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Journal articles on the topic 'Still-life in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Hassler, Donald M. "Still Life Art." Academic Questions 31, no. 4 (October 16, 2018): 517–18. http://dx.doi.org/10.1007/s12129-018-9746-9.

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2

Ruprecht, Louis A. "Still Life." liquid blackness 6, no. 1 (April 1, 2022): 140–65. http://dx.doi.org/10.1215/26923874-9546602.

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Abstract This essay explores the subtle interplay between sculptural bodies and animate bodies by exploring several “moments” in the history of classical and neoclassical aesthetics. These exemplary moments include the ancient Roman period (Pliny's reflections on Greek sculpture); the eighteenth and nineteenth centuries (Winckelmann's reflections on Greek sculpture and later Italian excavations at Pompeii); the twentieth century (Nazi adaptations of ancient Greek sculpture in Munich); and the twenty-first century (recurring discussion of polychromatic Greek art). Given that most of the art und

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3

Coldwell, Paul. "Still Life." IMPACT Printmaking Journal 3 (May 14, 2024): 11. http://dx.doi.org/10.54632/1305.impj14.

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The pandemic and the subsequent lockdown caused me to reflect on my practice and some key influences on my work. I have long been associated with the Estorick Collection of Modern Italian Art, particularly with their collection of works by Giorgio Morandi, a key influence on my work for over four decades. I curated the exhibition ‘Morandi’s Legacy: Influences on British Art’ for them in 2006, and over the years, I have contributed to several catalogue essays and gallery talks. As part of their plans to reopen in September 2021 after being closed due to COVID, I was invited to rehang their Mora

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4

Winstead, Ted. "Still Life with Movement: Video as Art." Imagine 5, no. 5 (1998): 18–19. http://dx.doi.org/10.1353/imag.2003.0114.

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5

Bekkerman, Sonya. "Mikhail Larionov's Still Life with Crayfish." Gastronomica 2, no. 4 (2002): 10–12. http://dx.doi.org/10.1525/gfc.2002.2.4.10.

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Mikhail Larionov's Still-Life with Crayfish is a result of the artist sintense engagement with Russian folk art traditions. In attempting to liberate Russian art from the influence of the West, Larionov discovered new formal languages by looking to his heritage and bringing into his paintings images derived from icons, lubki (popular prints) as well as painted shop signs and children sart. Although Larionov did not spearhead the Russian crafts revival, his participation became critical for its dissemination. Still-Life with Crayfish exemplifies Larionov's insistence on russifying Western forms

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Rini, Yeti Septo, and Setyo Tohari Caturiyanto. "BUNGA LAYU DALAM FOTOGRAFI STILL LIFE." TEXTURE : Art and Culture Journal 4, no. 1 (April 28, 2022): 1–10. http://dx.doi.org/10.33153/texture.v4i1.4192.

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Flowers are one of the extraordinary forms that are enjoyed by their beauty. Starting from a childhood experience, this work tries to manifest anxiety through the art of photography. The object selected in this work is a lay flower. Wither is where a condition is not fresh or pale. Based on changes in flower color, irregular textures and shapes are interesting to visualize in a photographic work. One of the genres of photography used is still life photography. A work of art that creates an image of an inanimate object or object to make it appear much more alive. The work of this work, uses air

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7

Vallance, Elizabeth (Beau). "Exploring Visual Culture Downtown: Shop Windows as Still Life." Visual Arts Research 35, no. 1 (July 1, 2009): 35–49. http://dx.doi.org/10.2307/20715486.

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Abstract That aesthetic experience can be encountered almost anywhere enables use of a wide range of everyday encounters with visual culture in teaching art; vernacular still-life arrangements can be a rich resource in teaching students to see as artists see. Here, I make this argument through one case, the looking-and-writing assignments in an undergraduate elementary-education course. I propose a framework for including shop-window designs as visual-culture teaching resources, arguing that the artful compositions in shop windows can introduce and explore traditional subjects in painting. The

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8

Moyle, Peter B., and Marilyn A. Moyle. "Fish imagery in art 62: Chase'sfish and still life." Environmental Biology of Fishes 40, no. 2 (June 1994): 158. http://dx.doi.org/10.1007/bf00002542.

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9

Grube, Vicky. "Beyond Still Life: Collecting the World in Small Handfuls." Visual Arts Research 34, no. 1 (July 1, 2008): 99–108. http://dx.doi.org/10.2307/20715465.

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Abstract This study uses portraiture methodology to understand how ideas travel among preschool children in an art studio. The researcher, also the art teacher, is watchful of the children’s feelings, perspectives, and experiences, and analyzes her data through the writing. The researcher sees children co-constructing knowledge, negotiating truth, and redefining themselves while their relationships deepen. Buber and Husserl’s reflections concerning our search for an identical other are layered in with anecdotal episodes of the researcher and the children. Relationships, influenced by the cultu

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10

Pichkur, M. "Digital still life painting: art production, composition, imitation and stylization." Art and education, no. 4 (2020): 42–49. http://dx.doi.org/10.32405/2308-8885-2020-4(98)-42-49.

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11

Oh, Seung-Hyun, and Gi-Hyung Kwon. "Hair Art Character Applying the Still Life of Paul Cezanne." Korean Society of Beauty and Art 21, no. 2 (June 20, 2020): 227–39. http://dx.doi.org/10.18693/jksba.2020.21.2.227.

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12

King, Julia A. "Still Life with Tobacco: The Archaeological Uses of Dutch Art." Historical Archaeology 41, no. 1 (March 2007): 6–22. http://dx.doi.org/10.1007/bf03376990.

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13

Hiiop, Hilkka, Andres Uueni, Anneli Randla, and Alar Läänelaid. "Still Life with Grapes and Nest." Baltic Journal of Art History 20 (December 27, 2020): 197–211. http://dx.doi.org/10.12697/bjah.2020.20.08.

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A complex conservation process revealed the layer of the painting inits original subtlety and delicate retouchings recreated the integralsurface of the painting. As a result, we can confirm that it is a paintingof high artistic quality dating most probably from the middle ofthe 17th century, painted on an oak panel of German origin. Weremain doubtful about the Internet auction suggested authorship,as the painting does not reach the artistic quality of Jan DavidszDé Heem, a top rank artist from the Netherlands. It is possible tocontinue with the art-historical analysis (and other investigations

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14

Kuncoroputri, Sari Dewi, Belinda Sukapura Dewi, and Muhamad Ali Rahim. "Handphone sebagai Inspirasi dalam Berkarya Still Life." Ideas: Jurnal Pendidikan, Sosial, dan Budaya 9, no. 2 (June 7, 2023): 639. http://dx.doi.org/10.32884/ideas.v9i2.1348.

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At present, to save time and energy when doing a job, communicating, obtaining daily needs (such as food and drinks) and so on, technology is the solution, with one of its rapid developments being smartphones as a service provider support community life. It is this device that inspires artists to make artworks. The purpose of this artwork is to convey the artist's ideas through still life works of art. The method used is descriptive qualitative method. The data collection technique applied was a literature study (data collection). The results displayed are still life style two-dimensional (2D)

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15

Thomas, KErstin. "The Still Life of Objects – Heidegger, Schapiro, and Derrida reconsidered." eitschrift für Ästhetik und Allgemeine Kunstwissenschaft Band 60. Heft 1 60, no. 1 (2015): 81–102. http://dx.doi.org/10.28937/1000106256.

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Kerstin Thomas revaluates the famous dispute between Martin Heidegger, Meyer Schapiro, and Jacques Derrida, concerning a painting of shoes by Vincent Van Gogh. The starting point for this dispute was the description and analysis of things and artworks developed in his essay, “The Origin of the Work of Art”. In discussing Heidegger’s account, the art historian Meyer Schapiro’s main point of critique concerned Heidegger’s claim that the artwork reveals the truth of equipment in depicting shoes of a peasant woman and thereby showing her world. Schapiro sees a striking paradox in Heidegger’s claim

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Gutgesell, Natalie. "THE BALTIC PORTRAIT AND STILL LIFE PAINTER ALEXANDRA VON BERCKHOLTZ (1821–1899)." Baltic Journal of Art History 18 (December 30, 2019): 249–94. http://dx.doi.org/10.12697/bjah.2019.18.08.

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The Baltic artist Alexandra von Berckholtz was among the mostimportant portrait painters of her time. However, her works haddisappeared from art-historical memory because, after her death, theywere sold and spread all over the world. An international researchproject started in 2014 was able to rediscover her works and her lifestory.Von Berckholtz was given her first art lessons in 1841 by the courtpainter Louis Wagner in Karlsruhe, Germany. From 1847 until 1854she studied in Paris at the studio of the history painter Joseph-NicolasRobert-Fleury, who had considerable influence on her pictorials

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17

Kulakova, Olga Yu. "Dutch Flower Still Life of 17th Century: Interest and Oblivion through the Centuries." Observatory of Culture 18, no. 5 (October 29, 2021): 496–505. http://dx.doi.org/10.25281/2072-3156-2021-18-5-496-505.

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Over three and a half centuries, the genre of flower still life created by Dutch artists experienced ups of interest and oblivion. There were the maximum assessment of society in the form of high fees of the 17th century artists; the criticism of connoisseurs and art theorists; the neglect in the 19th century and the rise of auction prices and close attention of art critics, manifested from the middle of the 20th century to the present day. In the middle of the 17th century, there was already a hierarchy of genres, based on both the subject and the size of the paintings, which was reflected in

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18

Тихомиров, Андрей Генрихович. "Musical Classics: Museum, Archive or Still Life?" Музыкальная академия, no. 1(777) (March 31, 2022): 184–91. http://dx.doi.org/10.34690/229.

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Эссе написано в качестве ответа на полемические размышления В. В. Задерацкого «Звуковой фон жизни и мы». Автор разделяет обеспокоенность Задерацкого коммерциализацией академического музыкального искусства. Согласен он и с его критикой авангарда. Концентрация представителей этого направления на изобретении новых музыкальных технологий приводит к тому, что достижения авангарда быстро устаревают, как любая техника. Кроме того, автор относится критически к отказу ряда композиторов от музыкальной диалектики в пользу бесконечного варьирования комфортных для слуха созвучий, несмотря на то что такая м

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19

Meng, Hao. "The Development of Still-life Painting in China in the Second Half of the Twentieth Century Under the Influence of Russian-Soviet and Western Art." Философия и культура, no. 9 (September 2022): 121–32. http://dx.doi.org/10.7256/2454-0757.2022.9.38692.

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Still life as an independent painting genre in Chinese fine art was formed in the second half of the XX century under the strong influence, first of all, of Western European and Russian, and then American art. This relatively short period of time includes several periods at once, in which one or another influence dominated. However, it was the integration of the ideas and principles of foreign art schools that allowed Chinese masters to develop those features of the artistic and figurative language that determined the features of the genre of still life in the space of modern art. The object o

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20

Kholmuratovich, Muratov Khusan. "Methodology of Improving Independent Learning Skills of Future Fine Art Teachers (On the Example of Still Life in Colorful Paintings)." International Journal of Psychosocial Rehabilitation 24, no. 5 (March 31, 2020): 2043–48. http://dx.doi.org/10.37200/ijpr/v24i5/pr201880.

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21

Widi Nugroho, Yulius. "Still-life Photography as Visual Poetry Media for Social Criticism of Lumpur Lapindo." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 5, no. 2 (October 28, 2022): 93–111. http://dx.doi.org/10.31091/lekesan.v5i2.2083.

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Visual media photography is prioritized to present actual and factual information as news media and art media, and Visual Poetry is a work of art that combines two visual and verbal media as one work. The purpose of this research is to make still life photography works and the meaning of photo works as a medium for Visual Poetry. The object of the photo is about the condition of the Lapindo Mud on Porong Sidoarjo Indonesia, which has been neglected for years without serious handling. This creation method uses a photographic method of photographing natural objects. Methods of collecting data by

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22

Benzecry, Claudio E. "Book Review: Still Life. Ecologies of the Modern Imagination at the Art Museum." Cultural Sociology 15, no. 3 (May 29, 2021): 459–60. http://dx.doi.org/10.1177/17499755211019685.

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23

Pristianto, Arief, Tanto Harthoko, and Arti Wulandari. "SAMPAH POLA KONSUMTIF DALAM KARYA FOTOGRAFI STILL LIFE." spectā: Journal of Photography, Arts, and Media 2, no. 1 (February 16, 2019): 25–34. http://dx.doi.org/10.24821/specta.v2i1.2465.

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AbstrakSampah menjadi persoalan yang tidak pernah selesai, dari zaman purba hingga sekarang, keberadaannya semakin banyak dan mulai tidak terkendali. Berbagai berita baik di media cetak maupun elektronik selalu menawarkan bermacam-macam produk yang menggiurkan masyarakat untuk melakukan peran konsumtif, dan akan berbahaya jika masyarakat tidak menyadari bahwa dari sisa konsumtif akan terjadi sampah. Penciptaan karya fotografi ini bertujuan untuk memunculkan foto-foto tentang sampah pola konsumtif dari penulis. Berdasarkan atas pola konsumtif tersebut diperoleh data otentik tentang perilaku kon

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24

Ben-Ur, Aviva. "Still Life: Sephardi, Ashkenazi, and West African Art and Form in Suriname's Jewish Cemeteries." American Jewish History 92, no. 1 (2004): 31–79. http://dx.doi.org/10.1353/ajh.2005.0020.

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25

Lutz, Raechel. "“Still Life with Vitamins: Art and Science at the 1939 New York World’s Fair”." Environmental History 21, no. 2 (January 27, 2016): 365–78. http://dx.doi.org/10.1093/envhis/emv187.

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26

Юшкова, О. А. "Simple things and metaphysical still life in Moscow art of the 1960s and 1970s." Iskusstvo Evrazii [The Art of Eurasia], no. 4(31) (December 29, 2023): 280–95. http://dx.doi.org/10.46748/arteuras.2023.04.018.

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Статья посвящена проблеме обращения художников разных направлений к мотиву «простые вещи», что нашло отражение в натюрморте 1960–1970-х годов. Обычно каждое направление рассматривается отдельно от общего художественного процесса. Автор на примере натюрморта прослеживает, как трансформируется проблематика, заданная временем, в творчестве мастеров официального круга, сурового стиля и различных вариантах андеграунда. Простые вещи неизбежно должны были привлечь внимание после почти тридцатилетнего преобладания тематической картины в советском искусстве. В период оттепели начинают цениться малые жа

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Tsamakis, Konstantinos, and Ioannis Karakis. "Neuroscience and art." Acta medico-historica Adriatica 20, no. 1 (2022): 155–73. http://dx.doi.org/10.31952/amha.20.1.8.

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The objective of this article is to highlight the bidirectional relationship between neuroscience and art in the life and times of the most preeminent sculptor in modern Greek history, Yannoulis Chalepas. Analysis of biographical sources and testimonies on the life and works of Yannoulis Chalepas was performed. Findings are discussed in relation to the neuropsyc-hiatric maladies that he faced in his lifespan and their impact on his art. Yannoulis Chalepas’ life and art are trichotomized in a charismatic, premorbid era (1851-1877), a prolonged, medieval, morbid period (1878 1917), and a transfi

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Chophy, G. Kanato. "On Tradition, Modernity, and Tribal Art. The Case of the Ethnic Nagas in North-East India." Anthropos 119, no. 1 (2024): 19–28. http://dx.doi.org/10.5771/0257-9774-2024-1-19.

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The art of the ethnic Nagas in north-east India is still enmeshed with the colonial portrayal of tribal life. What is enacted as tribal art by “insiders” has a quality of “staged authenticity,” while “outsiders” appraise the fast-changing traditional art as if suspended in time. Here, the stakeholders that mediate the production and representation of Naga art and aesthetics exacerbate the inconsistency. The boundary between an insider and outsider is blurring in other areas of social and cultural life, but traditional art is appropriated to reinforce the dichotomy. In this context, identity po

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Petit, Laurence. "Inscribing Colors and Coloring Words: A. S. Byatt's "Art Work" as a "Verbal Still Life"." Critique: Studies in Contemporary Fiction 49, no. 4 (July 2008): 395–412. http://dx.doi.org/10.3200/crit.49.4.395-412.

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Azatyan, Vardan, Frederic J. Schwartz, T. J. Clark, Sami Khatib, Miško Šuvaković, and Ursula Frohne. "Art and Scholarship in Moments of Historical Danger." ARTMargins 10, no. 3 (October 2021): 159–90. http://dx.doi.org/10.1162/artm_a_00304.

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Abstract Consider the nature and function of art and art historical scholarship in the present: Is there still a line—even fine or porous—securing the fragile autonomy of the arts and humanities from commodification in late capitalism? Can art still serve as a negative and critical mirror for reality under the seemingly complete commodification and technological mediation of social life? Is there any real need for art and art historical scholarship even to exist today? Can the arts and humanities serve an emancipatory social agenda, and, if so, how? What role might the humanist ideals once sha

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Лай, Юеге. "ЖАНР ХУАНЯО і БУКЕТИ БАРОКО: МЕТАМОРФОЗИ БУТТЯ". Art and Design, № 3 (5 грудня 2019): 89–96. http://dx.doi.org/10.30857/2617-0272.2019.3.9.

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The purpose of the study is to identify the figurative and symbolic parallels of the depiction of flowers in the art of China and Europe. Methodology. The study made use of the methods: historical-cultural, comparative, artistic-stylistic, iconological, iconographic. Results. It is shown that in the art of China and Europe, the image of flowers is interconnected with the embodiment of the ideal, beautiful. In our figurative and artistic analysis of the masterpieces of Chinese painting, it is shown that the masters of the “flowers and birds” genre, in the content and form of embodiment, follow

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Indriyanto, Wahyu Bagus, and Muhammad Mukti. "Educational and Philosophical Values of Wayang Bengkong Kajar Village, Lasem District, Rembang Regency." International Journal of Multicultural and Multireligious Understanding 10, no. 11 (November 9, 2023): 99. http://dx.doi.org/10.18415/ijmmu.v10i11.5244.

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Wayang Bengkong art is a traditional art that still exists in the Rembang community. The uniqueness of Wayang Bengkong art is that this performance is staged using only three puppets, namely Mbah Bengkong, Raden Panji, and Sri. This puppet tells the story of life admonitions that aim to give good advice in living life. The purpose of the study was to describe the educational value contained in the performance of Wayang bengkong Lasem, Rembang Regency. This study used a qualitative approach that produced descriptive data. Educative values in this art can be translated into beauty values (aesthe

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Aditia, Dio Rama, Zulisih Maryani, and Oscar Samaratungga. "MOBIL MAINAN DIECAST SKALA 1:24 DALAM FOTOGRAFI STILL LIFE." spectā: Journal of Photography, Arts, and Media 1, no. 1 (February 13, 2018): 13–22. http://dx.doi.org/10.24821/specta.v1i1.1894.

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Mobil mainan merupakan suatu benda yang biasa dimainkan oleh anak-anak. Akan tetapi berbeda halnya dengan mobil mainan jenis diecast, yakni mobil mainan yang terbuat dari logam kemudian dicetak ke dalam bentuk yang diinginkan. Mobil mainan diecast yang memiliki berbagai macam ukuran tidak hanya dimainkan oleh anak-anak karena pada perkembangannya diecast menjadi karya seni yang menarik untuk dikoleksi dan dipajang salah satunya mobil dengan ukuran skala1:24. Dengan demikian muncul keinginan untuk menampilkan mobil mainan diecast dalam bentuk karya fotografi. Alasan pemilihan ukuran skala 1:24

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Sujjapun, Ruenruthai. "Literature for Life." MANUSYA 3, no. 2 (2000): 92–107. http://dx.doi.org/10.1163/26659077-00302008.

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“Literature for life” is a unique type of Thai contemporary literature . It has risen to prominence in the history of Thai contemporary literature in at least two periods. The first period was between A.D.l947 and 1957 and the second was the October 14, 1973–October 6, 1976 era. Literature for life was influenced by the concept of “art for life’s sake,” which was much discussed in literary magazines between 1947 and 1957, particularly by Asni Phonlachan, who criticized traditional Thai literature from the point of view of “art for life’s sake” and Udom Sisuwan, who saw Sri Burapha’s novels as

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Sievers, Wiebke. "How Turkish is it? Art and culture in Vienna." Migration Letters 11, no. 3 (September 15, 2014): 329–40. http://dx.doi.org/10.33182/ml.v11i3.227.

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The Viennese Turkish community constitutes 4% of all people residing in Vienna. This considerable presence has also brought with it many artistic and cultural activities. In this paper I question how far these activities have diversified Viennese cultural life. The results are two-fold: my quantitative analysis of public-funding data shows that Viennese Turkish artistic activities are still perceived as a marginal addendum to Viennese cultural life. However, as my qualitative analysis of selected activities highlights, they have contributed to making the diversity of both Austrian and Turkish

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Athanasopoulou-Kypriou, Spyridoula. "and/Or the Art of Living." Samuel Beckett Today / Aujourd'hui 15, no. 1 (November 1, 2005): 311–23. http://dx.doi.org/10.1163/18757405-015001027.

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Taking exception to the psychoanalytic and theological interpretations, I stress the play's resistance to interpretation and suggest that the play might well be about the art of living in a meaningless world. Borrowing the term 'semiotic chora' from Julia Kristeva, I read as a representation and dramatization of the space where subjectivity has not yet been constructed and thus many possibilities are still open. I also suggest that the play offers a therapeutic journey to the abject elements of human life.

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Varshney, Lovely. "The Importance and Value of Art, Design in Development of Society." ECS Transactions 107, no. 1 (April 24, 2022): 8197–201. http://dx.doi.org/10.1149/10701.8197ecst.

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Art has been present for many years in our society. Therefore, even when man was not civilized, it was still with human. However, many of us don’t take art very seriously. We think it’s something anyone can do. But art needs lots of creativity and is vital for our society for the following reasons. As: natural behavior, Media for communication, cultural awareness, attracts tourism, child development, and improved academic performance etc. It is possible to develop a strong sense of community belonging with the help of art. Art is a very valuable part of our culture. Can you imagine a world wit

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Levantesi, Susanna, Andrea Nigri, and Gabriella Piscopo. "Longevity risk management through Machine Learning: state of the art." Insurance Markets and Companies 11, no. 1 (November 25, 2020): 11–20. http://dx.doi.org/10.21511/ins.11(1).2020.02.

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Longevity risk management is an area of the life insurance business where the use of Artificial Intelligence is still underdeveloped. The paper retraces the main results of the recent actuarial literature on the topic to draw attention to the potential of Machine Learning in predicting mortality and consequently improving the longevity risk quantification and management, with practical implication on the pricing of life products with long-term duration and lifelong guaranteed options embedded in pension contracts or health insurance products. The application of AI methodologies to mortality fo

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Wango, Kamau. "‘Foundations of Still-Life Painting’ – Colour Application, Textural Effects and Development of Holistic Composition. Analysis of Selected Still-Life Paintings by Second Year Students at Kenyatta University, Nairobi, Kenya." East African Journal of Arts and Social Sciences 6, no. 1 (April 17, 2023): 237–69. http://dx.doi.org/10.37284/eajass.6.1.1176.

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Still-life painting as a formative painting unit is important in enabling students to interact with elements of art in the arrangement of specific static objects that form a precise composition. This arrangement of objects in composition is essential in helping students to comprehend the concept of composition in creative work. Since they are dealing with arranged, static objects as opposed to flowing figures and other fluid or gestural forms that suggest movement as would be the case in regular painted pictorial compositions, a still-life composition provides an opportunity to apply the princ

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Shi, Jian He, and Xian Wei Wu. "On the Central Concept of Architectural Philosophy: Art." Applied Mechanics and Materials 174-177 (May 2012): 1892–94. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1892.

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Aesthetic taste as the main value of life is the central task of building arts. Artistic characteristics of architecture reflect human glory and always exist in our thousands of years of architectural history. The art pursuit of architecture is still the focus for the public especially architects. Therefore, the central concept of the construction philosophy is the art of architecture.

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Oltmishev, Tohir T., and Abdurakhim R. Ibragimov. "SECRETS OF MONA LIZA?" CURRENT RESEARCH JOURNAL OF HISTORY 03, no. 02 (February 1, 2022): 1–8. http://dx.doi.org/10.37547/history-crjh-03-02-01.

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Leonardo da Vinci, the founder and typical representative of the Upper Renaissance style, tried his hand at many forms of art, advancing advanced ideas in mathematics, mechanics, and physics. Each of his works is based on the study of life, warmed by the heart of the artist and expresses his attitude to life. Her masterpiece, Monna Lisa, still haunts all art lovers. It is unknown at this time what he will do after leaving the post.

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Неглинская, М. А. "Evolution of the still life in Chinese ink painting (the first half of the 20th century)." Iskusstvo Evrazii [The Art of Eurasia], no. 2(33) (June 28, 2024): 72–81. http://dx.doi.org/10.46748/arteuras.2024.02.005.

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Цель статьи — обобщить развитие жанра натюрморт в традиционной для Китая тушевой живописи гохуа 1910–1950-х годов. Исследованы предметные композиции ведущих мастеров — У Чаншо и Ци Байши. Период их творческого подъема сопровождался резкими социальными переменами в китайском обществе, с чем связана политизация искусства, затронувшая и созданные художниками живописные натюрморты. Жанровые и стилевые новации мастеров гохуа первой половины ХХ века способствовали рождению современного китайского искусства. В статье проанализировано соответствие смысла живописных изображений и каллиграфии. Автор исх

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Deng, Puyi. "Art and Science in Renaissance Works: The Beauty of Human Anatomy in Michelangelos David." Communications in Humanities Research 3, no. 1 (May 17, 2023): 136–43. http://dx.doi.org/10.54254/2753-7064/3/20220226.

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The integration of art and science remains a popular subject until now. There are many studies on the connection between art and other scientific disciplines of the Renaissance, but there is still room to explore the relationship between art and medicine, especially with anatomy. Therefore, the paper begins with a retrospective on anatomical progress during the Renaissance and a brief introduction to Michelangelos life and his research experience in anatomy. Then, taking Michelangelos David as a critical point, several manifestations in the sculpture related to human anatomy are precisely diss

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Suhendi Afryanto, Arthur Supardan Nalan, and Gustiyan Rachmadi. "Gong Rénténg Transformation From Sacral to Profan." Mudra Jurnal Seni Budaya 39, no. 1 (November 3, 2023): 52–60. http://dx.doi.org/10.31091/mudra.v39i1.2520.

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One type of gamelan art that is developing in West Java is Gong Rénténg which used to be often used in sacred ceremonial activities. The sacredness built into the art is inseparable from the belief system adopted by the community as its supporting community. Gong Rénténg's whereabouts then and now are experiencing dynamics of change which are quite important to study, especially his journey which was stopped for various reasons. Stagnant regeneration factors, changes in people's perspectives due to changes in belief systems, as well as the influx of imported arts that continue to intrude on tr

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Sakse, Līga. "PRINCIPLES AND LOGIC OF THE DEPICTION OF FLOWERS IN VANITAS PHOTOGRAPHY." Culture Crossroads 12 (November 10, 2022): 72–84. http://dx.doi.org/10.55877/cc.vol12.125.

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Art must reflect something that cannot be called trivial or perceived by rational means, as well as what we cannot experience in reality – the borderline between life and non-existence, death among other things. Certainly, ways of depiction vary – there are works of art where the temporariness of life and the inevitability of death have been modelled as a type of a game and there are also those works of art that bear an indirect reminder of death – through allegories or metaphors. Vanitas belongs to the latter. Vanitas is an allegorically presented still life that emerged as an independent gen

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Иванов, А. В. "Idealization in art." Iskusstvo Evrazii [The Art of Eurasia], no. 3(30) (September 30, 2023): 204–13. http://dx.doi.org/10.46748/arteuras.2023.03.014.

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В статье анализируется понятие идеализации. Разбираются различные смыслы, которые в него вкладываются. Особое внимание уделяется истолкованию идеализации в немецкой классической философии, особенно в философском наследии Шеллинга. По Шеллингу, процесс идеализации подразумевает художественное постижение и выражение идеальной сущности вещей, людей и событий через ее явленность в образно-символической форме. Идеализация противостоит, с одной стороны, натурализму в искусстве, а с другой, рационалистическим идеализациям действительности в смысле ее приукрашивания. Показывается присутствие художеств

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Arjun, Banagi Yathiraj, Bhaskaran Unnikrishnan, John T. Ramapuram, Rekha Thapar, Prasanna Mithra, Nithin Kumar, Deepak Madi, Vaman Kulkarni, Ramesh Holla, and Bhagawan Darshan. "Factors Influencing Quality of Life among People Living with HIV in Coastal South India." Journal of the International Association of Providers of AIDS Care (JIAPAC) 16, no. 3 (August 6, 2015): 247–53. http://dx.doi.org/10.1177/2325957415599213.

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Background: Antiretroviral therapy (ART) has increased life expectancy of HIV/AIDS patients, but the quality of life (QOL) still remains the same. Methods: In this cross-sectional study, 356 people living with HIV (PLHIV) were interviewed to assess their QOL using WHOQOL-HIV BREF questionnaire. The association between QOL with sociodemographic, clinical and cohabitation status of the participants was tested using ANOVA and Student t-test, and p value < .05 was considered statistically significant. Results: Physical domain of QOL showed maximum score of 16.4, while a minimum score of 12.2 wa

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Li, Huizi. "On the Leadership Training of Chinese music teachers -- Taking Teacher A as an example." BCP Social Sciences & Humanities 18 (June 30, 2022): 310–18. http://dx.doi.org/10.54691/bcpssh.v18i.1127.

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With a unique system of symbols, the music art is a special form of art. The symbolic system based on the musical structure cannot find its prototype in the real life of the human. It is different from the symbolic system of the literature and poetry with the established system of language words as well as that of the plastic art with the concrete medium in the real life. Hence, the room for imagination, experience and comprehension created by the appreciation of music works is much broader and freer than that of the appreciation of literature, poetry and painting. Although it can not provide

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van Gastel, Joris. "Campania Felix?" Nuncius 32, no. 3 (2017): 615–39. http://dx.doi.org/10.1163/18253911-03203005.

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Neapolitan still life painting, even though Italy’s most prolific “school” of the genre, has attracted little theoretical analysis. Where scholars have considered the genre almost exclusively in terms of stylistic developments and questions of attribution, this paper, alternatively, draws inspiration from insights formulated largely outside the field of art history: Umberto Eco’s characterization of still life paintings as “visual lists” and Michele Rak’s characterization of seventeenth-century literature in the Neapolitan dialect as “literary still lifes.” Building on these insights, this pap

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Korniev, A., and Zhe Zhang. "The world of things in traditional Chinese painting." Culture of Ukraine, no. 78 (December 23, 2022): 119–25. http://dx.doi.org/10.31516/2410-5325.078.15.

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The relevance of the article. The formation of genre and the principles of genre classification in the art of East Asian countries is one of the least researched problems in the theory and history of art. It is generally accepted that still life appeared in the art of China as a result of the influence of the Euro-pean artistic system. Meanwhile, motifs related to the depiction of elements of the subject environment can be traced in other genres of Chinese painting. In modern artistic practice, still life is considered mainly as an element of academic education, but its creative potential rema

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