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Journal articles on the topic 'Sensed via glimpses'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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1

Min, Yijie. "A Glimpse into Black-Box: How Investors Make Sense on Family Firm Succession Via Media Coverage?" Academy of Management Proceedings 2021, no. 1 (August 2021): 13324. http://dx.doi.org/10.5465/ambpp.2021.13324abstract.

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2

Bird, Matthew D., Alejandra Hidalgo, Erika León, and Vicente M. León. "Everything that Rises Must Converge: Huaicos, Communitas, and Humanitarian Exchange in Peru." Human Organization 79, no. 3 (September 2020): 201–15. http://dx.doi.org/10.17730/1938-3525-79.3.201.

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While terms such as solidarity and communitas are invoked, sometimes interchangeably, to characterize the feeling of togetherness supporting mutual aid during the emergency phase of disasters, they are not identical phenomena. This article examines the 2017 Peruvian huiaco disaster to understand the role communitas and reciprocity play in the mobilization of emergency aid and the growing sense of togetherness buttressing its distribution. Via an in situ qualitative study conducted as the disaster unfolded, we analyze how the huaicos or flashfloods and mudslides caused by the El Niño phenomenon
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3

Blanken-Webb, Jane. "Big Data's Call to Philosophers of Education." Philosophical Inquiry in Education 24, no. 4 (July 27, 2020): 310–22. http://dx.doi.org/10.7202/1070689ar.

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This paper investigates the intersection of big data and philosophy of education by considering big data’s potential for addressing learning via a holistic process of coming-to-know. Learning, in this sense, cannot be reduced to the difference between a pre- and post-test, for example, as it is constituted at least as much by qualities of experience as it is the situation, process of inquiry and its consequences. Long a perennial concern of philosophers of education, the author suggests that big data offers a budding opportunity for philosophers to engage in dialogue with empirical research in
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4

Orduña-Malea, Enrique, Alberto Martín-Martín, Juan M. Ayllon, and Emilio Delgado López-Cózar. "The silent fading of an academic search engine: the case of Microsoft Academic Search." Online Information Review 38, no. 7 (November 4, 2014): 936–53. http://dx.doi.org/10.1108/oir-07-2014-0169.

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Purpose – The purpose of this paper is to describe the obsolescence process of Microsoft Academic Search (MAS) as well as the effects of this decline in the coverage of disciplines and journals, and their influence in the representativeness of organizations. Design/methodology/approach – The total number of records and those belonging to the most reputable journals (1,762) and organizations (346) according to the Field Rating indicator in each of the 15 fields and 204 sub-fields of MAS, have been collected and statistically analysed in March 2014, by means of an automated querying process via
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5

Burman, Erica, Anat Greenstein, Joanna Bragg, Terry Hanley, Afroditi Kalambouka, Ruth Lupton, Lauren McCoy, Kate Sapin, and Laura Winter. "Subjects of, or subject to, policy reform? A Foucauldian discourse analysis of regulation and resistance in UK narratives of educational impacts of welfare cuts: The case of the ‘bedroom tax’." education policy analysis archives 25 (March 27, 2017): 26. http://dx.doi.org/10.14507/epaa.25.2320.

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This paper draws on material generated from a qualitative study of educational impacts of a British welfare reform affecting housing rent subsidy, size and location commonly known as ‘the bedroom tax’ (Bragg et al., 2015), which was partly taken as a topic for study specifically because of its iconic status as a controversial and unpopular welfare ‘reform’ (or cut). The analysis draws on Foucauldian understandings of subjectification or subject-formation - as elaborated both from within and in relation to the social (Foucault, 1970; 1983; Ball, 1990; Olssen, 2006; Popkewitz & Brennan, 1998
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6

O'Shaughnessy, Katherine. "The 1866 Vercoe and Harding map and the axonometric: the object of subjective representation." Architectural History Aotearoa 7 (October 30, 2010): 58–65. http://dx.doi.org/10.26686/aha.v7i.6792.

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The 1866 Vercoe and Harding map of Auckland provides a visual description of colonial development during the 1860s. This map is a static representation of the past and the backdrop to an exploration of the site via architectural drawing. This paper outlines the process of excavating a site through axonometric drawing looking specifically at an area within Freemans Bay. It explains how the two dimensional Vercoe and Harding map has been extruded into a three dimensional representation of the site. The idea of the map as a subjective representation of the past will be explored alongside the use
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7

Saunders, John. "Editorial." International Sports Studies 42, no. 1 (June 22, 2020): 1–5. http://dx.doi.org/10.30819/iss.42-1.01.

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Covid 19 – living the experience As I sit at my desk at home in suburban Brisbane, following the dictates on self-isolation shared with so many around the world, I am forced to contemplate the limits of human prediction. I look out on a world which few could have predicted six months ago. My thoughts at that time were all about 2020 as a metaphor for perfect vision and a plea for it to herald a new period of clarity which would arm us in resolving the whole host of false divisions that surrounded us. False, because so many appear to be generated by the use of polarised labelling strategies whi
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8

Kuusamo, Altti. "”Douce Mélancolie” à la Scena per Angolo: The Sublime Melancholy of Hubert Robert – Detached from Roman Models." Tahiti 9, no. 1 (March 18, 2019). http://dx.doi.org/10.23995/tht.79910.

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In this paper I trace how melancholy and paintings of ruins link together in Hubert Robert’s (1733–1808) images and how we can also comprehend some other concepts close to melancholy in order to understand his images. As far as I know there has not been a great deal of serious discussion of what implications Denis Diderot’s characterization of Robert’s ruin paintings as douce mélancolie would have. In this sense the question is how we can see, sense or grasp a certain kind of melancholy on the level of painted scenes and dominant visual elements of Robert’s works.
 While the Renaissance e
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9

Kytö, Meri. "Kerrostalokodin akustemologiaa – yksityisen äänitilan rakentuminen." Elore 17, no. 1 (May 1, 2010). http://dx.doi.org/10.30666/elore.78849.

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This article deals with the articulation of sonic space in urban apartment block homes in Finland. The home soundscape does not limit itself to the inside of the apartment but includes sounds seeping from the outside like the clatter of the elevator, nearby traffic signals, a neighbour singing in the shower and the leaping steps of the paperboy on the stairs. Following the methodological idea of acoustemology (i.e., acoustic epistemology), the producing of sounds and listening are connected with cultural practices that, in their turn, produce and mould our concepts of place, space and time. Wh
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10

Lewis, Tania, Annette Markham, and Indigo Holcombe-James. "Embracing Liminality and "Staying with the Trouble" on (and off) Screen." M/C Journal 24, no. 3 (June 21, 2021). http://dx.doi.org/10.5204/mcj.2781.

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Setting the Mood Weirdly, everything feels the same. There’s absolutely no distinction for me between news, work, walking, gaming, Netflix, rock collecting, scrolling, messaging. I don’t know how this happened, but everything has simply blurred together. There’s a dreadful and yet soothing sameness to it, scrolling through images on Instagram, scrolling Netflix, walking the dog, scrolling the news, time scrolling by as I watch face after face appear or disappear on my screen, all saying something, yet saying nothing. Is this the rhythm of crisis in a slow apocalypse? Really, would it be possib
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11

Craig, Jen Ann. "The Agitated Shell: Thinspiration and the Gothic Experience of Eating Disorders." M/C Journal 17, no. 4 (July 24, 2014). http://dx.doi.org/10.5204/mcj.848.

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Until the mid 1980s, Bordo writes, anorexia was considered only in pathological terms (45-69). Since then, many theorists such as Malson and Orbach have described how the anorexic individual is formed in and out of culture, and how, according to this line of argument, eating disorders exist in a spectrum of “dis-order” that primarily affects women. This theoretical approach, however, has been criticised for leaving open the possibility of a more general pathologising of female media consumers (Bray 421). There has been some argument, too, about how to read the agency of the anorexic individual
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12

Wilson, Shaun. "Creative Practice through Teleconferencing in the Era of COVID-19." M/C Journal 24, no. 3 (June 21, 2021). http://dx.doi.org/10.5204/mcj.2772.

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In February 2021, during the third COVID-19 lockdown in the state of Victoria, Australia, artist Shaun Wilson used the teleconferencing platforms Teams and Skype to create a slow cinema feature length artwork titled Fading Light to demonstrate how innovative creative practice can overcome barriers of distance experienced by creative practitioners from the limitations sustained during the COVID-19 pandemic. While these production techniques offer free access to develop new methodologies through practice, the wider scope of pandemic lockdowns mediated artists with teleconferencing as a tool to i
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13

McHoul, Alec. "Talking (across) Cultures." M/C Journal 3, no. 2 (May 1, 2000). http://dx.doi.org/10.5204/mcj.1838.

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1. In this paper, I want to begin to contemplate the possibility that the concept of culture could one day be thought outside modern Western thought, via a reading of Martin Heidegger's 'Dialogue on Language between a Japanese and an Inquirer'. As we shall see, for Heidegger, the dominant position here is representationalism. And so a large part of what I want to do here is to begin to shake the concept of culture from these dominant representationalist moorings.1 Heidegger's problem with the history of Western thought may be put as follows. In this tradition, the difference between Being and
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14

Smith, Naomi. "Between, Behind, and Out of Sight." M/C Journal 24, no. 2 (April 26, 2021). http://dx.doi.org/10.5204/mcj.2764.

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Introduction I am on the phone with a journalist discussing my research into anti-vaccination. As the conversation winds up, they ask a question I have come to expect: "how big do you think this is?" My answer is usually some version of the following: that we have no way of knowing. I and my fellow researchers can only see the information that is public or in the sunlight. How anti-vaccination information spreads through private networks is dark to us. It is private and necessarily so. This means that we cannot track how these conversations spread in the private or parochial spaces of Facebook
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15

Rogers, Ian Keith. "Without a True North: Tactical Approaches to Self-Published Fiction." M/C Journal 20, no. 6 (December 31, 2017). http://dx.doi.org/10.5204/mcj.1320.

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IntroductionOver three days in November 2017, 400 people gathered for a conference at the Sam’s Town Hotel and Gambling Hall in Las Vegas, Nevada. The majority of attendees were fiction authors but the conference program looked like no ordinary writer’s festival; there were no in-conversation interviews with celebrity authors, no panels on the politics of the book industry and no books launched or promoted. Instead, this was a gathering called 20Books2017, a self-publishing conference about the business of fiction ebooks and there was expertise in the room.Among those attending, 50 reportedly
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16

Sutherland, Thomas. "Counterculture, Capitalism, and the Constancy of Change." M/C Journal 17, no. 6 (September 18, 2014). http://dx.doi.org/10.5204/mcj.891.

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In one of his final pieces of writing, Timothy Leary—one of the most singularly iconic and influential figures of the 1960s counterculture, known especially for his advocacy of a “molecular revolution” premised upon hallucinogenic self-medication—proposes that [c]ounterculture blooms wherever and whenever a few members of a society choose lifestyles, artistic expressions, and ways of thinking and being that wholeheartedly embrace the ancient axiom that the only true constant is change itself. The mark of counterculture is not a particular social form or structure, but rather the evanescence of
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17

Holden, Todd. ""And Now for the Main (Dis)course..."." M/C Journal 2, no. 7 (October 1, 1999). http://dx.doi.org/10.5204/mcj.1794.

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Food is not a trifling matter on Japanese television. More visible than such cultural staples as sumo and enka, food-related talk abounds. Aired year-round and positioned on every channel in every time period throughout the broadcast day, the lenses of food shows are calibrated at a wider angle than heavily-trafficked samurai dramas, beisboru or music shows. Simply, more aspects of everyday life, social history and cultural values pass through food programming. The array of shows work to reproduce traditional Japanese cuisine and cultural mores, educating viewers about regional customs and his
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18

Dean, Gabrielle. "Portrait of the Self." M/C Journal 5, no. 5 (October 1, 2002). http://dx.doi.org/10.5204/mcj.1991.

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Let us work backwards from what we know, from personal experience: the photograph of which we have each been the subject. Roland Barthes says of this photograph that it transforms "the subject into object": one begins aping the mask one wants to assume, one begins, in other words, to make oneself conform in appearance to the disguise of an identity (Camera Lucida 11). A quick glance back at your most recent holiday gathering will no doubt confirm his diagnosis. Barthes gives to this subject-object the title of Spectrum in order to neatly join the idea of spectacle with the fearsome spectre, wh
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19

Ryder, Paul, and Daniel Binns. "The Semiotics of Strategy: A Preliminary Structuralist Assessment of the Battle-Map in Patton (1970) and Midway (1976)." M/C Journal 20, no. 4 (August 16, 2017). http://dx.doi.org/10.5204/mcj.1256.

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The general who wins a battle makes many calculations in his temple ere the battle is fought. — Sun TzuWorld War II saw a proliferation of maps. From command posts to the pages of National Geographic to the pages of daily newspapers, they were everywhere (Schulten). The era also saw substantive developments in cartography, especially with respect to the topographical maps that feature in our selected films. This essay offers a preliminary examination of the battle-map as depicted in two films about the Second World War: Franklin J. Shaffner’s biopic Patton (1970) and Jack Smight’s epic Midway
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20

Busse, Kristina, and Shannon Farley. "Remixing the Remix: Fannish Appropriation and the Limits of Unauthorised Use." M/C Journal 16, no. 4 (August 11, 2013). http://dx.doi.org/10.5204/mcj.659.

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In August 2006 the LiveJournal (hereafter LJ) community sga_flashfic posted its bimonthly challenge: a “Mission Report” challenge. Challenge communities are fandom-specific sites where moderators pick a theme or prompt to which writers respond and then post their specific fan works. The terms of this challenge were to encourage participants to invent a new mission and create a piece of fan fiction in the form of a mission report from the point of view of the Stargate Atlantis team of explorers. As an alternative possibility, and this is where the trouble started, the challenge also allowed to
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21

Lund, Curt. "For Modern Children." M/C Journal 24, no. 4 (August 12, 2021). http://dx.doi.org/10.5204/mcj.2807.

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“...children’s play seems to become more and more a product of the educational and cultural orientation of parents...” — Stephen Kline, The Making of Children’s Culture We live in a world saturated by design and through design artefacts, one can glean unique insights into a culture's values and norms. In fact, some academics, such as British media and film theorist Ben Highmore, see the two areas so inextricably intertwined as to suggest a wholesale “re-branding of the cultural sciences as design studies” (14). Too often, however, everyday objects are marginalised or overlooked as objects of s
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22

Neilsen Glenn, Lorri. "The Loseable World: Resonance, Creativity, and Resilience." M/C Journal 16, no. 1 (March 19, 2013). http://dx.doi.org/10.5204/mcj.600.

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[Editors’ note: this lyric essay was presented as the keynote address at Edith Cowan University’s CREATEC symposium on the theme Catastrophe and Creativity in November 2012, and represents excerpts from the author’s publication Threading Light: Explorations in Loss and Poetry. Regina, SK: Hagios Press, 2011. Reproduced with the author’s permission].Essay and verse and anecdote are the ways I have chosen to apprentice myself to loss, grief, faith, memory, and the stories we use to tie and untie them. Cat’s cradle, Celtic lines, bends and hitches are familiar: however, when I write about loss, I
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23

Foster, Kevin. "True North: Essential Identity and Cultural Camouflage in H.V. Morton’s In Search of England." M/C Journal 20, no. 6 (December 31, 2017). http://dx.doi.org/10.5204/mcj.1362.

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When the National Trust was established in 1895 its founders, Canon Rawnsley, Sir Robert Hunter and Octavia Hill, were, as Cannadine notes, “primarily concerned with preserving open spaces of outstanding natural beauty which were threatened with development or spoliation.” This was because, like Ruskin, Morris and “many of their contemporaries, they believed that the essence of Englishness was to be found in the fields and hedgerows, not in the suburbs and slums” (Cannadine 227). It was important to protect these sites of beauty and historical interest from development not only for what they w
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24

Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 11, no. 1 (April 1, 2008). http://dx.doi.org/10.5204/mcj.22.

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Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the direction of the galle
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25

Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 10, no. 6 (April 1, 2008). http://dx.doi.org/10.5204/mcj.2715.

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 Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the d
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26

Deer, Patrick, and Toby Miller. "A Day That Will Live In … ?" M/C Journal 5, no. 1 (March 1, 2002). http://dx.doi.org/10.5204/mcj.1938.

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By the time you read this, it will be wrong. Things seemed to be moving so fast in these first days after airplanes crashed into the World Trade Center, the Pentagon, and the Pennsylvania earth. Each certainty is as carelessly dropped as it was once carelessly assumed. The sounds of lower Manhattan that used to serve as white noise for residents—sirens, screeches, screams—are no longer signs without a referent. Instead, they make folks stare and stop, hurry and hustle, wondering whether the noises we know so well are in fact, this time, coefficients of a new reality. At the time of writing
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