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Tesis sobre el tema "17th century"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Carenwall, Carl. "Adaptive binarization of 17th century printed text." Thesis, Uppsala universitet, Institutionen för informationsteknologi, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-188155.

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This work focused on implementing and evaluating an adaptive water flow model for binarization of historical documents, as presented by Valizadeh and Ehsanollah in an article published in early 2012. While the original method sought an optimal result for all kinds of degraded documents, both on hand written and printed, the work presented here only needed to be concerned with printed documents. This was due to being focused on specific documents scanned by the Uppsala university library. The method itself consists of several steps, including a couple that uses other methods for binarization to

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2

McKimpson, Karl. "Going Commercial: Agency in 17th Century Drama." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20412.

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This dissertation’s aim is to reveal how essential economic mechanics were to playwrights when it came to depicting agency. Rising commercialization in the seventeenth century prompted playwrights to appropriate market behaviors in London as a new discourse for agency. Commerce serves as a metaphor for every part of daily life, and a new kind of “commercial” agency evolves that predicates autonomy upon the exchange networks in which a person participates. Initially, this new agency appears as a variation on the trickster. By the end of the century, playwrights have created a new model for auto

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3

Irvine, Verity Elizabeth. "The 'oriental' ambassador in 17th century French comedy." Thesis, University of Kent, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410870.

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4

Martin, Henri-Jean. "Print, power, and people in 17th-century France /." Metuchen (N.J.) ; London : Scarecrow, 1993. http://catalogue.bnf.fr/ark:/12148/cb37506692s.

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5

Wiese, Helen Lloy. "Lully's Psyché (1671) and Locke's Psyche (1675) : contrasting national approaches to musical tragedy in the seventeenth century." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42070.

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The English semi-opera, Psyche (1675), written by Thomas Shadwell, with music by Matthew Locke, was thought at the time of its performance to be a mere copy of Psyche (1671), a French tragedie-ballet by Moliere, Pierre Corneille, and Philippe Quinault, with music by Jean- Baptiste Lully. This view, accompanied by a certain attitude that the French version was far superior to the English, continued well into the twentieth century. This view is misleading; although the English play was adapted from the French, both were representative of two well-developed native theatrical traditions.

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6

Coll, Rosemary. "Aspects of the Verb in 17th-century Irish Texts." Thesis, University of Ulster, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527462.

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7

Levitt, Ruth L. "Cuyp's cattle : aesthetic transformations in Dutch 17th-century art." Thesis, University College London (University of London), 1990. https://kclpure.kcl.ac.uk/portal/en/theses/cuyps-cattle-aesthetic-transformations-in-dutch-17thcentury-art(b4f9c421-cfd9-4221-aae2-54ed218b139f).html.

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This study investigates the depiction of cattle by the Dutch painter Aelbert Cuyp (1620-91). It seeks to identify possible reasons for his choices of subject-matter and to trace the implications- for subsequent taste. Origins of the Dutch 17th-century veestuk (cattle piece) can be found in artefacts and writings of many earlier cultures, in which cattle images served mythological, religious, instructional and other functions. The real and symbolic importance of Dutch cattle husbandry and dairy farming contributed further significance to this iconography, and in Cuyp's day the 'Dutch cow' was r

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8

Kirk, Maria. "Performing consumption and consuming performance : a 17th century play collection." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61894/.

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This thesis explores the relationship between performance and consumption in relation to play collection in the 1630s, and also examines the wider contexts of performance and consumption in that decade. It proposes that the 1630s were a decade characterised by particularly self-conscious performances of consumption, and that this environment contributed directly to the beginnings of the collection of books for display purposes. A focus on the Petworth collection and its original collector is maintained throughout the thesis, which weaves together the material and literary content of the collec

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9

Sabbadini, Lorenzo. "Property, liberty and self-ownership in the English Revolution." Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8678.

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This thesis seeks to develop our understanding of ideas about political liberty in the English Revolution by way of focusing on the issue of property, a topic unduly neglected in the secondary literature. Most writers of the period conceived of liberty as absence of dependence, but what has been little examined is the extent to which it was believed that the attainment of this condition required not only a particular kind of constitution but a particular distribution of property as well. Here the central ideal became that of self-ownership, and the thesis is largely devoted to tracing the rise

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10

Ellwood, Mark Richard. "The Roman Catholic peerage and the Crown in late seventeenth-century Ireland." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610232.

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11

Billinge, Richard. "Nature, grace and religious liberty in Restoration England." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:18c8815b-4e57-45f5-b2c1-e31314a09d4f.

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This thesis demonstrates the importance of scholastic philosophy and natural law to the theory of religious uniformity and toleration in Seventeenth-Century England. Some of the most influential apologetic tracts produced by the Church of England, including Richard Hooker's Laws of Ecclesiastical Polity, Robert Sanderson's Ten lectures on humane conscience and Samuel Parker A discourse of ecclesiastical politie are examined and are shown to belong to a common Anglican tradition which emphasized aspects of scholastic natural law theory in order to refute pleas for ceremonial diversity and liber

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12

Meredith, Victoria Rose. "The use of chorus in baroque opera during the late seventeenth century, with an analysis of representative examples for concert performance." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186254.

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The intent of this study is twofold: first, to explore the dramatic and musical functions of chorus in baroque operas in Italy, France, and England; second, to identify choral excerpts from baroque operas suitable for present-day concert performance. Musical and dramatic functions of chorus in baroque opera are identified. Following a brief historical overview of the use of chorus in the development of Italian, French, and English baroque opera, representative choruses are selected for analysis and comparison. Examples are presented to demonstrate characteristic musical use of chorus in baroqu

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13

Boguszak, Jakub. "Actors' parts in the plays of Ben Jonson." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:7732f887-5a9d-4fc6-afce-9bc4242265f9.

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The thesis continues the work undertaken in recent years by (in alphabetical order) James J. Marino, Scott McMillin, Paul Menzer, Simon Palfrey, Tiffany Stern, Evelyn Tribble, and others to put to use what is now known about the purpose, distribution, and usage of early modern actors' parts. The thesis applies the new methodology of reading 'in parts', or reconstituting early modern plays 'in parts', to the body of plays written by Ben Jonson. The aim of the project is to offer a reconsideration of Jonson as a man of theatre, interested not only in the presentation of his works in print, but a

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14

Henderson, Felicity 1973. "Erudite satire in seventeenth-century England." Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7999.

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15

Xu, Sufeng. "Lotus flowers rising from the dark mud : late Ming courtesans and their poetry." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102831.

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The dissertation examines the close but overlooked relationship between male poetry societies and the sharp rise of literary courtesans in the late Ming. I attempt to identify a particular group of men who devoted exclusive efforts to the promotion of courtesan culture, that is, urban dwellers of prosperous Jiangnan, who fashioned themselves as retired literati, devoting themselves to art, recreation, and self-invention, instead of government office. I also offer a new interpretation for the decline of courtesan culture after the Ming-Qing transition.<br>Chapter 1 provides an overview of the s

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16

Watson, Andrew. "Influences on court advocacy from the 17th to the 21st century." Thesis, University of Surrey, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.576121.

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Court advocacy in England and Wales, and the United States, has, over the last three centuries, been very fluid and remains so. It certainly did not develop according to an over- riding logical plan, but has grown piecemeal and at an uneven pace, the result of a complex interplay of many influences. An attempt is made to identify as many of these, chronologically, as possible. A non exhaustive list of principal factors, the relative importance of each has varied over time, includes: the effect on juniors of successful styles and approaches used by senior advocates; judicial tastes for the advo

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17

Miyoshi, Riki. "Thomas Killigrew and Carolean stage rivalry in London, 1660-1682." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0cf4bd8a-041c-47a9-b82f-bb38ce159dd7.

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This thesis has two aims: to make an original contribution to knowledge by demonstrating the importance of theatrical rivalry to the development of drama in the Carolean period (the reign of Charles II), and to re-evaluate the managerial career of Thomas Killigrew (1612-1683). This is the first detailed survey of the circumstances in which the King's Company and the Duke's Company competed and an analysis of the troupes' devices of plotting and counter-plotting during their twenty-two years of stage rivalry from 1660 to 1682. As well as charting the stage rivalry between the two companies, my

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18

Swanick, Lois Ann. "An analysis of navigational instruments in the Age of Exploration: 15th century to mid-17th century." Thesis, Texas A&M University, 2005. http://hdl.handle.net/1969.1/3235.

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During the Age of Exploration, navigation evolved from a field filled with superstition into a modern science in Portugal, Spain, and England. The most common navigation instruments utilized and their subsequent innovations are discussed. The refinement of these instruments led to increased accuracy in cartography, safer shipping, and increased trade globally in the period. In order to have the most comprehensive collection of navigation instruments, I investigated 165 shipwrecks dated between 1500 and 1700. Each of these vessels have been located, surveyed, and/or excavated in whole or in par

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19

Palmer, Thomas John. "Jansenism, holy living and the Church of England : historical and comparative perspectives, c. 1640-1700." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:38a685c6-ce86-437d-a651-8e54b88976e9.

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This thesis examines the impact in mid- to later-seventeenth century England of the major contemporary religious controversy in France. The debates associated with this controversy, which revolved around the formal condemnation of a heresy popularly called Jansenism, involved fundamental questions about the doctrine of grace and moral theology, about the life of the Church and the conduct of individual Christians. In providing an analysis of the main themes of the controversy, and an account of instances of English interest, the thesis argues that English Protestant theologians in the process

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20

Howson, Barry. "The question of orthodoxy in the theology of Hanserd Knollys (c. 1599-1691) : a seventeenth-century English Calvinistic Baptist." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36607.

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Mid-seventeenth-century England saw numerous religious sects come into existence, one of which was the Calvinistic Baptist group. During the upheaveal of the revolutionary years this group was often accused of heresy by their orthodox/reformed contemporaries. At that time Hanserd Knollys, one of their London pastors, was personally charged with holding heterodox beliefs, in particular, Antinomianism, Anabaptism and Fifth Monarchism. In addition, Knollys has been accused of hyper-Calvinism. This version of Calvinism was held by some eighteenth-century English Calvinistic Baptists. Some Baptist

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21

Carrier, Isabelle. "Virtuosité procédurière : pratiques judiciaires à Montpellier au Grand Siècle." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84487.

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The judicial system of seventeenth-century France is often qualified as vitiated and inefficient. Actually, truth and equity are virtually absent from the court. In these conditions, why would one appeal to institutional justice? Montpellier notables use the judicial system to exert pressure on a debtor, to redress the internal familial order, to sidestep customary practices, to take revenge, to cause harm. Indeed, the question of law is rarely something other than a pretext, and it is precisely because it is vitiated that the judicial system can be used in that way. The analysis of the

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22

MacKechnie, Aonghus. "Scots court architecture of the early 17th century : the absentee-court architecture of Sir James Murray of Kilbaberton, William Wallace and their circle, in the early 17th century." Thesis, University of Edinburgh, 1994. http://hdl.handle.net/1842/19955.

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23

Davis, John Robert. "From Harry to Sir Henry| Social mobility in the 17th century Caribbean." Thesis, Western Carolina University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1587335.

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<p> During the 17<sup>th</sup> Century, the Caribbean saw an explosion in seaborne raiding. The most common targets of these raids were Spanish ships and coastal towns. Some of the men who went on these raids experienced degrees of social and economic mobility that would not have been possible in continental Europe. This was because the 17<sup>th</sup> Century Caribbean created an environment where such mobility was possible. Among these was a Welshman was known to his compatriots as Harry Morgan. By the end of his life, Morgan would become one of the most famous buccaneers in history, a wealt

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24

Kahanoff, Eliezer. "Patterns of secularisation of the Western Sephardi Diaspora in the 17th century." Thesis, University College London (University of London), 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246699.

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25

Van, Kleeck Peter William. "Hermeneutics and theology in the 17th century the contribution of Andrew Willet /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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26

Chapin, Regina L. 1965. "A faunal analysis of the 17th century galleon Nuestra Senora de Atocha." Thesis, The University of Arizona, 1990. http://hdl.handle.net/10150/278482.

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The vertebrate faunal analyses of the 17th century sunken Spanish galleons, Nuestra Senora de Atocha and to a lesser extent, the Santa Margarita have yielded relevant information on the transportation of animal types across the Alantic. The collection from the Atocha includes 986 identifiable bones, which mainly consist of various fish, reptiles and mammals, although a few bird bones are noted. Remains were collected from 16 areas either within what was left of the ship, or in sections measured away from the wreck. Evidence has shown that a few animals, namely Sus scrofa and Ovis/Capra, had be

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27

Laanela, Erika Elizabeth. "His Majesty's Ship Saphire and the Royal Navy in 17th-Century Newfoundland." W&M ScholarWorks, 2019. https://scholarworks.wm.edu/etd/1563899019.

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The English fifth-rate frigate Saphire was set on fire by its commander in Newfoundland during an attack by a French squadron in September 1696. Prior to its untimely sinking, this small warship had served the Royal Navy for over two decades, primarily in the Mediterranean, acting as convoy and escort to English shipping. This study combines multiple lines of evidence, including archaeology and material culture recovered from the wreck and contemporary documents, art, and illustrations, to explore the significance of the Saphire through a series of multi-scalar and diachronic interpretive lens

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28

Lievens, Lore Lotte <1993&gt. "A vast unknown population. Parchment bookbindings in the 16th and 17th century." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10776.

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The study of parchment bookbindings in the past has been greatly neglected. Interest for the bindings was in fact associated with the antiquarian book market and limited to the so-called artistic binding; decorated covers that are rather rarely found on parchment. The recently developed interest for them is more concentrated on particularities in small samples of study than on the entire ‘population’ of the bindings. The current research therefore focusses on the general evolutions of the materials and the manufacturing techniques of parchment bindings from the 16th and 17th century. A sample

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29

Michel, Robert 1944. "English marriage and morals 1640-1700 : issues and alternatives." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=76581.

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30

Oliver, Ryan. "Aliens and atheists: The Plurality of Worlds and Natural Theology in Seventeenth-Century England." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc5134/.

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The plurality of worlds has had a long history in England, which has not gone unnoticed by scholars. Historians have tended to view this English pluralist tradition as similar to those found on the continent, and in doing so have failed to fully understand the religious significance that the plurality of worlds had on English thought and society. This religious significance is discovered through a thorough investigation of plurality as presented by English natural philosophers and theologians, and in so doing reveals much about England in the seventeenth century. As natural philosophers incorp

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31

Patterson, Patrick. "The Debate over the Corporeality of Demons in England, c. 1670-1700." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12180/.

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According to Walter Stephens, witch-theorists in the fifteenth century developed the witchcraft belief of demon copulation in order to prove the existence of demons and therefore the existence of God. In England, during the mid-seventeenth century, Cartesian and materialist philosophies spread. These new philosophies stated there was nothing in the world but corporeal substances, and these substances had to conform to natural law. This, the philosophers argued, meant witchcraft was impossible. Certain other philosophers believed a denial of any incorporeal substance would lead to atheism, and

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32

Powell, Hunter Eugene. "The Dissenting Brethren and the power of the keys, 1640-1644." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/252255.

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33

Strahle, Graham. "Fantasy and music in sixteenth- and seventeenth-century England /." Title page, contents and abstract only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09phs896.pdf.

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34

Kjaergaard, Mette, and n/a. "Dance at the seventeenth-century Danish court." University of Otago. Department of Music, Theatre Studies and Performing Arts, 2008. http://adt.otago.ac.nz./public/adt-NZDU20081127.161219.

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This thesis examines the culture and practice of dance in Denmark in the seventeenth century, focussing on the performance practice within festivals, the pervading French influence and philosophical discourse of dance. The repertoire of staged court dance in Denmark comprises ballets and plays performed in conjunction with festival events such as coronations, weddings, and christenings. Typical is the 1634 festival in honour of Prince-Elect Christian and Magdalena Sibylla�s wedding in Copenhagen, a celebration of international significance. Subsequent celebrations during the reigns of Freder

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35

Vanan, Shalini Mikaela. "17th-century Neapolitan paintings of the Flagellation of Christ : temporality, pain & performance." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43143.

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The Biblical narrative of the Flagellation of Christ persisted in visual representations through the medieval and early modern eras when it was replicated in passion plays, illustrated manuals, sculpture and painting. In 17th-century Naples, several variations on the Flagellation scene were produced by artists such as Michelangelo Merisi da Caravaggio, Giovanni Battista Caracciolo, Jusepe de Ribera, Bernardo Cavallino, Andrea Vaccaro and Luca Giordano. Because it was the first of a series of images, scholars have often viewed Caravaggio’s Flagellation of Christ as the model for all succeeding

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36

Schenck, Catherine. "Interaction, integration, and innovation at the 17th century feira of Dambarare, northern Zimbabwe." Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/26944.

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Several feiras (or trading towns) were established north and south of the Zambezi River towards the end of the 16th and early 17th centuries. Those feiras south of the Zambezi were mercantile and domestic settlements built by the Mutapa state and the Portuguese, and acted as points of contact between foreign and local traders. Dambarare, one of the more important feiras of the 17th century, was excavated in 1967 and the archive subsequently grew due to development activities in the region. In nearly fifty years, no-one has considered this archive as a whole, and few questions have been asked a

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37

Richardson, A. L. "The transformation of the Ulster landscape from the 17th to the 19th century." Thesis, Queen's University Belfast, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680388.

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This thesis addresses changes in the layout of the agricultural landscape in Ulster from the 17th to the mid-19th century. Rural Ireland underwent considerable change during this period, with rundale - a type of openfield farming - giving way to the network of regular, enclosed fields present throughout most of the country today. This work draws on data gathered from archival cartography and supporting documentation to record and analyse patterns and progress from a variety of case-studies. Geographic Information Systems (GIS) was employed to carry out the investigation. Extant work on the Uls

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38

Zweigman, Leslie Jeffrey. "The role of the gentleman in county government and society : the Gloucestershire Gentry, 1625-1649." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=76528.

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This study presents a picture of the social, political and economic life of the Gloucestershire county community on the eve of, and during the civil war, and discusses the causes and effects of the conflict in the Gloucestershire context.<br>Chapter One describes the county in 1640, studying its physical features, wealth and pursuits and social structure. The second chapter offers a survey of the 'county community,' the prominent county families who formed a small but most powerful and influential group in the county.<br>Chapter Three attempts to classify the established county gentry in terms

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39

Rushing-Raynes, Laura. "A history of the Venetian sacred solo motet (c. 1610--1720)." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185473.

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In 17th century Italy, the trend toward small sacred concertato forms precipitated the publication of a number of volumes devoted exclusively to sacred solo vocal music. Several of these, including the Ghirlanda sacra (Gardano, 1625) and Motetti a voce sola (Gardano, 1645) contain sacred solo motets by some of the best Italian composers of the period. Venetian composers were at the forefront of the move toward the smaller concertato forms and, to fulfill various needs of church musicians, wrote in an increasingly virtuoso style intended to highlight the solo voice. This study traces the develo

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40

Stone, Mathew, and University of Lethbridge Faculty of Arts and Science. "A comparative analysis of criminal procedure in seventeenth-century France and Puritan Massachusetts." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2000, 2000. http://hdl.handle.net/10133/123.

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Chapter I is a discussion aimed at providing the reader with a basic understanding of the complex system of social classification that was in a place in ancien regime France for centuries. Chapter II outlines the development of a royal system of justice prior to our period and the royal courts, whose form and hierarchy were the result of years of reform. These chapters represent the judical and social extremes that procedure linked. Chapter III is a thorough and complete discussion of the entire possible process in France during our period. This chapter clearly outlines the order of phases tha

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41

Baird, J. Aileen. "Medical and popular attitudes toward female sexuality in late seventeenth century England (1660-1696)." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22557.

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This thesis is an analysis of medical and popular views toward female sexuality in late seventeenth century England (1660-1696), based on the study of learned vernacular medical texts, personal sources and popular literature. In that period, women's subordinate social status to men was largely determined by their 'inferior' biology; "female illnesses" were considered to be a product of women's innate physiological 'weakness' as defined by humoral medical theory, and their reproductive organs were linked to their less restrained (than men's) sexual desires.<br>This research examines those medic

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42

Jackson, Simon John. "The literary and musical activities of the Herbert family." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283892.

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43

Snook, Lorrie Jean. "The performance of sexual and economic politics in the plays of Aphra Behn." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185960.

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Since her work as a professional playwright in the 1670s and 1680s, critics have sought to equate Aphra Behn and her plays, to fix and stabilize the body of the writer and of her work. She has been marked as a prostitute, a feminist, and a masculinist hack, in each case her gender determining the value of and audience for her writing. This dissertation argues that Behn's plays--and Behn--should be read in terms of her controlling tropes and forms of performance and intrigue. Her plays and her presence use these tropes and forms to decenter the idea of identity and manipulate conventions of gen

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44

Wang, Shuo. "Manchu women in transition gender, ethnicity, and acculturation in the 17th-18th century China /." online access from Digital Dissertation Consortium access full-text, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3075081.

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45

Roy, Francine 1948. ""...Templum nova forma constructum..." : early 17th-century late Gothic churches in Wolfenbüttel and Bückeburg." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31137.

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In the years around 1600, a change was noted in architecture towards a return to Gothic elements in Europe. The Gothic, in contrast to the Classical or Ancient, became a "new manner", a modern style. The residence churches at Wolfenbuttel and Buckeburg, which were erected around 1600 by Lower Saxon territorial princes, are Late Renaissance constructions that were made to look partly Gothic. This was neither a lingering on of Late Gothic design nor a misunderstanding of Renaissance architecture: it was rather a conscious evocation of the past and its merger with contemporary architecture. The f

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Bowdler, Roger Hugh. "Monuments of decay and resurrection : themes of mortality in 17th century English church monuments." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386333.

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Anderson, Simon John. "Music by members of the Choral Foundation of Durham Cathedral in the 17th century." Thesis, Durham University, 2000. http://etheses.dur.ac.uk/1166/.

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Durham Cathedral is known to possess one of the largest and most intact collections of 17th-century liturgical music manuscripts in the world. That so much material survived the trauma of the Commonwealth is fortuitous indeed. The history of the pre-Civil War manuscripts has already been researched, and those after the Restoration have been investigated to a degree. The present research is concerned with a detailed study of the music composed by the many Durham musicians of the 17th century contained in the manuscripts, and their related sources. In total over 80 works by 20 composers are repr

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Griffith, Catherine Lloyd. "William Phylip, ei fywyd a'i waith." Thesis, Bangor University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340493.

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O'SCEA, Ciaran. "In search of honour and a Catholic monarch : the assimilation and integration of an Irish minority in early modern Castile, 1601-1638." Doctoral thesis, European University Institute, 2007. http://hdl.handle.net/1814/10403.

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Defence date: 14 September 2007<br>Examining Board: Prof. Olwen Hufton, (University of Oxford) ; Prof. Bartolomé Yun-Casalilla, (European University Institute) ; Prof. Nicholas Canny, (University College, Galway) ; Dr. Glyn Redworth, (University of Manchester)<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>As a consequence of the Castilian monarch’s intervention in Ireland in 1601-02, Irish communities under Spanish royal patronage were consolidated in various parts of its dominions. One of the most important of these was that of La Coruña in north-west Spain,

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O'Neil, Maryvelma Smith. "Giovanni Baglione : seventeenth-century artist, draughtsman and biographer of artists." Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:b1494a9e-8c16-4d48-9553-0f63da44cb6c.

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This thesis explores Baglione's contributions to art and to the history of art by examining the nature of his artistic and critical originality and the significant influences thereon. In the work for which he is best known, Le Vite ... (1642), Baglione was an interesting and generous critic who was unusually receptive to pictorial effects, even when in architecture and sculpture. He assesses Caravaggio's accomplishments with well chosen observations thereby breaking his restriction to discuss only accessible works of art. A broad view of his paintings and drawings shows Baglione's complex, ori

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