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Books on the topic 'Wind quartets'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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1

Kraft, Leo. Five short pieces: For wind quartet, 1997. New York, NY: Seesaw Music Corp., 1998.

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2

Last waltz on wild horse: A western quartet. Thorndike, Maine: Center Point Large Print, 2016.

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3

Schafer, R. Murray. String quartet no. 6: Parting wild horse's mane. Indian River, ON: Arcana Eds., 2004.

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4

Last waltz on wild horse: A Western quartet. Waterville, Me: Five Star, 2008.

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5

Butterworth, George. Love blows as the wind blows: For voice and string quartet. Boca Raton, Fla: Masters Music Publications, 1998.

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6

translator, Naqvi Tahira, ed. A Chughtai quartet: The heart breaks free, the wild one, obsession, wild pigeons. New Delhi: Women Unlimited, 2014.

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7

Mineck, Raymond E. Wind-tunnel investigation of aerodynamic efficiency of three planar ellipyical wings with curvature of quarter-chord line. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1993.

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8

Mineck, Raymond E. Wind-tunnel investigation of aerodynamic efficiency of three planar elliptical wings with curvature of quarter-chord line. Hampton, Va: Langley Research Center, 1993.

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9

Mineck, Raymond E. Wind-tunnel investigation of aerodynamic efficiency of three planar ellipyical wings with curvature of quarter-chord line. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1993.

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10

Mineck, Raymond E. Wind-tunnel investigation of aerodynamic efficiency of three planar ellipyical wings with curvature of quarter-chord line. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1993.

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11

Sweeney, Joseph G. A. String quartet, op.1a: Wind enactments for Clare : January 8, 1995 : commentaries with accompanying scores. (s.l: The Author), 1995.

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12

Eakins, John Minister. Boating: Ontario Travel, Queen's Park, Toronto, Canada, M7A 2E5. Ontario: Ministry of Tourism and Recreation, 1986.

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13

Wales, England and. A declaration and ordinance of the Lords and Commons assembled in Parliament: For the better preventing of spyes and intelligencers, and for sequestring the estates of such as shall go from London to Oxford, or to the person of the king, queen, or any of the lords of the councell, or into any of the quarters of the army raised by the king, without order from one or both houses of Parliament : and likewise a reward of one fifth part of the estate of all such offenders, to be given to such persons as shall give notice thereof according to this ordinance. [London?]: Printed for Edward Husbands, 1986.

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14

Thompson, Randall. The wind in the willows: String quartet. 2017.

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15

Diemer, Emma Lou. Music for Wind Quartet. Oxford University Press, Incorporated, 1992.

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16

Loehr, Mallory. Wind Spell (Magic Elements Quartet, 3). Perfection Learning Prebound, 2002.

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17

Wind from the Abyss (The Silistra Quartet). Perseid Press, 2016.

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18

Jerome, Charyn. Marilyn the Wild (The Isaac Quartet). Bloomsbury Publishing PLC, 2003.

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19

Wind from the Abyss (The Silistra Quartet Book 3). Perseid Press, 2016.

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20

Trott, James Howard. Land, Light, Wind and Water : Prairie Quartet: Elemental Meditations in Four Cycles. Oak and Yew Press, 2015.

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21

Pierce, Tamora. Immortals Quartet: Wild Magic; Wolf-Speaker; Emperor Mage; the Realms of the Gods. Simon & Schuster Children's Publishing, 2015.

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22

Levy, Benjamin R. Compositional Flourishing (1967–70). Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199381999.003.0007.

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Having codified a repertoire of personalized techniques, Ligeti deployed them in many new combinations in an extremely productive period at the end of the 1960s. Works composed in this period include Continuum, Two Études for Organ, String Quartet no. 2, Ten Pieces for Wind Quintet, Ramifications, and the Chamber Concerto. This chapter looks at the contrapuntal techniques that built on the composer’s previous practice as well as those derived from harmonic networks. The latter allowed Ligeti to move away from the cluster-based harmonic palate characteristic of his earlier works. In these works Ligeti looked for diverse means of expression and presentation, and he founds ways of composing transitions between techniques, putting patterns derived from harmonic procedures into polyphonic combinations and deriving static harmonic fields from material generated as a melody.
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23

Levy, Benjamin R. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199381999.003.0008.

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In lectures and essays, Ligeti stressed the role of memory and historical conditioning in the conception of form and meaning in music. His sketches frequently mention music from Couperin to Mahler as a model for different features of his own. These, in turn, become the basis for expressive gestures, referencing elements of traditional music as well as familiar types from Ligeti’s own oeuvre. While it is tempting to look at the titles of works like Clocks and Clouds (after Karl Popper), San Francisco Polyphony, and Three Pieces for Two Pianos (Monument, Selbstportrait, Bewegung) as starting to build toward the expressive ends of the opera, Le Grand Macabre, this trend can actually be found in works with more abstract titles, including his String Quartet no. 2 and Ten Pieces for Wind Quintet. This historical awareness, essential to Ligeti’s music, positions him on a fine line between the modernist and postmodernist eras.
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24

L'Engle, Madeleine. The Time Quartet Box Set (A Wrinkle in Time, A Wind in the Door, A Swiftly Tilting Planet, Many Waters). Yearling, 2001.

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25

Givton, Albert. Carte Blanche - A Quarter Century of Wine Tasting Diaries and Cellar Notes: 1974-1999. Turnagain Enterprises, 1999.

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26

Givton, Albert. Carte Blanche - A Quarter Century of Wine Tasting Diaries and Cellar Notes: 1974-1999. Turnagain Enterprises, 1999.

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27

Sperber, Jonathan. The Atlantic Revolutions in the German Lands, 1776–1849. Edited by Helmut Walser Smith. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199237395.013.0007.

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The Atlantic Revolutions in the German lands is the essence of this article. A discussion of the Atlantic revolutions in the German lands begins here with a consideration of the connections between those lands and the Atlantic world. On the eve of the age of revolution, these connections were modest, at best. The German lands had few direct ties to the Atlantic economy; social and cultural connections were sparse as well. New forms of political organization and action, as well as new ideas about the nature of politics were developing in some of the Atlantic countries during the third quarter of the eighteenth century, all of which would resulted in the revolutions of 1776 and 1789. What this discussion suggests is that the external political and intellectual impulses of the American Revolution were, at best, supplemental to trends generated within the German lands themselves. An observation of the political upheavals during the nineteenth century winds up this article.
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28

Dueck, Colin. Age of Iron. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190079369.001.0001.

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Age of Iron attempts to describe the past, present, and possible future of conservative nationalism in American foreign policy. It argues that a kind of conservative US nationalism long predates the Trump presidency, and goes back to the American founding. Different aspects of conservative American nationalism have been incorporated into the Republican Party from its creation. Every Republican president since Theodore Roosevelt has tried to balance elements of this tradition with global US foreign policy priorities. Donald Trump was able to win his party’s nomination and rise to the presidency in part by challenging liberal internationalist assumptions. Yet in practice, he too has combined nationalist assumptions with global US foreign policy priorities. The long-term trend within the Republican party, predating Trump, is toward political populism, cultural conservatism, and white working-class voters—and this has international implications. Republican foreign policy nationalism is not about to disappear. The book concludes with recommendations for US foreign policy, based upon an understanding that the optimism of the post–Cold War quarter-century is over.
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