Relevant bibliographies by topics / Séraphine

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Séraphine'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Séraphine"

1

Sáez-González, Jesús Miguel. "Séraphine (Martin Provost)." Vivat Academia, no. 106 (June 15, 2009): 109. http://dx.doi.org/10.15178/va.2009.106.109-110.

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Sourgins, Christine. "L’art singulier de Séraphine." Commentaire Numéro125, no. 1 (2009): 175. http://dx.doi.org/10.3917/comm.125.0175.

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Charuty, Giordana. "Les trois anges de Séraphine de Senlis." Gradhiva, no. 20 (October 1, 2014): 108–37. http://dx.doi.org/10.4000/gradhiva.2856.

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Martin-Mattera, Patrick. "Séraphine de Senlis : l’art pour contrer la folie." psychologie clinique, no. 42 (2016): 163–81. http://dx.doi.org/10.1051/psyc/201642163.

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Jodeau-Belle, Laetitia, and Jean-Claude Maleval. "Le sacrifice fait à Dieu de Séraphine de Senlis." L'Évolution Psychiatrique 76, no. 4 (October 2011): 617–30. http://dx.doi.org/10.1016/j.evopsy.2011.08.002.

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Cheval, Perrine, and Bernard Guzniczak. "Gilles Séraphin." Les Cahiers Dynamiques 65, no. 3 (2015): 6. http://dx.doi.org/10.3917/lcd.065.0006.

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Sudfeld, Christopher R., Ferdinand M. Mugusi, and Wafaie W. Fawzi. "Reply to Séraphin." Journal of Infectious Diseases 207, no. 10 (February 25, 2013): 1623. http://dx.doi.org/10.1093/infdis/jit074.

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Pinel, Jordan. "Séraphin Gilles, Famille et migration." Revue européenne des migrations internationales 35, no. 1-2 (October 1, 2019): 252–54. http://dx.doi.org/10.4000/remi.12408.

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Anthonioz, Stéphanie. "Mutations religieuses : le cas des séraphins." ASDIWAL. Revue genevoise d'anthropologie et d'histoire des religions 13, no. 1 (2018): 75–92. http://dx.doi.org/10.3406/asdi.2018.1125.

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Wyczynski, Paul. "Séraphin Marion : La vie et l’oeuvre de Paul Gay." Francophonies d'Amérique, no. 2 (1992): 101. http://dx.doi.org/10.7202/1004409ar.

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Dissertations / Theses on the topic "Séraphine"

1

Lemay, Marika. "SÉRAPHINE LOUIS, PEINTRE. Analyse de la série des arbres (1927-1930)." Thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29295/29295.pdf.

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Trimer, Alexandre. "A arte e a psicose de Seraphine de Senlins: uma leitura clínica." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/47/47133/tde-24032015-153716/.

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Este trabalho tem por objetivo apresentar e discutir a biografia e o estado da arte de Séraphine Louis ou Séraphine de Senlis (1864-1942), uma pintora francesa de estilo naïf (estilo de pintura espontânea e autodidata), descoberta por Wilhelm Uhde (1874-1947) esteta reconhecido e negociante de arte, no início do século XX. A arte (pintura) de Séraphine de Senlis foi conhecida pelo público, através de uma pequena exposição de arte, organizada na prefeitura da cidade de Senlis, em 1927, causando grande escândalo e polêmica pela fusão de cores e também por remeter a temas góticos da Idade Média. Objetivo: A partir da leitura clínica do caso, indaga-se: O que o caso de Séraphine de Louis pode ensinar à clínica da psicose?. Método: O método utilizado é a análise biográfica - especialmente dos fatos recolhidos da tese de doutorado sobre a história da arte, de Alain Vircondelet (2010), dedicada à artista reunidos para discussão e leitura clínica do caso. Com referencial teórico, aqueles concebidos por Jacques Lacan que contribui ao conceber ao menos três possibilidades de estabilização em quadros graves de transtorno psíquico: metáfora delirante, o ato e a obra (criação artística). Resultados e discussão: Os dados biográficos e críticos analisados indicam que o estatuto e a função de criação para Séraphine de Louis suturaram o vazio existencial de sua enfermidade, além de seu trabalho como empregada doméstica, entretanto, o dinheiro e a celebridade experimentados, assim como, o abandono vivido nos anos 30 a levaram ao exílio e a reclusão ao manicômio
Introduction: This work has as its objective to present and discuss the biography and the state of art of Séraphine Louis or Séraphine de Senlis (1864-1942), a French painter of the naïf style (spontaneous and autodidact painting style), discovered by Wilhelm Uhde (1874-1947), well-known esthete and art negotiator, in the beginning of the twentieth century. Séraphine de Senlis art (painting) was known by the public, as for a small art exhibition, organized in the city hall from the city of Senlis in 1927, causing great scandal and polemic by the fusion of colours and by bringing back Gothic themes from Middle Age. Objective: From the clinical reading of the case, it is questioned: What might the Séraphine de Louis case teach to the psychosis clinic?. Method: The used method is the biographical analysis specially from the facts found in the PhDs thesis regarding art history from Alain Vircondelet (2010) dedicated to the artist reunited for discussion and clinical reading of the case. With a theoretical reference, those conceived by Jacques Lacan who contributes by conceiving at least three stabilization possibilities in several cases of psychical disorder: delusional metaphor, the act and the work (artistic creation). Results and discussion: The bibliographical and critic data analyzed indicate that the creation bylaw and function to Séraphine de Louis sutures the existential emptiness of her infirmity, besides of her work as a housekeeper, nevertheless, the experienced money and celebrity, as well as, the abandonment lived in the 30s took her to the exile and to the reclusion in a madhouse
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Costisella-Duchesne, Béatrice. "Séraphin Marion et ses Lettres canadiennes d'autrefois." Paris 12, 2003. https://athena.u-pec.fr/primo-explore/search?query=any,exact,990002096810204611&vid=upec.

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La présente étude suit l'ordre de publication des neuf volumes des Lettres canadienmes d'autrefois(1939-1958). Elle analyse les différents critères selon lesquels Séraphin Marion (1896-1983) construit son essai sur l'histoire littéraire. Dans un recours constant à la comparaison, puis à la négation de plusieurs siècles d'histoire et de littérature, S. Marion imagine d'abord un Serment de Strasbourg canadien, puis des phases bilingue, française et canadienne des lettres au Québec. S. Marion développe une périodisation et une représentation partielle et épurée de la littérature des écrits de cette entité francophone. Celle-ci se caractérise selon lui par son allégeance à la Couronne britannique. Bien qu'il traite de nombreux genres littéraires pratiqués au Canada français durant les XVIIe, XVIIIe et XIXe siècles, S. Marion doute de leur valeur littéraire
The present study is organized around a careful examination of the order of publication of the nine volumes of the Lettres canadiennes d'autrefois (1939-1958). It analyses the various criteria that Séraphin Marion (1896-1983) made use of in building his essay on literary history. Marion wants to argue that first came a Canadian "Serment de Strasbourg," followed by three phases of Québec literature: a bilingual phase, a French phase, and finally a Canadian phase. He reaches this conclusion through a constant comparison with and rejection of several centuries of history and literature. Behind his division of Quebec literature into periods, we find a partial and purged representation of the written literature of this French speaking people. For Marion, Quebec literature is best characterized by its allegiance to the British Crown. Even though he treats the numerous styles of literature found in French Canada during the 17th, 18th, and 19th centuries, he questions their literary merit
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Portzamparc, Arianne de. "Rihm et Artaud : Tutuguri, Die Eroberung von Mexico et Séraphin - un théâtre musical de la cruauté." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080131/document.

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Le théâtre de la cruauté d’Antonin Artaud (1896-1948) participe à une libération des langages artistiques au profit du sens déterminante dans l’histoire de l’art du XXème siècle. Dans ce théâtre, l’acteur représente le point de départ d’un langage originaire fondé sur le souffle et le geste qui favorise une communication affective avec le spectateur. Le théâtre musical de la cruauté de Wolfgang Rihm (1952) s’inspire de ce langage à travers les thématiques du rite, du mythe et du rêve, porteuses d’un théâtre inhérent à la vie. Ces thématiques sont propices au développement d’une vocalité qui rend perceptible la corporalité du chanteur grâce à une déconstruction de la matière langagière. Rihm exploite la matière phonique de la langue sous forme de glossolalies, cherche différents aspects du cri en tant qu’élément premier du langage, utilise le souffle comme une matière sonore. Cette vocalité rejoint son approche instrumentale qui travaille le son à partir du timbre, du rythme et de l’intensité sans chercher à l’enfermer dans une logique systémique. Intégrée au processus compositionnel, la disposition des musiciens et des chanteurs dans l’espace rejoint également la conception d’un espace scénique vivant dans le théâtre d’Artaud. Au fur et à mesure de son théâtre musical de la cruauté, Rihm laisse ses matériaux sonores inspirés par Artaud se réécrire dans une forme de palimpseste
The theater of cruelty of Antonin Artaud (1896-1948) participates in a liberation of artistic language over decisive meaning in the history of 20th century art. In this theater the actor is the starting point for a language of origins founded on breath and gesture, which promotes affective communication with the audience. The musical theater of Wolfgang Rihm (1952) takes it’s inspiration from this language via the themes of ritual, myth, and dream, all which bear a theater inherent to life. These themes are developed through a vocalization, which renders visible the corporeality of the singer through a deconstruction of language matter. Rihm exploits the phonic matter of language in the form of glossolalia, seeking different aspects of the scream as the primal element of language, employing breath as sonorous matter. This vocalization rejoins his instrumental approach, which uses sound drawn from timbre, rhythm and intensity without seeking to enclose it within a logical system. Integrated into the compositional process, the spacial arrangement of the musicians and the singers rejoins the concept of a living scenic space in Artaud’s theater. As Rihm’ s musical theater of cruelty progresses, it allows the sonoral matter inspired by Artaud to rewrite itself in a form of palimpsest
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Symonova, Lydmila Verfasser], and Christian [Akademischer Betreuer] [Berger. "Klangkörper - Körperklang : : über eine Form des Musiktheaters in "Séraphin; Versuch eines Theaters; Instrumente, Stimmen ... 1993-1994 1. Zustand" von Wolfgang Rihm." Freiburg : Universität, 2013. http://d-nb.info/1123476896/34.

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Zanklan, Ahissou Séraphin [Verfasser]. "Agronomic performance and genetic diversity of the root crop yam bean (Pachyrhizus spp.) under West African conditions / by Ahissou Séraphin Zanklan." 2003. http://d-nb.info/971082189/34.

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Books on the topic "Séraphine"

1

Cloarec, Françoise. Séraphine: La vie rêvée de Séraphine de Senlis. Paris: Phébus, 2008.

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Séraphine: La vie rêvée de Séraphine de Senlis. Paris: Phébus, 2008.

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Maillol, Fondation Dina Vierny-Musée, ed. Séraphine de Senlis. Paris: Editions Gallimard, 2008.

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Séraphine: De la peinture à la folie. Paris: A. Michel, 2008.

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Dr, Wilkens Manja, Gautherie-Kampka Annette, and Louis Séraphine 1864-1942, eds. Séraphine Louis, 1864-1942: Biographie, Werkverzeichnis = biographie, catalogue raisonné. Berlin: Reimer, 2009.

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Société d'histoire et de généalogie de Victoriaville. Répertoire des baptêmes, mariages et sépultures: Paroisse de Ste-Séraphine, Ste-Séraphine, QC : baptêmes, 1914-1940, mariages, 1914-1970, sépultures, 1914-1940. [Victoriaville, Québec]: Société d'histoire et de généalogie de Victoriaville, 2011.

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monastère, Religieuse de ce. Histoire de la révérende mère Marie Séraphine du divin Coeur de Jésus, fondatrice et prieure du premier Carmel au Canada. [Montréal?: s.n.], 1995.

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1912-2004, Chartier, ed. Séraphin illustré. Montréal: Les 400 coups, 2010.

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Magnan, Pierre. Le mystère de Séraphin Monge. Paris: Gallimard, 2002.

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Magnan, Pierre. Le mystère de Séraphin Monge. Paris: Denoël, 1992.

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Book chapters on the topic "Séraphine"

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Wild, Gerhard. "Audiberti, Jacques Séraphin Marie." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2498-1.

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Herhaus, Ernst. "Audiberti, Jacques Séraphin Marie: L'ampelour." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2501-1.

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Jenny, Urs. "Audiberti, Jacques Séraphin Marie: Pucelle." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2502-1.

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Jenny, Urs. "Audiberti, Jacques Séraphin Marie: Quoat-Quoat." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2499-1.

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Heine, Mechthild. "Audiberti, Jacques Séraphin Marie: L'effet Glapion." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2503-1.

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Jenny, Urs. "Audiberti, Jacques Séraphin Marie: Le mal court." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2500-1.

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KLL. "Audiberti, Jacques Séraphin Marie: Les tombeaux ferment mal." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2504-1.

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Körner, Hans, and Manja Wilkens. "Séraphine(s)/Séraphine(s)." In Séraphine Louis 1864–1942, 22–25. Dietrich Reimer Verlag, 2020. http://dx.doi.org/10.5771/9783496030515-22.

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Valentin, Jean-Marie, and Frédérique Colombat. "Séraphine ou l’utopie à l’épreuve." In Rémy Colombat. Les Avatars d’Orphée, 163–80. Artois Presses Université, 2017. http://dx.doi.org/10.4000/books.apu.14688.

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Körner, Hans, and Manja Wilkens. "L’après et l’avant Uhde/Nach und vor Uhde." In Séraphine Louis 1864–1942, 52–59. Dietrich Reimer Verlag, 2020. http://dx.doi.org/10.5771/9783496030515-52.

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