Relevant bibliographies by topics / Textile architecture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Textile architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Textile architecture"

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Gonzales Arnao, Walter. "ARQUITECTURA INCA A TRAVES DE SUS TEXTILES PERU– FAUA/UNI." Revista Cientifica TECNIA 24, no. 2 (February 8, 2017): 5. http://dx.doi.org/10.21754/tecnia.v24i2.38.

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Proponemos una mirada a los textiles incas como soporte planímetro de su territorio e inducir a reflexionar sobre las probables aplicaciones de los textiles incas en arquitectura y poner en evidencia a los ojos de los diseñadores, arquitectos e ingenieros, la hipótesis del valor y aplicación de los textiles incas en la representación planimetría de la tridimensionalidad del mundo material como lo concebían. Ensayar ideas sobre los usos del arte de los telares y su influencia en la arquitectura Inca. Utilizar este conocimiento milenario es un instrumento de inspiración de los futuros arquitectos. Palabras clave.- Arte textil inca, Arquitectura, Revalorar tecnología textil originaria, Reflexión estética textil, Aplicación actual como inspiración. ABSTRACTWe propose a look at incas textiles and planimetric support of its territory an Inducing reflection on the possible applications of textiles in architecture incas, and bring out the eyes of designers, architects and engineers with the hypothesis of the value and application of incas textiles in representing three-dimensional surveying of the material world as conceived. Test ideas about the uses of the art of weaving and its influence on Inca architecture. Use this ancient knowledge an instrument of inspiration for future architects. Keywords.- Inca textile art, Architecture, Textile technology reassessment, Aesthetic reflection textile, Current application as inspiration
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Wyller, Maria, Maria Yablonina, Martin Alvarez, and Achim Menges. "Adaptive kinematic textile architecture." Construction Robotics 4, no. 3-4 (November 30, 2020): 227–37. http://dx.doi.org/10.1007/s41693-020-00046-5.

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AbstractThe research presented in this paper explores how textiles can be formed into adaptive, kinematic spaces to be able to respond to its environment and users utilizing on-site, distributed, mobile robotic connectors. The project aimed at creating an adaptive system that consumes little energy while making use of textiles’ advantageous qualities—their lightweight, portability, and manipulability. This was achieved through the development of a bespoke on-material mobile machine able to locomote on suspended sheets of fabrics while shaping them. Together, the connector and the tectonic system compose a lightweight architectural robot controlled with a feedback loop that evaluates real-time environmental sensor data from the space against user-defined targets. This research demonstrates how the combination of mobile robotics and textile architecture opens up new design possibilities for adaptive spaces by proposing a system that is able to generate a significant architectural effect with minimal mechanical actuation.
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Kasapseçkin, Mustafa Adil, and Damla Altuncu. "Innovative Materials in Interior Design: Organic Light Emitting Textiles (Oleds)." Advanced Materials Research 689 (May 2013): 254–59. http://dx.doi.org/10.4028/www.scientific.net/amr.689.254.

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Most of us recognize the textile materials fromthe clothing or home textiles that we have used in daily life. As the usageareas of the textile materials are not limited to these, these materials areused in almost everywhere from the diapers to the nylon fiber, from the healthproducts in the hospitals to the architectural covers. Especially most textilematerials used in interior design are directly related to the areas such asdesign, art, technology and architecture. The textile sector which has directrelations with many developing areas develops in parallel to the today’sadvanced technology. Together with this development, due to the competitiveattitudes of the firms and the developed technology, the importance given tothe usage of the innovative materials in the today’s interior spaces hasincreased. One of the innovative materials developed is organic light emittingtextiles (OLED). Due to the light emitting textiles that will ensure us to lookat the textile materials from a new angle in interior design, it is expectedthat the interior design understanding will change. In this article, theorganic light emitting textiles are examined and it is aimed to discuss theirusage areas, advantages and disadvantages in interior design.
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Boddington, Anne. "Textile Architecture, Sylvie Kruger." TEXTILE 9, no. 2 (July 2011): 272–73. http://dx.doi.org/10.2752/175183511x13055600095941.

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Seile, Arta, and Dana Beļakova. "Nonwovens in the Automobile Interior." Advanced Materials Research 1117 (July 2015): 321–25. http://dx.doi.org/10.4028/www.scientific.net/amr.1117.321.

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Textile applications have a significant role in the automotive architecture. The structure of textiles, used fibres and textile producing technology depends on textile placement in the car. Sound absorption is a very important property of textiles because of the large number of noise sources in a car (engine and driving noise) and from the road. Nonwoven fabrics have the ability to reduce noise; other significant benefits of nonwovens are high productivity, low production costs, opportunity to blend natural fibres into them and possibility to use nonwovens as base component of composites.
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Yahya, Mohamad Faizul, Faris Mohd Zulkifli Nasrun, Suzaini A. Ghani, and Mohd Rozi Ahmad. "Factors Affecting Tensile Performance of 2D & 3D Angle Interlock Woven Fabric Composite: A Review." Advanced Materials Research 1134 (December 2015): 147–53. http://dx.doi.org/10.4028/www.scientific.net/amr.1134.147.

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In recent years, textile composite are widely utilized as structural components in the area of aerospace, civil engineering, protective armour and automotive applications. Textiles structures become increasingly significant for composites application due to strength to weight factor. [1-4]. Various textile materials are extensively used such as fibres, yarns and fabrics. Commonly, textile composite structures are characterized according to the textile preform architecture either it is a conventional 2D laminated structure or 3D textile structural laminated composite [2]. Comparative studies between both types have suggested that 3D textile structure exhibit superior mechanical performance in tensile strength, impact resistance, flexural, delamination resistance, high fracture tolerance [1, 5, 6].
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Cerović, Milutin. "Textile architecture: Exploring the potential of fiber assemblies and their application in architecture." SAJ - Serbian Architectural Journal 4, no. 3 (2012): 280–97. http://dx.doi.org/10.5937/saj1203280c.

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This paper explores the relationship between textile materials and architecture, and how this relationship changes through collaboration between textile engineers and architects. Rather than evanescent matter and structurally insufficient building material, textile may be observed as a large number of fibers organized into coherent and flexible structures which are permeable by air, water or adjustable to human body and its activities. Certain textile properties have always been a matter of interest for architects and have always offered both an intriguing metaphor and an operative device for architecture throughout its history. Today, textile materials in combination with software, robotics and sensorial devices provide for the renewed inters in adaptable form of architecture and the ability of the built environment to react according to contextual changes. This study examines structural characteristics at the material level and explores further into the constructions of fiber assemblies. The aim is to represent textile as a new material which application and implementation in architecture can influence development of new ideas in creating aesthetic and cultural context.
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Karpova, Elena A. "TEXTILE ART AS PART OF CITY'S ARCHITECTURAL SPACE." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 20. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-20.

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The article is devoted to the interaction of textile art with architecture. The prototypes of tent architecture were temporary and mobile structures and ancient tent shelters. Decorative fabrics were used to decorate city streets during festivals and processions. They served as an essential color dominant emotionally affecting the viewers. The textile art of the 20th – early 21st century has seen the emergence of three-dimensional forms named "new tapisserie" and "environment". In the 20th century, architectural tent structures received extensive engineering and technical development, which influenced the form and plasticity in modern textile art, existing in synthesis with the architectural space of the city.
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KHALID QURESHI, AMNA. "UTILIZING SMART TEXTILES IN INTERIOR DESIGN TO REPLACE CONVENTIONAL ARCHITECTURAL FINISHES." TEXTEH Proceedings 2019 (November 5, 2019): 105–9. http://dx.doi.org/10.35530/tt.2019.24.

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Many architects and designers coincide that fabric structures have an imperative role to play in creating an ecofriendly future. In recent years, the use of smart textiles has been particularly popular in the construction practices. These are hailed as environmentally friendly, deliberated as architecturally aesthetic and are usually cost effective. There is a growing demand for hybrid textile materials that combine strength and functionality in a lightweight product at a competitive price. These materials are developed with advanced technical interventions. This paper aims to conceptualize the idea of using smart textiles in the interior architecture to ensure sustainability by replacing the conventional architectural finishes. The use of smart textiles that fetches the possibilities offered by both textile and interior design in the present world has been highlighted with examples. Studies illustrate that the use of smart textile materials have several benefits in the built environment in terms of weight, transparency, adaptability, indoor climate, atmosphere and acoustics. Examples are taken from the superlative case studies from all across the world. The research combines the versatile information and explores the diversity of smart textiles, presenting a framework of future prospects for the utilization of the materials in the modern interior design concepts.
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Rambausek, Lina, Els Bruneel, Isabel Van Driessche, and Lieva Van Langenhove. "Surface Morphology of Polyimide Thin Film Dip-Coated on Polyester Filament for Dielectric Layer in Fibrous Organic Field Effect Transistor." Autex Research Journal 14, no. 3 (September 30, 2014): 152–60. http://dx.doi.org/10.2478/aut-2014-0012.

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Abstract The idea of wearable electronics automatically leads to the concept of integrating electronic functions on textile substrates. Since this substrate type implies certain challenges in comparison with their rigid electronic companions, it is of utmost importance to investigate the application of materials for generating the electronic functions on the textile substrate. Only when interaction of materials and textile substrate is fully understood, the electronic function can be generated on the textile without changing the textile’s properties, being flexible or stretchable. This research deals with the optimization of the dielectric layer in a fibrous organic field effect transistor (OFET). A transistor can act as an electrical switch in a circuit. In this work, the polyimide layer was dip-coated on a copper-coated polyester filament. After thoroughly investigating the process conditions, best results with minimal thickness and roughness at full insulation could be achieved at a dip-coating speed of 50 mm/min. The polyimide solution was optimal at 15w% and the choice for the solvent NMP was made. In this paper, details on the pre-treatment methods, choice of solvent and dip-coating speed and their effect on layer morphology and thickness, electrical properties and roughness are reported. Results show that the use of polyimide as a dielectric layer in the architecture of a fibrous OFET is promising. Further research deals with the application of the semiconductor layer within the mentioned architecture, to finally build an OFET on a filament for application in smart textiles.
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Dissertations / Theses on the topic "Textile architecture"

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Kapur, Jyoti. "Smells: olfactive dimension in designing textile architecture." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12906.

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Designing with non-visual attributes challenges ways of representation. This research explores methods for designing with invisible materiality within the research practice, as well as ways of representation through textiles when designing spaces. Exploring textiles and smells within a space, the research program investigates spatial interactions. This research focuses on designing embodied experiences using tangible materials as expressions of smells. Through the spatial installations and performances Sight of smell, Touch of smell, and Smell, space, and body movement, haptics were explored as one of the methods of interaction with smells through textiles. Through the sense of touch, this research also investigates ways of revealing, activating, and disseminating smells within a space. Smells were purposely added through the methods of dyeing, coating, and printing to the textile materials that did not inherently embody any smells, As a result, tactile surfaces create non-visual expressions of smell. Further ideas of research in this area would explore another perspective of designing with smells in spaces. As an example, by designing textiles being smell absorbers, dividers, and re ectors, could compliment the spatial concepts and deals with the already existing smells in a living environment. In this licentiate thesis thinking through the olfactive dimension to design textiles is not only novel for the textile design eld; but also, its proposal for application in the spatial design is quite unique, and o ers a new dimension for spatial design.
Horizon 2020 MSCA ITN
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Shaikh, Sumayyah. "Tactile Textile." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28129.

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The study is focused on the roles and principles of textiles, textile manipulation and its potential relationship with landscape architecture. Tactility bonds the two worlds of fashion and landscape together. It changes in scale, intimacy and movement. The study explores how textiles perform in relation to the following principles; movement, climate, reaction, light, transformation, scale and communication. The etymology of the word TEXTILE is derived from the Latin 'texre' meaning to weave or to construct. The word text is related to communication and the word 'tek' is related to building or architecture. The study has been conducted via various different media upon a range of different materials. These consist of film and media, light and shadow studies, projections, etching and transferring of textures, pattern cutting, stitching, and the making of paper and textile from plant material, to name a few. The act of textile manipulation and the product of these techniques is then used in the conventional site analysis that a landscape architect would conduct. These techniques being, a pleat, knot, veil, seam, weave, drape, dart and skirt. Each of these are broken down into their structural, functional and landscape roles. For example, a Veil is structurally light and semi opaque. Functionally it is aimed at concealing that which is behind it, yet it is not completely enclosed, thus revealing the object behind. In landscape design, a veil can be translated into a row or cluster of trees that is aimed at concealing objects in the background. Taking this process, a step further, these textile manipulation terms are then translated into verbs. These verbs of weaving, pleating, knotting etc. is then used as tools to analyze the site and its context in context of the act -of textile manipulation itself. From this, the area of study is broken up into pattern pieces. This unlocks a new perspective on how each of these pieces' work -or do not work- together. This then begin to set out a set of opportunities and constraints for the site and its surroundings. Are there potential seams or connections that have not yet been realized? Are there opportunities in the converging topographic darts?. As previously mentioned many of the design principles and ideas we know in architecture have been influenced and have influenced textiles and fashion. This study is focused on the act of textile manipulation and the properties of different materials.
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Dominique, Matilda. "The Architecture of Threads." Thesis, Konstfack, Textil, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4751.

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Most people might not reflect upon textiles as anything more than the soft material in our clothes. As a crafts practitioner, I gain knowledge of woven materials that go beyond that. The knowledge of weaving and materials is developing the ideas that form the concept of this project. From the tacit knowledge, derived from years of practically working with textile materials, an intellectual understanding of materials and the worlds they construct is growing. In this project, I decipher my own ideas of the woven structure in order to invite others to experience the universe within textiles. I look at the weave as a structure, built up by small particles in forms of threads. If seeing the weave from a distance, each repeated pattern can in turn be perceived as the smallest element. By seeing woven materials from more than one perspective, I believe that the understanding of the construction itself can develop. As this understanding grows, so does the ability to judge the quality of the material. In this line of thought, the tools used to reflect upon what materials are, how they are made and what they signify, becomes greater. To visualise the knowledge I have of the textile structures I make, I work with a waffle weave structure, together with a dyeing technique called Ikat. I also draw connections between the woven structure and that of a map – as a tool that humans use to understand their surroundings. The use of perspectives and scale is another tool that is used to widen our perception of the world around us. In order to create an experience of the universe within textiles and to invite others into that world, I draw parallels between the miniature scale of the woven material and larger, architectural structures. The final outcome of this project is a textile installation, consisting of three weavings that together form a larger construction. The construction is open for people to enter and experience. Inside the construction a smaller woven piece is presented as a map over the woven world. This weaving initially contains the same information as the large structure, but on a much smaller scale.

Image no. 16 has been removed due to copyright reasons. A link to the image can be found in the List of References

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Tessmer, Lavender. "Textile precision for customized assemblies." Thesis, Massachusetts Institute of Technology, 2019. https://hdl.handle.net/1721.1/123603.

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Thesis: S.M., Massachusetts Institute of Technology, Department of Architecture, 2019
Cataloged from PDF version of thesis.
Includes bibliographical references (pages [55]-[57]).
With the potential to configure patterns and materials with stitch-level control, textiles are becoming an increasingly desirable method of producing mass customized items. However, current textile machines lack the ability to transfer three-dimensional information between digital models and production with the same level of control and accuracy as other machines. Designers are accustomed to generating three-dimensional objects in a digital model then converting these into instructions for machines such as 3D printers or laser cutters, but current design interfaces and production machines for textiles provide no comparable workflow for producing items that rely on precise control of physical size and fit. Customized assemblies-such as footwear or architectural projects with complex geometries--increasingly integrate textile components with parts produced through a variety of other industrial processes. Furthermore, there is growing interest in the use of three-dimensional data, such as 3D body scanning, to aid in the production of custom-fit products. As mass customization becomes more widespread as an alternative to mass production, general-purpose machines are increasingly capable of generating customized items with high efficiency, relying on design-to-machine workflows to control geometric changes. However, current textile machines are unable to adapt to changing geometric information with the same efficiency. The challenges to dimensional precision in textiles are wide ranging, affected by computational interfaces, production machines, and material technique. Addressing these problems, this thesis demonstrates a design-to-fabrication workflow that enables the transfer of three-dimensional information directly to a device for textile production. The proposed workflow seeks a solution to the material, mechanical, and computational bottlenecks related to spatial accuracy in textile production.
by Lavender Tessmer.
S.M.
S.M. Massachusetts Institute of Technology, Department of Architecture
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Ingvert, Erik. "Wearing Architecture." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-169604.

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Wearing Architecture is my search of the real potential in combining architecture with clothing design. In a world where our mobility is constantly increasing, this spatial investigation looks for ways to carry your personal space with you, on you. The project consists of making and analyzing 13 full-scale prototypes, to test spatiality applied on clothes. The main themes of research have been wearable structures for space and collective clothing.   The project started as a personal challenge. Two fields of great interest, architecture and clothing design, both serving as cover for the human body on different scales and with different properties. What potential lies in the combining of the two fields? Could there be more than superficially talking about clothes as “architectural”? How could one work along that border?   My method of research has been continuously making simple prototypes in full-scale, where I’ve been able to quickly test different approaches to the subject of investigation. The method has been good in immediately trying out ideas, but the process also gave insights to take with me in my future as an architect.
Wearing Architecture är min jakt på potentialen i att kombinera arkitektur med kläddesign. I en värld där vår rörlighet ständigt ökar letar denna undersökning efter sätt att bära med sig sitt personliga rum. Projektet gick ut på att göra och analysera 13 fullskaliga prototyper, för att testa rumsligheter applicera på klädesplagg. De huvudsakliga temana var bärbara strukturer för rumsligheter och kollektivt bärande.   Projektet började som en personlig utmaning. Två områden av stort intresse, arkitektur och kläddesign, båda skydd för den mänskliga kroppen på olika skalor och med olika egenskaper. Vilka möjligheter kan finnas i att kombinera de två fälten? Kan där finnas mer än att ytligt tala om kläder som ”arkitektoniska”? Hur skulle man kunna arbeta längs gränsen?   Skapandes enkla prototyper i skala 1:1 har jag snabbt kunnat testa olika angreppssätt, men arbetssättet har också gett insikter som jag kan ta vidare i mitt arbete som arkitekt.
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Raubenheimer, Hendrieka. "WARP + WEFT : translating textiles into interior architecture - in search for inspiration and continuation of African textile traditions." Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/30222.

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WARP and WEFT is a textile making guild, intricately woven into KNOOP, the proposed Clothing and Consumer Science building for the University of Pretoria. This building is situated in Hatfield next to the railway line, in close proximity to the Gautrain station and Rissik Station. KNOOP was designed in 2008 by Korine Stegmann in fulfilment of her MArch(Prof) at the University of Pretoria. Therefore, the building in which the intervention is proposed is, to date, only an architectural proposal and has not yet been built. The project was initiated due to a fascination with textiles and the relevance of textiles in interior architecture. This fascination with textiles is ascribed to the following: The first intriguing aspect of textiles is the structure and the underlying construction principles of textiles. The second aspect is the unique character of textiles compared to other building materials. Another interesting notion is the current international textile trend and current re-focus on textiles as a construction material after a long period of being neglected. The current hype about textiles is ascribed to the tactile qualities of textiles, which opposes an increasing movement towards virtualism. The raw and organic production process of handmade textiles is desirable and opposes automated production. Similarly to the Arts and Crafts movement, designers are once more interested in handmade products. Fourthly, textiles used in architecture has the intriguing ability to create an architecture which better relates to fashion in terms of fashion’s ability to easily change and adapt; fashion’s fleeting nature. Lastly, handmade textiles of a specific region have the ability to convey the identity of that specific region. This is a crucial ability to resist globalization and monotony in cultural identity. Appropriately, the fascination of this dissertation is with traditional African handmade textiles and its relevance in interior architecture. The contemporary unbuilt building was selected to demonstrate the value of a collaborative approach between an architect and interior architect prior to construction. The analysis of the architectural proposal shows that the interior architect can effectively recognize the strengths and weaknesses of a building from an interior perspective and enhance and improve these aspects. The aim is also to show that two programmes can function collaborative in one building and that intervention is possible within a building with a fixed programme. The site was selected due to the location and framework it falls within. The location of the site allows for exposure due to the pedestrian demand on the site. Also, the site is advantageously located within close proximity to main transportation nodes. The site falls within the extended Arcadia Arts and Cultural Corridor. The vision for this corridor is a lively and multicultural precinct which hosts a variety of arts and cultural facilities. The vision for these facilities is to portray the zest of local culture, especially to those disembarking the Gautrain. The textile making guild, WARP + WEFT is an important project within this precinct, due to the core concept of the guild to celebrate African textiles. The aim of the guild is to produce contemporary woven textiles which portray the identity of traditional African woven textiles. The vision for WARP + WEFT within the precinct is to exhibit textiles, expose the textile making processes and to create a unique African textile experience for both the public and the users of the guild. The interior intervention will celebrate African textiles by demonstrating how textiles are used to solve and embrace aspects identified through the analysis of the architectural proposal. These aspects include acoustic absorption, solar screening, adding softness, texture and colour to an environment predominantly defined by cold, hard, smooth and monotone surfaces, as well as providing versatile branding elements. The use of textiles in the interior intervention introduces the unique design question of how to design with textiles for a textile related programme, opposed to textiles being used for another programme, such as a theatre or a hotel. It is a matter of “textiles for textiles” instead of “textiles for music” or “textiles for sleeping”. The solution to this unique design problem is to differentiate between spaces which celebrate textiles by acting as a background or blank canvas for the exhibition and production of textiles and spaces which celebrate textiles by becoming textile-like. To create these spatial variations, the exclusive use of textiles is not sufficient. Textiles need to be translated into interior architecture which will be achieved through the following five methods: Translation through metaphor, translation through structure, interpretation of actual textiles, engagement through text and the translation of the unique qualities of textiles. Thus, the aim of the investigation is to celebrate textiles through the application of textiles and through the translation of textiles in interior architecture.
Dissertation MInt(Prof)--University of Pretoria, 2012
Architecture
MInt(Prof)
Unrestricted
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Wong, Chee Chiew. "Modelling the effects of textile preform architecture on permeability." Thesis, University of Nottingham, 2006. http://eprints.nottingham.ac.uk/10294/.

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Liquid Composite Moulding (LCM) processes are identified as one of the most potentially advantageous manufacturing routes. The challenge currently is to increase their reliability and expand their applicability. To that end, it was perceived that there was a lack of an advanced integrated simulation tool for the manufacture of three-dimensional, multi-layer textile composites. The tools for the analyses of fabric forming and subsequent flow during LCM processes were simple and immature, with the latter suitable to describe flow in thin structures only. Another noted deficiency was that the simulations provided a single answer to any given problem. Industrial experience has shown that during mould filling, due to the nature of statistical variation in the material properties, the filling patterns and arising cycle times are rarely the same between a given set of identical mouldings. This thesis focuses on permeability prediction of textile reinforcements for LCM processes. The issue of textile variability was also explored through the use of the permeability models' predictive capability. Two novel and efficient numerical approaches were developed to predict textile permeability based on the fabric architecture. The objective was to reduce the complexity of the flow domain and hence provide a faster method to fully characterise the permeability of a textile. Within a wider context, these models were implemented within an integrated modelling framework encompassing draping, compaction and impregnation, based on the TexGen textile schema. TexGen is a generic geometric textile modeller that can be used to create a wide range of textile models. Several validation studies were performed using a range of reinforcements including woven and non-crimp fabrics. A stochastic analysis technique was developed to account for the effect of material variability on permeability. The study based on this technique provided important insights into permeability variations. It was shown that the permeability distribution is a strong function of the textile architecture. The permeability models developed from this work can be used to account for the effects of fabric shear/compaction and statistical variations on permeability. These predicted permeability data can complement experimental data in order to enhance flow simulations at the component scale.
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Souter, Benjamin John. "Effects of fibre architecture on formability of textile preforms." Thesis, University of Nottingham, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275070.

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Kortenhoeven, Nicola. "Expressive space textile art centre /." Diss., Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-05182005-112346.

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DeRose, Haley Nicole. "Coconut Coir as a Vertical Textile in Soilless Growth Systems." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619537140131192.

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Books on the topic "Textile architecture"

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1867-1959, Wright Frank Lloyd, ed. Californian textile block. London: PRC, 2002.

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Agkathidis, Asterios, and Gabi Schillig. Performative geometries: Transforming textile techniques. Amsterdam, The Netherlands: BIS Publishers, 2010.

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Jean, Fricker, and Royal Commission on Historical Monuments (England), eds. East Cheshire textile mills. London: Royal Commission on the Historical Monuments of England, 1993.

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Giles, Colum. Yorkshire textile mills: The buildings of the Yorkshire textile industry, 1770-1930. London: HMSO, 1992.

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Picton, John. African textiles. London: Published for the Trustees of the British Museum by British Museum Publications, 1989.

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Picton, John. African textiles. New York: Harper & Row, 1989.

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Harather, Karin. Haus-Kleider: Zum Phänomen der Bekleidung in der Architektur. Wien: Böhlau Verlag, 1995.

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Valcovich, Edino. Architetture industriali: Del settore tessile in Friuli fra Ottocento e Novecento : un patrimonio non conosciuto. Tricesimo (UD): Aviani, 1994.

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Roode, Ingeborg de. Amsterdamse school: Textiel 1915-1930. Bussum: Thoth, 1999.

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Charles Rennie Mackintosh: Textile designs. San Francisco: Pomegranate Artbooks, 1993.

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Book chapters on the topic "Textile architecture"

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Troeller, Jordan. "Anni Albers’s “Pliable Plane”: Writing on Architecture and the Nomadic Textile." In Textile Moderne, 217–28. Köln: Böhlau Verlag, 2019. http://dx.doi.org/10.7788/9783412518066.217.

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Oliveira, Ana. "Smart Textile for Architecture: Living with Technology." In Advances in Intelligent Systems and Computing, 583–88. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44267-5_88.

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Zhong, Dandan, Subin Xu, and Tielin Zhu. "Industrial Heritage Conservation and Reuse of Traditional Textile Industry Facilities in Shanghai, Qingdao and Tianjin." In East Asian Architecture in Globalization, 297–306. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75937-7_23.

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Ko, Frank K., and Lynn Y. Wan. "Textile Structural Composites: From 3-D to 1-D Fiber Architecture." In The Structural Integrity of Carbon Fiber Composites, 795–847. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46120-5_27.

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Zhou, Bo, Jingyuan Cheng, Mathias Sundholm, and Paul Lukowicz. "From Smart Clothing to Smart Table Cloth: Design and Implementation of a Large Scale, Textile Pressure Matrix Sensor." In Architecture of Computing Systems – ARCS 2014, 159–70. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-04891-8_14.

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Zanelli, Alessandra, Carol Monticelli, and Salvatore Viscuso. "Closing the Loops in Textile Architecture: Innovative Strategies and Limits of Introducing Biopolymers in Membrane Structures." In Research for Development, 263–76. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-33256-3_25.

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Bilisik, Kadir, Nesrin Sahbaz Karaduman, and Nedim Erman Bilisik. "Fiber Architectures for Composite Applications." In Textile Science and Clothing Technology, 75–134. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0234-2_3.

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Sokoly, Jochen. "Textiles and Identity." In A Companion to Islamic Art and Architecture, 275–99. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119069218.ch11.

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Boisse, Philippe. "Textile Reinforcements: Architectures, Mechanical Behavior, and Forming." In Ceramic Matrix Composites, 65–84. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118832998.ch4.

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Carvalho, Cristina, Marlene Couceiro, Gianni Montagna, Carla Morais, and Rui Mendonça. "Textiles in Architecture: Floors and Wall Coverings." In Advances in Industrial Design, 632–37. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80829-7_78.

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Conference papers on the topic "Textile architecture"

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Stark, J., and M. Cudhea. "The human side of the triangle: using green textile standards to address social responsibility." In ECO-ARCHITECTURE 2010. Southampton, UK: WIT Press, 2010. http://dx.doi.org/10.2495/arc100451.

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Hülsmeier, Frank. "vakutex - Vacuum-Insulated Textile Concrete Facade Elements." In Annual International Conference on Architecture and Civil Engineering (ACE 2014). Global Science and Technology Forum, 2014. http://dx.doi.org/10.5176/2301-394x_ace14.96.

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Longoni, Margherita, and Silvia Bruni. "Dry-state SERS for the “in-situ” identification of natural textile dyes." In Optics for Arts, Architecture, and Archaeology (O3A) VIII, edited by Roger Groves and Haida Liang. SPIE, 2021. http://dx.doi.org/10.1117/12.2593922.

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Abel, Julianna, Jonathan Luntz, and Diann Brei. "Two-Dimensional Analytical Model and Experimental Validation of Garter Stitch Knitted Shape Memory Alloy Actuator Architecture." In ASME 2009 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. ASMEDC, 2009. http://dx.doi.org/10.1115/smasis2009-1426.

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Active knits are a unique architectural approach to meet the industrial need for high strain and simultaneous force generation. This paper presents an analytical state-based model to predict the actuation response of a Shape Memory Alloy (SMA) garter knit textile. Garter knits generate significant contraction against moderate to large loads when heated due to the continuous interlocked network of loops of SMA wire. For this knit architecture, the states of operation are defined based on the thermal and mechanical loading of the textile, the resulting phase change of the SMA, and the load path followed to that state. Transitions between these operational states induce either stick or slip frictional forces depending upon the state and path, which affect the actuation response. A load-extension model of the textile is derived for each operational state using Elastica Theory and Euler-Bernoulli beam bending for the large deformations within a loop of wire based on the stress strain behavior of the SMA material. This provides kinematic and kinetic relations which scale to form analytical transcendental expressions for the net actuation motion against an external load. The model was validated experimentally for an SMA garter knit textile over a range of applied forces with good correlation for both the load-extension behavior in each state as well as the net motion produced during the actuation cycle. Throughout the experiments, large strains (up to 250% recoverable, over 50% actuation strain) against moderate forces (order of tens of Newtons) were achieved which demonstrates promise for a wide range of applications.
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"Impact of Textile Dying Wastewater Irrigation on Yield, Growth and Food Value of Tomato." In International Conference on Green Buildings, Civil and Architecture Engineering. Universal Researchers, 2015. http://dx.doi.org/10.17758/ur.u1215308.

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Kevseroğlu, Özlem, Ayşegül Kıdık, and Burak Asiliskender. "Continuity of Industrial Landscape: From Sümerbank Kayseri Textile Factory to AGU Sumer Campus." In 3rd International Conference of Contemporary Affairs in Architecture and Urbanism. Alanya Hamdullah Emin Paşa Üniversitesi, 2020. http://dx.doi.org/10.38027/n232020iccaua316292.

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"Investigating the Possibilities of Reusing Textile Wash Water Directly for Pretreatment (Scouring and Bleaching) of Knit Cotton Goods." In International Conference on Green Buildings, Civil and Architecture Engineering. Universal Researchers, 2015. http://dx.doi.org/10.17758/ur.u1215305.

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D'Mello, Royan J., Marianna Maiaru, and Anthony M. Waas. "Influence of Textile architecture on Cure induced Stresses and post-cure Stiffness and Strength." In 19th AIAA Non-Deterministic Approaches Conference. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2017. http://dx.doi.org/10.2514/6.2017-0819.

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Holschuh, Bradley, Edward Obropta, Leah Buechley, and Dava Newman. "Materials and Textile Architecture Analyses for Mechanical Counter-Pressure Space Suits using Active Materials." In AIAA SPACE 2012 Conference & Exposition. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2012. http://dx.doi.org/10.2514/6.2012-5206.

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Binetruy, Christophe, Sébastien Comas-Cardona, and Fan Zhang. "Identification and Modeling of Variability in Fabrics Used as Reinforcement in Polymer Composites: Influence on Transport and Mechanical Properties." In ASME 2012 11th Biennial Conference on Engineering Systems Design and Analysis. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/esda2012-82581.

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Variability in fiber architecture and content introduces randomness in transport and mechanical properties of textile reinforcements and composites. Assessment of robustness of both manufacturing processes and composite parts require to link fabric variability to dominant properties. Irregular injection flow patterns or defects in the final products often occur due to the high variability in the fibrous media. Therefore, manufacturing robustness and part reliability have to be studied to avoid trial and error procedures. This study focuses on spatial variability in the fiber volume fraction and architecture and their influence on permeability of fiber reinforcements and mechanical performance of textile composite, relating these important properties to variation in reinforcement architecture. Methods to capture experimentally and model numerically the fabric randomness are presented and illustrated on typical non-woven fabrics. An efficient numerical approach is presented for the simulation of mold filling process with random fibrous permeability as input. Numerical examples for different injection schemes are presented to demonstrate the ability of the current approach in predicting the variability in mold filling results.
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