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Books on the topic 'Vocalic system'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

The structure of singing: System and artin vocal technique. Schirmer Books, 1986.

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2

Richard, Miller. The structure of singing: System and art in vocal technique. Schirmer Books, 1996.

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3

Miller, Richard. The structure of singing: System and art in vocal technique. Schirmer Books, 1986.

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4

Toler, Yvonne DeBandi. Singing is easy: Basic foundation series : a revolutionary vocal coaching system and online training program. Loti Pub. Co., 2001.

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5

(England), Northern Regional Library System. Vocal scores in the Northern Region: A union catalogue of sets of vocal music available for loan in the libraries of the Northern Regional Library System. Northern Regional Library System, 1989.

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6

System, Northern Regional Library. Vocal scores in the Northern Region: A union catalogue of sets of vocal music available for loan in the libraries of the Northern Regional Library System (Information North). 3rd ed. Northern Regional Library System (Information North), 1997.

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7

White, Robert Arthur. A measure of the effects of a movable number system upon the perception and vocal performance of non-tonal music. University Microfilms International, 1985.

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8

International Conference on Vocal Fold Physiology (4th 1985 New Haven, Conn.). Laryngeal function in phonation and respiration. College-Hill Press, 1987.

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9

International Conference on Vocal Fold Physiology (4th 1985 New Haven, Conn.). Laryngeal function in phonation and respiration. Singular Pub. Group, Inc., 1991.

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10

Cavicchio, Federica, and Emanuela Magno Caldognetto, eds. Aspetti emotivi e relazionali nell'e-learning. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-833-8.

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This book investigates the role of emotions and multimodal communication in face-to-face teaching and in e-learning, and assesses the incidence of these not merely verbal components on the cognitive processes of the student. It also presents certain types of man-machine interface that utilise natural language in written, vocal and multimodal form; the latter implement a new metaphor of interaction with the computer that is more human-oriented. This is, therefore, a new and interdisciplinary theme of research that highlights the technical and theoretical complexity that e-learning specialists a

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11

Partington, Gitika. A study of the musical pathways of members of the Natural Voice Practitioners Network who use music from oral traditions and body work as their primary learning strategies.: How has the conventional musical education system helped or hindered their musical/vocal development and affected their work with others?. University of Surrey Roehampton, 2001.

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12

Blayer, Irene Maria Ferreira. Aspects of the vocalic system in the speech of the Azores Islands. 1992.

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13

Ringe, Don. Proto-Germanic. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198792581.003.0004.

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This chapter is a grammatical sketch of Proto-Germanic, parallel to the sketch of Proto-Indo-European in Chapter 2. The section on phonology discusses the Verner’s Law alternation; automatic vocalic alternations; and the ablaut system at length. The section on inflectional morphology discusses the classes of strong, weak, preterite-present, and anomalous verbs, as well as the various classes of nominals. Short sections on derivational morphology, syntax, and the lexicon are included; the last concentrates on loanwords in Proto-Germanic.

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14

Embarki, Mohamed. Phonetics. Edited by Jonathan Owens. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199764136.013.0002.

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Phonetics is a linguistic field that studies speech in terms of production, transmission, and reception. The three domains of speech study the speaker (production), the hearer (reception), and what takes place between the two (transmission). To this purpose, phoneticians use methods derived from the science of physiology for production, from physics for transmission, and from psychology for reception. In this article, the first section deals with the principal phonetic descriptions of the Arab system produced by the early Arab grammarians of the classical period (2nd/8th––5th/11th). The second

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15

Hatfield, Anthea. The respiratory system. Oxford University Press, 2014. http://dx.doi.org/10.1093/med/9780199666041.003.0016.

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This chapter discusses hypoxia and respiratory obstruction and the management of hypoventilation. Stridor and laryngospasm, laryngeal and vocal cord damage are described and ways of preventing these from occurring and treating them if they do occur are discussed. Aspiration and its complications and treatment are fully covered.

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16

Bucy, Erik P., and Patrick Stewart. The Personalization of Campaigns: Nonverbal Cues in Presidential Debates. Oxford University Press, 2018. http://dx.doi.org/10.1093/acrefore/9780190228637.013.52.

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Nonverbal cues are important elements of persuasive communication whose influence in political debates are receiving renewed attention. Recent advances in political debate research have been driven by biologically grounded explanations of behavior that draw on evolutionary theory and view televised debates as contests for social dominance. The application of biobehavioral coding to televised presidential debates opens new vistas for investigating this time-honored campaign tradition by introducing a systematic and readily replicated analytical framework for documenting the unspoken signals tha

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17

Analiza și sinteza semnalului vocal. Editura Academiei Republicii Socialiste România, 1986.

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18

The Vocal Advantage. Prentice Hall, 1996.

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19

The Vocal Advantage. Prentice Hall Trade, 1996.

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20

Jacobi, Jeffrey. The Vocal Advantage. Prentice Hall, 1996.

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21

Joseph, Arthur Samuel. Voice of a Leader: Vocal Awareness to Empower Your Communication in Business and in Life (The Vocal Awareness System). Sounds True, 2007.

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22

(Editor), Thomas Baer, Clarence T. Sasaki (Editor), and Katherine S. Harris (Editor), eds. Laryngeal Function in Phonation and Respiration (Vocal Hold Physiology Series). Lippincott Williams & Wilkins,US, 1987.

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23

1945-, Baer Thomas, Harris Katherine S, Sasaki Clarence T, and International Conference on Vocal Fold Physiology. (4th : 1985 : Yale University), eds. Vocal fold physiology: Laryngeal function in phonation and respiration. College-Hill Press, 1987.

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24

Baer, Thomas, and Clarence T., M.D. Sasaki. Laryngeal Function in Phonation and Respiration (Vocal Fold Physiology Series , Vol 5). Singular Publishing Group, 1991.

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25

The Opera Singers Career Guide Understanding The European Fach System. Scarecrow Press, 2010.

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26

Lawrence, Edwin Gordon. The Power Of Speech And How To Acquire It: A Comprehensive System Of Vocal Expression. Kessinger Publishing, LLC, 2007.

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27

Lawrence, Edwin Gordon. The Power Of Speech And How To Acquire It: A Comprehensive System Of Vocal Expression. Kessinger Publishing, LLC, 2007.

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28

Groves, Edward. Pasilogia: An Essay Towards The Formation Of A System Of Universal Language, Both Written And Vocal. Kessinger Publishing, LLC, 2007.

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29

Groves, Edward. Pasilogia: An Essay Towards The Formation Of A System Of Universal Language, Both Written And Vocal. Kessinger Publishing, LLC, 2007.

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30

Davis, John Lawton. An analysis of serial technique in Webern's Cantata number two and Stravinsky's Canticum sacrum with implications for performance. 1994.

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31

Hood, Alan. Vocal Scores in the Northern Region: A Union Catalogue of Sets of Vocal Music Available for Loan in the Libraries of the Northern Regional Library System. Information North, 1989.

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32

Yumoto, Eiji. Pathophysiology and Surgical Treatment of Unilateral Vocal Fold Paralysis: Denervation and Reinnervation. Eiji Yumoto, 2015.

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33

Sweet, Bridget. Thinking Outside the Voice Box. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190916374.001.0001.

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Thinking Outside the Voice Box: Adolescent Voice Change in Music Education is different from other books on voice change in that it encourages new and holistic ways of thinking about the female and male adolescent changing voice. It gives choral music educators (or anyone interested in the changing voice) the opportunity to step away from typical considerations of voice change and explore the experience within the bigger picture of adolescence. Female and male adolescent voice change are addressed at length, but special efforts have been made to bring new attention to female voice change to bo

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34

Burri, Susanne. What Is the Moral Problem with Killer Robots? Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190495657.003.0009.

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An autonomous weapon system (AWS) is a weapons system that, “once activated, can select and engage targets without further intervention by a human operator” (US Department of Defense directive 3000.09, November 21, 2012). Militaries around the world are investing substantial amounts of money and effort into the development of AWS. But the technology has its vocal opponents, too. This chapter argues against the idea that a targeting decision made by an AWS is always morally flawed simply because it is a targeting decision made by an AWS. It scrutinizes four arguments in favor of this idea and a

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35

Ganthony, Robert. Practical Ventriloquism- Being a Thoroughly Reliable Guide to the Art of Voice Throwing and Vocal Mimicry by an Entirely Novel System of Graded Exercises. Hesperides Press, 2006.

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36

I'Anson, Mileece. Form, Chaos, and the Nuance of Beauty. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.33.

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In general, musical forms iterate from axioms of pitches and intervals organized by a set of principles, yet when describing music as ‘desirable’ or ‘effective’, we are pointing not to its form, but to our experience of it. In successful music, the composer moves the listener through a series of emotive states in some sense predetermined by the composer, but that are not reducible to the patterns and principles. The argument in this chapter concerns what makes some music capable of eliciting ‘exaltation’ rather than a routine response. Designing chaos into the musical patterns themselves is pr

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37

Worrall, David. Freedom of Speech. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.15.

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This chapter argues that systems of government suppression and surveillance of written and vocal expression were present in Britain before, as well as after, the French Revolution and war with France. The chapter rebalances dominant accounts in Romantic studies of a small coterie of radical writers and poets by examining how suppression was embedded at a provincial and regional level, where enforcement agencies and legal authorities enjoyed a large degree of autonomy. Surveillance sometimes involved the use of directed informants (spies), typically persons holding local minor public offices. T

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38

Cooley, Timothy J., ed. Cultural Sustainabilities. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042362.001.0001.

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This collection of essays is driven by the proposition that environmental and cultural sustainability are inextricably linked. The authors are unified by the influence of the pioneering work of Jeff Todd Titon in developing broadly ecological approaches to folklore, ethnomusicology, and sustainability. These approaches lead to advocacy and activism. Building on and responding to Titon's work, the authors call for profoundly integrated efforts to better understand sustainability as a challenge that encompasses all living beings and ecological systems, including human cultural systems. While man

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39

Eidsheim, Nina Sun, and Katherine Meizel, eds. The Oxford Handbook of Voice Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780199982295.001.0001.

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More than two hundred years after the first speaking machine, we are accustomed to voices talking from seemingly anywhere and everywhere, including house alarm systems, cars, telephones, and digital assistants, or “smart speakers” such as Alexa and Google Home. However, vocal events still have the capacity to raise age-old questions regarding the human, the animal, the machine, and the spiritual—or in nonmetaphysical terms, questions about identity and authenticity. Individuals and groups perform, refuse, and play identity through vocal acts and by listening to and for voice. In this volume, l

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40

Takyi, Baffour K. Secular Government in Sub-Saharan Africa. Edited by Phil Zuckerman and John R. Shook. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988457.013.13.

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This chapter looks at religion in Sub-Saharan Africa (SSA) in the context over a contested “secularization” debate in contemporary societies. The chapter contends that a genuine transformation is underway in many parts of SSA following its independence from European colonial rule. However, these postcolonial advances are yet to significantly affect the belief systems of many Africans. On the contrary, in many SSA countries, there is evidence of an increasing growth in religiosity with its concomitant influence in both the private and public sphere. Also, while it cannot be denied that secular

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41

Fletcher, Nicholas. Tremor, ataxia, and cerebellar disorders. Oxford University Press, 2011. http://dx.doi.org/10.1093/med/9780198569381.003.0898.

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Tremors are characterized by rhythmic oscillations of one or more body parts. Although typically seen in the upper limbs, almost any area may be involved, including the trunk, head, facial muscles, and legs. Sometimes, tremor is not visible at all but may be heard or palpated, for example, in vocal or orthostatic tremor, respectively. In neurological practice, the diagnosis and treatment of tremor is an everyday problem. A common scenario is the distinction between essential tremor and Parkinson’s disease. In this chapter, the wide range of tremors are discussed, with their aetiolology, pathop

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42

Vihman, Marilyn May. Phonological Templates in Development. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198793564.001.0001.

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Based on cross-linguistic data from several children each learning one of eight languages and grounded in the theoretical frameworks of usage-based phonology, exemplar theory, and Dynamic Systems Theory, this book explores the patterns or phonological templates children develop once they are producing 20–50 words or more. The children are found to begin with ‘selected’ words, which match some of the vocal forms they have practised in babbling; this is followed by the production of more challenging adult word forms, adapted—differently by different children and with some shaping by the particul

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