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Journal articles on the topic 'Stylistic functions'

Author: Grafiati

Published: 4 June 2025

Last updated: 15 July 2025

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1

Ruskulis, Liliia. "PUPILS’ STYLISTIC COMPETENCE FORMATION: LINGUO-DIDACTIC ASPECT." Baltic Journal of Legal and Social Sciences, no. 2 (October 26, 2022): 162–69. http://dx.doi.org/10.30525/2592-8813-2022-2-27.

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The article analyzes the concept of “stylistic competence”, which is defined as the ability to learn the stylistic system of the language at the phonetic, lexical-semantic, phraseological and grammatical levels. The main concepts of stylistics have been clarified. The object and subject of studying stylistics have been characterized. Such sections of stylistics as stylistics of language, stylistics of speech and stylistics of fiction have been studied. The concept of “language style” and “speech style” has been distinguished. The problem of compliance with stylistic norms and features of formation of stylistic abilities and skills has been outlined. The linguistic-didactic system for the formation of students’ stylistic competence has been defined, which includes: approaches to learning (functional-stylistic, which ensures effective work on the representation of the features of the functioning of language units, their implementation in each style; the formation of fluency in speaking skills), learning patterns (patterns of language learning and patterns of speech learning); teaching principles (general didactic and linguistic didactic); groups of exercises (according to the content of the main material, according to the method of execution) and specific methods (observation of stylistic functions of language units, stylistic experiment; stylistic editing; stylistic construction).

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G'ofurova, Sarvara, and Ominakhon Valijonova. "LINGUISTIC SIGNIFICANCE AND FUNCTIONS OF LEXICO-SYNTACTICAL STYLISTIC DEVICES: ANTITHESIS." SYNAPSES: INSIGHTS ACROSS THE DISCIPLINES 1, no. 4 (2024): 241–43. https://doi.org/10.5281/zenodo.14253730.

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3

Dilnura Dilmurodjon qizi, Tukhtamurodova. "THE IMPORTANCE AND RELEVANCE OF STYLISTICS IN LINGUISTICS." INTERNATIONAL JOURNAL OF SCIENCE AND TECHNOLOGY 2, no. 05 (2025): 83–84. https://doi.org/10.70728/tech.v2.i05.028.

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This paper examines the theoretical foundations of stylistic analysis, underlining its conceptual orientation and linguistic characteristics. As a subfield of linguistics, stylistics studies how (and why) language use varies according to different contexts (with a focus on phonetic, lexical, grammatical, semantic, and pragmatic features). It discusses the main approaches to stylistic analysis: formalist, functional, cognitive, and corpus stylistics. It also emphasizes typing style devices like alliteration, metaphor, and irony, forming the meaning of the text and the perception of the reader. These investigations highlight the relevance of stylistic investigation in both literary and non-literary discourse and show how such work can uncover abstract linguistic and communicative functions.

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Dubovitckaya, Maria A., Olga V. Monastyretсkaya, Nelya P. Filatova, and Olga N. Shapovalova. "Synesthesia and personification in the literary text: linguostylistic aspect." Neophilology, no. 3 (2022): 512–19. http://dx.doi.org/10.20310/2587-6953-2022-8-3-512-519.

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We analyze the particular functions of such metaphors as synesthesia and personification in a literary text. The purpose of study is to identify the stylistic potential of synesthesia and personification in a literary text. The relevance of topic is due to the need to investigate the stylistic functions of the above metaphors in the prose of Austrian authors, little-known and therefore insufficiently researched in domestic stylistics. The material of research is the prose of Austrian authors. In particular, the intentional selection of works created at different times allowed to better focus on metaphors featured by structures and functions. We explore the stylistic potential of metaphors, which is understood as the ability of these linguistic means to implement certain stylistic functions. We conclude as follows: 1) the language of Austrian writers of the 19th and the first half of the 20th centuries is characterized by metaphors that make up the aesthetic value of their works; 2) an important role in achieving the figurativeness of a literary text is played by the expressive means of the language, in particular, synesthesia and personification; 3) these varieties of metaphor have sufficient stylistic potential to implement the main functions in the artistic style, namely, characterological, descriptive, emotive and evaluative; 4) the metaphor is characterized by multifunctionality, which makes it possible to combine the description with the tasks of characterization, expression and evaluation. The data obtained constitute the theoretical significance of study and as well can be used in teaching philology students.

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HƏSƏNOVA, M. M. "İNGİLİS VƏ AZƏRBAYCAN DİLLƏRİNDƏ METONİMİYALARIN ÜSLUBİ XÜSUSİYYƏTLƏRİ." Actual Problems of study of humanities 2, no. 2024 (2024): 49–54. http://dx.doi.org/10.62021/0026-0028.2024.3.049.

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Stylistic Features of Metonymy in English and Azerbaijani Languages Summary This article is devoted to the study of the stylistic features of metonymy in English and Azerbaijani. Theoretical materials and literary texts from linguistics in both English and Azerbaijani are used to provide a basis for comparison. The similarities between metonymic models in both languages allow us to conclude that their stylistic formations and functions within the language of literary texts are similar. They often coincide completely. The stylistic weight of metonymy serves as an indicator of an author’s unique style, as it makes the language in fiction texts imaginative and aesthetically pleasing. Key words: metonymy, stylistics, similarity, function, author

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6

G'ofurova, Sarvara, and Dilyora G'ulomjonova. "STYLISTIC DEVICE: METAPHOR." SYNAPSES: INSIGHTS ACROSS THE DISCIPLINES 1, no. 4 (2024): 200–202. https://doi.org/10.5281/zenodo.14218330.

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7

Murashkina, O. V., O. M. Dedova, and V. A. Kornev. "Metaphorical Epithets and Their Stylistic Functions." Язык и текст 9, no. 2 (2022): 22–35. http://dx.doi.org/10.17759/langt.2022090203.

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This article is devoted to the study of stylistic functions of metaphorical epithets in a poetic text. Many works are devoted to metaphor, which apparently occupies the main place among the linguistic means of expressing images. However, the question of the stylistic functions of metaphorical epithets is still not fully clarified. One of the laws of language development is manifested in the metaphorization of words, but the metaphorical meaning of a word is manifested only in context, thanks to the movement of the word into a new lexical environment. According to the established scientific tradition, it is customary to distinguish between general-language and individual-author metaphorization, while the functions of general-language and individual-author (poetic) metaphors are different: through general-language metaphorization, first of all, the expansion of the meaning of a word is achieved; in a poetic text, a metaphor gives a condensed characteristic of a particular subject, often claiming to penetrate into its essence, and it is aimed at revealing his individuality. The quality of metaphorical formations is also influenced by the genre in which the literary work is created. Depending on the genre and style of the work, there are not only techniques, but also means of metaphorization. Artistic methods also impose a certain seal on metaphorization. Analysis of metaphorical epithets in the light of the stated general provisions on metaphor and the essence of metaphorization based on the poems of A.S. Pushkin "The Caucasian Prisoner", M.Y. Lermontov "Mtsyri", I.S. Nikitin "Kulak" and N.A. Nekrasov's "Frost, Red Nose" showed that metaphorical epithets can be created by qualitative and relative adjectives. At the same time, common-language metaphorical epithets most often represent stable expressions of a living spoken language and thus indicate the nationality of the language, emphasize the national specifics of the works. In the creation of individual metaphorical epithets, the innovation of poets in the field of metaphorical creativity is clearly manifested, and a significant increase in the proportion of evaluative metaphorical epithets in the poems of Nikitin and Nekrasov, compared with the poems of Pushkin and Lermontov, is an undeniable consequence of their social orientation.

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8

G'ofurova, Sarvaraxon, and Sarvinoz Shokirova. "FUNCTIONS OF LEXICAL STYLISTIC DEVICES HYPERBOLE." ACUMEN: INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH 1, no. 4 (2024): 266–68. https://doi.org/10.5281/zenodo.14238025.

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The purposes of hyperbole as a lexical stylistic device in literature and ordinary speech are examined in this article. Deliberate exaggeration for emphasis or impact is known as hyperbole, and it can be used to create vivid images, increase emotional intensity, and promote humor, among other things.

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G'ofurova, Sarvaraxon, and Azizabonu Andug'aniyeva. "FUNCTIONS OF LEXICAL STYLISTIC DEVICES: HYPERBOLE." SYNAPSES: INSIGHTS ACROSS THE DISCIPLINES 1, no. 4 (2024): 189–92. https://doi.org/10.5281/zenodo.14218083.

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<em>This article examines the functions of hyperbole as a lexical stylistic device in literature and everyday communication. Hyperbole, characterized by deliberate exaggeration for emphasis or effect, serves various purposes, including the enhancement of emotional intensity, the creation of vivid imagery, and the facilitation of humor</em>

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G'ofurova, Sarvarakhon, and Dilorom Sobirjonova. "FUNCTIONS OF LEXICAL STYLISTIC DEVICES: IRONY." SYNAPSES: INSIGHTS ACROSS THE DISCIPLINES 1, no. 4 (2024): 244–50. https://doi.org/10.5281/zenodo.14253752.

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<em>This article delves into the functions of irony as a significant lexical stylistic device in literature, communication, and culture. Irony’s strength lies in its ability to create contrasts between literal and intended meanings, fostering cognitive engagement, emotional resonance, and societal critique. The article categorizes irony into verbal, situational, and dramatic types, analyzing their unique roles. Practical examples from literary texts, films, and everyday communication illustrate its diverse applications. The conclusion underscores irony’s timeless relevance in addressing the complexities of human existence.</em>

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11

Bazhenova, Olga Nikolayevna. "STYLISTIC FUNCTIONS OF ANTONYMS IN TEXTS OF THE KOMI LITERATURE." Yearbook of Finno-Ugric Studies 13, no. 2 (2019): 198–204. http://dx.doi.org/10.35634/2224-9443-2019-13-2-198-204.

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The article considers three stylistic functions of antonyms in texts of the Komi literature. In order to describe the concept of the stylistic function the author refers to scientific researches by I. V. Arnold and uses the classification of information forms offered by I. R. Galperin. Stylistic means like antiphrasis, irony and antithesis are analysed for their connections with antonyms. The cases of some functions contamination are also represented. The paper gives a detailed analysis of the expressive, emotional and representative stylistic functions of antonyms and proposes some ideas about the role of the stylistic functions in the message of the text.

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12

Bakhtiyorovna, Ubaydullaeva Madina. "COMMUNICATIVE, PRAGMATIC, COGNITIVE AND STYLISTIC FUNCTIONS OF ARTISTIC TEXT." American Journal of Philological Sciences 4, no. 12 (2024): 42–46. https://doi.org/10.37547/ajps/volume04issue12-08.

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This article examines the problem of the main basic and secondary functions of a literary text from the point of view of the anthropocentric paradigm. It also examines the problems of functionalism, artistic discourse and the main differences between the basic and secondary functions of a literary text.

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13

Prihodko, Anna. "GENERAL NOTES ON STYLE AND STYLISTICS." Studia Philologica 1, no. 14 (2020): 23–30. http://dx.doi.org/10.28925/2311-2425.2020.143.

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In the proposed text the basic concepts of stylistics as a branch of linguistics are considered. The focus is made on the characteristics of stylistic devices, their nature and functions in different language styles, as well as the principles of their decoding in the text.

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14

Nurmamatovich, Jurayev Ziyodbek, and Karimova Nodiraxon Abdurashidovna. "The stylistic functions and types of Zeugma." ACADEMICIA: An International Multidisciplinary Research Journal 11, no. 3 (2021): 30–35. http://dx.doi.org/10.5958/2249-7137.2021.00586.3.

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15

G'ofurova, Sarvaraxon, and Fazliddin Oybekovich Abdumalikov. "FUNCTIONS OF SYNTACTICAL STYLISTIC DEVICES OF ELLIPSIS." ACUMEN: INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH 1, no. 4 (2024): 229–33. https://doi.org/10.5281/zenodo.14225772.

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<em>This paper explores the functions of syntactical stylistic devices, specifically ellipsis, in both literary and everyday language. Ellipsis, defined as the omission of one or more words that are understood in the context, plays a crucial role in enhancing communication efficiency, creating emphasis, and contributing to the aesthetic quality of texts. The study examines various forms of ellipsis across different genres, including poetry, prose, and conversational discourse, highlighting how it can streamline expressions while simultaneously inviting reader engagement and interpretation.</em>

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16

G'ofurova, Sarvaraxon, and Zebiniso Vorisova. "THE RHETORICAL QUESTIONS AS STYLISTIC DEVICE." ACUMEN: INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH 1, no. 4 (2024): 258–60. https://doi.org/10.5281/zenodo.14228146.

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<em>Rhetorical questions hold a significant place in stylistics due to their ability to enhance communication by emphasizing ideas, provoking thought, and eliciting emotions. This thesis examines the definition, functions, and applications of rhetorical questions, focusing on their role in various texts, including literary works and speeches. The study integrates insights from Uzbek scholars and international theorists, presenting rhetorical questions as a stylistic bridge between speaker and audience. It emphasizes their capacity to engage listeners and readers, challenge norms, and influence perception.</em>

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TIELIEZHKINA, Olesia, and Olena KIRYANOVA. "ARTISTIC AND EXPRESSIVE MEANS IN THE LANGUAGE AND POETIC PALETTE OF THE AHATANHEL KRYMSKY: TYPOLOGY AND FUNCTIONS." Culture of the Word, no. 95 (2021): 174–83. http://dx.doi.org/10.37919/0201-419x-2021.95.14.

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In the offered article it is noted that one of the most important problems of the Ukrainian linguistic stylistics – revealing of features of realization of language units in works of art, in particular and in poetic. A. Krymskyi’s poetry is full of stylistic figures that express the artist’s opinion embodied in verse. These stylistic devices provided a background sound image that brightened the depicted pictures of nature or images from the life of society, portrait descriptions or inner experiences of the lyrical hero. Stylistic and syntactic expanses of A. Krymskyi’s poetry are distinguished by sophistication and diversity. The author resorts to homeothelium, gradation, polysyndeton, parallelism, anaphora, epistrophe. The article considers the stylistic figures realized in the poetic works of Ahatanhel Krymskyi. The expediency of the analysis confirms that the linguistic and poetic practice of this artist has been overlooked by researchers so far. The author of the article concludes that in the structural-compositional and semantic organization of poetic works of the important role is played by means of sound recording (assonance, alliteration, equiphony, metaphony, onomatopoeia), lexical and grammatical techniques units of linguistic and artistic expression (parallelism, anaphora, homeoteleut, gradation, polysyndeton, inversion, chiasm). The characterized pictorial and expressive means rhythmize the poetic system, shade the hidden meanings, harmonize the content of the work in accordance with the author’s intentions. From the above it is concluded that in the structural-compositional and semantic organization of the poetic works of Ahatanhel Krymskyi play an important role stylistic figures, which are based on different levels of language units. Selected and described pictorial and expressive means rhythmize the poetic system, shade the hidden meanings, harmonize the content of the work in accordance with the author’s intentions.

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Awad Al-Zubaidi, Rasha Tareq, and Prof Salih Mahadi Adai Al-Mamoori. "THE ROLE OF CRITICAL STYLISTICS IN LITERARY DISCOURSE WITH PARTICULAR REFERENCE TO SOLD BY PATRICIA MCCORMICK." Journal of English Language and Literature 10, no. 01 (2023): 60–68. http://dx.doi.org/10.54513/joell.2023.10106.

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Patricia McCormick's novel Sold sheds light on the global problem of human and sex trafficking of children. Human trafficking is a major problem that affects people all over the world. After being promised one thing and receiving another, women and children are forced into trafficking. In the world of human trafficking, women are especially vulnerable. Numerous diseases and threats exist. This study aims to use the linguistic critical stylistic analysis, the theme of sex–child trafficking by adopting Jefferies (2010) textual conceptual functions and other stylistic devices to help in analysing the extracts that are representing child sex trafficking. Critical stylistics refers to the stylistic activity of investigating the ways in which social meanings are demonstrated through language. The model elements adopted in this study are: representing actions, event states, negation and hypothesizing and metaphor and irony.

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Jaashan, Hasan Mohammed. "The Impact of Incorporating Stylistic Models of Inversion in Teaching Grammar on Students’ Comprehension of Literary Text." Issues in Language Studies 9, no. 2 (2020): 126–37. http://dx.doi.org/10.33736/ils.2447.2020.

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Pedagogical stylistics increases EFL learners’ awareness about the way the language functions in different texts. It also enhances innovative learning and teaching. This study aims at knowing the impact of incorporating stylistic models of inversion in teaching grammar on students’ comprehension of literary texts. It also aims to explore the learners’ perceptions about incorporating them in grammar courses. The models were adopted by (Galperin, 1977). A total of 85 EFL learners at King Khalid University participated in this study; 41 are students of Grammar III and are divided into two groups (15, 26); 44 are students of Grammar IV and are divided into two groups (20, 24). The second phase of the research is a unified long text exam that contains stylistic models of inversion in literary texts and is given to all students. Generally, the post-test results show that the participants identify stylistic models of inversion that help them understand the meaning of texts. Moreover, the quantitative approach shows the learners' preference for incorporating models in grammar courses because they are important in comprehending literary texts. The study recommends considering stylistic implications in teaching grammar in general and stylistic models of inversion in particular.

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Muhammadamin, Amir Muhammad. "“Language Style in Kurdish Poems of Safi Hirani”." JOURNAL OF LANGUAGE STUDIES 8, no. 5 (2024): 123–42. http://dx.doi.org/10.25130/lang.8.5.7.

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This research paper which is entitled “Language Style in Kurdish Poems of Safi Hirani”, studies some theoretical linguistic aspects besides the uses of linguistic forms in Safi Hirani’s poems. Therefore, Safi’s language style can be recognized by the various language components used in his poems. He used some special Kurdish words of his owns in the lines of his poems and arranged them in a style that gives an attractive and wonderful musical tone to the poem. This research adopted descriptive analytical approach related to Swiss stylistic school and the elements of this study are composed of Safi Hirani’s Kurdish poems. This research includes an introduction, two sections, conclusion, bibliography, and the abstract of the research in Arabic and English languages. Accordingly, the content of this study is as follows: Section one covers some aspects of stylistics and the functions of stylistic language, introduction, history of stylistics, ‌ definition of stylistics from the perspective of language, the relation between linguistic stylistic and sociolinguistics, linguistic structures of Safi Hirani, reaching the summit, confirmation, terminology and grammatical deviation. Section two includes language styles of Safi Hirani, language style, types of language style, informative (declarative) language style, compositional language style, interrogative language style, imperative language style, wishful thinking language style, appeal language style and negative language style.

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Norova Mavluda Fayzulloyevna. "Lexico-Stylistic Functions of Argotisms in English Language." Journal of Advanced Zoology 44, S6 (2023): 1707–11. http://dx.doi.org/10.17762/jaz.v44is6.2594.

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This article explores the lexico-stylistic functions of argotisms in the English language. Argotisms, also known as slang or jargon, are informal and specialized vocabularies used within specific social groups or subcultures. The study investigates the ways in which argotisms contribute to the lexical richness, stylistic versatility, and sociolinguistic significance of English. Through a comprehensive analysis of argotisms, the research reveals their role in expanding vocabulary, providing nuanced meanings, and facilitating domain-specific communication. Additionally, the study explores how argotisms enhance expressiveness, contribute to authenticity and realism, and serve as markers of social identity. Furthermore, the research highlights the influence of argotisms on language variation and change, including their impact on grammar, syntax, and semantic shifts within specific social groups. By understanding the lexico-stylistic functions of argotisms, we gain insights into the dynamic nature of language and its relationship with social dynamics and cultural expressions..

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Al-Ameedi, Riyadh Tariq Kadhim, and Saja Abdul Ameer Al-A’ssam. "Retribution in Biblical Texts: A Stylistic Analysis." International Journal of English Linguistics 8, no. 4 (2018): 83. http://dx.doi.org/10.5539/ijel.v8n4p83.

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Divine retribution is both a teaching and a core-tenet in Christianity. A large portion of Biblical texts come to embody the righteous judgment of the Almighty Lord, His gracious as well as wrath character. This paper is an attempt to pinpoint the stylistic devices and features of retribution in Biblical texts. It aims to identify the stylistic phonological, syntactic, and semantic devices of retribution in Biblical texts and find out the function of each. Furthermore, it aims to explain the overall functions such texts of retribution perform and how the overall function of these texts and the functions of the utilized stylistic devices are coalesced to produce a stylistic interpretation to these texts. It is hypothesized that Biblical texts of retribution utilize specific stylistic phonological, syntactic, and semantic devices. Besides, it is hypothesized that the functions these devices perform fall in line with the overall functions the Biblical texts of retribution have. A model is developed to analyze the Biblical texts of retribution. In addition, statistical findings are used to support the results. The findings of the analysis validate the hypotheses mentioned above.

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Hussein, Abbas Lutfi, and Raad Mohammed Hussein. "Speaking Loudly: Critical Stylistic Analysis of Selected Soliloquies in Hamlet." International Journal of Linguistics, Literature and Translation 4, no. 6 (2021): 183–95. http://dx.doi.org/10.32996/ijllt.2021.4.6.21.

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Critical Stylistics is concerned with the study of ideology in literary and political texts. It draws on certain criteria from the stylistic analysis. Thus, this paper attempts to apply Jeffries’ (2010) model of critical stylistics to soliloquies of Shakespearean Hamlet. It specifically aims at analyzing the two soliloquies made by the character Hamlet using only three textual-conceptual functions of the model: Representing Actions/ Events/ States; Exemplifying and Enumerating; and Hypothesizing. These functions are adopted here because they somehow represent what the character is saying loudly. The data is analyzed qualitatively to show how the tools are used and then quantitatively to show how many times these same tools are used. This paper concludes that Shakespeare’s language is ideologically loaded and there are discrepancies in the frequency and function of these tools. Besides, the frequency of these tools proves how the ideology is enforced through the language of the text.

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Kalenyuk, Svitlana. "THE STYLISTIC FUNCTIONS OF ADDRESSES IN INTERNET COMMUNICATION." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 3(71) (2018): 85–87. http://dx.doi.org/10.25264/2519-2558-2018-3(71)-85-87.

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OHARENKO, Tetiana, and Tetiana LISHTABA. "STYLISTIC FUNCTIONS OF ADDRESSING IN LESYA UKRAINKA’S WORKS." Germanic Philology Journal of Yuriy Fedkovych Chernivtsi National University, no. 823 (May 28, 2020): 184–89. https://doi.org/10.31861/gph2020.823.184-189.

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26

G'ofurova, Sarvaraxon, and Dildoraxon Azimova. "LEXICAL STYLISTIC DEVICES: METONYMY." SYNAPSES: INSIGHTS ACROSS THE DISCIPLINES 1, no. 4 (2024): 216–20. https://doi.org/10.5281/zenodo.14233619.

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This paper explores the lexical stylistic device of metonymy, a figure of speech that involves substituting the name of one thing with the name of something else closely associated with it. By examining the mechanisms and functions of metonymy in language, we aim to highlight its significance in enhancing meaning, creating vivid imagery, and facilitating communication. The study delves into various types of metonymy, including synecdoche and the use of brand names as substitutes for products.

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Safonova, Tatyana. "Functions of Phraseological Units in Detective Prose of B. Akunin." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 3 (November 2019): 130–39. http://dx.doi.org/10.15688/jvolsu2.2019.3.10.

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The author considers the problem of stylistic functions of linguistic units in modern Russian prose works through analyzing phraseological units in the detectives of B. Akunin. The article presents the most frequent types of phraseological units (idioms, set phrases, proverbs, sayings, popular expressions and other types of clichéd utterances) as representation of a personal literary style of this author. The research results point to their stylistic variety with high literary, colloquial, low colloquial, and slang units among them. The major types of phraseological unit conversion are distinguished as a prove of the writer's personal style, including, complete deformation of a component composition of a set phrase, reduction of the lexical length of phraseological units (implication), distribution of any component composition of the unit (explication), combining two or more phraseological units into a single set expression (contamination), replacement of a component in the composition of phraseological units with words of general literary layers (lexical variation), etc. The stylistic functions of all phraseological units under study are interpreted as retro-representation of the language of a certain time period, stylistic imitation of the communicative tone of oral speech, verbal characteristics of the characters who are referred to various social groups, and creation of humorous tone of the story. A comprehensive description of phraseological units used in modern fiction has revealed their artistic and stylistic potential.

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Chernikova, N. V. "Stylistic and syntactic functions of parceling (on the material of B.L. Vasilyev’s novella "The Dawns Here Are Quiet")." Russian language at school 85, no. 2 (2024): 97–107. http://dx.doi.org/10.30515/0131-6141-2024-85-2-97-107.

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The article describes one of expressive syntax techniques, namely parcelled constructions, identified in B.L. Vasilyev’s novella "The Dawns Here Are Quiet". The stylistic and syntactic functions of parcelling are determined and analysed using structural-semantic and functional stylistic analysis. The article concludes that parcelling as a stylistic device is a universal phenomenon of a multifunctional nature. It facilitates the implementation of the author’s various pragmatic ideas. Besides the main stylistic function, i. e. the function of expressively highlighting a certain part of the utterance, parcelled sentences perform several additional functions in a literary text: figurative, characterological, emotional-emphatic, expressive-grammatical. It is revealed that the syntactic functions of parcels in the novella are diverse. In simple sentences, they can be both their main and secondary parts. In composite sentences, they function as the predicative part which is attached to the main utterance using a subordinating, coordinating, or asyndetic connection. The variety of stylistic and syntactic functions of parcelled constructions enabled B. Vasilyev to realistically convey the atmosphere of the pre-war and war periods. He managed to describe the protagonists’ characters and their actions in a true to life way, making the narrative sound natural.

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Mahlberg, Michaela. "Clusters, key clusters and local textual functions in Dickens." Corpora 2, no. 1 (2007): 1–31. http://dx.doi.org/10.3366/cor.2007.2.1.1.

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The paper argues that corpus linguistics can make useful contributions to the descriptive inventory of literary stylistics. The concept of local textual functions is employed as a descriptive tool for the stylistic analysis of a corpus of texts by Charles Dickens. It is suggested that clusters, i.e. repeated sequences of words, can be interpreted as pointers to local textual functions. The focus is on five-word clusters and five functional groups are identified: Labels, Speech clusters, As If clusters, Body Part clusters and Time and Place clusters. The analysis draws on the identification of key clusters comparing the Dickens corpus with a corpus of nineteenth-century fiction, it identifies links to literary criticism and it gives specific attention to the group of Body Part clusters to illustrate the functional variation of clusters.

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Ajenifari Joshua Taiwo and Omolade Bamgboye. "Style as a Deviation: An Analysis of Stylo-Graphic Idiosyncrasies of Legislative Texts." Britain International of Linguistics Arts and Education (BIoLAE) Journal 5, no. 3 (2023): 298–309. http://dx.doi.org/10.33258/biolae.v5i3.1003.

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The paper investigates the stylistic peculiarities that are associated with legislative texts. This is done through the purviews of Halliday’s (1971) grapho-stylistics and Mukarovsky’s (1964) concepts of foregrounding and deviation. Legislative proclamations and treaties are veritable and fertile grounds for textual hermeneutics from both linguistic and legal orientations. This present study, however, presents a new frontier as it focuses on the graphological patterning inherent in a selected treaty-based legislative text namely the International Covenant on Economics, Social and Cultural Rights 1976 (ICESCR). The paper finds that stylistic elements at the graphological level are intentionally employed for their inevitability for meaning processing of the text. The resources such as sectionalisation, paragraphing, italicization, synoptic listing/numbering, spacing and other textual arrangement of the document are occasioned for their intended communicativeness rather than for aesthetic glorification. They all perform deliberate stylistic functions of presenting and framing information that conspicuously call the attention of the readers to the intents of the text owing to their unusualness. The researchers recommend that more scholarly efforts be expended on this interesting genre of textual presentation.

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Fozilov, Odil. "USE OF LOGICAL AND FIGURATIVE PERIPHRASES IN MODERN UZBEK LANGUAGE." Ижтимоий-гуманитар фанларнинг долзарб муаммолари / Актуальные проблемы социально-гуманитарных наук / Actual Problems of Humanities and Social Sciences. 5, no. 2 (2025): 343–46. https://doi.org/10.47390/spr1342v5i2y2025n55.

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This article studies the use of periphrasis as a stylistic device in the genetically incompatible English and Uzbek languages. The article analyzes the use of logical and figurative periphrasis as a stylistic device based on examples from various texts. The stylistic functions of periphrasis in expressing certain types of names are highlighted.

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Hameed Mahmoud, Ayad, and Alyaa Husein Abd Fatah. "A Stylistic Study of Situational Elements in Selected American Creeds." ELS Journal on Interdisciplinary Studies in Humanities 6, no. 1 (2023): 138–47. http://dx.doi.org/10.34050/elsjish.v6i1.24990.

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The study is intended to stylistically analyze a sample of three American military creeds. The study hypothesizes that American military creeds have their own stylistic properties which make them distinct texts, and that the stylistic devices employed in military creeds vary in terms of their frequencies and functions. The study also hypothesizes that military creeds are situationally based, and that the employed stylistic devices have a complementary role. They all contribute together to fulfill the creeds’ aims and convey their intended messages. To achieve the aims of the study, and verify its hypotheses, two types of procedure are followed: theoretical and practical. The theoretical part consists of presenting a theoretical framework of style and stylistics including their historical background, types, approaches, models of analysis, etc. Another theoretical framework is also presented about military discourse and creeds including their historical background, terminology, features, etc. On the other hand, the practical part consists of selecting a sample of three military creeds and analyzing them in the light of Crystal and Davy’s (1969) model which accounts for situational elements. The adopted model consists of five dimensions: individuality, discourse, status, modality, and singularity. The results of analysis show that military creeds have their own distinctive stylistic features. The results also show that the stylistic devices characterizing military creeds have a complementary role in that they all contribute together to achieve the creeds’ aims and convey their intended messages.

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Jalilova, Gulchekhra Makhmudjonovna Djalilov Ma'rufjon. "STYLISTIC EXPRESSIVE MEANS OF IMAGERY IN THE LITERARY TEXT." EURASIAN JOURNAL OF SOCIAL SCIENCES, PHILOSOPHY AND CULTURE 3, no. 4 (2023): 83–87. https://doi.org/10.5281/zenodo.7857708.

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Stylistic expressive means of the language are phonetic, lexical, phraseological and syntactical forms that exist in the language as a system for the purpose of logical and emotional intensification of the utterance [1, 93]. These intensifying forms, wrought by social usage and recognized by their semantic function, have been singled out in textbooks as having special functions in making the utterances emphatic. Stylistic expressive means and stylistic devices introduce connotational (stylistic, non-denotative) meanings into utterances. According to the principles of their formation, stylistic devices are grouped into phonetic, lexico-semantic and syntactic types.

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Bezgodova, Nadiia, and Larysa Kolesnykova. "Stylistic functions of personal pronouns in contemporary poetic texts." Linguistics, no. 2 (50) (2024): 64–73. https://doi.org/10.12958/2227-2631-2024-2-50-64-73.

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The article is devoted to the study of stylistic features of personal pronouns in modern poetic texts. It is noted that the poetic text represents personal pronouns as those that open the way to the depths of the author's feelings and artistic imagery. Personal pronouns are considered to change their grammatical form according to the context. This allows them to have an even greater influence on the semantic content and emotional sphere of poetry, expand the possibilities of language and allow the expression of the most complex feelings and thoughts. The proposed investigation reveals the potential of personal pronouns, which are a morphological element of language and help to convey the deepest feelings, becoming part of the world of the poetic work of the war period. It has been established that the use of personal pronouns can significantly change the tone and emotional intensity of the text, giving it a personal and intimate tone; significantly modifies the evaluative and expressive parameters of speech; is a constituent element of internal dialogue and a construct of rhetorical questions and common appeals.

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Джумамбетова, Дилфуза, and Сахибжамал Искендерова. "Stylistic functions of ornithonyms in karakalpak phraseology and proverbs." Актуальные вопросы лингвистики и преподавания иностранных языков: достижения и инновации 1, no. 1 (2024): 313–16. http://dx.doi.org/10.47689/topical-tiltfl-vol1-iss1-2024-pp313-316.

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Since ancient times, man has tried to understand environment around him. A large number of idiomatic concepts have been created by the people, in which the world view, interests and everyday problems of the humankind are reflected.

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Saydazzamova, Chamangul. "ANAPHORA AS A SYNTACTIC-STYLISTIC TOO." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 5 (2023): 1058–61. https://doi.org/10.5281/zenodo.7980280.

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This article talks about anaphora, one of the syntactic-stylistic tools, its place in the literary text, and its difference from other stylistic tools as a form of repetition. Anaphora's functions and manifestations in poetic text are analyzed on the example of the poet Rauf Parfi's poetry.

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Kholdorova, Shohista. "SEMANTICS AND THEIR ARTISTIC AND AESTHETIC FUNCTIONS IN SIRAJIDDIN SAYYID'S POETRY." Journal of Central Asian Social Studies 02, no. 01 (2021): 53–59. http://dx.doi.org/10.37547/jcass/volume02issue01-a9.

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This article describes in detail the semantic movements used in Sirojiddin Sayyid’s iyrics and their stylistic and linguistic features. Also, the poet’s unique visual skills and the expressin of subtle meanings of language units have been analyzed from a linguopoetic point of view.

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Д., Янчура. "ФУНКЦІЙНЕ НАВАНТАЖЕННЯ ОНІМІВ ТА ПРОБЛЕМА СТАНОВЛЕННЯ МЕТАМОВИ ЛІТЕРАТУРНОЇ ОНОМАСТИКИ". Лінгвістичні дослідження, № 47 (20 березня 2018): 108–12. https://doi.org/10.5281/zenodo.1203890.

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The article consideres the problem of forming the meta-language of literary onomastics. It is shown that today the methodological principles of this naming section are completely unspecified. Meta-language of literary onomastics is based on terms of general onomastics. The term “literary onomastics” is not established, and some linguists use combinations such as poetic onomastics, stylistic onomastics, onomapoetics , literary-artistic onomastics. Special attention is required to study the function of proper names, distinction of the integral system of functions of proper names, realized within an artistic text. In the literary texts the function of proper names (to nominate, to identify) begins to perform another - stylistic, in particular: informational stylistic and emotional stylistic. This may become a fact of speech, if it overflows the text and is used in the speech as a common name. Proper names, the meanings of which coexist with general or individual connotations, are called connotative proper names (Ye. Otin’s term “connotonyms”). A number of functions performed by poetonyms (poetic proper names) is nominative, chronotypical, characterizing, expressive, text-creative and figurative. But the problem of poetonyms classification and their functions in the literary texts is still actual.

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Abed, Maawa S., and Mohammed N. Ahmed. "A Cognitive Stylistics Approach to Translation." Theory and Practice in Language Studies 14, no. 4 (2024): 1112–17. http://dx.doi.org/10.17507/tpls.1404.19.

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The paper aims to consider the translation process by drawing light on the use of language from a cognitive stylistic perspective. It looks at translators' performance as a cognitive process to understand the stylistic devices of texts. The paper clarifies the multiple stylistic devices, their applications, and how they are used to attract the receiver’s attention to a specific element more than others by analyzing twenty-four Arabic translations according to stylistic functions, effects, and cognitive interpretations of twelve texts from the book "A Brief History of Time" by Hawking (1988). It demonstrates that using cognitive stylistic devices enhances cognitive operations and interpretation, and produces a creative and motivated text with more emotional effects.

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Sedova, Polina E. "Communicative and stylistic role of synonyms in the Moksha language." Finno-Ugric World 12, no. 2 (2020): 136–43. http://dx.doi.org/10.15507/2076-2577.012.2020.02.136-143.

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Introduction. The purpose of the work is to consider synonyms as lexical devices, their communicative and stylistic role in the Moksha language. The subject of the research is synonyms and their functions, the object is the Moksha language. Materials and Methods. The material for the study is the synonyms collected from bilingual and multilingual dictionaries and used in the works of Moksha writers. Results and Discussion. Synonyms in the Moksha language play a certain communicative and stylistic role. Structural, semantic and stylistic features of various types of synonyms are clearly shown in their main functions in the text. Stylistic synonyms, due to the interaction of the emotive and significative aspects of meaning, can cause their semantic “thickening”, therefore they can express a greater degree of quality, properties, actions in comparison with the corresponding neutral words, acting as a means of gradation. Conclusion. The use of synonyms in oral and written speech significantly increases the level of speech culture.

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Kobuta, Svitlana. "Pragmatic Functions of the Stylstic Devices in the Author’s Chracteristics of the Supporting Characters in “Death of a Hero” by Richard Aldington." Journal of Vasyl Stefanyk Precarpathian National University 9, no. 2 (2022): 53–61. http://dx.doi.org/10.15330/jpnu.9.2.53-61.

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This article deals with the role and place of stylistic devices in a work of art in the literary pragmatics context. Operating on the level "author - work - reader", literary pragmatics offers an interpretation of the text together in the light of hidden information. The paper focuses on the stylistic analysis of the author’s descriptions of the supporting characters in Richard Aldington's novel “Death of a Hero” and defining the pragmatic functions of the given stylistic devices as source of implicit information. In addition to characterizing his characters through their speech Richard Aldington makes use of direct descriptions. While stylistic figures in the dialogues help to and understand the way of thinking of characters, phonetic and graphic stylistic devices often indicate their social background or emotional state, it’s authors descriptions that make us assess the situation better, pinpointing certain personal features. The most frequently used stylistic devices in the direct descriptions are of a lexical stratum. Not only they enrich the language of a novel, but also allow the author manipulate his readers, “lead them by the hand” in the needed direction and implicitly influence their perception of the characters. It is thanks to the stylistic devices that the author implicitly manages to explain that there has always been an abyss of misunderstanding between the protagonist and his surrounding, regardless of where he was at a certain stage of life. The contrast of the use of tropes in the descriptions of the supporting characters is a tale-telling sign in itself, and that is a particularly important pragmatic function of the stylistic devices usage.

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Chernikova, N. V. "Semantic and stylistic functions of antonyms in A. T. Tvardovsky’s epic poem "Vasily Tyorkin" (to the 115th anniversary of the birth)." Russian language at school 86, no. 3 (2025): 51–60. https://doi.org/10.30515/0131-6141-2025-86-3-51-60.

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The article describes one of the lexical-stylistic categories, i. e., usual and occasional antonymy, identified in A. T. Tvardovsky’s epic poem "Vasily Tyorkin". The stylistic functions of antonym pairs are determined and analysed by structural semantic and functional stylistic methods. The article concludes that different types of antonyms and stylistic devices created on their basis are a polyfunctional phenomenon contributing to the implementation of various pragmatic ideas of the writer. Usual and occasional antonym pairs are employed to indicate the limit of manifestation of actions, a person’s physical and mental state; to highlight the important and the significant; to strengthen the image, the impression made; to express the assessment of opposite actions; to affirm opposite qualities, actions, and so on. The poem has been found to widely use antithesis (and its types), oxymoron, and antiphrasis, i. e., stylistic devices based on semantic and evaluative antonymy. Antithesis is employed to create the key semantic oppositions of the work such as "our own – alien", "Russian – German", "love – war". Oxymoron enhances literary speech expressiveness. Antiphrasis is used to make the literary text sound humorous and ironic. The variety of the stylistic functions of antonyms enabled Tvardovsky to realistically convey the wartime atmosphere, describe the protagonist’s and other characters’ disposition and actions, as well as to add emotionality and expressiveness to the narrative.

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Teslitskа, H. "COMMUNICATIVE-STYLISTIC FUNCTIONS OF SIMPLE SENTENCES WITH SEMIPREDICATIVE ADJECTIVAL COMPONENTS." International Humanitarian University Herald. Philology 2, no. 62 (2023): 8–10. http://dx.doi.org/10.32841/2409-1154.2023.62.2.2.

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Chernikova, N. V. "Stylistic functions of one-member verb sentences in newspaper discourse." Neophilology 11, no. 2 (2025): 232–41. https://doi.org/10.20310/2587-6953-2025-11-2-232-241.

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INTRODUCTION. The relevance of the study is substantiated by the necessity of studying the means of newspaper discourse which is an integral part of the modern media and informational space. The purpose of the study is to identify the types of one-member verb sentences used in the newspaper language, determine the frequency of different types and analyze their stylistic functions in newspaper texts.MATERIALS AND METHODS. The research material is the publications of the newspaper “Arguments and Facts”. The methods used are the method of solid sampling, statistical method, methods of structural-semantic and functional-stylistic analysis of linguistic units, contextual analysis.RESULTS AND DISCUSSION. 455 one-member verb sentences are identified; the frequency of their types is determined. It is found that in newspaper publications impersonal constructions are presented in the greatest number, followed by definite-personal and indefinite-personal, the frequency of which in the newspaper language is approximately the same. The fourth place is occupied by infinitive sentences. The minimum number of generalizedpersonal constructions is represented.CONCLUSION. Definite-personal sentences are active in the newspaper language as a source of brevity, dynamism, expressiveness. Indefinite-personal sentences make newspaper texts lively and light, emphasize the reader's attention to the action without mentioning the subject. Generalized-personal constructions are used to involve the reader in the described events, “generalization” of the author with the audience. Impersonal sentences are primarily characteristic of the interview genre, which conveys the features of oral speech. Infinitive sentences are used to convey the speech of the interlocutor in a dialog and the judgments of the author of the publication; to reproduce an aphoristic statement; to attract the readers' attention to the content of the article as part of the subheading; to attract the attention of potential consumers in advertising texts.

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Berdiyeva, Nasiba. "SPECIAL COLLOQUIAL WORDS AND THEIR FUNCTIONS." SOLUTION OF SOCIAL PROBLEMS IN MANAGEMENT AND ECONOMY 2, no. 7 (2023): 60–64. https://doi.org/10.5281/zenodo.8023245.

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Special colloquial words consist several vocabulary subgroups including: nonce-words, jargon, vulgarisms, dialectism, slang, professionalisms, archaisms. All these word stock known as common colloquial vocabulary which can be traced  mostly in oral speech. Stylistic studies their function and difference between them. All of which have a certain property ,characteristic of the layer on the whole, that is called an aspect.

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Faiz, Rabia, Musarrat Azher, Ijaz Asghar, and Iqra Jabeen. "Stylistic Study of Adjectives in How to Get Filthy Rich in Rising Asia." International Journal of English Linguistics 8, no. 3 (2018): 328. http://dx.doi.org/10.5539/ijel.v8n3p328.

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The present research explores the choice of adjectives as a lexical category in Mohsin Hamid’s novel, How to Get Filthy Rich in Rising Asia by using Leech and Short model (1981). An empirical enquiry is carried out to trace the author’s choice of adjectives and their intended functions by subjecting How to Get Filthy Rich in Rising Asia to stylistic analysis and linguistic scrutiny. The various functions of adjectives are interpreted after the text is subjected to close reading for their contextual occurrence where they are carefully engraved by the author. The resultant functions throw ample light on the life, culture, economic scenario and love and gender relations construed in the text through adjectives. The present paper, however, is limited only to the interpretation of the adjective categories based on the model suggested by Leech & Short (1981). This study is, therefore, instrumental in initiating a voyage to interpret literary language via linguistic tools and evidences contributing amply to the field of stylistics as well as literary criticism.

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Barandeev, A. V. "Functions of Toponyms in V.V. Mayakovsky’s Poetry." Russian language at school 80, no. 4 (2019): 57–61. http://dx.doi.org/10.30515/0131-6141-2019-80-4-57-61.

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The article discusses the peculiarities of the functioning of toponyms in V.V. Mayakovsky’s poetic works. The specificity of toponyms used by the poet is revealed. Specific examples that bear evidence of the wordsmith’ innovations in terms of the stylistic use of toponyms as a means of artistic expression are analysed.

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KRIVOKAPIĆ, Miloš. "FREQUENCY OF THE VERB FORMS IN THE LANGUAGE OF STEFAN MITROV LJUBIŠA." Lingua Montenegrina 5, no. 1 (2010): 61–66. https://doi.org/10.46584/lm.v5i1.134.

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Stefan Mitrov Ljubiša, a talented narrator and stylist, has achieved a complete harmony between motifs, themes and the manner of narration. He has achieved not only a vertical harmony, but also a horizontal one which relates between the sound and the meaning of a word. Various verb forms, their synonyms as well as great possibilities of their combining have significantly enabled creation of this harmony. The language of Stefan Mitrov Ljubiša has a very significant stylistic potential. The various meanings and multi-layered structures of the verb forms are the product of the affective attitude of the narrator which stems from the aspiration of the narrator to use the most expressive verb form (the verb form and its synonym). The subtle shading of the logical and grammatical and stylistic functions of the verb forms creates a very strong expression and rhythmicity.

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Gheorghiu, Oana-Celia. "Pleating Stylistic Functions, Or When Literature and Linguistics Collide (book review)." Cultural Intertexts 11, no. 1 (2021): 235–38. https://doi.org/10.5281/zenodo.5795782.

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Wan, Jing, and Han Ren. "The Features, Classification, and Functions of Event Anaphora in Chinese News Discourse." Advances in Education, Humanities and Social Science Research 9, no. 1 (2024): 81. http://dx.doi.org/10.56028/aehssr.9.1.81.2024.

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In the corpus of modern Chinese news discourse, there exists a phenomenon of referentiality involving verbal elements, referred to as event anaphora. Its connotations exhibit distinct differences from similar concepts such as event nouns, cohesive connections, and deixis. This paper investigates the inherent distinctions of event anaphora from three perspectives: structural types, sentence components, and the frequency of reference. Additionally, incorporating discourse and stylistic considerations, the study offers three explanations for biases observed in statistics: the stylistic inclination of "this," the referential target and objective mechanism of the object, and the information structural impact of the frequency of reference.

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