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Relevant bibliographies by topics / Television and literature

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Academic literature on the topic 'Television and literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Television and literature"

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Loriguillo-López, Antonio. "La comunicabilidad de lo ambiguo: una propuesta narratológica para el análisis de la ficción televisiva compleja." Signa: Revista de la Asociación Española de Semiótica 28 (June 28, 2019): 867. http://dx.doi.org/10.5944/signa.vol28.2019.25097.

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El presente artículo propone una metodología de análisis de la narración ambigua en la ficción televisiva contemporánea, rasgo estilístico al alza entre propuestas comerciales. A través de la adaptación y aplicación de la comunicabilidad enunciada por David Bordwell como estrategia narrativa en su estudio de los modos de narración cinematográficos a una muestra de series dramáticas de origen anglosajón, se ofrece un primer tratamiento del modo narrativo de lo que desde los estudios televisivos se ha identificado como televisión compleja. Finalmente, se apunta a la correspondencia de este modelo con una nueva fase del modelo de narración del audiovisual postclásico.The present article proposes a methodology of analysis of the ambiguous narration in contemporary television fiction, a stylistic feature on the rise among commercial titles. Through the adaptation and application of the communicativeness formulated by David Bordwell as one of the categories of narrative strategies in his examination of the modes of narration in film to a sample of drama series produced in English-speaking regions, we offer a primary approach to the narrative mode of what has come to be known in the field of Television Studies as complex TV. Lastly, we note the correspondence between this model and a new phase of the audiovisual post-classical narration.

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Partello, Peggie. "Film and Television Literature Index." Charleston Advisor 12, no. 1 (July 1, 2010): 17–19. http://dx.doi.org/10.5260/chara.12.1.17.

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Coward, Rosalind. "Literature, Television, and Cultural Values." Yearbook of English Studies 20 (1990): 82. http://dx.doi.org/10.2307/3507522.

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Kiszely, Philip. "Hazell (1978–80) and the disappearing detective: 1970s British television, a genre literature and the end of an era." Journal of Popular Television, The 11, no. 1 (April 12, 2023): 89–107. http://dx.doi.org/10.1386/jptv_00096_1.

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This article considers links between 1970s British television and male-oriented detective fiction. It takes as its focus the eponymous protagonist of Thames Television’s Hazell (1978–80), whose first incarnation, in the ‘P. B. Yuill’ novel Hazell Plays Solomon, dates back to 1974. During the 1970s the investigator figure was to British television what the espionage adventurer had been in the 1960s – all but ubiquitous. Contemporaneous genre literature, often influenced by the US ‘hard-boiled’ tradition, played a pivotal role in establishing such a presence. Yet its relationship with television remains obscure. Why should this be the case? And what might be gained from looking at the changing world of the 1970s through the eyes of an obsolete archetype? In response to these questions, the article retrieves one cultural history (literature) on the back of, and while augmenting, another (television). Hazell, with its distinct ‘meta’ quality and end-of-era proximity, proves useful to this exercise.

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Jones, David Houston, Jean-Philippe Toussaint, and Jordan Stump. "Television." World Literature Today 79, no. 3/4 (2005): 94. http://dx.doi.org/10.2307/40158974.

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STRASBURGER, VICTOR C. "Children, Adolescents, and Television—1989: II. The Role of Pediatricians." Pediatrics 83, no. 3 (March 1, 1989): 446–48. http://dx.doi.org/10.1542/peds.83.3.446.

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The article in this issue of Pediatrics by Gadow and Sprafkin and Singer's rebuttal should alert pediatricians to several important concepts regarding television and its effects on children and adolescents: (1) This is an extremely complex area of research and one with which most pediatricians are unfamiliar. Trying to tease out the effects of television on human behavior can be a methodologic "mission impossible" because television is ubiquitous and human behavior is complex. (2) Most research in this field has been done by experts in social and educational psychology and communication. Therefore, the medical literature is sparse. (3) Pediatricians need to avoid the intellectual trap of minimizing the importance of television's effect on child and adolescent behavior simply because the literature does not contain straightforward, statistically validated research.

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Wulandari, Sursih, Marnis Nasution, and Mustafa Haris Munandar. "Implementasi Metode Case Based Reasoning Untuk Mendeteksi Kerusakan Televisi." JURNAL MEDIA INFORMATIKA BUDIDARMA 5, no. 2 (April 25, 2021): 624. http://dx.doi.org/10.30865/mib.v5i2.2952.

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The process of deteriorating television should indeed be done by an expert who is a television expert himself, but because television is a tool that is no longer common for people to know him, many people also have television in their respective homes. Even for television repairs, it is quite expensive, so some people who have televisions can do television maintenance at home. The lack of knowledge possessed by the community can lead to wrong handling of television maintenance / maintenance and this has a fatal impact. Hopefully the existence of this system can help the community in diagnosing the damage to their televisions. In that case they need not bother to call for repairmen or bring in a television repair shop. Here the authors provide solutions to solve the problems that often arise on television. In this study, it discusses how to care for television officers. The research objective is to analyze a desktop-based expert system program that contains the knowledge of an expert / doctor whose truth is believed to have the ability to be able to diagnose the disease from the symptoms of damage that has been damaged by television damage quickly and precisely. The stages of research carried out in this study include literature study, data collection, system design, system creation, system testing. Case Based Reasoning is a method used to build a knowledge-based system. The source of system knowledge is obtained by collecting the handling of cases by an expert / expert. Therefore, many problems in television damage are usually due to the negligence of the television owner himself. The first step in solving a problem is by first identifying the scope of the problem to be resolved, this also applies to any Artificial Intelligence (AI) programming. The results obtained in the study for the diagnosis of conjunctivitis were the value of old cases and new cases which obtained a high weight value, namely 1 from the third case

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Willaert, Tom. "How Literature Imagined Television, 1880-1950." Orbis Litterarum 72, no. 6 (November 1, 2017): 591–610. http://dx.doi.org/10.1111/oli.12152.

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Alexander, Louise, Jade Sheen, Nicole Rinehart, Margaret Hay, and Lee Boyd. "The role of television in perceptions of dangerousness." Journal of Mental Health Training, Education and Practice 13, no. 3 (May 14, 2018): 187–96. http://dx.doi.org/10.1108/jmhtep-02-2017-0006.

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PurposeThis critical review of historical and contemporary literature explores the role of television media in the prevalence of stigma towards persons experiencing a mental health challenge. In addition to this, the purpose of this paper is to examine the notion of perceived dangerousness, which is a concept where persons with mental illness are thought by others to be inherently dangerous.Design/methodology/approachA vigorous search of databases was undertaken for articles published between 2000 and 2016. Some seminal literature prior to 2000 was used to compare historical data with current literature. In total, 1,037 publications were reviewed against inclusion criteria.FindingsWhile mental illness stigma has received much attention in the literature, television media and public perceptions of dangerousness have not. While these concepts are complex and multi-factorial, what we do understand is that approaches to address stigma have been largely unsuccessful, and that persons experiencing mental health challenges continue to be significantly disadvantaged.Practical implicationsImplications to practice for clinicians working in mental health on this issue have not been adequately explored within the literature. While media guidelines assist journalists to make informed choices when they portray mental health issues in television news, there are no such guidelines to inform drama television viewing.Originality/valueSignificantly, television’s role in perpetuation of perceptions of dangerousness has not been adequately explored as a combined co-occurring factor associated with the stigmatisation and avoidance of persons experiencing a mental health challenge. In an era when mental health challenges are on the rise, it is of great importance that we collectively seek to minimise negative impacts and improve the experiences of those with a mental health challenge through addressing stigma both individually and in television media.

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Rivai, Ardian Bakhtiar. "Politisasi Media di 2014: Aburizal Bakrie dan Segmen Pemilih Pemula." Politik Indonesia: Indonesian Political Science Review 1, no. 1 (January 15, 2016): 30. http://dx.doi.org/10.15294/jpi.v1i1.9078.

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This paper investigates that influence of television for political behavior in Indonesian election on 2014. There is important to identify that televisions in Indonesia is a tool of capital to construct political perception of Indonesian citizens. Public resources information as television in Indonesia has not really objective, in addition there are the domination of media owner interesting for news information which is published. This paper focuses on understanding on young citizen segmentation whose have the high contribution for Indonesian election voters. Literature review and analytical are applied to the media domination model for support argumentation of highly influences of television in Indonesia. Based on explanation in this paper, we can understand that Indonesian election 2014 is not only about competition of candidate, it is clear that media owner competition.

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Dissertations / Theses on the topic "Television and literature"

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Ma, Eric Kit-Wai. "Television ideologies and cultural identities : the case of Hong Kong television." Thesis, Goldsmiths College (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294793.

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Kroener, Oliver. "Engaging television characters : a cognitive approach to contemporary television." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30875/.

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To what degree is the viewer’s engagement with a television character triggered by the distinct narrative context of a programme? As with other types of storytelling (e.g. film, literature), engaging with a television character is an integral part of the overall experience of watching television. More specifically, television characters provide an emotional focal point for the audience. They invite us to imagine ourselves in their situation, challenge our sense of morality, and encourage us to consider how we would react if we were to encounter them in our everyday life. Whereas in the past relating to television characters has been somewhat of a private phenomenon, our relationship with television characters has become increasingly public within the last decade. The ever-growing recap culture around all types of television programmes on websites such as The AV Club, Uproxx, and IndieWire, and the lively discourse around television characters on social media (e.g. Twitter, Instagram, Facebook) underline this increased public interest in television characters. Given the current popular interest in viewer engagement with television characters, it is surprising that only a limited number of scholarly works have previously explored this subject. Furthermore, most existing studies on the viewer/character relationship in contemporary television exhibit little variation in their focus on genre and character type. More specifically, as a result of the impact of The Sopranos (1999 - 2007) and Breaking Bad (2008 – 13) on popular culture, scholarly discourse around television characters has been dominated by studies on the morally corrupt antihero protagonists of contemporary television drama. Aside from a few notable exceptions (e.g. Gorton, 2009; Blanchet and Vaage, 2012; Mittell, 2015), most existing studies on viewer engagement with television characters ignore the way in which narrative characteristics inherent to the television medium influence the viewer/character relationship. The main aim of this thesis is to establish a medium- and programme-specific, text-based theoretical model for the study of viewer engagement with television characters. Various television formats are examined, including wrestling, contemporary drama, animated series, and late-night chat programmes. Also examined are the specific modes of engagement (e.g. antipathy, parasocial engagement, long-term viewer engagement) that shape the viewer-text relationship. The methodological approach is primarily based in cognitive media theory and television studies, however, studies on viewer engagement from a wide range of disciplines (e.g. literary studies, psychology, sociology) are also considered. By examining viewer engagement in this way, this thesis challenges and builds upon existing theoretical approaches, and seeks to provide the reader with a deeper understanding of a relationship that, despite its growing importance in the everyday lives of many television viewers, has thus far only received limited scholarly attention.

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Alves, Stefanie Hesse. "A vida como ela é : Nelson Rodrigues no palimpsesto televisivo." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284598.

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Orientador: Gilberto Alexandre Sobrinho
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-21T07:34:39Z (GMT). No. of bitstreams: 1 Alves_StefanieHesse_M.pdf: 1981641 bytes, checksum: dac84046436f38b8c4b1f63ef6400538 (MD5) Previous issue date: 2012
Resumo: Este estudo busca compreender o processo de adaptação de textos de Nelson Rodrigues para a televisão, por meio da análise dos episódios da série A Vida como ela é, dirigida por Daniel Filho, roteirizada por Euclydes Marinho, a partir de textos extraídos da coluna homônima de Nelson Rodrigues, publicada no jornal Última Hora, na década de 1950 e que foi exibida no programa Fantástico, da Rede Globo de Televisão, no ano de 1996. Interessou-nos investigar, a partir de um olhar direcionado aos aspectos narrativos e discursivos, componentes da linguagem audiovisual, como o meio televisivo foi explorado em suas estratégias e singularidades na tradução da obra rodriguiana. Tratamos, portanto, de discutir a presença de elementos característicos da poética rodriguiana nos textos da coluna jornalística, as características gerais da série dentro do panorama televisivo, considerando seu aspecto formal singular, sua inserção em um programa de variedades, a função ocupada pela série na estratégia da emissora no período em que foi exibida, de que maneira os textos de Nelson Rodrigues receberam da equipe de criação da série uma roupagem de cores, formas, figurinos, maquiagens, enquadramentos, músicas, vozes e efeitos sonoros, e como essa construção é ativada na construção de sentido da obra
Abstract: This study intend to understand the process of adapting Nelson Rodrigues texts to the television media, by analysing the episodes from the serie A vida como ela é, directed by Daniel Filho, scripted by Euclydes Marinho, based on texts taken from the column with the same name written by Nelson Rodrigues, published in the newspaper Última Hora, during the 1950 decade, and broadcasted during the program Fantastico, by Rede Globo de Televisão, in 1996. We were interested in studying, from a view directed to the narrative and discursive aspects, components of audiovisual language, how television media was explored in its strategies and singularities in the translation process of Nelson Rodrigues texts. We intend, therefore, to discuss the presence of elements from Nelson Rodrigues writing in the newspaper column, the general characteristics of the series within the television scenery, considering its singular formal aspect, its insertion into a variety show, the role taken by the series in the strategy of the TV station during its exhibition, how Nelson Rodrigues writing received colors, shapes, costumes, makeup, frameworks, music, voices and sound effects by the creative crew, and how this scenario is activated in the serie's comprehension
Mestrado
Artes Visuais
Mestre em Artes Visuais

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Lecomte, Monia Rolande Marie. "L'Europeanisation de la television Francaise." Thesis, University of Bath, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268193.

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Keirstead, Phillip O. "Changing television news : a comparative historical study of the automation of British and American television newsrooms." Thesis, City University London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307870.

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Mullin, Romano Francis. "Reimagining the Renaissance : afterlives in literature, film and television." Thesis, Queen's University Belfast, 2017. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.728197.

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Kreuz, Jill. "Shakespeare on South African television." Master's thesis, University of Cape Town, 1992. http://hdl.handle.net/11427/21692.

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This study undertakes the analysis of the eight productions of Shakespeare that were produced for television by the South African Broadcasting Corporation (SABC) between 1977 and 1988. The plays that were selected for production are Much Ado About Nothing (1977) Macbeth (1980) Twelfth Night (1981), A Midsummer Night's Dream (1982), Hamlet (1983), and The Merchant of Venice (1987). The SABC has also televised two stage productions by performing arts councils; these are Romeo en Juliet (1982) and The Winter's Tale (1988). The approach I have taken is a cultural materialist one. The television productions are analysed within the context of the SABC as a social, political and cultural institution, whose policies and practices are in turn shaped by the wider national political, economic and social context. The cultural role of the SABC is a dominant one, not least because of its monopoly over South African broadcasting until 1986. Its perception of its role and function is based on the passive "mirror" theory of media communication whereby "reality" is simply reflected within the operations and by the products of radio and television. In contrast, my approach to broadcast media incorporates the view that a broadcasting institution has a mutually active relationship with the community it addresses itself to, that this relationship undergoes change through historical development and that its products engage with their audience as it engages with them; they are as much informed as informing. In exploring the conditions of production of the SABC's television Shakespeares, I have undertaken to interview as many people as possible involved in their production. Analysis of their approach to the production of Shakespearean drama in South Africa combined with (semiotic) analysis of the message of production leads to an interpretation of the ideological reference of these productions. I conclude that the eight television productions of Shakespeare (separately and together) reinforce the traditional idealist attitudes towards Shakespeare instilled by critical orthodoxy. To a large extent, these attitudes are maintained by the educational, theatrical, and popular cultural background which produces the "Shakespeare myth" in South Africa.

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Giaccardi, Chiara. "Advertising on television : a comparative sociosemiological analysis." Thesis, University of Kent, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303325.

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Jacobs, Jason. "Early British television drama : aesthetics, style and technology." Thesis, University of East Anglia, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296562.

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McNair, Brian. "Television news coverage of defence and disarmament issues." Thesis, University of Glasgow, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333600.

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Books on the topic "Television and literature"

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Winckler, Reto, and Víctor Huertas-Martín, eds. Television Series as Literature. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4720-1.

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Worthy, Blythe, and Paul Sheehan, eds. Adapting Television and Literature. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-50832-5.

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Chmielewski, Gary T. Television. Ann Arbor, Mich: Cherry Lake Pub., 2009.

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Riehecky, Janet. Television. Tarrytown, N.Y: Benchmark Books, 1996.

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Lachenbruch, David. Television. Milwaukee: Raintree Publishers, 1985.

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Balcziak, Bill. Television. Vero Beach, FL: Rourke Enterprises, 1989.

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Grabowski, John. Television. Detroit: Lucent Books, 2011.

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Spilsbury, Richard. The television. Chicago: Heinemann Library, 2012.

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Spilsbury, Richard. The television. London: Raintree, 2012.

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Stewart, Mark. Television moments. Pleasantville: Gareth Stevens Pub., 2009.

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Book chapters on the topic "Television and literature"

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Olson, Debbie. "Television." In The Routledge Companion to Children's Literature and Culture, 203–13. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003214953-20.

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Rountree, Stephanie. "Television." In The Routledge Companion to Literature of the U.S. South, 249–53. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003009924-63.

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Geraghty, Christine. "An Afterword: Adapting the Television of Television Studies." In Adapting Television and Literature, 269–78. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-50832-5_14.

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Winckler, Reto, and Víctor Huertas-Martín. "Introduction: Considering Television Series as Literature." In Television Series as Literature, 1–16. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4720-1_1.

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Olive, Sarah. "‘University Politics’: Change and Continuity in Representations of Higher Education Between ITV’s Series Inspector Morse and Colin Dexter’s Morse Novels." In Television Series as Literature, 221–39. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4720-1_13.

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Lombardi, Giancarlo. "The Literary in Television, or Why We Should Teach TV Series in Literature Departments." In Television Series as Literature, 129–45. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4720-1_8.

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Renner, Karen J. "“As Literature” Approaches and the Academic Canonization of Television Studies." In Television Series as Literature, 19–36. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4720-1_2.

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López-Osa, Pedro. "The Poetics of Screenwriting: Approaching the Teleplay from a Literary Perspective." In Television Series as Literature, 57–74. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4720-1_4.

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Beck, Kelly. "Simone de Beauvoir Meets Walter White: Breaking Bad as Authentic Literature." In Television Series as Literature, 91–108. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4720-1_6.

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Tanderup Linkis, Sara. "Literary Remediations of Contemporary Television Series: From The Familiar to Storytel Originals." In Television Series as Literature, 109–27. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4720-1_7.

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Conference papers on the topic "Television and literature"

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Waldnerova, Jana. "TELEVISION � A NEW CHALLENGE IN LITERATURE." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s13.017.

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Li, Xinxin. "Study on Film and Television Literature Criticism." In 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccese-18.2018.94.

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"Dissemination and Breakthrough of Cartoon Culture under Television Media." In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.029.

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Sekhudin, N., S. Hapsari, A. Anam, S. Muharomah, S. Mulyani, and M. Ahmad. "The Culture of Extracting Information through Politeness Strategy on Mata Najwa Television Program." In 2nd Workshop on Language, Literature and Society for Education. EAI, 2019. http://dx.doi.org/10.4108/eai.21-12-2018.2282783.

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"The Value Appeal and Spirit Decoding of the Films and Television Programs in the New Themes." In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.41.

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Nash, Susan. "Mobile Learning Cognitive Architecture and the Study of Literature." In InSITE 2007: Informing Science + IT Education Conference. Informing Science Institute, 2007. http://dx.doi.org/10.28945/3179.

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The growing popularity of mobile devices, coupled with the ever-increasing number of high-quality e-books available for free download is causing a re-examination of core curriculum and instructional philosophies. Perhaps the most - making “great books” programs available and accessible - newly interesting, despite misgivings and political correctness of the last few decades. Distance learning via mobile devices, which incorporate some of the techniques of television and film, has made the classics of literature available and allowed people to have access to classics at a very low cost. At the same time, it has re-animated debates about the nature of study of comparative literature in a globalized world.

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Liu, Xiaoou, and Ying Hou. "Source a Renewal - Adapting the Children's Literature into the Films and Television Plays." In 2018 2nd International Conference on Management, Education and Social Science (ICMESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icmess-18.2018.93.

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Egorova, S. D., A. Lock, and M. G. Nechaev. "COMICS DEVELOPMENT FACTORS IN RUSSIA FOR THE INTERNATIONAL MARKET." In TWEET-FENTS. Новосибирский государственный университет архитектуры, дизайна и искусств им. А.Д. Крячкова, 2020. http://dx.doi.org/10.37909/978-5-89170-266-0-2020-1011.

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The comic combines the features of such art forms as literature and fine art. They have long been present in the media and, as a rule, are now being worked on in large editions. In America, Japan and Europe, the comics industry is no less developed than the cinema and television industry, literature and video games. In Russia, comics as a genre arestill in their infancy.

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Yu, Francis T. S., S. Jutamulia, and T. W. Lin. "White-light signal processing based on liquid crystal television." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1986. http://dx.doi.org/10.1364/oam.1986.tun1.

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Many applications of the liquid crystal television (LCTV) have been reported in literature. By replacing the low-quality polarizers in the LCTV and immersing the LCTV in a liquid gate, a low-cost LCTV can be applied as a spatial light modulator in a real-time optical processor. Applications of the LCTV to white-light signal processing, such as edge enhancement and spatial color encoding, were performed. Real-time pseudocolor encoding based on the birefringent effect of the liquid crystal was also investigated. A pseudocolor encoded image of an x-ray transparency was obtained using the black-and-white LCTV. The white-light noncoherent correlation technique was also studied to overcome the phase variant defect of the LCTV.

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Busu, Cristian, Mihail Busu, Oana Turcu, and Cristian Brancu. "AN ANALYSIS OF THE COMPETITION IN THE TV SECTOR IN ROMANIA." In 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/s04.22.

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Abstract:

This paper explores the landscape of competition in the television media industry in Romania. With the advent of digitalization and technological advancements, the media landscape has undergone significant transformations, leading to increased competition among television broadcasters. This study aims to examine the key players, market dynamics, regulatory framework, and challenges faced by the television media industry in Romania. By analysing existing literature and empirical data, this research provides valuable insights into the competitive nature of the Romanian television market and its implications for the industry's future development. Through a combination of qualitative interviews with industry experts and analysis of secondary data, this research reveals a diverse ecosystem of TV networks vying for audience share and advertisers' attention. Notable domestic players, including Pro TV, Antena 1, and TVR, engage in a competitive struggle for market dominance, while international channels add complexity to the industry's fabric. The regulatory framework, overseen by the National Audiovisual Council (CNA), plays a pivotal role in shaping competitive behavior. The paper delves into how licensing, content regulations, and emerging digital broadcasting standards influence market dynamics. Furthermore, the analysis underscores the evolving content strategies, with networks striving to secure exclusive programming and adapt to viewer preferences amidst the emergence of streaming platforms. As technological advancements redefine viewer engagement and consumption patterns, the Romanian TV sector faces challenges and opportunities in a landscape marked by innovation and transformation.

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Reports on the topic "Television and literature"

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Khan, Mahreen. The Environmental Impacts of War and Conflict. Institute of Development Studies, March 2022. http://dx.doi.org/10.19088/k4d.2022.060.

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In modern warfare, the first widely acknowledged scientific study and documented case of environmental damage during conflict was the (direct and deliberate) use of Agent Orange and other toxic chemicals by US forces, from 1961-1971, during the Vietnam War in a policy known as herbicide. The Vietnam War has been relatively well documented for the sheer horror and magnitude of the devastation to natural habitats and because it was the first war where television and global media brought vivid images and accounts into people’s homes, making the war a matter of political and public conscience This helped stir academic and scientific interest and facilitated evidence collection and documentation of environmental damages. This helpdesk report is a rapid literature review on the main environmental impacts of war and conflict, drawing primarily on academic, and peer reviewed literature and only some policy and practitioner sources, as per the request. Where current situations are discussed, such as the ongoing Ukraine war, a few blogs are referred to. Within the literature focused on the environmental impacts of conflict, common case studies include: the North Atlantic Treaty Organisation (NATO) bombing of Kosovo (1999), and the conflict in the Donbas region of Ukraine (2014). Interestingly there is comparatively less literature on the conflicts in Afghanistan (2001-2021), the Iraq-Iran War (1980-1988), the Gulf Wars (1991 and 2003), the Yemeni civil war (2014 – present) and the ongoing war in Syria (since 2011) despite their relatively greater severity, intensity and duration.

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