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Journal articles on the topic 'William Faulkner'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Maszewski, Zbigniew. "Remembering William Faulkner’s Address Upon Receiving the Nobel Prize for Literature." Polish Journal for American Studies, no. 13 (Spring 2019) (October 15, 2019): 5–12. http://dx.doi.org/10.7311/pjas.13/1/2019.01.

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William Faulkner was awarded the Nobel Prize in literature for the year 1949. He officially received the Prize and delivered his acceptance speech on December 10, 1950. This article re-examines critical responses to the writer’s Nobel Prize address, their interest in the address’s intertextual references to Faulkner’s earlier works and the works of other writers. The language of the address documents significant aspects of Faulkner-the writer’s/Faulkner-the reader’s aesthetic vision from the perspective of his didactic concern with the duties of the writer facing the challenges of his/ her tim

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2

Huang, Xiuguo. "A review of the comparative study of Mo Yan and Faulkner in China." Semiotica 2019, no. 227 (2019): 19–29. http://dx.doi.org/10.1515/sem-2016-0027.

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AbstractMo Yan’s multi-layered and allegorical tales were highly inspired by William Faulkner. Mo Yan’s semi-fictional Gaomi Northeast Township was often linked to William Faulkner’s fictional Yoknapatawpha, and he himself was extolled by the Chinese scholars to be “China’s Faulkner.” Inside China, there have emerged a great number of comparative studies on Faulkner and Mo Yan, which are usually conducted from the perspectives of literary forms, native-soil complex, attitudes towards tradition, the influence of local culture, and so on. However, despite the strong record of research on these t

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3

Nelles, William, and Linda Williams. "Narrative Order in William Faulkner." Faulkner Journal 34, no. 1 (2020): 43–83. http://dx.doi.org/10.1353/fau.2020.a918221.

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Abstract: Faulkner scholars have assembled chronologies for several of his novels and short stories as guides for readers attempting to untangle their frequently convoluted temporal structures. The data underlying those chronologies may be repurposed to produce “time maps,” graphs that chart the disparity between the order of events as they occurred in the fictional world (story order) and the order in which they are related in the narrative discourse (text order). These maps reveal a distinctive series of recurring patterns in Faulkner’s handling of narrative order, allow for comparisons of F

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4

Parker, Robert Dale, Alan Warren Friedman, Gail L. Mortimer, and Robert Harrison. "William Faulkner." Modern Language Review 84, no. 1 (1989): 148. http://dx.doi.org/10.2307/3731977.

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5

Hall Petry, Alice. "WILLIAM FAULKNER." Canadian Review of American Studies 18, no. 3 (1987): 423–28. http://dx.doi.org/10.3138/cras-018-03-10.

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6

Friedman, Alan Warren, Thadious M. Davis, William Faulkner, et al. "William Faulkner." Contemporary Literature 29, no. 1 (1988): 140. http://dx.doi.org/10.2307/1208531.

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7

Walton, Gerald W. "The Falkners and the Methodist Church in Oxford, Mississippi." Mississippi Quarterly 76, no. 2 (2024): 241–67. http://dx.doi.org/10.1353/mss.2024.a928866.

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ABSTRACT: This article examines church affiliations and membership of William Faulkner and the extended Falkner family. Faulkner joined the Oxford Methodist Church of Oxford, Mississippi, at age twelve. He attended Sunday school there and his name appeared on Methodist church membership rolls, on different dates, as both "Falkner" and "Faulkner." Although Faulkner and his wife were married in a Presbyterian church, and his wife was Episcopalian, Faulkner was not a regular churchgoer as an adult. His name remained on the Methodist Church membership rolls as late as the 1930s. Most of the living

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8

Szydłowska, Iwona. "William Faulkner As a Philosophical Writer." Kultura i Wartości 26 (January 22, 2019): 305–25. http://dx.doi.org/10.17951/kw.2018.26.305-325.

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9

Hamad, Hasan Salih. "Representing Blacks in Faulkner's “The Sound and the Fury”." JOURNAL OF LANGUAGE STUDIES 5, no. 4, 2 (2022): 29–41. http://dx.doi.org/10.25130/jls.5.4.2.3.

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This study deals with William Faulkner's novel, The Sound and the Fury (1929). In the United States, no writer sounds more American than William Faulkner, who impresses the reader as being deeply rooted in his native land. Faulkner's favorite subject is the decline and moral disintegration of the South. The Sound and the Fury depicts how the Old Southern Order was, in Faulkner's words, "cursed" by slavery and bore the seeds of ruin in itself. Faulkner's work reflects a modern world beset by moral confusion

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10

Pyra, Justyna. "The Literary Work of William Faulkner and the „Podolski Series” by Włodzimierz Odojewski. A Comparative Essay." Tekstualia 1, no. 44 (2016): 135–42. http://dx.doi.org/10.5604/01.3001.0013.4198.

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The article offers a comparative reading of the writings of William Faulkner and Polish novelist Włodzimierz Odojewski. Odojewski, the author, among others, of the novels Wyspa ocalenia and Zasypie wszystko, zawieje…, names Faulkner as an important inspiration. The correspondences between Faulkner’s and Odojewski’s works can be found not only on the formal level in the use of stream of consciousness, but also in the creation of characters, especially women, and the construction of spaces.

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11

Virtue, Jordan. "A Civil War of Universities: Harvard and the “Harvard of the South” in William Faulkner." Faulkner Journal 34, no. 2 (2020): 163–89. http://dx.doi.org/10.1353/fau.2020.a930398.

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Abstract: This article uncovers the significance of Harvard College and the University of Mississippi in William Faulkner’s novels, arguing that Faulkner stages a civil war of universities between these two, dueling institutions. Faulkner was a college dropout, yet the university is a pivotal— and seriously understudied—setting in his writing. For Faulkner, these two universities rise above all others, with the University of Mississippi often seen as the “Harvard of the South.” Faulkner sets these universities in dialectical opposition, building a generative sectional rivalry into some of his

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12

Jansson, Mats. "In the Traces of Modernism: William Faulkner in Swedish Criticism 1932–1950." Humanities 7, no. 4 (2018): 96. http://dx.doi.org/10.3390/h7040096.

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This article focusses the reception of William Faulkner in Sweden from the first introduction in 1932 until the Nobel Prize announcement in 1950. Through reviews, introductory articles, book chapters, forewords, and translations, the critical evaluation of Faulkner’s particular brand of modernism is traced and analysed. The analysis takes theoretical support from Hans Robert Jauss’ notion of ‘horizon of expectations’, Gérard Genette’s concept of ‘paratext’, and E.D. Hirsh’s distinction between ‘meaning’ and ‘significance’. To pinpoint the biographical and psychologizing tendency in Swedish cri

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13

Sáber, Rogério Lobo. "O mito em William Faulkner: entre a defesa e a denúncia da tradição / The Myth in William Faulkner’s Works: Between the Defense and the Denouncement of the Tradition." Cadernos Benjaminianos 15, no. 2 (2020): 233. http://dx.doi.org/10.17851/2179-8478.15.2.233-248.

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Resumo: Este ensaio prioriza uma leitura da poética do escritor norte-americano William Faulkner (1897-1962) articulada a teorias culturais e filosóficas sobre o mito e busca compreender as relações que se estabelecem entre a estética faulkneriana e a (re)criação da tradição sulista, que pode ser interpretada como um discurso mítico. O artigo reflete sobre a relação do escritor com o mito sulista e sobre o tratamento literário que é conferido à temática em seus romances. A investigação proposta torna evidente que Faulkner se situa em uma encruzilhada existencial, bifurcada entre a defesa e a d

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14

Lind, Ilse Dusoir, Joseph Blotner, Thomas L. McHaney, Michael Millgate, Noel Polk, and James B. Meriwether. "William Faulkner Manuscripts." American Literature 60, no. 1 (1988): 145. http://dx.doi.org/10.2307/2926425.

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15

Akramova, Sitora Ikrom qizi, and Bakhor To'rayeva. "THE IDEAS OF HUMANISM IN WILLIAM FAULKNER'S WORKS." CONFERENCE ON UNIVERSAL SCIENCE RESEARCH 2023 1, no. 2 (2023): 192–95. https://doi.org/10.5281/zenodo.7657637.

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The issue of the humanistic elements in William Faulkner's works is brought up in this article. Its primary goal is to provide a succinct overview of humanism's significance in literature and to show that William Faulkner deserves a particular place alongside other humanists like Kierkegaard, Marcel, and Sartre. William Faulkner is one of the authors who has successfully incorporated humanistic concepts into their books, even though he is not sufficiently acknowledged as a humanist. This essay aims to demonstrate how Faulkner's works not only take into account some key humanistic i

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16

Ingvarsson, Haukur. "Frá suðri til norðurs. William Faulkner og Guðmundur Daníelsson." Kynbundið ofbeldi II 19, no. 1 (2019): 137–67. http://dx.doi.org/10.33112/ritid.19.1.7.

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During the Forties, Icelandic novelist Guðmundur Daníelsson, wrote a trilogy called Out of the Ground Wast Thou Taken: Fire (1941), Sand (1942) and The Land beyond the Land (1944). Leading up to the publications Daníelsson was vocal about the fact that he had read the works of American novelist William Faulkner. Later in life he would reveal that he read Faulkner in Norwegian translations and proudly acknowledged the direct line of descent he recognized between his own work and that of his American colleague. Until now no systematic analyzes has been done on the many parallels between their wo

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17

Lawson, Andrew. "William Faulkner: An Economy of Complex Words." Historical Materialism 19, no. 2 (2011): 137–43. http://dx.doi.org/10.1163/156920611x573851.

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AbstractThis review-essay explores the theoretical and methodological innovations of Richard Godden’s William Faulkner, arguing that it makes a signal contribution to historical materialism in literary studies. The article focuses on Godden’s concept of ‘generative structure’, and relates the term to earlier usages by Aglietta and Jameson. After summarising the close readings of Faulkner’s texts performed by Godden, the article suggests an expanded rôle for biography in making the linkages between economy, psyche and text which form the basis of Godden’s analysis.

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18

Stefańczyk, Karol. "Fatality and Identity: Milosz Reads Faulkner." Tekstualia 1, no. 44 (2016): 123–34. http://dx.doi.org/10.5604/01.3001.0013.4197.

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The article highlights the infl uence of William Faulkner’s on Czeslaw Milosz’s writing. The starting point in such an investigation is Milosz’s article written for a Polish journal, while the poet stayed in United States shortly after the Second World War. Titled simply „Faulkner”, it underlines those crucial features of Faulkner’s prose which Milosz himself found symptomatic and inspiring. Two works by Milosz appear to have been particularly infl uenced by Faulkner’s novels: The Issa Valley (Dolina Issy) and Native Realm (Rodzinna Europa). Both focus on the search for identity and the tragic

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19

Barnes, Stephen D. "Between Chaos and Cosmos." Janus Head 11, no. 1 (2009): 127–49. http://dx.doi.org/10.5840/jh200911126.

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Ernesto Grassts rhetorical theory proves helpful in illuminating William Faulkner's conception of humanity's dependence upon language. For both Grassi and Faulkner, language—the fundamental human art—serves metonymically, pointing toward humanity's need for other forms of artifice. Through the use of artificial means, the species is able not merely to survive, but to flourish, to prevail Characters in Faulkner's novels, such as Quentin Compson and Darl Bundren, who seek to transcend human verbalityI conventionality manifest forms of psychic disintegration. Like Faulkner, Grassi considers the a

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20

Pyra, Justyna. "Stream of Consciousness and Polyphony in William Faulkner’s Novels The Sound and the Fury and Absalom, Absalom! An Attempt at Synthesis." Tekstualia 1, no. 44 (2016): 59–70. http://dx.doi.org/10.5604/01.3001.0013.4189.

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The article applies Robert Humphrey’s analysis of the narrative mode of stream of consciousness to William Faulkner’s novels The Sound and the Fury and Absalom, Absalom! It discusses Faulkner’s uses of different types of stream of consciousness and his presumed purposes behind the employment this narrative mode. Unlike some other modernist writers, who treated stream of consciousness as a literary experiment, Faulkner developed it into a complex narrative mode.

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21

Bai, Xiaojun, Xiaotong Zhang, and Yihui Li. "An Analysis of Emily's Characters in A Rose for Emily from the Perspective of Narration." Journal of Language Teaching and Research 11, no. 4 (2020): 611. http://dx.doi.org/10.17507/jltr.1104.12.

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William Faulkner, once won the Nobel Prize in 1950 presentation speech, is considered as one of the grandest Southern American novelists, because he is seemingly the "unrivaled master of all living British and American novelists". A Rose for Emily is one of Faulkner's most excellent short novels. Besides, the narrative of spaces in this novel is changeable and subtle, and the research on it has always been both difficult and hot. This paper attempts to interpret A Rose for Emily from a narrative style, to explore how Faulkner constructed the narrative of the novel, and then to analyze the char

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22

Kirchdorfer, Ulf. "Don’t Do It on My Carpet: The Humor of William Faulkner’s “Barn Burning”." American Studies in Scandinavia 46, no. 2 (2014): 3–15. http://dx.doi.org/10.22439/asca.v46i2.5133.

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William Faulkner’s “Barn Burning” has been appreciated critically in just about every way but for its humor. While appreciations not concerned with humor are crucial to understanding the work, they can also be limiting. This discussion of Faulkner and humor in “Barn Burning” will acknowledge that humor stoops to low levels and crudity. But it also soars to great heights, with Faulkner’s command of the English language and ability to draw allusions effortlessly into the fabric of his story.

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23

O'Callaghan, Eoin. "A demanding form: William Faulkner and the short story." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2015 (January 1, 2015): 142–46. http://dx.doi.org/10.33178/boolean.2015.29.

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Few authors have had such an impact on the American literary canon as the Southern novelist William Faulkner. His fiction of four decades not only constitutes an extensive exploration of Southern people and their environment, but represents a study of universal human tragedies and moral struggles. The zenith of Faulkner’s career was his receipt, in 1949, of the Nobel Prize for Literature. Faulkner outlined, in his acceptance address, his belief in the endurance of man and the potential of writing to help him prevail. In particular, he advocated a return to what he perceived to be the principal

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24

Messer, H. C. "William Faulkner and the Southern Landscape; Global Faulkner." American Literature 82, no. 2 (2010): 436–38. http://dx.doi.org/10.1215/00029831-2010-014.

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25

Donaldson, Susan V., and Frederick R. Karl. "William Faulkner: American Writer." American Literature 62, no. 2 (1990): 344. http://dx.doi.org/10.2307/2926937.

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26

Slaughter, Carolyn Norman, Louis Daniel Brodsky, and Austin M. Wright. "William Faulkner, Life Glimpses." American Literature 63, no. 3 (1991): 569. http://dx.doi.org/10.2307/2927270.

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27

SIMON, JUSTIN. "William Faulkner: American Writer." American Journal of Psychiatry 146, no. 12 (1989): 1621–22. http://dx.doi.org/10.1176/ajp.146.12.1621.

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28

Budiman, Rido. "TEKNIK NARASI DALAM TIGA NOVEL KARYA WILLIAM FAULKNER." Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya 1, no. 1 (2010): 41–54. http://dx.doi.org/10.33558/makna.v1i1.758.

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In this research I discuss the narration technique in three of William Faulkner works Absalom, Absalom!, Light in August, and As I Lay Dying. Faulkner uses multiple narrators in those three works. The aim of my thesis writing is to discuss how the narration technique with multiple narrators is used in those three novels. Faulkner applies multiple narrators in a form of narration that completes each other in certain modes of narration hence the readers could understand the story of each novel in many different point of views. There are several modes of narration that Faulkner applies such as su

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29

Spill, Frédérique. "William Faulkner et la France : une longue histoire d’amour." L'ombre de Proust et de Faulkner dans la littérature de langue française (XXe-XXIe siècles) 86 (2022): 97–119. http://dx.doi.org/10.4000/121yd.

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Cet article vise à élucider certaines des raisons susceptibles d’expliquer le lien privilégié qui unit William Faulkner et la France, en rendant hommage aux passeurs et traducteurs qui permirent de faire connaître son œuvre auprès du lectorat français, aux premiers intellectuels et critiques qui furent inspirés par son écriture, ainsi qu’aux écrivains français qui se réclamèrent – se réclament encore – de l’œuvre de Faulkner. Tout en s’intéressant à la réception et à l’appropriation de Faulkner par la France et à l’influence de Faulkner sur la vie intellectuelle et universitaire françaises, ce

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30

Wesley, Charlie. "The Troubled Structures in William Faulkner and Gabriel García Márquez." Explorations: A Journal of Language and Literature 12 (December 6, 2024): 66–79. https://doi.org/10.25167/exp13.24.12.7.

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This paper analyzes the filiations and affiliations of biography, architecture, writing, power, and history between William Faulkner and Gabriel García Márquez. The author argues that the structures of Faulkner’s Absalom, Absalom! and Márquez’s The Autumn of the Patriarch are highly symbolic and charged with a rich palimpsest of personal, historical, and national meanings. The structures are seen as troubled as they evoke both a critique of patriarchal power and violence in history even while they simultaneously reflect both author’s anxieties about newfound fame and the power that comes with

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31

Meerson, Olga A. "A Reply to Irina Lvova’s Article “Dostoevsky’s Motifs in William Faulkner’s Short Story Tomorrow”." Dostoevsky and World Culture. Philological journal, no. 2 (2022): 237–40. http://dx.doi.org/10.22455/2619-0311-2022-2-237-240.

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The paper contains a short reflection on the article by Irina Lvova “Dostoevsky’s Motifs in Faulkner’s Short Story Tomorrow”, published in the journal Dostoevsky and World Culture. Philological journal, no. 2 (18), 2022, pp. 227–236. The author points out an allusion to the Creed, unnoticed by Lvova, that partially corrects the correlation between the conceptions of Faulkner and Dostoevsky.

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32

Fonsêca, Joseana Souza da, and Carlos Magno Santos Gomes. "O espaço agônico em William Faulkner e Francisco Dantas." Aletria: Revista de Estudos de Literatura 34, no. 3 (2024): 88–103. https://doi.org/10.35699/2317-2096.2024.51633.

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This article compares the construction of literary space between As I lay dying (1930), by William C. Faulkner, and Uma jornada como tantas (2019), by Francisco J. C. Dantas, commenting about the social and aesthetic peculiarities of the space based on reflections of the agonic experiences of characters in transit to death. In this study, we bring theoretical-methodological approaches that permeate concepts about narrative space, according to Lins’ thoughts (1976), Borges Filho’s (2007), Brandão’s (2019) and Dardel’s (2015) thoughts, among others. We arrive to the results that Faulkner’s and D

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33

Watson, Jay, and Joel Williamson. "William Faulkner and Southern History." South Atlantic Review 59, no. 4 (1994): 161. http://dx.doi.org/10.2307/3201382.

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34

Clayton, Bruce, and Joel Williamson. "William Faulkner and Southern History." American Historical Review 100, no. 3 (1995): 961. http://dx.doi.org/10.2307/2168735.

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35

Skei, Hans. "The Humor of William Faulkner." American Studies in Scandinavia 20, no. 2 (1988): 83–89. http://dx.doi.org/10.22439/asca.v20i2.1178.

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36

Clark, William Bedford, and James G. Watson. "William Faulkner: Letters and Fictions." South Central Review 5, no. 2 (1988): 105. http://dx.doi.org/10.2307/3189582.

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37

Marshall, Alexander. "William Faulkner: The Symbolist Connection." American Literature 59, no. 3 (1987): 389. http://dx.doi.org/10.2307/2927123.

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Dunn, Margaret M., and James G. Watson. "William Faulkner: Letters & Fictions." American Literature 60, no. 2 (1988): 307. http://dx.doi.org/10.2307/2927226.

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39

Harvey, Cathy Chance, and Richard Gray. "The Life of William Faulkner." American Literature 68, no. 1 (1996): 258. http://dx.doi.org/10.2307/2927574.

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40

Kreyling, Michael, and Joel Williamson. "William Faulkner and Southern History." American Literature 66, no. 2 (1994): 395. http://dx.doi.org/10.2307/2928010.

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41

Watson, James G. "WILLIAM FAULKNER: THE CONTEMPORARY REVIEWS." Resources for American Literary Study 23, no. 2 (1997): 291–93. http://dx.doi.org/10.5325/resoamerlitestud.23.2.0291.

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42

Nowlin, Michael. "The Gift of William Faulkner." University of Toronto Quarterly 73, no. 4 (2004): 1051–54. http://dx.doi.org/10.3138/utq.73.4.1051.

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43

Ownby, Ted, and Joel Williamson. "William Faulkner and Southern History." Arkansas Historical Quarterly 53, no. 2 (1994): 236. http://dx.doi.org/10.2307/40038239.

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44

Watson, Jay. "William Faulkner Day by Day." Resources for American Literary Study 45, no. 1 (2023): 272–75. http://dx.doi.org/10.5325/resoamerlitestud.45.1.0272.

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45

CAVENDISH, SUELI. "UM CONTO DE WILLIAM FAULKNER." Revista USP, no. 90 (August 30, 2011): 148. http://dx.doi.org/10.11606/issn.2316-9036.v0i90p148-163.

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46

Rollyson, Carl E. "“Counterpull”: Estelle and William Faulkner." South Atlantic Quarterly 85, no. 3 (1986): 215–27. http://dx.doi.org/10.1215/00382876-85-3-215.

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47

Ho Thi Van, Anh. "Narrative of Color Line and “Double Consciousness” in William Faulkner’s Novels." Journal of Science Social Science 66, no. 3 (2021): 40–49. http://dx.doi.org/10.18173/2354-1067.2021-0045.

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Race is one of the major preoccupations in William Faulkner's novels. This article approaches this issue from the concept of “double consciousness” by W. E. B. Du Bois. Originally refered to African-American identity conflicts, the “double consciousness,” in this study, is expanded to stories of different skin colors including the white, black, and mullato. Given American literature of color line, this study aims to acknowledge the features of Faulkner's approach to the issue of race. Firstly, the writer interpreted and questioned American history, tracing the identity conflicts of different r

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48

Malokhat AYDARALIEVA. "THE THEMES OF ALIENATION AND ISOLATION IN WILLIAM FALKNER’S SHORT STORIES." UzMU xabarlari 1, no. 1.2 (2025): 298–300. https://doi.org/10.69617/nuuz.v1i1.2.6340.

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This article examines the multifaceted theme of alienation and isolation in William Faulkner's short stories, exploring how it intersects with race, class, and the historical and social context of the American South. Faulkner masterfully portrays characters grappling with feelings of disconnection due to factors such as racial prejudice, social ostracism, internal conflict, and the weight of the past. Through vivid imagery and psychological insights, he delves into the human condition, exploring the universal struggles for belonging and the enduring impact of isolation on the individual and so

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49

Castille, Philip Dubuisson, Sally Wolff, and Floyd C. Watkins. "Talking about William Faulkner: Interviews with Jimmy Faulkner and Others." South Central Review 14, no. 2 (1997): 69. http://dx.doi.org/10.2307/3189949.

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50

Mohammed, Marwan Kadhim, and Mohammed Deraa Farhan. "Moderation of the Narrative Discourse and Historical Authenticity in William Faulkner's ABSALOM, ABSALOM!" Dirasat: Human and Social Sciences 50, no. 6 (2023): 314–25. http://dx.doi.org/10.35516/hum.v50i6.7087.

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Objectives: The study aims to introduce Faulkner's concept of moderation in narrative discourse and its relationship to historical authenticity, to determine how this concept is embodied in the structure and the language of the novel. The study also aims to show how Faulkner's novel Absalom, Absalom! Reflects aspects of historical authenticity by employing the concept of moderation as a basis for balance in narrative discourse.  Methods: Fisher and Ravizza's theory of responding to moderate reasons was chosen as the theoretical framework for the study. The descriptive analytical method w

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