Log in

Relevant bibliographies by topics / Spanish popular music / Journal articles

To see the other types of publications on this topic, follow the link: Spanish popular music.

Journal articles on the topic 'Spanish popular music'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Spanish popular music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Bermúdez, Silvia, and Jorge Pérez. "INTRODUCTION: SPANISH POPULAR MUSIC STUDIES1." Journal of Spanish Cultural Studies 10, no. 2 (2009): 127–33. http://dx.doi.org/10.1080/14636200902990661.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Martins, Carlos Alberto. "Popular music as alternative communication: Uruguay, 1973–82." Popular Music 7, no. 1 (1988): 77–94. http://dx.doi.org/10.1017/s0261143000002543.

Full text

Abstract:

Uruguay is a country of immigrants. By the middle of the last century little remained of its original inhabitants or their culture. To Spanish influences were added others, mainly of European origin, which together formed the hybrid culture which is twentieth-century Uruguay.

APA, Harvard, Vancouver, ISO, and other styles

3

Jordán González, Laura F., and Douglas Kristopher Smith. "How did popular music come to mean música popular? <br>http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.3en." IASPM Journal 2, no. 1-2 (2012): 19–33. http://dx.doi.org/10.5429/561.

Full text

Abstract:

The field of popular music studies has grown to include participation from many different parts of the world, comprised of cultural-linguistic spaces that view popular music in a dissimilar and sometimes contradictory light. That said, there have been situations where two or more very different definitions of popular music exist side by side, further complicating the coherence of the field. Focusing on Spanish-speaking Latin America, we set out to examine what popular music and música popular have meant in some of their respective sociolinguistic spaces, and argue that disparities of legitimac

APA, Harvard, Vancouver, ISO, and other styles

4

O'Brien, Michael. "Activism, Authority, and Aesthetics: Finding the Popular in Academies of Música Popular." IASPM Journal 5, no. 1 (2015): 36–53. http://dx.doi.org/10.5429/ij.v5i1.721.

Full text

Abstract:

"Música popular" in Spanish comprises an overlapping but distinct category from its English language cognate popular music. Latin American scholars and musicians alike recognize the category as fundamentally linked to subaltern or counterhegemonic subjectivities, and música popular occupies a complex relationship to hegemonic institutions (the state, educational institutions, and the culture industry) in populist democracies like that of contemporary Argentina. Perhaps nowhere are these tensions between populism and hegemony more apparent than in state-sponsored schools of popular music that b

APA, Harvard, Vancouver, ISO, and other styles

5

Kiko, Mora. "Sounds of Spain in the Nineteenth Century USA: An Introduction." Música Oral del Sur, no. 12 (November 19, 2015): 333–62. https://doi.org/10.5281/zenodo.4636748.

Full text

Abstract:

Resumen: Este artículo analiza la introducción de la música popular española en EEUU durante el siglo XIX, utilizando periódicos, revistas y partituras de las editoriales de la época como fuentes primarias, y atendiendo especialmente al área de Nueva York. El carácter historiográfico de esta investigación tiene la intención de servir como un trabajo preliminar que permita una posterior comprensión de las particularidades de la música española en su contacto con la cultura norteamericana. El art&ia

APA, Harvard, Vancouver, ISO, and other styles

6

González-Varga, Marina, and María Jesús Pena-Castro. "Performing Gender in Late Spanish Folk Revival." Journal of World Popular Music 11, no. 1 (2024): 22–48. http://dx.doi.org/10.1558/jwpm.26150.

Full text

Abstract:

This article focuses on modern musical practices from Art al Quadrat, A Banda da Loba and Nun Tamos Toes which relate in a variety of ways to the idea of tradition and folklore. These musical practices represent a part of the folk revival process, revitalizing a countercultural movement, which portrays a clash of ideologies and identities. Identities and ideologies related with feminism are acted out through performance aesthetics, its staging, and musical references. Adapting, renewing and introducing new gender models and innovative main characters as part of the musical discourse are some o

APA, Harvard, Vancouver, ISO, and other styles

7

LOMBARDÍA, ANA. "FROM LAVAPIÉS TO STOCKHOLM: EIGHTEENTH-CENTURY VIOLIN FANDANGOS AND THE SHAPING OF MUSICAL ‘SPANISHNESS’." Eighteenth Century Music 17, no. 2 (2020): 177–99. http://dx.doi.org/10.1017/s147857062000007x.

Full text

Abstract:

ABSTRACTSince the mid-eighteenth century the fandango has been regarded as the epitome of Spanish cultural identity. It became increasingly popular in instrumental chamber music, as well-known examples by Domenico Scarlatti, Antonio Soler and Luigi Boccherini show. To date, published musicological scholarship has not considered the role of solo violin music in the dissemination of the fandango or the shaping of a ‘Spanish’ musical identity. Now, eight rediscovered pieces – which can be dated to the period 1730–1775 – show that the violin was frequently used to perform fandangos, including styl

APA, Harvard, Vancouver, ISO, and other styles

8

Brittin, Ruth V. "Young Listeners’ Music Style Preferences." Journal of Research in Music Education 61, no. 4 (2013): 415–30. http://dx.doi.org/10.1177/0022429413509108.

Full text

Abstract:

Listeners ( N = 543) in grades 4, 5, and 6 rated their preference for 10 instrumental and vocal selections from various styles, including four popular music selections with versions performed in English, Spanish, or an Asian language. Participants estimated their identification with Spanish/Hispanic/Latino and Asian cultures, the number of languages they spoke, and the number of musical styles the adults in their family listened to at home. There were significant but small correlations between degree of identification with pinpointed cultures and preference for the four popular songs chosen to

APA, Harvard, Vancouver, ISO, and other styles

9

Christoforidis, Michael. "Serenading Spanish Students on the Streets of Paris: The International Projection of Estudiantinas in the 1870s." Nineteenth-Century Music Review 15, no. 1 (2017): 23–36. http://dx.doi.org/10.1017/s1479409817000064.

Full text

Abstract:

Spanish estudiantina plucked string ensembles achieved immense popularity in the last two decades of the nineteenth century and were an important catalyst in the creation of the sonority of a variety of European and American popular musics. Such ensembles had precedents in Spanish student groups dating back to the Renaissance and the rondallas (or groupings of plucked instruments) that were associated with popular outdoor serenades. However, the modern estudiantina movement can be traced back to 1878, and was consciously framed as a modern historical construct. A large grouping of youths and f

APA, Harvard, Vancouver, ISO, and other styles

10

Till, Rupert, and Jan Fairley. "Que viva la música popular! International Association for the Study of Popular music, 14th Biennial Conference, 25–29 June 2007, Mexico City." Popular Music 27, no. 1 (2007): 151–54. http://dx.doi.org/10.1017/s0261143008001530.

Full text

Abstract:

The International Association for the Study of Popular Music’s biennial international conference took place in July this year in Mexico City. The facilities in the Universidad Iberoamericana, a modern private Jesuit University in the city’s business quarter, were excellent, with video projection and a good sound system in all the air-conditioned rooms. The plenary sessions were translated to and from Spanish and also video recorded and streamed onto the Internet, with a blog where watchers could leave comments.

APA, Harvard, Vancouver, ISO, and other styles

11

Wheeler, Duncan. "Raphael and Spanish Popular Song: A Master Entertainer and/or Music for Maids." Arizona Journal of Hispanic Cultural Studies 16, no. 1 (2012): 11–30. http://dx.doi.org/10.1353/hcs.2012.0003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Salvador, Valenzuela Lavado. "Armonía modal en Juan del Encina. El «modo de Mi» de la canción polifónica Modal harmony in Juan del Encina. The «Mi mode» of the polyphonic song as model." Música Oral del Sur, no. 15 (December 1, 2018): 11–28. https://doi.org/10.5281/zenodo.4638860.

Full text

Abstract:

Resumen: Este artículo se enmarca en un amplio trabajo de investigación centrado en el modo de Mi de la música popular española, andaluza y flamenca. Nuestro enfoque inicial parte de una idea de armonía modal1 basada en músicas urbanas actuales. Ahora bien, dicho término lo hemos adoptado para transitar por distintos repertorios históricos en la búsqueda de sonoridades frigias. La adecuación de este enfoque al repertorio de música vocal profana de Juan del Encina requiere conjugar los conocimientos contenidos en los t

APA, Harvard, Vancouver, ISO, and other styles

13

Olarte, Matilde. "Nuevos retos para la música en la televisión. Ficción y no ficción." Tripodos, no. 26 (January 1, 2010): 39–51. https://doi.org/10.51698/tripodos.2010.26.39-51.

Full text

Abstract:

For many years the role of musical director for Spanish television has been assumed by stand-in image and sound, self-taught musicians, and not by professional composers for different reasons. Music and sound have been taught as compulsory subjects in the music departments of universities and conservatories, for graduate and postgraduate students for only a couple of decades. From a retrospective view of some of the old jingles and tunes for popular television series, we propose, as a challenge, some interdisciplinary ways for these media professionals to achieve television music of the qualit

APA, Harvard, Vancouver, ISO, and other styles

14

Barut, Adil Koray. "M. DE FALLA, M. PONCE VE J. RODRIGO’NUN ESERLERİNDE BULUNMUŞ ORTAK TEMATİK MOTİFİN İNCELENMESİ." e-Journal of New World Sciences Academy 15, no. 4 (2020): 242–57. http://dx.doi.org/10.12739/nwsa.2020.15.4.d0264.

Full text

Abstract:

The Iberian Peninsula has been home to different societies for centuries. With the arrival of Andalusia Umayyads to these lands (711), Eastern culture started to flourish in this geography. Andalusia's architecture, music, literature and popular culture have been able to preserve its traditional structure until today. Towards the end of the 19th century, Spanish piano music started its golden age, and composers used Andalusian folkloric elements in their own musical language. In this study, the characteristics of Spanish music are mentioned, and these musical features are supported by giving e

APA, Harvard, Vancouver, ISO, and other styles

15

Canorea-Tiralaso, Héctor, Iria Paz-Gil, and Mario Rajas. "Representation of Women in the Musical Imaginary." VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual 17, no. 2 (2025): 113–31. https://doi.org/10.62161/revvisual.v17.5704.

Full text

Abstract:

The video clip is the most widely consumed audiovisual format today and is particularly popular with young people. These videos offer content full of stereotypes, including gender stereotypes. It is therefore of particular interest to analyse the image of women portrayed in these clips. Therefore, the 300 most viewed video clips worldwide and the 300 music videos of Spanish origin with the most views on YouTube were analysed. The analysis confirmed that the image of women in music videos is more sexualised and denigrated than that of men.

APA, Harvard, Vancouver, ISO, and other styles

16

Kryazheva, Irina A. "At the crossroads of traditions: Austria and Russia in the creative destiny of V. Martin у Soler". Contemporary Musicology, № 2 (2019): 2–12. http://dx.doi.org/10.56620/2587-9731-2019-2-002-012.

Full text

Abstract:

The article discusses the key role of Austria and Russia in the creative development of the Spanish composer Vicente Martín y Soler, who was engaged in the transformation of the opera buffa as a genre. The study applies comparative historical and social contextual analysis, which allows to reveal certain similarities in distribution and popularization of Martín y Soler’s music, its penetration into everyday musical culture of Vienna and St. Petersburg. The article highlights the importance of lyrical and pastoral imagery aimed to please the amateur audience. It focuses on various distribution

APA, Harvard, Vancouver, ISO, and other styles

17

Josep Martí and Peter Collins. "Ethnomusicology, Folklore, and Social Relevance. By Josep Martí. Translated by Peter Collins." Ethnomusicology Translations, no. 15 (April 15, 2024): 1–20. http://dx.doi.org/10.14434/emt.no.15.37936.

Full text

Abstract:

This article raises the need for (Spanish) ethnomusicology to replace rigid nineteenth century approaches with renewed anthropological and sociological concepts and analytical tools, Through the notion of “social relevance,” the author responds to this need and advocates for the study of horizontal influence (dynamic, meaningful), rather than vertical roots (ancestral, quasi-sacred) in a musical repertoire. “Social relevance” would be the academic opposite to “cultural paternity” (as ethnic ascription), prioritizing the importance that a song, instrument, or dance has for a community in a spec

APA, Harvard, Vancouver, ISO, and other styles

18

Mitsui, Tôru. "Booklist." Popular Music 20, no. 3 (2001): 453–77. http://dx.doi.org/10.1017/s0261143001001611.

Full text

Abstract:

The aim of this annual Popular Music bibliography is to provide a record of recent books on popular music and to offer brief, sometimes critical guidance to them whenever possible. Coverage is restricted to books and some booklets (with the exception of important yearbooks and some special issues of journals), and includes revised editions as well as notable reissues. Omitted are translations of books previously published in English except those which include some significant additions.This edition contains entries for books published in 2000, plus a few items published in 1996, 1997, 1998 and

APA, Harvard, Vancouver, ISO, and other styles

19

Silva, João. "Mechanical instruments and everyday life: the player piano in Portugal." Popular Music 40, no. 1 (2021): 58–74. http://dx.doi.org/10.1017/s026114302100012x.

Full text

Abstract:

AbstractThis paper examines player pianos in Portugal between the 1890s and the 1930s. In a small European country with few production facilities, mechanical music developed in a particular way since a local recording industry was expanding rapidly and radio was not yet disseminated. Despite the local market's reliance on imported goods, the music business concentrated on Portuguese pieces. The mechanisation of the piano and its display as a product that embodied modernity illustrates the transformations that took place in Portugal at the beginning of the 20th century. These were reflected in

APA, Harvard, Vancouver, ISO, and other styles

20

Tucker, Joshua. "Sounding the Latin Transatlantic: Music, Integration, and Ambivalent Ethnogenesis in Spain." Comparative Studies in Society and History 56, no. 4 (2014): 902–33. http://dx.doi.org/10.1017/s0010417514000449.

Full text

Abstract:

AbstractThis article uses commentary on and consumption of popular music as a lens to explore how Peruvian immigrants in Spain experience new notions of belonging and alterity as they tack between official Spanish discourses about difference and otherness and distinct notions of unity and sameness that circulate within the country's wider Latin American community. I examine the uneven, tentative emergence of a local Latino identity, and how this formation compares to the tenets that accrue to the formation found in the United States. I explain how the naturalization of this new and alien way o

APA, Harvard, Vancouver, ISO, and other styles

21

Noble, Fiona. "New feminist voices in Spanish audio-visual cultural production: Vis a vis (Locked Up) (Antena 3 and Globomedia, 2015–19) and La casa de papel (Money Heist) (Antena 3 and Netflix, 2017–21)." Journal of European Popular Culture 13, no. 2 (2022): 83–102. http://dx.doi.org/10.1386/jepc_00044_1.

Full text

Abstract:

This article maps an emerging engagement with intersections amongst gender, voice/sound and feminism in the context of contemporary Spanish audio-visual cultural production. I locate the voice at the nexus of contemporary feminisms as these manifest through popular, public and theoretical means. Taking two recent internationally successful Spanish series (Vis a vis [Locked Up] and La casa de papel [Money Heist]) as examples, I contend that female voices and their treatment within contemporary Spanish audio-visual cultures constitute an important site within which female subjectivities emerge a

APA, Harvard, Vancouver, ISO, and other styles

22

Munoz-Garcia, Rebeca, and Constanza Tobio-Soler. "Gender and jazz research in Spain." Jazz Research Journal 16, no. 2 (2024): 107–28. http://dx.doi.org/10.1558/jazz.26638.

Full text

Abstract:

During the last two decades, the little jazz research that has been conducted in Spain has focused on examining both flamenco jazz, as the most important contribution of Spanish culture to jazz, and sociocultural meanings of jazz development, mainly from a political and historical perspective. This period has also coincided with a significant development in jazz studies outside of the United States, and a key juncture for gender and feminist studies in Spain that concurred with the emergence of fourth-wave feminism. Spanish gender research in music has traditionally focused on written music, p

APA, Harvard, Vancouver, ISO, and other styles

23

GRABER, NAOMI. "Kurt Weill'sThe River Is Blue: “Film-Opera” and Politics in 1930s Hollywood." Journal of the Society for American Music 11, no. 3 (2017): 313–53. http://dx.doi.org/10.1017/s1752196317000232.

Full text

Abstract:

AbstractIn early 1937, Kurt Weill and playwright Clifford Odets collaborated on a Spanish Civil War film that they hoped would lead to a new kind of political–musical picture. Originally titledThe River Is Blue, the film was eventually released in 1938 asBlockadewithout the involvement of either Odets or Weill, but recently uncovered archival material of the abandoned project reveals new facets of Weill's musico-dramatic thought. The discovery of Odets's first draft of the screenplay shows an extraordinarily close collaboration between composer and screenwriter as the shot numbers in the scrip

APA, Harvard, Vancouver, ISO, and other styles

24

Navarro-Cáceres, María, Hugo Gonçalo Oliveira, Pedro Martins, and Amílcar Cardoso. "Integration of a music generator and a song lyrics generator to create Spanish popular songs." Journal of Ambient Intelligence and Humanized Computing 11, no. 11 (2020): 4421–37. http://dx.doi.org/10.1007/s12652-020-01822-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Noyer, Justine. "Le scelte linguistiche nel rap italiano di oggi: il caso di Ghali." Italogramma, no. 20 (May 25, 2022): 1–16. http://dx.doi.org/10.58849/italog.2022.noy.

Full text

Abstract:

Ghali’s trap music presents a hybridized experience where languages and cultures are combined to form unique compositions. Born in Milan from Tunisian parents, Ghali’s work merges official languages (Italian, French, English and Spanish) but also regional dialects(Milanese, Neapolitan and Tunisian) as well as contemporary vocabulary connected with digital popular culture (video games, music industry, social media). This article studies to what extent these various languages intermingle in the artist’s music and the reasoning behind the switches from one to another. The findings confirm that th

APA, Harvard, Vancouver, ISO, and other styles

26

Ho, Wai-chung. "A Cross-cultural Study of Preferences for Popular Music Among Hong Kong and Thailand Youths." Journal of Intercultural Communication 4, no. 1 (2004): 1–28. http://dx.doi.org/10.36923/jicc.v4i1.391.

Full text

Abstract:

The main purpose of this study is to explore popular music preferences among young people in Hong Kong and Thailand. The survey was conducted between June and November 2003. It includes a short questionnaire concerning participants' musical habits, a listening test comprising fifteen excerpts from popular songs in Cantonese, Mandarin, Japanese, Korean, Thai, Spanish, and English and interview questions about musical preferences and influences. The correlation between the language of songs and the subjects' native language was significant, although Korean songs were rated highest and Mandarin l

APA, Harvard, Vancouver, ISO, and other styles

27

Aymamí Reñé, Eva. "Kissing the Cactus: Dancing Gender and Politics in Spain." Congress on Research in Dance Conference Proceedings 2012 (2012): 124–31. http://dx.doi.org/10.1017/cor.2012.16.

Full text

Abstract:

In Bésame el Cactus (2004), Sol Picó, modern dancer and choreographer, simultaneously performs flamenco music and dance. Using her body, her shoes, castanets, and hands, she is integrating flamenco—as a cultural symbol of Spain—into a contemporary performance. In a Spain impacted by Franco's dictatorship (1939–1975), the peculiar ambiguous choice of using flamenco in a modern performance raises questions about the construction of national and gender identity, both during the dictatorship and now. Franco's regime promoted a centralized nationalism, and imposed it on the other cultures that were

APA, Harvard, Vancouver, ISO, and other styles

28

Grantseva, E. O. "Fragile Ties: Spanish Themes in Soviet Porcelain." Concept: philosophy, religion, culture 6, no. 4 (2022): 105–14. http://dx.doi.org/10.24833/2541-8831-2022-4-24-105-114.

Full text

Abstract:

The article is devoted to the study of the so-called Spanish theme in Soviet porcelain. The author analyzes the reflection of the stereotypical perception of Spain in small porcelain sculptures of the Soviet period produced by a variety of manufactures. Among the components of the Spanish theme the author highlights the images of flamenco (Spanish dance), bullfighting, most recognizable heroes of Cervantes such as Don Quixote and Sancho Panza, and fiery Carmen who was created by Prosper Mérimée and has become the stereotypical Spanish woman of the 19th century in the popular imagination thanks

APA, Harvard, Vancouver, ISO, and other styles

29

DeTemple, Jill. "Singing the Maine: The Popular Image of Cuba in Sheet Music of the Spanish‐American War." Historian 63, no. 4 (2001): 715–30. http://dx.doi.org/10.1111/j.1540-6563.2001.tb01942.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Platonova, O. A. "Salsa and Santeria: to the Problem of Desacralization of a Ritual." Observatory of Culture, no. 3 (June 28, 2015): 52–58. http://dx.doi.org/10.25281/2072-3156-2015-0-3-52-58.

Full text

Abstract:

Salsa and Santeria: to the Problem of Desacralization of a Ritual (by Olesia Platonova) is dedicated to the dialogue between a popular genre (salsa) and a religion (Santeria) in the context of desacralization of a ritual. Comparing salsa and other genres, like gospel, spiritual, Christian rock, the author notes a profound connection between a song and a personal spiritual experience of the musician, analyses some examples of the genre: subject symbolism, color symbolism, bilingualism of texts (the Spanish and Yoruba languages), music quotations of Santeria’s hymns.

APA, Harvard, Vancouver, ISO, and other styles

31

Díez-Gutiérrez, Enrique-Javier, Eva Palomo-Cermeño, and Benjamín Mallo-Rodríguez. "(In)Equality and the Influence of Reggaeton Music as a Socialisation Factor: A Critical Analysis." Gender Studies 21, no. 1 (2022): 66–85. http://dx.doi.org/10.2478/genst-2023-0005.

Full text

Abstract:

Abstract Reggaetón music is very popular among Spanish speaking young people of high school-age. Thus, we intend to examine the values of (in)equality between women and men transmitted in the lyrics of this music genre. Using a Maxqda software-assisted Thematic Analysis methodology, the lyrics of 65 reggaetón songs with the most commercial success during 2020 have been analysed. The results suggest that the most commercialised reggaetón continues to reproduce certain traditional masculine stereotypes (machismo). In the discussion we compare and contrast alternative approaches and positions con

APA, Harvard, Vancouver, ISO, and other styles

32

Araüna, Núria, Iolanda Tortajada, and Mònica Figueras-Maz. "Feminist Reggaeton in Spain: Young Women Subverting Machismo Through ‘Perreo’." YOUNG 28, no. 1 (2019): 32–49. http://dx.doi.org/10.1177/1103308819831473.

Full text

Abstract:

This article explores the feminist potential of the Spanish ‘reggaeton’ movement led by young women through the song lyrics and public discourses of artists Brisa Fenoy, Ms Nina and Tremenda Jauría. These three singers and composers have been categorized as belonging to reggaeton genre, in a context in which Feminism is widespread among young people in Spain. Reggaeton is commonly considered (both in popular culture and academic studies) a sexist musical style, inherently male-centred in the way its songs and its ‘perreo’ dancing style are performed, and also in the pleasure provided to their

APA, Harvard, Vancouver, ISO, and other styles

33

Stephenson, Jean. "“Quizás, quizás, quizás”. Translators’ dilemmas and solutions when translating spanish songs into english." DEDiCA Revista de Educação e Humanidades (dreh), no. 6 (March 1, 2013): 139–51. http://dx.doi.org/10.30827/dreh.v0i6.6968.

Full text

Abstract:

Rendering songs into another language poses numerous difficulties for translators. Songs may be considered as poems set to music, and in translating them, these professionals confront not only routine translation problems such as expressing the meaning, ambience and style of the original work, but they also have to attend to other requisites such as creating a new version of the song within the restrictions of rhythm and rhyme. In this article, I examine songs from Spanish literature and from Spanish and South American popular music, and explore translators’ ways of converting the original tex

APA, Harvard, Vancouver, ISO, and other styles

34

Simpson, Lucas. "Prayer Book Communion and The Spanish Tragedy." Renaissance and Reformation 45, no. 1 (2022): 109–32. http://dx.doi.org/10.33137/rr.v45i1.39116.

Full text

Abstract:

This article reads Thomas Kyd’s The Spanish Tragedy within the context of the popular practice of the Prayer Book Communion service contemporary with the play’s performances in Elizabethan playhouses. It stresses the continuities between Kyd’s theatrical appropriation of the Eucharist and a popular conception of the Communion service that emphasizes its role in establishing and affirming public reconciliation, neighbourly concord, and parochial unity. Through an allusion to the Eucharist in Hieronimo’s handkerchief, The Spanish Tragedy deploys the Communion’s penitential, soteriological, and c

APA, Harvard, Vancouver, ISO, and other styles

35

Carbayo Abengózar, Mercedes. "Epitomising the Modern Spanish Nation through Popular Music: Coplas from La Caramba to Concha Piquer, 1750–1990." Gender & History 19, no. 3 (2007): 419–40. http://dx.doi.org/10.1111/j.1468-0424.2007.00494.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Lledó-Guillem, Vicente. "The glottopolitics of Països Catalans in the Valencian elections of 28 May 2023." Just. Journal of Language Rights & Minorities, Revista de Drets Lingüístics i Minories 2, no. 2 (2023): 157. http://dx.doi.org/10.7203/just.2.27141.

Full text

Abstract:

Following the Spanish municipal elections on 28 May 2023, the conservative party Partido Popular (PP) and the far-right group VOX reached an agreement to govern the Valencian region in coalition. Notably, their agreement explicitly mentions the term Països Catalans. Employing a glottopolitical perspective with an approach based on linguistic ideologies and post-colonial studies, this article scrutinizes the reference in connection with the distinct electoral programs of PP and VOX. The analysis underscores a shared linguistic agenda between the two parties. I contend that PP opposes the inclus

APA, Harvard, Vancouver, ISO, and other styles

37

Anthony, Tyler. "Digitizing Divas: Pedagogical Approaches to Contemporary Spanish Visual Culture." Romance Notes 63, no. 2 (2023): 415–25. http://dx.doi.org/10.1353/rmc.2023.a919732.

Full text

Abstract:

Abstract: The ubiquity of multimodal advertisements, digital platforms, and social media has increasingly exposed twenty-first-century students to different elements of visual culture, thus facilitating their familiarity with interpretations of visual signs and iconography. It is my contention that instructors of Spanish can utilize elements of Spanish visual culture in their classroom to provide increased opportunities for deep cultural analysis and the development of students' overall communicative competence. Engaging with authentic materials relating to the popular Spanish singer Rosalía V

APA, Harvard, Vancouver, ISO, and other styles

38

Ramirez-Barradas, Herlinda. "El corrido del narcotráfico como descendiente del folclor popular hispano / The drug trafficking ballad and its link to the Spanish popular poetry." TEJUELO. Didáctica de la Lengua y la Literatura. Educación 26 (July 25, 2017): 143–62. http://dx.doi.org/10.17398/1988-8430.26.143.

Full text

Abstract:

Resumen: El artículo es una revisión de los corridos sobre el narcotráfico que en las últimas décadas han invadido el mercado nacional de México y algunas partes de Estados Unidos. En primer lugar se presenta dimensión sensacionalista de la poesía popular y, a partir de los estudios de Julio Caro Baroja. Después, se hacen conexiones entre el romance vulgar y los narcocorridos que, a pesar de los siglos que los separan, presentan una visión similar del delincuente común a quien el pueblo admira por sus despliegues de bravura y coraje. El rastreo permite concluir que el narcocorrido no surge com

APA, Harvard, Vancouver, ISO, and other styles

39

Cabrera, Daniel Antonio Milan. "PENGARUH MUSIK AMERIKA LATIN TERHADAP INDONESIA." Sorai: Jurnal Pengkajian dan Penciptaan Musik 13, no. 1 (2020): 36–50. http://dx.doi.org/10.33153/sorai.v13i1.3093.

Full text

Abstract:

Since the beginning of the last century, Latin American music has been succes in the U.S. music industry because its intrinsic musical characteristics and its involvement within the film industry. Through the U.S. and Europe, it has been influencing popular music around the world; including Indonesia, Malaysia, Singapore, and India, countries that also contributed to the diffusion of Latin styles in Indonesia. The corpus of original works of Indonesian-Latin music is quite huge and has great quality; particularly audio recordings done in the 1950s and 1960s that mixed Latin, Western, and regio

APA, Harvard, Vancouver, ISO, and other styles

40

Robinson, Cheri. "Residente’s ‘War’ and the reframing of terror." Studies in Spanish & Latin American Cinemas 17, no. 3 (2020): 331–49. http://dx.doi.org/10.1386/slac_00025_1.

Full text

Abstract:

The music video ‘Guerra’/‘War’ (Pérez Joglar or Residente 2017), directed and sung by the Puerto Rican musician Residente (René Pérez Joglar), features war-scarred landscapes, fleeing refugees, overcrowded camps and eerily idyllic suburban life. The discordant realities challenge viewers’ potential apathy towards ongoing conflicts and refugee crises while the rap lyrics in Spanish, when sung by the listener, conflate the singer with suffering groups, thus placing suffering and terror centre-stage through visuals and lyrics. This article proposes that Residente begins his music video with a nar

APA, Harvard, Vancouver, ISO, and other styles

41

Cristina, Cruces-Roldán. "Fandangos, fandanguillos and fandangazos: Fernando el de Triana on popular and flamenco music." Música Oral del Sur, no. 13 (December 4, 2016): 105–26. https://doi.org/10.5281/zenodo.4638721.

Full text

Abstract:

Abstract: Arte y artistas flamencos (1935) is an indispensable text with reference to the “GoldenAge” of flamenco and its protagonists, according to the vision of flamenco guitarist and singer Fernando el de Triana (1867–1940). The book bears witness to a moment in which flamenco experienced a genuine morphological revolution, developing positions and applying patrimonial logic, and thus complicating the dichotomies with which flamenco was commonly viewed, as it sought to define itself in light of territorial, artistic, and personal dimensions of meaning. Fernando el de Trian

APA, Harvard, Vancouver, ISO, and other styles

42

Arenillas Meléndez, Sara. "Indie y masculinidad en la música popular española: el rock alternativo de Los Bichos/ Indie and masculinity in Spanish popular music: Los Bichos’ alternative rock." Multidisciplinary Journal of Gender Studies 9, no. 1 (2020): 1. http://dx.doi.org/10.17583/generos.2020.4609.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

PRATO, PAOLO. "Selling Italy by the sound: cross-cultural interchanges through cover records." Popular Music 26, no. 3 (2007): 441–62. http://dx.doi.org/10.1017/s0261143007001377.

Full text

Abstract:

AbstractSince the beginning of modern canzone, cover versions have represented a shortcut to importing and exporting songs across national borders. By breaking language barriers, these records have played the role of ambassadors of Italian music abroad and, vice-versa, of Anglo-American music at home. Although cover records mania boomed especially in the 1960s, the history of Italian popular music is disseminated by such examples, including exchanges with French- and Spanish-speaking countries as well. After reflecting on the nature of ‘cover’ and offering a definition that includes its being

APA, Harvard, Vancouver, ISO, and other styles

44

Kryazheva, I. A. "Manuel de Falla’s Music Theater and Russian Art of the Early 20th Century (Meyerhold and Stravinsky)." Cuadernos Iberoamericanos 12, no. 4 (2025): 50–67. https://doi.org/10.46272/2409-3416-2024-12-4-50-67.

Full text

Abstract:

The music theater of the Spanish composer Manuel de Falla, in particular, his most significant and representative work El Retablo de maese Pedro (Master Peter’s Puppet Show), is examined through the lens of the trends in theater relevant in early 20th century. Those include the diminishing role of the psychological theater and the developing conventional imagery of the representation theatre. Thus, Manuel de Falla’s Music Theater has clear parallels with the theater of the Russian avant-garde and with the work of artists such as Vsevolod Meyerhold and Igor Stravinsky. These similarities stem f

APA, Harvard, Vancouver, ISO, and other styles

45

Hayes, Elizabeth Naranjo. "Meeting in the Middle: Sociophonetic Convergence of Bad Bunny and J Balvin’s Coda /s/ in Their Artistic Performance Speech." Languages 8, no. 4 (2023): 287. http://dx.doi.org/10.3390/languages8040287.

Full text

Abstract:

The artistic performance of identity by top Latin music artists can be heard on many Top-40 US radio stations, since, as of July 2023, 20% of the Billboard Hot 100 is (Spanish language) Latin music. This study aims to determine the variants found in the pronunciation of coda /s/, a robust phonetic differentiator of regional and social dialects, in the top songs versus in the spontaneous speech of the two top Latin music artists in the global market. Are Bad Bunny and J Balvin holding to the pronunciation of their respective regional variety in their artistic performance speech (APS, my term) o

APA, Harvard, Vancouver, ISO, and other styles

46

Van Liew, Maria. "The scent of Catalan rock: Els Pets' ideology and the rock and roll industry." Popular Music 12, no. 3 (1993): 245–61. http://dx.doi.org/10.1017/s0261143000005705.

Full text

Abstract:

Since when do Catalans speak Catalan and who are they anyway? Perhaps the 1992 Olympic Games have shed some light on Catalan identity for outsiders, but I believe the idea deserves development with a focus on the recent phenomenon of ‘rock en català’. By focusing on language and Catalan nationalism, by no means driven by a homogeneous ideology, I hope to clarify these questions about Catalan identity and its role in popular culture. In 1985 what would inspire four youths from Spain's north-eastern coastal region to pick up instruments they had never played before, with the exception of the dru

APA, Harvard, Vancouver, ISO, and other styles

47

Ferreiro, Carballo David. "La "esfera de creación" de El final de don Álvaro, de Conrado del Campo: un drama lírico español con esencias románticas." Resonancias: Revista de investigación musical 24, no. 47 (2020): 59–82. https://doi.org/10.7764/res.2020.47.5.

Full text

Abstract:

<strong>Español: </strong>En este artículo se estudia el proceso de creación de <em>El final de don Álvaro</em>, drama lírico en un acto y dos cuadros sobre un libreto de Carlos Fernández Shaw y música de Conrado del Campo. Para ello nos serviremos del concepto de “mediación”, de manera que, además de analizar los mecanismos asumidos por ambos autores durante la poiesis de la ópera, veremos de qué manera se proyectan en el proceso las características culturales, estéticas e ideoló

APA, Harvard, Vancouver, ISO, and other styles

48

Zuykina, Kristina, Svetlana Mudrik, and Daniil Khomich. "Media Football League of Russia and Spain on YouTube: The Specifics of Popular Content." Theoretical and Practical Issues of Journalism 14, no. 1 (2025): 150–66. https://doi.org/10.17150/2308-6203.2025.14(1).150-166.

Full text

Abstract:

The article presents the results of a study of the specifics of the video content of the media football league of Russia and Spain on the YouTube platform, which popularity can be compared with professional football competitions. A relatively new type of content analysis was chosen as the research method — verbal-visual video analysis (VVVA), adapted to the tasks of this study. The material for the work was four live broadcasts of the matches of the season draw of the media football league of Russia and Spain — two in Russia and two in Spain, lasting from two to seven hours. A fragment of a vi

APA, Harvard, Vancouver, ISO, and other styles

49

Reynaldo, Fernández Manzano. "Dos miradas sobre el Fandango: el fandango en la música clásica española y un ejemplo de fandango popular andaluz: el Trovo de la Alpujarra." Música Oral del Sur, no. 12 (November 14, 2015): 273–80. https://doi.org/10.5281/zenodo.4636726.

Full text

Abstract:

Resumen: El fandango constituye una de las formas musicales más poliédricas. Extendido por LatinoAmérica y España, este artículo se centra en dos miradas. Por una parte, el fandango en la música clásica española y su papel en su difusión en el imaginario europeo sobre el Sur. Por otra parte, la visión concreta del Trovo de la Alpujarra como fandango popular de poesía improvisada y cantada en Andalucía. Abstract: The fandango has been a widely established popular music and dance throughout Latin America and

APA, Harvard, Vancouver, ISO, and other styles

50

Morris, Nancy. "Canto Porque es Necesario Cantar: The New Song Movement in Chile, 1973–1983." Latin American Research Review 21, no. 2 (1986): 117–36. http://dx.doi.org/10.1017/s0023879100015995.

Full text

Abstract:

“Para el camino” Canto a la angustia y a las alegrias. Canto porque es necesario can tar para ir dejando una huella en los dias, para ir diciendo cosas prohibidas.“For the Road” I sing of anguish and joy. I sing because it's necessary to sing to leave my mark on time, to say forbidden things.Latin American New Song is distinct from the usual stereotypes of Latin American popular music. Songs such as “Para el camino” do not fit into the common categories of salsa, ballads, Spanish-language versions of U.S. hit songs or popularized traditional styles such as the ranchera and cumbia. Although New

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!