Academic literature on the topic 'Yoruba poetry'

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Journal articles on the topic "Yoruba poetry"

1

Oyewale, Ayodele Solomon. "Yorùbá Ethics of Interpersonal Relations in Ọbasá’s Poetry." Yoruba Studies Review 5, no. 1 (2021): 1–15. http://dx.doi.org/10.32473/ysr.v5i1.130064.

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In the context of Yorùba interrelation, every human being is involved with ́ a clearly defined tradition laced with mutual benefits. The custom of human interpersonal relationship and the challenges thereof are critical issues in modern Yorùbá society. The themes of Yorùbá ethics as related to interpersonal relation are prominent in Obasa ̣’s poetry. In this essay, we identify and ́ analyze the ethical themes in Obasa ̣’s poetry and compare the poet’s engagement with the Yorùbá philosophy with a view to establish their relevance to the contemporary Yorùbá society.
 Wolfgang Iser’
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2

Aransi, Ayoola Oladunnke, and Hakeem Olawale. "Women in Obasá’s Poetry." Yoruba Studies Review 5, no. 1 (2021): 1–13. http://dx.doi.org/10.32473/ysr.v5i1.130067.

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Obasá’s creativity cuts across virtually all aspects of Yorùbá socio-cultural ̣ settings and his works have attracted the attention of various scholars. It is evident that his poems are laden with topical issues that are of national interest. Most of his works, as described by previous scholars, are based on his love for and interest in Yorùbá language, social values, language, style, cultural practices, and the recovery endangered Yoruba oral art (Babalolá 1971, ̣ 1973; Olábimtán 1974a, 1974b; Ògúnsínà 1980; O ̣ látúnji 1982; Akínye ̣ mí 1987, ̣ 1991, 2017; and Nnodim 2006). Tis essay focuses
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3

Adejumo, Arinpe. "Didacticism and Philosophical Tenets in Ọbasa’s Poetry". Yoruba Studies Review 5, № 1 (2021): 1–24. http://dx.doi.org/10.32473/ysr.v5i1.130058.

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Projection and promotion of Yoruba cultural ideology and philosophy are motifs in D.A. Ọbasa’s poetry. As an ingenious poet, Obasa adroitly blends the tropes of didacticism and philosophical tenets in his poetry. Existing works on his poetry have explored the thematic preoccupations of his poems, as well as their forms and stylistic features. However, little attention has been paid to the correlation between didacticism and philosophy in his poetry. Tis essay, therefore, identifies the basic tenets of philosophy in the form of ethical, metaphysical, and epistemological aspects of Yoruba philos
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Gonzalez, Patricia Elena. "Yoruba Vestiges in Nancy Morejon's Poetry." Callaloo 28, no. 4 (2005): 952–66. http://dx.doi.org/10.1353/cal.2006.0013.

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5

Adeseye, Bifátife Olufemi, Harry Olufunwa, and Afolabi Innocent Ariremako. "A literary analysis of Yoruba-Ifá oral poetry and its implication for entertainment and cultural education in Nigeria." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 8, no. 1-2 (2022): 348–62. http://dx.doi.org/10.4314/ejotmas.v8i1-2.19.

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The article examines the potentials of Yoruba Ifá oral literature for entertainment and education, with an emphasis on the ways in which the desire for entertainment in narrative poetry can precede educational requirements. The study observes that Ifá narrative is an integral part of the complete Ifá divination process usually packaged in parable format. The inexhaustible nature of its source is affirmed by related studies done by Yoruba language and literature scholars. It is also observed that every attempt at translating any language to another often results in obliterating the imagery of t
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6

Akingbe, Niyi. "MYTHOLOGIZING YORUBA ORATURE: LOBOTO MIZING SWIVELLED PULSES OF LAUGHTER IN NIYI OSUNDARE’S WAITING LAUGHTERS AND REMI RAJI’S A HARVEST OF LAUGHTERS." Imbizo 6, no. 2 (2017): 22–42. http://dx.doi.org/10.25159/2078-9785/2803.

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Every literary work emerges from the particular alternatives of its time. This is ostensibly reflected in the attempted innovative renderings of these alternatives in the poetry of contemporary Nigerian poets of Yoruba extraction. Discernible in the poetry of Niyi Osundare and Remi Raji is the shaping and ordering of the linguistic appurtenances of the Yoruba orature, which themselves are sublimely rooted in the proverbial, chants, anecdotes, songs and praises derived from the Yoruba oral poetry of Ijala, Orin Agbe, Ese Ifa, Rara, folklore as well as from other elements of oral performance. Th
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Afọlabi Ọlabimtan (deceased). "Language and Style in Ọbasa’s Poetry." Yoruba Studies Review 5, no. 1 (2021): 1–22. http://dx.doi.org/10.32473/ysr.v5i1.130073.

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Denrele Adetimkan Obasa (1878-1948) was a great Yoruba poet in his own ́ right. It was he who provided ‘the link between traditional beliefs and writing in the modern vein.’2 The three volumes of Yorùbá poetry produced by him between 1927 and 1945 had a great impact not only on the adults who were impressed by the wealth of traditional sayings in his poems, but also on the school children who were made to learn some of the poems by heart.3 In this paper I intend to answer the question: In what does Obasa’s greatness as ̣ a poet consist? In the Ìjúbà (prologue) to Iwe ̀ ́ Kinni ́ ́ Awo ̀ n
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8

Okunoye, Oyeniyi. "LANREWAJU ADEPỌJU AND THE MAKING OF MODERN YORUBA POETRY". Africa 81, № 2 (2011): 175–203. http://dx.doi.org/10.1017/s0001972011000192.

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ABSTRACTThis essay presents Lanrewaju Adepọju, whose work and ideas have been very influential on contemporary Yoruba poetry, as a local intellectual. In estimating his contribution to modernising ewì, an open poetic form that inhabits the interface between the oral and the written, the essay draws on biographical information, an extensive personal interview and relevant textual illustration. It correlates Adepọju's vision of poetry with the development of his creative consciousness and draws attention to aspects of his poetics and politically implicated poetry that deserve closer engagement.
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9

Omobowale, Ayokunle Olumuyiwa, Mofeyisara Oluwatoyin Omobowale, and Olugbenga Samuel Falase. "The context of children in Yoruba popular culture." Global Studies of Childhood 9, no. 1 (2018): 18–28. http://dx.doi.org/10.1177/2043610618815381.

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The Yoruba of Southwestern Nigeria describes children as the heritage of the society because children occupy a special place in societal survival and continuity. Children are esteemed and appreciated. Thus, the embedded culture propagates the essentiality of children, the need for proper socialisation and internalisation to make a responsible being ( Omoluabi). Also, children are prioritised above material wealth, and the essentiality of child wellbeing and education is emphasised in aspects of popular culture such as oral poetry, proverbs, local songs and popular music among others. Using ext
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10

Sarumi, Kahar Wahab. "Nationalism in Modern Arabic Poetry of Yoruba Authorship." International Journal of Literary Humanities 15, no. 3 (2017): 21–33. http://dx.doi.org/10.18848/2327-7912/cgp/v15i03/21-33.

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