>Department of Art<br>Arts and Humanities<br>Studio Art and the Computer MFA

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