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Dissertations / Theses on the topic 'William Faulkner'

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Published: 4 June 2021
Last updated: 25 July 2025

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1

Deramchia, Y. "William Faulkner and existentialism." Thesis, University of Essex, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.374716.

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2

St, Thomas Michael Joseph. ""Words are no good" the curse of signification and the curse of Faulkner's South /." CONNECT TO THIS TITLE ONLINE, 2008. http://etd.lib.umt.edu/theses/available/etd-05162008-132514/.

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3

North, Richard. "An examination of William Faulkner's use of biblical symbolism in three early novels: The sound and the fury, As I lay dying, and Light in August /." Lynchburg, Va. : Liberty University, 2009. http://digitalcommons.liberty.edu.

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4

Navière, Marie-José. "William Faulkner scénariste, 1932-1945." Paris 4, 1991. http://www.theses.fr/1990PA040140.

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Entre 1932 et 1945 William Faulkner a travaillé comme scénariste à Hollywood, successivement à la MGM, aux studios Universal et 20th Century-Fox, et à la Warner bros. A sa totale liberté d'écrivain succédait un strict encadrement. Cependant la dépendance qui liait ses conceptions à de précis cahiers des charges n'a pas empêché l'écrivain de s'inspirer de ses œuvres. Cinq scenarios sont longuement détaillés et étudiés. Turn about, War birds, Country lawyer apparaissent issus des créations romanesques de Faulkner et appartiennent au cycle du Yoknapatawpha county. The de Gaulle story et Battle cr
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5

Sheehy, John Hugh. ""The two of them together were God" : men, women and dialogue in Faulkner /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9443.

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6

Fahey, Michelle Turek. "The force of community : an exploration of William Faulkner's use of minor characters in As I lay dying and Light in August /." View abstract, 1999. http://library.ctstateu.edu/ccsu%5Ftheses/1524.html.

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Thesis (M.A.)--Central Connecticut State University, 1999.<br>Thesis advisor: Dr. Robert Dunne. " ... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 58-60).
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7

Geoffroy, Alain. "William faulkner, le temps de l'enfance." Paris 4, 1988. http://www.theses.fr/1988PA040116.

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Cette etude vise a mettre en lumiere les traits psychologiques sousjacents du texte faulknerien a l'aide de la psychanalyse. Ceux-ci sont selectionnes pour faire apparaitre l'importance des resurgences de l'enfance et de son cortege de complexes irresolus au coeur meme de l'intrigue, ainsi que ses responsabilites dans la construction de quelques uns des principaux romans de william faulkner. Ainsi sont successivement etudies : the sound and the fury, as i lay dying, light in august, absalom, absalom!, the wild palms, requiem for a nun et the reivers. La these s'ouvre sur une mise au point meth
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8

Chabrier, Gwendolyne. "William faulkner et la famille sudiste." Paris 4, 1988. http://www.theses.fr/1987PA040381.

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L'etude "william faulkner et la famille sudiste" propose de faire un examen de la famille faulknerienne au travers de l'oeuvre de son auteur. Elle met l'accent a la fois sur le degre considerable d'identification auto-biographique ainsi que sur une analyse de la conformite que la famille faulknerienne pourrait avoir avec la famille sudiste dans sa realite socio-historique. Les divers types de relations familiales comme les relations conjugales, parents-enfants incestueuses et mixtes sont prises en consideration. Le portrait de la famille noire est aussi examine et contraste au tableau que fait
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9

Spill, Frédérique. "L'idiotie dans l'oeuvre de William Faulkner." Paris 3, 2006. http://www.theses.fr/2006PA030109.

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Cette thèse trouve son point d’impulsion dans le monologue de l’idiot Benjy Compson sur lequel s’ouvre The Sound and the Fury, roman de William Faulkner publié en 1929. Narré par un idiot muet et condamné à l’hébétude, ce monologue élabore un discours impossible. C’est dans ce discours, qui se construit sur le primat de la sensation et sur la prééminence des choses sur les idées, que s’échafaude une esthétique de l’idiotie. L’objet de cette thèse consiste à montrer comment le choix de placer un idiot au centre de la perception et à la source première de la narration de The Sound and the Fury p
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10

Geoffroy, Alain. "William Faulkner, le temps de l'enfance." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37613834t.

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11

Guillain, Aurélie. "Faulkner : le roman de la détresse /." Rennes : [Rennes] (6 Av. Gaston-Berger, 35000) : Presses universitaires de Rennes ; [Fondation Faulkner], 2003. http://catalogue.bnf.fr/ark:/12148/cb38978048d.

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Texte remanié de: Th. doct.--Litt. américaine--Strasbourg 2, 1998. Titre de soutenance : Les énergies du désespoir : la détresse dans les romans de William Faulkner (1925-1942).<br>Bibliogr. p. 281-294. L'ouvrage porte par erreur : ISSN 0154-5590.
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12

Pettey, Homer Boyd. "Faulkner and fetishism." Diss., The University of Arizona, 1989. http://hdl.handle.net/10150/184671.

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This study compares fetishistic desires exhibited within Faulkner's fiction to the narrative strategies governing those texts. It surveys Faulkner's thematic and narrative experiments with fetishism from his first poems and sketches through his major novels. His early works, especially "Nympholepsy" and The Marble Faun, capture fetishistic moments of longing and lack of fulfillment, attraction and repulsion. Faulkner's novels, though, re-enact the dynamics of fetishism by means of their narrative strategies; thus, Faulkner achieves a correspondence between the fictional form and the fetish dep
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13

GRANGEIRO, Alessandra Carlos Costa. "Tempo e memória na ficção de William Faulkner." Universidade Federal de Goiás, 2011. http://repositorio.bc.ufg.br/tede/handle/tde/2841.

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Made available in DSpace on 2014-07-29T16:29:28Z (GMT). No. of bitstreams: 1 Alessandra_Carlos.pdf: 1101209 bytes, checksum: 6903ad43290be98993449306912ad584 (MD5) Previous issue date: 2011-06-27<br>This is a study of William Faulkner s works concerning the saga Yonapatawpha. The works were read from the themes of time and memory. We made a theoretical trajectory over time and noted the conception assumed in the 18th century novel, which has a singular and linear time, and in modern novel, in which time is singular/plural. We consider the narrative, in a general way, as a poetic solution to
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14

Monroe, Stephen Michael. "Exposing American shame : the emotional attunement of William Faulkner and Willa Cather /." Full text available from ProQuest UM Digital Dissertations, 2007. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1417800511&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1220899415&clientId=22256.

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15

Carpenter, William Ridgeway. "Lyrical thematics in Faulkner's Light in August /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/9367.

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16

Strawn, John R. "Dark house : William Faulkner and the making of Absalom, Absalom! /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9946302.

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17

Frohriep, Susanne. "Innovation und Tradition : eine Untersuchung der stilistischen Kreativität in der Erzählkunst William Faulkners /." Würzburg : Könishausen & Neumann, 1999. http://catalogue.bnf.fr/ark:/12148/cb39147515q.

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18

Moulinoux, Nicole. "La Tradition gothique dans les romans de William Faulkner." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37616771g.

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19

Buisson, Françoise. "Faulkner nouvelliste : tradition et modernité." Bordeaux 3, 1997. http://www.theses.fr/1997BOR30070.

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Les nouvelles de william faulkner, qu'il considerait comme alimentaires, temoignent de son attachement aux traditions litteraires, en particulier aux conventions du genre, aux traditions realiste et orale. Mais il subvertit sournoisement ces traditions et les jeux avec l'intertexte montrent sa modernite qui envahit le texte faulknerien : la technique narrative, la representation de la vie interieure refletent le chaos de l'epoque moderne. De plus, l'oeuvre oscille entre l'informe et la densite formelle. Faulkner desire retrouver l'unite d'une oeuvre totale et les nouvelles forment des constell
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20

Madigan, Patricia Alice. "A performance analysis of William Faulkner's Absalom, Absalom! /." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487327695624074.

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21

Wu, John Guo Qiang. "The Religious Dimensions of William Faulkner: An Inquiry into the Dichotomy of Puritanism." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc278091/.

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"The Religious Dimensions of William Faulkner: An Inquiry into the Dichotomy of Puritanism" traces a secular mode of thinking of American moral superiority and the gospel of success to its religious origins. The study shows that while the basis for American moral superiority derives from the typological correspondence between sacred history and American experience, the gospel of success results from the Puritan preoccupation with work as a virtue instead of a necessity because labor improves one's lot in this world while securing salvation in the next. By explaining how Puritanism begins as a
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22

Daufenbach, Claus. "Ästhetizismus und Moderne : Studien zu William Faulkners früher Prosa /." Heidelberg : C. Winter, 1990. http://catalogue.bnf.fr/ark:/12148/cb35568026s.

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23

Clough, Edward. "Building Yoknapatawpha : reading space and the plantation in William Faulkner." Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/48770/.

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This thesis is about the Southern plantation in Faulkner’s Yoknapatawpha fiction: how it is represented and constructed, how it is narratively articulated and experienced as both space and symbol. But as its full title suggests, Building Yoknapatawpha is equally about narrative structures and spaces too: about how Yoknapatawpha textually fits together; about how this spreading oeuvre was constructed by Faulkner and how it may equally be reconstructed by the reader. It is about both the reading of space and the space of reading – about how the architectural spaces and social order of the Southe
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24

Iflahen, Fatima Zohra. "La femme comme force vitale dans l'œuvre de William Faulkner." Paris 4, 1998. http://www.theses.fr/1997PA040044.

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Dans l'œuvre faulknérienne, la femme possède une présence dominante qui s'exprime par une autorité mentale, un bon sens et une imagination qui lui permettent de durer. Cette représentation, construction progressive et consciente de la part de l'auteur, dessine les contours d'une image fondatrice du moi et d'une philosophie de l'existence. De fait, l'expérience scripturale faulknérienne fait prétexte de la quête de la femme pour réinterpréter la condition humaine. Par son action au service de l'affirmation de la vie, par sa proximité de la nature et par son inscription de l'idéal dans la pratiq
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25

Le, Noan Anne-Marie. "Images mythiques du Sud, Yves Berger, Gabriel Casaccia, William Faulkner." Paris 3, 1985. http://www.theses.fr/1985PA03A081.

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26

Latour-Lefort, Danielle. "Le mythe d'Evangéline revisité par William Faulkner et Antonine Maillet." Bordeaux 3, 2003. http://www.theses.fr/2003BOR30015.

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S'inspirant de la déportation des Acadiens en 1755, Henry W. Longfellow publia en 1847 le poème "Evangeline". Son succès en fit un véritable mythe et l'héroʺine devint le symbole de l'Acadie. Le mythe ensemença la littérture du XIXe et eut un avatar dans le personnage de la petite Eva de "Uncle Tom's Cabin" (H. Beecher-Stowe, 1852). Il resurgit au XXe siècle dans les oeuvres du romancier sudiste W. Faulkner et de l'Acadienne A. Maillet. Tous deux s'interrogent sur les relations du mythe avec la réalité et concluent que l'héroʺine romantique et puritaine ne convient pas à la représentation de l
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27

Lange, Sylvia. "Die Figurenzeichnung bei William Faulkner dargestellt an ausgewählten Yoknapatawpha-Romanen." Würzburg Königshausen & Neumann, 2009. http://d-nb.info/99747534X/04.

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28

Ferrer, Daniel. "Ecritures de la folie James Joyce, Virginia Woolf, William Faulkner /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37605039m.

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29

Germana, Michael Joseph. "Forget Jerusalem: William Faulkner's Hyperreal Novel." Thesis, Virginia Tech, 1999. http://hdl.handle.net/10919/31763.

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This paper explores the relationality between Modernism and Postmodernism as well as between literature and theory by examining the works of two writers: master novelist William Faulkner, and high priest of Postmodernism, Jean Baudrillard. Specifically, this paper examines Faulknerâ s eleventh novelâ the oft-neglected If I Forget Thee, Jerusalemâ as a proto-postmodern text which, when examined by the light of Baudrillardâ s theory of simulacra and simulations, informs the transition from Modernism to Postmodernism. This paper treats each authorâ s work as a lens through which to view th
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30

Alves, Márcia Lappe. "Experience/experimentation : Faulkner as a storyteller." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/26724.

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Esta dissertação focaliza dois textos do escritor William Faulkner, considerado pela crítica como um dos expoentes das experimentações modernistas. O primeiro a ser estudado aqui é A Rose for Emily, uma short story publicada em 1930; o segundo é Absalom, Absalom!, um romance de 1936. O objetivo é investigar se no trabalho de Faulkner pode ser encontrado um narrador por excelência, partindo do conceito apresentado por Walter Benjamin em seu estudo The storyteller: reflections on the works of Nikolai Leskov. Minha proposta é levantar a questão do fim da comunicabilidade da experiência do narrado
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31

Roberts, Diane. "Faulkner's women." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328009.

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32

Fessenden, William E. "Temporal structure and meaning : the defamiliarization of the reader in Faulkner's Go down, Moses." Virtual Press, 1990. http://liblink.bsu.edu/uhtbin/catkey/720324.

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This study of Faulkner's Go Down, Moses uses the reader-response theories of Wolfgang Iser to examine the affective impact of strategically-arranged folk conventions and mythopoeic devices upon a textually-based, white "civilized" reader. Using the devices of Southwestern humor, the trickster, and the tragic Black folk tale, "Was" through "Pantaloon in Black" repeatedly sidetrack the reader into unconscious participation in the white-code attitudes he was invited to criticize. When this hypocritical participation is discovered at certain "points of significance" in "The Fire and the Hearth" an
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33

Smith, Philip Anthony James. ""The Echo, Not the Shot" : metamorphosis and mediation in William Faulkner." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/14714.

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This thesis is an attempt to situate and contextualize William Faulkner’s novels of the 1930s within the framework of the emerging mass culture forms of that period, and to investigate this author’s assimilation and inversion of the structures and the stylistic and formalistic devices afforded not only by film, but by animated cartoons, newsreels, and radio. Faulkner’s works are fully immersed in and reflective of a world of metamorphosis and mediation engendered by these mass culture forms, a world when social and artistic hierarchies also fully enter the modernist period of incessant flux. C
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34

GILL, AZAM. "L'effet des corrections sur "etendards dans la poussiere" de william faulkner." Grenoble 3, 1987. http://www.theses.fr/1987GRE39020.

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Flags in the dust, troisieme roman de william faulkner, a ete revise, considerablement reduit et publie sous le titre de sartoris en 1929. 1973 vit la publication posthume du roman original, et 1974 la seule comparaison universitaire a ce jour du dactylogramme tronquee a l'original: le travail universitaire de melvin reed roberts (austin, texas). A la suite de roberts, the effect of editing on "flags in the dust by william faulkner elargit son etude a d'autres elements que les personnages. Soucieuse d'eviter les limites d'une discipline critique unique, cette communication developpe plusieurs
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35

Wilson, Douglas 1965. "The ideology of despair : William Faulkner and the metaphysics of absence." Thesis, The University of Sydney, 1997. https://hdl.handle.net/2123/27635.

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36

Costa, Marcia Virginia Gomes da. "Tradução comentada do conto Lizards in Jamshyd's Courtyard, de William Faulkner." Florianópolis, SC, 2006. http://repositorio.ufsc.br/handle/123456789/103150.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-graduação em Estudos da Tradução<br>Made available in DSpace on 2013-07-16T03:12:12Z (GMT). No. of bitstreams: 1 243963.pdf: 6099101 bytes, checksum: c2a2b9f97a71482c10a19bd950165c29 (MD5)<br>Este trabalho de dissertação é fruto de estudos de teorias da tradução e teve como princípio norteador a aquisição de conhecimentos sobre aspectos relacionados com a produção da obra original, para só então definir a posição do tradutor. Somente após a contextualização da obra original e an
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37

Eyrolles, Stéphanie. "Explorer la faille : Identité et narration dans l'œuvre de William Faulkner." Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLV079/document.

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Ce travail présente la manière dont William Faulkner réfléchit la fonction identitaire de la narration dans plusieurs de ses romans : The Sound and the Fury, As I lay Dying, Light in August, Absalom, Absalom! et Requiem for a Nun. L’appartenance des personnages du corpus au Sud des États-Unis exacerbe leur faille constitutive, qu’ils cherchent alors à compenser par la médiation du récit. Cette thèse étudie, à travers le prisme de la théorie de la mimèsis de Paul Ricœur, comment ces personnages configurent leur temps vécu et se projettent mimétiquement dans leur récit afin de procéder à une her
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38

Alps, Sandra Kay. ""As the stereopticon condenses into one instantaneous field": The reader's holographic reality in part IV of Faulkner's The Bear." CSUSB ScholarWorks, 1989. https://scholarworks.lib.csusb.edu/etd-project/494.

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39

Russell, Carole. "Into Faulkner through a concept of landscape." Thesis, University of Stirling, 1992. http://hdl.handle.net/1893/11844.

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This thesis examines eight novels by William Faulkner by means of a critical method based on a concept of landscape. The thesis developed out of a curiosity regarding the vivid pictures that Faulkner's novels evoked in the mind of this reader. These reminded the reader of pictures similar in their vividness to those evoked in childhood by fairy tales and children's literature. In the main, here, ` the vivid Faulknemian pictures are examined from a moral point of view. The critical method follows from the idea of the literary landscape as a holistic entity, 'a prospect such as may be taken in a
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40

Pothier, Jacques. "Faulkner, The Hamlet et la trilogie des Snopes : développement d'une problématique de la communauté." Paris 7, 1994. http://www.theses.fr/1994PA070010.

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Cette these reexamine une tradition critique qui a vu dans l'histoire des snopes une defense du sens americain de la "communaute". La premiere partie examine la genese des snopes, et d'abord le contexte ideologique et les influences. L'avant-texte (notamment la nouvelle inedite " as i lay dying", reproduite en annexe) presente des scenes matricielles, "archi-scenes" d'une autre signification latente, et developpe la confrontation de deux personnages, flem snopes et ratliff. Au cours de la composition de the hamlet, faulkner resout la "scene originaire sociale" qui, dans les romans des annees t
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41

Rivers, Patricia Ann. "The narrative poetics of William Faulkner, an analysis of form and meaning." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ29567.pdf.

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42

Rivers, Patricia Ann. "The narrative poetics of William Faulkner : an analysis of form and meaning." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26757.

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Most critical acclaim of William Faulkner has focused on his innovations of narrative technique, and while critics have frequently noted the correlation between form and meaning in his novels, the central focus of these novels--race--has largely been ignored in the criticism. The purpose of this paper is to examine Faulkner's narrative methodology and arrangement of material in order to demonstrate that the structures of his novels, particularly Light in August and Absalom, Absalom!, consistently enhance and dramatize the major subject and themes of the novels. Under careful scrutiny, these st
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43

Whiting, Luke. "As words fail : language and communication in the novels of William Faulkner." Thesis, University of Essex, 2005. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.721514.

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44

Césari, Florence. "La figuration du corps dans les romans de William Faulkner (1929-1948)." Paris 3, 1994. http://www.theses.fr/1994PA030102.

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Tire vers le chaos des origines, le corps faulknerien s'enlise dans l'indifferencie et toute figuration semble impossible car ce corps est sans contour. Bien sur on peut parfois tracer un cadre mais le contenu demeure intangible, fantomatique. Ce corps-fantome constitue cependant une surface blanche qui sert d'ecran a des projections imaginaires. Il demeure neanmoins difficile a circonscrire de facon fiable, car il est atopique, inassigniable a residence, ou bien evacue. Radicalement ou partiellement. C'est alors un corps humoral, digestif, sexuel, dont le texte s'attache a conjurer les vides
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45

Townsend, June H. "William Faulkner and the Spanish post-Civil War novel : Luis Martin Santos /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487844105976954.

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46

Harmon, Geraldine Mart. "William Faulkner, his eye for archetypes, and America's divided legacy of medicine." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-07152008-114016/.

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Thesis (Ph. D.)--Georgia State University, 2008.<br>Title from file title page. Thomas L. McHaney, committee chair; Nancy Chase, Marti Singer, committee members. Electronic text (175 p.) : digital, PDF file. Description based on contents viewed November 6, 2008. Includes bibliographical references (p. 161-175).
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47

Savolainen, Matti. "The element of stasis in William Faulkner : an approach in phenomenological criticism /." Tampere : University of Tampere, 1987. http://catalogue.bnf.fr/ark:/12148/cb349827116.

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48

Augustin, Guillaume. "La tragédie dans les romans de William Faulkner et de Julien Green." Paris 3, 2007. http://www.theses.fr/2007PA030031.

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William Faulkner et Julien Green, bien qu’ils aient écrit dans deux langues différentes, possèdent une œuvre dans laquelle on constate de nombreuses similitudes. L’étude comparée de ces deux auteurs est surtout l’occasion de s’interroger sur la notion de tragédie. En effet, leurs romans présentent tous les symptômes du genre tragique. Le but de notre ouvrage est d’éclairer d’un nouveau jour le roman de l’entre-deux-guerres, en fouillant les caractéristiques de la tragédie telle qu’elle se manifeste dans le corpus étudié. Ainsi, les romans greeniens et faulknériens nous proposent un vaste systè
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Tang, Man-ching Tiffany. "Punctuating experience memory in Faulkner, Proust, Resnais /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B39707295.

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Mariano, Fábio Roberto 1989. "Faulkner na França : uma análise dos prefácios escritos às traduções dos livros de William Faulkner publicadas na França nos anos 30." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269954.

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Abstract:
Orientador: Eric Mitchell Sabinson<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-27T20:21:09Z (GMT). No. of bitstreams: 1 Mariano_FabioRoberto_M.pdf: 721675 bytes, checksum: 0863ae488f30abc0a8c4cbb050955f56 (MD5) Previous issue date: 2015<br>Resumo: O objetivo deste trabalho é compreender a recepção de Faulkner na França a partir de uma contextualização da literatura francesa nos anos 1930 e da leitura detalhada dos referidos prefácios. O que está em primeiro plano não é uma leitura crítica do autor, e
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