Relevant bibliographies by topics / Youth cinema

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Youth cinema'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Youth cinema"

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Changsong, Nam Wang, and Rohani Hashim. "How Chinese Youth Cinema Develops? Reviewing Chinese Youth Genre in Mainland China, Taiwan and Hong Kong, 1950s-2000s." GATR Global Journal of Business Social Sciences Review 2, no. 1 (2014): 54–67. http://dx.doi.org/10.35609/gjbssr.2014.2.1(7).

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Objective - This study considers Chinese youth cinema as a historical object that represents the gamut of social practices and styles of production. Methodology/Technique - The authors examine the historical development of young people for tracing how different social and historical contexts interpret the Chinese young people's world. Findings - The youth films produced in the major Chinese regions—Mainland China, Taiwan and Hong Kong—illustrate how much social practices dominated the film content and style. For instance, youth genre in Hong Kong, once prevalent in the Cantonese cinema of the
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Scahill, Andrew. "Youth Culture in Global Cinema (review)." Velvet Light Trap 61, no. 1 (2008): 69–71. http://dx.doi.org/10.1353/vlt.2008.0012.

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Zvegintseva, Irina A. "Australian cinema: transforming youth issues over time." Journal of Flm Arts and Film Studies 11, no. 1 (2019): 100–108. http://dx.doi.org/10.17816/vgik111100-108.

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Long ago, Australian filmmakers discovered that it was the issues of universal interest that could ensure worldwide success of their films. One of such issues was the leftwing youth protests expressing the unwillingness of the young people to live according to the rules of the older generation. These protests peaked in the late 1960s and immediately found their way onto the screen. The importance of the problem ensured an almost inevitable international success of the films which dealt with those events.
 Yet there was another reason for the close attention paid by Australian filmmakers t
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Nakassis, Constantine V., and Melanie A. Dean. "Desire, Youth, and Realism in Tamil Cinema." Journal of Linguistic Anthropology 17, no. 1 (2007): 77–104. http://dx.doi.org/10.1525/jlin.2007.17.1.77.

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Farooq, Gowhar. "Lost spectacle: Media consumption by Kashmiri youth in the absence of cinema halls." Studies in South Asian Film & Media 11, no. 1 (2020): 147–61. http://dx.doi.org/10.1386/safm_00025_1.

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Hardline militants forced the cinema halls in Kashmir into closure in 1989. As heavy militarization ensued, several spaces, including cinema halls, were transformed into structures where people, especially young men, were detained and tortured by soldiers and militia. The generations born after the 1980s, therefore, grew up in a cinema-less, militarized world. In the absence of functional cinema halls, they, for years, relied on the state broadcaster for movies and media. Later – although under tremendous threat from extremists – a network of local cable TV operators, who functioned without li
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Zharikova, Vera Vasilyevna. "Crime Teenpic as a Subgenre of American Cinema." Journal of Flm Arts and Film Studies 6, no. 3 (2014): 104–13. http://dx.doi.org/10.17816/vgik63104-113.

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The article reviews film genres and the factors determining genre formation as exemplified by the subgenre of youth criminal drama. Like most genres, it appeared in the USA as an offshoot of the gangster film of the 1930s, on the one hand, and as a result of the emergence of youth subculture. The image of an adolescent criminal is still popular in both mass culture and auteur cinema.
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Zharikova, Vera V. "Representation of Youth in Soviet Cinema of the 1950s." Journal of Flm Arts and Film Studies 7, no. 3 (2015): 40–49. http://dx.doi.org/10.17816/vgik7340-49.

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The 1950s in the history of our cinema became a transitory stage from the grand style aesthetics to humanistic realism of the Thaw period. One of the most significant traits of this transition was the appearance of young characters on screen (school pupils, students) who were striving to fulfill themselves and find their own way in life. The article analyzes the images of the young people as they were represented in films of that period.
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Macedo, Jane Teixeira do Valle, and Suely dos Santos Silva. "O CINEMA BRASILEIRO E O PROTAGONISMO JUVENIL NA ESCOLA / BRAZILIAN CINEMA AND YOUTH PROTAGONISM AT SCHOOL." Brazilian Journal of Development 6, no. 10 (2020): 79138–50. http://dx.doi.org/10.34117/bjdv6n10-372.

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Killen, Andreas. "Psychiatry, Cinema, and Urban Youth in Early-Twentieth-Century Germany." Harvard Review of Psychiatry 14, no. 1 (2006): 38–43. http://dx.doi.org/10.1080/10673220500519672.

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CLAPP, JAMES A. "Growing Up Urban: The City, the Cinema, and American Youth." Journal of Popular Culture 40, no. 4 (2007): 601–29. http://dx.doi.org/10.1111/j.1540-5931.2007.00426.x.

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Dissertations / Theses on the topic "Youth cinema"

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Oliveira, Sandra Cristina Reis Marques de. "Representations of American youth in Hollywood film in the 1980s." Master's thesis, Universidade de Aveiro, 2008. http://hdl.handle.net/10773/2762.

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Mestrado em Estudos Ingleses<br>O presente trabalho propõe-se examinar diferentes representações da adolescência no cinema de Hollywood, particularmente na década de 80. Esta dissertação inicia a sua análise debruçando-se sobre as representações da adolescência no cinema de Hollywood, no período após a II Guerra Mundial, numa tentativa de determinar alguns acontecimento que afectaram a forma como essas representações evoluíram até ao final da década de 80. Finalmente, uma reflexão sobre os aspectos mais relevantes das representações da adolescência no cinema na época conservadora de Ronald Rea
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au, x1999@iinet net, and Christina Lee. "Beyond the Pink:(Post) Youth Iconography in Cinema." Murdoch University, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050930.124547.

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Beyond the Pink: (Post) Youth Iconography in Cinema is a project in cultural time travel. It cuts up linear cinematic narratives to develop a hop-scotched history of youth, Generation X and (post) youth culture. I focus upon the pleasures, pedagogies and (un)popular politics of a filmic genre that continues to be dismissed as unworthy of intellectual debate. Accelerated culture and the discourse of celebrity have blurred the crisp divisions between fine art and crude commodity, the meaningful and meaningless, and real and fictive, unsettling the binary logic that assigns importance to certa
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Lee, Christina. "Beyond the pink: (post) youth iconography in cinema." Lee, Christina (2005) Beyond the pink: (post) youth iconography in cinema. PhD thesis, Murdoch University, 2005. http://researchrepository.murdoch.edu.au/151/.

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Beyond the Pink: (Post) Youth Iconography in Cinema is a project in cultural time travel. It cuts up linear cinematic narratives to develop a hop-scotched history of youth, Generation X and (post) youth culture. I focus upon the pleasures, pedagogies and (un)popular politics of a filmic genre that continues to be dismissed as unworthy of intellectual debate. Accelerated culture and the discourse of celebrity have blurred the crisp divisions between fine art and crude commodity, the meaningful and meaningless, and real and fictive, unsettling the binary logic that assigns importance to certa
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Lee, Christina H. P. "Beyond the pink : (post) youth iconography in cinema /." Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050930.124547.

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Qu, Sheng. "Cinematic History and Multi-Subcultural Analysis: The Representation of Youth Dreams in Chinese Cinema." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405989442.

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Costa, Maria de Oliveira Barra. "Juventude e cinema nos anos 1970: a I Mostra de Juiz de Fora do Cinema Super 8." Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/4801.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-06-01T14:51:47Z No. of bitstreams: 1 mariadeoliveirabarracosta.pdf: 8045156 bytes, checksum: 4f6ed59e9077758a07401e7775d6589e (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-06-02T15:56:18Z (GMT) No. of bitstreams: 1 mariadeoliveirabarracosta.pdf: 8045156 bytes, checksum: 4f6ed59e9077758a07401e7775d6589e (MD5)<br>Made available in DSpace on 2017-06-02T15:56:18Z (GMT). No. of bitstreams: 1 mariadeoliveirabarracosta.pdf: 8045156 bytes, checksum: 4f6ed59e9077758a07401e7775d6589e (MD5)
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Bareille, Laurent. "Les représentations du « mauvais garçon » dans le cinéma japonais de 1955 à 2000, ou le questionnement à propos de l’évolution de la société japonaise par ce paradigme." Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30016/document.

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Depuis la fin de la guerre la société japonaise connaît d’importants changements, le cinéma japonais traitant de son époque est on pourrait dire comme d’autres formes d’expressions artistiques un indicateur des mœurs, des fluctuations de la société, par le regard personnel d’un auteur. Nous verrons dans notre développement dans lequel nous nous arrêterons plus spécialement sur des œuvres « clé » comment par le prisme du personnage du « mauvais garçon », la vision d’un artiste, en l’occurrence un cinéaste prend le plus souvent racine dans une réalité sociale et générationnelle ; et dans le cas
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Chasse, Hilary Marie. "Youth in China: An Analysis of Critical Issues Through Documentary Film." Thesis, Boston College, 2012. http://hdl.handle.net/2345/2969.

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Thesis advisor: Christina Klein<br>The cultural face of modern China is constantly changing, whether through economic reforms, political campaigns, or social values. The ultimate inheritors and current carriers of this society in flux is the current post socialist, post 1989 youth generation. This paper examines the cultural changes that are occurring in China through six documentary films made in the 21st century that focus on youth and young adults as the representatives of the issues that the directors explore. In two films, the issue of the Single Child Policy will be examined in terms of
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Viteck, Cristiano Marlon. "Rebeldia em cena: a juventude transviada no cinema hollywoodiano nas décadas de 1950 e 1960." Universidade Estadual do Oeste do Paraná, 2009. http://tede.unioeste.br:8080/tede/handle/tede/1751.

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Made available in DSpace on 2017-07-10T17:55:50Z (GMT). No. of bitstreams: 1 Cristiano_ Marlon_Viteck.pdf: 7663531 bytes, checksum: f19cc9ce99771dabbdaaeb23f860f4d1 (MD5) Previous issue date: 2009-09-03<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The concept of teenager, which during the first half of the 20th century was being discussed in the United States, received importance since 1950, when it was definitely noticed that the adolescence constituted a huge cultural and social phenomenon on the American society. A noticeable characteristic from that generation was
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Nóbrega, Thais Zonta de. "Imaginários juvenis: cinema, recepção, mediações e consumo cultural." Pontifícia Universidade Católica de São Paulo, 2015. http://tede2.pucsp.br/handle/handle/2521.

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Made available in DSpace on 2016-04-25T20:21:21Z (GMT). No. of bitstreams: 1 Thais Zonta de Nobrega.pdf: 1462541 bytes, checksum: ab7a7ed92d3646c1f9772ccbabf150da (MD5) Previous issue date: 2015-03-18<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This investigation have as principal object the reflection through filmic narratives and receivers narratives about the imaginary of today's youth, the 2010s, comparing it with readings of other times, for example, the 1960s and the 1980s, that is, comparing different generational moments. The questions that guide the researc
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Books on the topic "Youth cinema"

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The cinema of adolescence. McFarland, 1985.

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Inquieti: I giovani nel cinema italiano del Duemila. Effatà, 2009.

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Lee, Christina. Screening Generation X: Politics and popular memory of youth in contemporary cinema. Ashgate Pub. Company, 2009.

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L'albero spezzato: Cinema e psicoanalisi su infanzia e adolescenza. Alinea, 2003.

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Minnella, Maurizio Fantoni. Bad boys: Dizionario critico del cinema della ribellione giovanile. B. Mondadori, 2000.

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Mondella, Diego. Sgradevole è bello: Il mondo nel cinema di Todd Solondz. Pendragon, 2010.

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Sgradevole è bello: Il mondo nel cinema di Todd Solondz. Pendragon, 2010.

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Gioventù perduta: Gli anni cinquanta dei giovani e del cinema in Italia. Giunti, 2004.

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Genovart, Gabriel. Infància i cinema en un temps de postguerra. Lleonard Muntaner, 2007.

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Screening Generation X: The politics and popular memory of youth in contemporary cinema. Ashgate Pub. Company, 2009.

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Book chapters on the topic "Youth cinema"

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Abidi, Shuby. "Cinema and Youth." In Premchand on Culture and Education. Routledge, 2021. http://dx.doi.org/10.4324/9781003242260-36.

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Grist, Leighton. "Exploitation Cinema and the Youth Market: Boxcar Bertha." In The Films of Martin Scorsese, 1963–77. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230286146_4.

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Mahlerwein, Gunter. "Alternative Cinema in the Youth Centre Movement in Germany in the 1970s and 1980s." In Cinema Beyond the City. British Film Institute, 2017. http://dx.doi.org/10.1057/978-1-84457-848-1_12.

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Berghahn, Daniela. "Coming of Age in ‘the Hood’: The Diasporic Youth Film and Questions of Genre." In European Cinema in Motion. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230295070_12.

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Podalsky, Laura. "Alien/Nation: Contemporary Youth in Film." In The Politics of Affect and Emotion in Contemporary Latin American Cinema. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120112_5.

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Sicondolfo, Claudia. "“Filleing” the Cinema Gap: The Precarity of Toronto’s Necessary Emerging Network of Feminist Film Critics." In Youth Mediations and Affective Relations. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98971-6_11.

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Kellner, Douglas. "Modes of Youth Exploitation in the Cinema of Larry Clark." In Hollywood’s Exploited. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117426_10.

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Williams, Michael. "‘Draw Me like a Statue’: Youth, Nostalgia and the Queer Past in Gods and Monsters." In Cross Generational Relationships and Cinema. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-40064-4_8.

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Padva, Gilad. "Reinventing Lesbian Youth in Su Friedrich’s Cinematic Autoqueerography Hide and Seek." In Queer Nostalgia in Cinema and Pop Culture. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137266347_7.

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Padva, Gilad. "Claiming Lost Gay Youth, Embracing Femininostalgia: Todd Haynes’s Dottie Gets Spanked and Velvet Goldmine." In Queer Nostalgia in Cinema and Pop Culture. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137266347_5.

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Conference papers on the topic "Youth cinema"

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David, Ephraim. "Old Age in Cinema: A Reevaluation of Sorrentino’s Youth." In International Conference on New Trends in Social Sciences. Acavent, 2019. http://dx.doi.org/10.33422/ntss.2019.08.489.

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