Relevant bibliographies by topics / Zhangye / Dissertations / Theses
To see the other types of publications on this topic, follow the link: Zhangye.

Dissertations / Theses on the topic 'Zhangye'

Author: Grafiati
Published: 5 June 2025
Last updated: 15 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Zhangye.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Soares, Camilo. "L'espace immatériel dans le cinéma de Jia Zhangke : une politique du regard." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H304/document.

Full text
Abstract:
La présente thèse propose d’analyser l’approche de l’espace dans le cinéma de Jia Zhangke, le réalisateur le plus représentatif, avec Wang Bing, de la génération indépendante (ou sixième génération) du cinéma chinois, comme une appréhension dialectique, consciente des discours qu’engendrent la représentation du réel. La construction de l’espace dans ses films est ainsi une forme d’engager, par le jugement esthétique, une conscience politique du spectateur à l’appréhension du monde. Jia ainsi fait du registre cinématographique à la fois le témoin privilégié du processus de changements de la Chine actuelle et un espace reconstruit subjectivement au moyen de l’imagination et de la mémoire. Son cinéma formule ainsi une critique subtile de la modernisation rapide et violente en cours, qui engendre la destruction de son paysage historique, la perte des repères culturels de son peuple et le désarroi des gens laissés pour compte. En actualisant des références à la peinture traditionnelle de paysage en Chine, Jia Zhangke tisse l’expression du monde dans son cinéma en tant qu’espace historique, puis espace dialectique et finalement espace immatériel pour observer son historicité, problématiser son présent et finalement proposer au spectateur, à partir de l’expérience esthétique, la conscience de son existence médiale porteuse de puissance d’action<br>5ABSTRACT :This dissertation proposes an analysis of the approach to space in the cinema of Jia Zhangke— a filmmaker, who with Wang Bing, is most representative of the independent generation, or sixth generation, of Chinese cinema— as a form permitting an engagement of political consciousness through the comprehension of space. Through his aesthetics, Jia creates a cinematographic register that is both privileged witness of the processes of change in present-day China and a space subjectively reconstructed through the means of imagination and memory. This dissertation considers how his cinema expresses a subtle critique of the rapid and violent modernisation currently occurring in China, which engenders the destruction of its historical landscape, the loss of local cultural bearings, and the helplessness of those left abandoned. Through making references to traditional Chinese landscape painting, this work explores how Jia constructs the expression of this world in his cinema: as historical space, then as dialectical space, and finally as immaterial space in order to observe its historicity, to problematize its present, and finally to propose to the spectator, departing from aesthetic experience, an awareness of its medial existence carrying a force for action
APA, Harvard, Vancouver, ISO, and other styles
2

Ševčík, Martin. "Modelování vlastností modelu HVS v Matlabu." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2008. http://www.nusl.cz/ntk/nusl-217656.

Full text
Abstract:
In theoretical part Diploma thesis deals with the model of human vision HVS (Human Visual System), which can be used for image quality assessment in TV technique area. It has been described calculations of selected JND (Just Noticeable Difference) metrics, used in evaluation of HVS. In practical part of the thesis it has been suggested and realized simulation model in Matlab, which may be used for evaluation of three JND metrics from color and grayscale images and evaluation in spatial a frequency domain. Results of JND models have been compared to another objective image quality evaluation metrics (MSE, NMSE, SNR and PSNR). For interpretation of dependencies it has been used images with different defined content.
APA, Harvard, Vancouver, ISO, and other styles
3

Sit, Tsui. "A spatial analysis of Zhang Yuan's films /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20933903.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Germann, Jennifer. "Documenting postsocialist reality: the films of Jia Zhangke." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97191.

Full text
Abstract:
In this paper, I will examine how the films of Jia Zhangke operate as social analyses of the contemporary condition in China through both subject matter and the documentation of a society in transition, as well as, through the creation of an innovative film language. Jia employs cinematic techniques that problematize the borders between fiction and documentary, subjectivity and objectivity, and realism and surrealism thus challenging the underlying assumptions that shape film as a medium itself. It is this essential filmic gesture which blurs the boundaries between traditional cinematic categories that makes Jia's films unique in their ability to reveal the inherent contradictions that structure the postsocialist condition in contemporary China.<br>Dans cet article, j'examinerai comment les films de Jia Zhangke fonctionner comme des analyses de la condition sociale contemporaine en Chine à la fois par l'objet et la documentation d'une société en transition, ainsi que, grâce à la création d'un langage cinématographique novateur. Jia utilise des techniques cinématographiques qui problématiser les frontières entre fiction et documentaire, la subjectivité et l'objectivité et le réalisme et le surréalisme mettant ainsi en cause les hypothèses sous-jacentes film forme que comme un médium lui-même. C'est ce geste filmique, essentielle, qui brouille les frontières entre les catégories traditionnelles du cinéma qui fait des films uniques Jia dans leur capacité à révéler les contradictions inhérentes à la structure de la condition post-socialiste dans la Chine contemporaine.
APA, Harvard, Vancouver, ISO, and other styles
5

Mak, Yan Yan. "Cong xiao shuo dao dian ying : lun "Qing cheng zhi lian" yu "Ban sheng yuan" /." View Abstract or Full-Text, 2002. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202002%20MAK.

Full text
Abstract:
Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2002.<br>Includes bibliographical references (leaves 276-289). Also available in electronic version. Access restricted to campus users.
APA, Harvard, Vancouver, ISO, and other styles
6

Chan, Edmund Sze Shing. "Cong "Di jian tu shuo" kan Zhang Juzheng xin mu zhong li xiang jun wang de xing xiang, jian lun ta de di shi jue se /." View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20CHAN.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Schultz, Corey Haley Kai Nelson. "Moving figures : class feelings in the films of Jia Zhangke." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/14841/.

Full text
Abstract:
This thesis analyzes the representation of and affects associated with the five class figures of worker, peasant, soldier, intellectual, and entrepreneur in the films of the Chinese director Jia Zhangke. They are the descendents of the five main Confucian class figures, and have also been socially, politically, and culturally significant throughout China’s modern history. The questions that guide this analysis include: How are these figures represented? How do their representations and cinematic tropes operate in the films? What feelings do they evoke? To answer these questions, I engage with scholarship in Chinese sociology and visual culture, Raymond Williams’s concept of “structures of feeling,” and theories on film phenomenology and affect. I examine Jia’s entire oeuvre (1994-2013), including his shorts, documentaries, narrative films, and advertisements. In the core chapters, I examine each figure’s socio-historical and cultural contexts, its representation in the films, and the cinematic tropes and feelings that are associated with it. I argue that the Maoist figures are in decline and will soon disappear, while the “new” class figures of intellectual and entrepreneur survive and thrive in the Reform era. Regarding cinematic tropes, I analyze the moving portraits, interviews, and constructions of memory for the figure of the worker; for the peasant, I focus on the POV shot, observation, and the gaze; for the soldier, I discuss the figure’s “absent presence” and its degraded appearance in simulacra; for the intellectual, I examine the voice, the pseudomonologue, and the observatory and exploratory lenses; and for the entrepreneur, I explore the close-up, speed, and film as advertisement. Finally, I examine how these figures produce what Raymond Williams describes as “structures of feeling,” and how these various feelings transition over time – from anxiety over the threat of Reform, to decrying its negative effects, to welcoming its opportunities, to finally demanding solutions to the problems it has caused.
APA, Harvard, Vancouver, ISO, and other styles
8

Su, Weizhen. "Miao hong Taiwan Zhang pai zuo jia shi dai lun /." Taibei Shi : San min shu ju gu fen you xian gong si, 2006. http://catalog.hathitrust.org/api/volumes/oclc/74349821.html.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Sun, Xiaoming. "Tian cai meng : Zhang Ailing Meiguo shi qi de sheng huo yu xie zuo chu tan /." View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202009%20SUN.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Ming, Yau-yau. "A study of Zhang Dai's Shigui Shu Zhang Dai "Shi gui shu" yan jiu /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B34615933.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Chow, Wing-kam. "An analysis of Zhang Ailing's movie scripts Zhang Ailing dian ying ju ben chuang zuo yan jiu /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B40676742.

Full text
APA, Harvard, Vancouver, ISO, and other styles
12

Chu, Hau-ying. "Depiction of scenes in Eileen Chang's novelettes Zhang Ailing zhong, duan pian xiao shuo zhi chang jing miao xie /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42926464.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Wong, Ah-yin. "On Eileen Chang's view of men and their images in her novels Lun Zhang Ailing de nan xing guan ji qi xiao shuo zhong de nan xing xing xiang /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43208691.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

Lam, Siu-lun. "A study of Zhang Dai's Gu jin yilie zhuan = Zhangdai "Gu jin yi lie zhuan" yan jiu /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25335418.

Full text
APA, Harvard, Vancouver, ISO, and other styles
15

Wu, Yingni. "Zhang Dachun xiao shuo lun = Research on Zhang Da Chun's fiction /." click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15941218a.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
16

Sun, Wei. "Les tabous et l'autocensure : la sexualité, la violence et le politiquement correct dans les films de Zhang Yimou." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30003.

Full text
Abstract:
Les tabous et l’autocensure : la sexualité, la violence et le politiquement correct dans les films de Zhang YimouDans un film, la sexualité, la violence et le politiquement correct sont toujours les tabous qu’il faut traiter avec précaution. Malgré la mise en place de la classification cinématographique au monde occidental, le législateur s’empare quand même du contrôle des films au nom de la protection de la jeunesse, pas davantage en République populaire de Chine, le pouvoir communiste qui reste encore au XXIe siècle un régime autoritaire, a le pouvoir absolu des autocrates sur la création artistique. Par là, les tabous, en particulier le politiquement correct, sont interdits de toucher, et la censure omniprésente s’accompagne toujours du processus de la production du film, dont la conception du plan, la genèse du scénario, la réalisation, et la diffusion, provoque le réalisateur à faire l’autocensure lors de la création cinématographique.En tant que leader des cinéastes chinois à notre époque, Zhang Yimou est plutôt un signe légendaire qui témoigne du développement du film chinois, et ses œuvres abondantes, tant en quantité qu’en diversité, servent d’un objet parfait à l’analyse. La plupart de ses œuvres se réalisent à l’aide de l’adaptation cinématographique du texte. Par là, un contraste entre les deux modes d’expression, celui du récit et celui d’audiovisuel, met en relief l’altérité qui nous permet d’avancer notre étude sur la mise en scène de la sexualité, de la violence et du politiquement correct sur l’écran et l’autocensure de notre réalisateur lors de la création cinématographique.Notre étude se propose d’analyser le traitement des tabous par Zhang Yimou au cours de la création cinématographique dans le but de contourner la censure des autorités. Trois axes principaux de recherche ont été privilégiés dans ce travail : l’analyse de la censure cinématographique, son histoire, ses lois et règlements en droit du film, l’analyse de l’interview de Zhang Yimou à la télévision, et à la description de ses coopérateurs, et l’analyse en détail des œuvres filmiques de Zhang Yimou<br>Taboos and self-censorship : Sexuality, violence and political correctness in Zhang Yimou’s filmsIn a movie, sex, violence, and political correctness are often taboos. These taboos need to be handled with caution. Although the film grading system in Western countries has been established, those legislators still use cessation as an excuse to control the film in order to protect the minors. Moreover, as far as the People’s Republic of China is concerned, as one of the few remaining authoritarian regimes in the 21st century, the Communist regime has absolute arbitrary control over artistic creation. Therefore, these taboos, especially political correctness, are not allowed to touch. The ubiquitous review is often accompanied by the entire process of film production, which involves conception, script-writing, filming, and distribution, prompting the director to constantly self-censorize the film and television creationg process.As the leader of the contemporary Chinese film, Zhang Yimou is almost a legendary symbol, he witnessed the development of Chinese film. And his rich works, both in quantity and diversity, are undoubtedly the perfect research subject. Most of his works are derived from the adaptation of literature to film. The two different expression modes of literature and film, one is the textual expression, and the other is the audiovisual presentation, which forms a sharp contrast. The contrast helps us to study how to present sexuality, violence, and political correctness on the screen, as well as the director’s self-censorship during film-making.Our research focuses on analyzing that how Zhang Yimou is handling of thses taboos in the film-making process, thus avoiding the review of those in power. This paper mainly cuts into three latitudes: Firstly, for the study of film censorship, the study of its history, legal rules and articles. Secondly, the analysis of Zhang Yimou’s TV interviews and the descriptions of his collaborators, and finally a detailed and indepth analysis of Zhang Yimou’s works
APA, Harvard, Vancouver, ISO, and other styles
17

Li, Chi-ming. "Zhang Taiyan's (1869-1936) conception of history Zhang Taiyan zhi li shi guan/." Click to view the E-thesis via HKUTO, 1989. http://sunzi.lib.hku.hk/hkuto/record/B31949538.

Full text
APA, Harvard, Vancouver, ISO, and other styles
18

Wong, Yuet-sheung Candes. "The role of Zhang Wenkai (1871-1931) in the Anti-Christian Movement in the 1920s Zhang Wenkai(1871-1931) zai er shi nian dai fei Jidu jiao yun dong de li chang/." Click to view the E-thesis via HKUTO, 1997. http://sunzi.lib.hku.hk/hkuto/record/B31951776.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Law, Suk-mun Sophia. "In pursuit of classical professionalism : a consistent feature of Zhang Daqian and his art /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21415341.

Full text
APA, Harvard, Vancouver, ISO, and other styles
20

Chu, Kwok-yuen. "A study of Zhang Ying (1141-1218)'s Songchao nandu shijiang zhuan = Zhang Ying (1141-1218) "Song zhao nan du shi jiang zhuan" yan jiu /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25789156.

Full text
APA, Harvard, Vancouver, ISO, and other styles
21

Metcalf, Mark Leslie. "Warring states political rhetoric and the Zhanguo ce persuasions." Thesis, The University of Arizona, 2001. http://hdl.handle.net/10150/278770.

Full text
Abstract:
The persuasive speeches of the Zhanguo ce, "The Intrigues of the Warring States," are considered by many to have been written for the purpose of training Warring States political advisers in the rhetorical style of the Zongheng rhetorical school. In contrast to earlier Chinese persuasive styles, the persuasions of the Zhanguo ce were apparently crafted to incorporate manipulative techniques in order to improve the effectiveness of the presentations. This thesis analyzes persuasive speeches from Zhanguo ce in order to identify the types of rhetorical devices used by Warring States rhetors. It also evaluates another reputed Warring States text, the Guiguzi, that openly advocates the use of psychological manipulation in persuasions. Lacking evidence that the received Guiguzi is a valid Warring States text, this thesis compares the Guiguzi teachings and Zhanguo ce persuasions to identify similarities that may indicate general Warring States attitudes toward using psychological manipulation in political persuasions.
APA, Harvard, Vancouver, ISO, and other styles
22

Zhang, Mingliu. "Wireless communication for sparse and rural areas." Diss., Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/zhang/ZhangM0807.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
23

Zhang, Zhanhai. "On modelling ice dynamics of semi-enclosed seasonally ice-covered seas." Helsinki : University of Helsinki, 2000. http://ethesis.helsinki.fi/julkaisut/mat/geofy/vk/zhang/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Zhang, Fan. "Regulation of G1 /." Helsinki : University of Helsinki, 2003. http://ethesis.helsinki.fi/julkaisut/laa/haart/vk/zhang/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Zhang, Weihua. "Genepart algorithm, clustering and feature selection for DNA micro-array data." Thesis, Montana State University, 2004. http://etd.lib.montana.edu/etd/2004/zhang/ZhangW1204.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

Zhang, Weiwen [Verfasser]. "Videoüberwachung von Arbeitnehmern / Weiwen Zhang." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2018. http://d-nb.info/118284555X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Zhang, Jian [Verfasser]. "Roboterbasiertes Inkrementelles Blechumformen / Jian Zhang." Aachen : Shaker, 2008. http://d-nb.info/1162790997/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
28

Zhang, Siwei [Verfasser]. "Autonomous Swarm Navigation / Siwei Zhang." Düren : Shaker, 2020. http://d-nb.info/122060982X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
29

Liu, Xiaodong. "Collaborative orientalism : from Hollywood's "yellow perils" to Zhang Yimou's "red trilogy"." Bowling Green, Ohio : Bowling Green State University, 2010. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1269018727.

Full text
APA, Harvard, Vancouver, ISO, and other styles
30

Weng, Hekai. "Xian dai Zhongguo de zi you min zu zhu yi : Zhang Junmai min zu jian guo si xiang yan jiu /." online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3239519.

Full text
APA, Harvard, Vancouver, ISO, and other styles
31

Su, Weizhen. "The novels of Zhang Ailing in Hong Kong 1952-1955 /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21106368.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

Zhang, Zhang [Verfasser], Ralf [Akademischer Betreuer] Wehrspohn, Fan [Akademischer Betreuer] Hongjin, and Walter [Akademischer Betreuer] Riess. "Epitaxial semiconductor nanostructure growth with templates / Zhang Zhang. Betreuer: Ralf Wehrspohn ; Fan Hongjin ; Walter Riess." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2010. http://d-nb.info/1025133293/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
33

Ngan, Ka-hing. "Gender representation in Zhang Yimou's films /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B34614424.

Full text
APA, Harvard, Vancouver, ISO, and other styles
34

Zhang, Deng [Verfasser]. "Stochastic nonlinear Schrödinger equation / Deng Zhang." Bielefeld : Universitätsbibliothek Bielefeld, 2014. http://d-nb.info/1048210359/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
35

Zhang, Xingang [Verfasser]. "Alterungsmechanismen ökologisch verträglicher Druckflüssigkeiten / Xingang Zhang." Aachen : Shaker, 2004. http://d-nb.info/1181604613/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
36

Ngan, Ka-hing, and 顏加興. "Gender representation in Zhang Yimou's films." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45007640.

Full text
APA, Harvard, Vancouver, ISO, and other styles
37

Zhang, Qi [Verfasser]. "Humidity related magnetite alteration / Qi Zhang." Tübingen : Universitätsbibliothek Tübingen, 2020. http://d-nb.info/122159639X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
38

Saturnia, Michela <1990&gt. "“Sutra del cuore” di Zhang Ailing." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8165.

Full text
Abstract:
Questa tesi propone una traduzione di un breve racconto dell'autrice cinese Zhang Ailing, ancora inedito in Italia, intitolato in lingua originale 心经 (Pinyin: Xīnjīng), ovvero “Sutra del cuore”, pubblicato in Cina nel 1943. Lo stile letterario unico ed elegante attraverso cui la scrittrice ha saputo far assaporare ai lettori i gusti, gli odori e i colori dell'Oriente sempre affiancati a qualche dettaglio occidentale, sono i motivi principali che mi hanno portato a scegliere di tradurre Zhang Ailing. Oltre alla traduzione del racconto, la tesi propone anche un approfondimento sulla vita e sulle opere della scrittrice concludendosi con un commento traduttologico volto a spiegare al lettore le varie scelte e strategie adottate per la stesura del testo, cercando di far vedere e toccare con mano il racconto attraverso gli occhi dell'autrice. "Sutra del Cuore" narra la storia di toccanti relazioni umane all' interno di un contesto familare solo apparentemente perfetto, influenzato da etica e morale, emozioni e desideri dei personaggi. La protagonista è Xu Xiao Han, una giovane ragazza di vent'anni bella, intelligente e arrogante, illuminata dalla passione e dalla pazzia. Il racconto si concentra maggiormente sulla relazione combattuta tra amore e odio tra lei e il padre di cui è innamorata. Zhang Ailing descrive con estrema sensibilità i sentimenti contrastanti della ragazza culminando poi in un' ascesa simbolica allo stesso tempo rappresentativa dell' inizio di una nuova era per la Cina.
APA, Harvard, Vancouver, ISO, and other styles
39

Teichert, Evelyne. "Zhang Ailing's experimental stories and the reader's participation in her short stories and novellas." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/28303.

Full text
Abstract:
This thesis is an in-depth analysis of three later short stories "Lust and Restrictions" (Characters Omitted),"Flowers and Pistils Floating on the Waves" (Characters Omitted), and "Happy Reunion" (Characters Omitted), written by the 1921 Shanghai born Chinese author Zhang Ailing. The analysis takes a look at the structure of these short stories and discovers that they differ from her earlier short stories, that is those she wrote ten years earlier in the 1940s, in their structural and narrative approach and thereby place a greater demand upon the reader's participation. These three stories are the only short stories by Zhang Ailing that do not develop in a linear fashion. The author introduces them in the preface of the anthology Sense of Loss by calling the second story "Flowers and Pistils Floating on the Waves" an "experiment." Because of their similar structural and narrative approach, I called all three of them "experimental" which really means the same as "modernists", to distinguish them from her earlier linear stories. The three major characteristics of the experimental stories, that is—the narrative happening in the character's minds, the chronological distortion of the narrative and the almost invisibility of a narrator large subordinated to the character's presence—all have the effect of bringing the reader close to the characters' subjective thoughts and reflect the characters' state of mind in the stories' present time, depending on the frequency of the switches between the times, that is between the past happening in the characters' minds and the stories present time. The reader's participation in these three stories is largely due to the narrative structure while in some of Zhang Ailing's lienar stories, as examined in this paper, it is based on the stories' content. The political changes in China, and the author's move away from the mainland could account for her increasingly pessimistic outlook on life reflected in the disjointed structures of the "experimental" stories.<br>Arts, Faculty of<br>Asian Studies, Department of<br>Graduate
APA, Harvard, Vancouver, ISO, and other styles
40

Wang, Yuan 1977. "Transgressing boundaries : hybridity in Zhang Ailing's writing and its multidimensional interpretations in contemporary China." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99613.

Full text
Abstract:
Zhang Ailing is an extraordinary yet important literary figure in 1940s China. In her writing, the specificity of hybridity breaks through restriction of domestic, social, political and cultural issues and makes her writing surpass the boundaries of races, cultures and space and time. It integrates Zhang's profound concern for human life and humanity with her exquisite literary sensibility. In my thesis, I deploy my study on this hybrid specificity, and also on the cultural phenomena relevant to Zhang Ailing in 1990s China, namely the "Zhang Ailing fever" and the nostalgia theme in Hong Kong film. By exploring the underlying relationship between the two issues on the basis of respective analyses of them, I try to enrich our understanding of this legendary writer and stimulate further thought on the broad and complex process of the "rehabilitation" of Zhang's literary reputation in both Western sinology and Chinese academia.
APA, Harvard, Vancouver, ISO, and other styles
41

Ciaudo, Joseph. "Sinodicée en question : Essai d'histoire intellectuelle à partir des discours culturalistes de Zhang Junmai (1919-1931)." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCF023.

Full text
Abstract:
Cette thèse de doctorat se propose d’étudier la formulation de discours à propos des «cultures/civilisations» occidentale et chinoise en Chine entre 1919 et 1931, en prenant les textes de Zhang Junmai comme point focal. La problématique centrale de ce travail est de mettre en lumière ce que j’ai appelé la «sinodicée» de Zhang Junmai, c’est-à-dire sa théorie justificatrice de la culture chinoise, théorie entendue à la fois dans son articulation conceptuelle et dans sa présentation discursive. Grâce à une étude détaillée des écrits de Zhang Junmai, ce travail offre une perspective nouvelle sur les trajectoires et les usages des expressions «culture chinoise» et «culture occidentale» dans le contexte de la Chine moderne. À travers une critique de précédents travaux peu sensibles aux problématiques soulevées par l’histoire sémantique et conceptuelle, est proposée une remise en question des principales grilles conceptuelles utilisées dans l’étude de l’histoire intellectuelle et politique de la Chine des années vingt. Face à la thèse de «la renonciation au politique» en vogue dans les travaux sur cette période, je montre au contraire que les débats autour de la notion de «culture» sous-tendent une refonte du répertoire conceptuel pour penser le monde et le politique. Chemin faisant, je montre que la sinodicée de Zhang Junmai n’est en rien un projet de type identitaire : la défense de la culture chinoise, et plus particulièrement du néoconfucianisme chez Zhang n’étant pas une valorisation d’un passé sacralisé, mais la revendication d’une indépendance chinoise et d’une capacité du peuple chinois à s’autodéterminer à travers la reconstruction du politique en Chine<br>This doctoral dissertation investigates the formation of discourses concerning Western and Chinese “cultures/civilizations” in China from 1919 to 1931 through a study of Zhang Junmai’s texts. The key issue of this work is to cast light upon what I have called Zhang Junmai’s “sinodicy”, that is his defence theory of “Chinese culture”, considered from both its conceptual articulation and its discursive expression. Throughout a careful reading of Zhang Junmai’s discourses, this dissertation offers new perspectives unto the uses and trajectories of expressions such as “chinese culture” and “western culture” in Modern China. It raises questions concerning the frameworks used by previous studies that often belittled the issues of semantic and conceptual history. Against the advocacy of a “renunciation to politics” common in works concerning the intellectual and political history of China in the twenties, I show that the debates around the notion of “culture” implied the foundation of a new conceptual repertoire to think the world and Chinese polity. I also argue that Zhang Junmai’s sinodicy was not the affirmation of a culturalist discourse build on an identity issue. His defence of Chinese culture, and of Neoconfucianism, cannot be understood as a valorisation of a sacralised past, but should be regarded as the advocacy of a Chinese intellectual independence, and the promotion of Chinese people’s abilities to self-determination. The cultural issue goes along with the problem of rebuilding a political order in China
APA, Harvard, Vancouver, ISO, and other styles
42

Cano, Emmanuel. "Le cinéma de Jia Zhang-ke : un cinéma de la mutation au cœur du jianghu." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20056.

Full text
Abstract:
Le cinéma chinois indépendant se développe dans les années 1980, alors que la Chine vient de commencer une politique d’ouverture et de modernisation. Le pays, dont la croissance est exceptionnelle et continue, devient rapidement une puissance économique émergente. Il connaît ainsi un processus de mutations qui bouleverse ses territoires et les conditions de vie de ses populations. Jia Zhang-ke, qui est l’un des principaux cinéastes indépendants chinois, s’attache tout au long de son œuvre à filmer et à interroger ce processus de mutation. Son projet est de garder une trace de ce que les mutations détruisent, font disparaître, de ce qui le remplace, et également de ce moment même de la mutation. Pour tenter de filmer ce passage, Jia Zhang-ke met en œuvre des dispositifs filmiques d’entre-deux et d’alternance, s’enracinant dans les héritages de l’art pictural chinois et des modernités cinématographiques européennes. Son cinéma, en cela, questionne le processus de mondialisation, ou de globalisation, et participe à l’élaboration de la connaissance, en même temps qu’il peut être considéré comme une forme de résistance<br>The independent Chinese cinema develops in the 1980s, while China has just begun a policy of openness and modernization. The country, the growth of which is exceptional and continuous, quickly becomes an emergent economic power. It so knows a process of transformations which upsets its territories and the living conditions of its populations. Jia Zhang-ke, who is one of the main Chinese independent film-makers, works throughout his work to film and to question this process of transformation. His project is to keep a track of what the transformations destroy, remove, of what replaces it, and also of this same moment of the transformation. To try to film this passage, Jia Zhang-ke operates cinematic devices of jump ball and alternation, taking root in the inheritances of the Chinese pictorial art and the European film modernities. His cinema, in that respect, questions the process of globalization, and participates in the elaboration of the knowledge, at the same time as he can be considered as a shape of resistance
APA, Harvard, Vancouver, ISO, and other styles
43

Andrade, Helena [Verfasser], Yixin [Akademischer Betreuer] [Gutachter] Zhang, and Carsten [Gutachter] Werner. "DNA Oligomers - From Protein Binding to Probabilistic Modelling / Helena Andrade ; Gutachter: Yixin Zhang, Carsten Werner ; Betreuer: Yixin Zhang." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2017. http://d-nb.info/112585099X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Huang, Heqin [Verfasser], Kai Jr [Akademischer Betreuer] Zhang, Kai Jr [Gutachter] Zhang, and Philipp [Gutachter] Vana. "Dynamic Heterogeneous Hydrogels with Cellulose Nanocrystals / Heqin Huang ; Gutachter: Kai Jr.- Zhang, Philipp Vana ; Betreuer: Kai Jr.- Zhang." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2019. http://d-nb.info/1183374585/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
45

Azevedo, Teixeira de Andrade Maria Helena [Verfasser], Yixin [Akademischer Betreuer] Zhang, and Carsten [Gutachter] Werner. "DNA Oligomers - From Protein Binding to Probabilistic Modelling / Helena Andrade ; Gutachter: Yixin Zhang, Carsten Werner ; Betreuer: Yixin Zhang." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2017. http://d-nb.info/112585099X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

Zhang, Hongwen. "Shear band evolution in Zr/Hf-based bulk metallic glasses under static and dynamic indentations /." Available online. Click here, 2006. http://sunshine.lib.mtu.edu/ETD/DISS/2006/MaterialsSci&Eng/zhangh/diss.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
47

Shu, Yuan. "Zhongguo jing ji zeng zhang fen xi." Shanghai : Fu dan da xue chu ban she : Xin hua shu dian Shanghai fa xing suo fa xing, 1993. http://catalog.hathitrust.org/api/volumes/oclc/30040275.html.

Full text
APA, Harvard, Vancouver, ISO, and other styles
48

Zhang, Yan [Verfasser]. "Spatially resolved 2D Laplace NMR / Yan Zhang." Aachen : Hochschulbibliothek der Rheinisch-Westfälischen Technischen Hochschule Aachen, 2014. http://d-nb.info/1065410492/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
49

Ming, Yau-yau, and 明柔佑. "A study of Zhang Dai's Shigui Shu =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B34615933.

Full text
APA, Harvard, Vancouver, ISO, and other styles
50

葉淑蘭 and Sook-lan Yap. "A study of Zhang Tianyi's children's literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31211057.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Zhangye' for other source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography