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Artículos de revistas sobre el tema "1840-1928 Criticism and interpretation"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 29 de enero de 2023

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1

Hodgson, Peter C. "Hegel’s Interpretation of Determinate Religion." Owl of Minerva 52, no. 1 (2021): 5–9. http://dx.doi.org/10.5840/owl202152733.

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This is the first major study of Hegel’s treatment of the world religious in many years. It has much to commend it. The author possesses a mastery of the sources used by Hegel; he shows the pivotal position of “Determinate Religion” in Hegel’s philosophy of religion; he discusses the rise of Orientalism in the nineteenth century; and he demonstrates the connection between “the logic of the gods,” human self-recognition, and the slow progression of freedom in culture and history. My primary criticism is that Stewart does not utilize the resources provided by the critical edition of the Lectures

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2

Sopianna, Pian, Muhammad Noer Faturrachman, and Mardani Mardani. "Peran Peter William Hofland dalam Mengelola Tanah Partikelir Pamanoekan en Tjiasem Landen Subang Tahun 1802-1874." Historia Madania: Jurnal Ilmu Sejarah 4, no. 1 (July 30, 2020): 61–72. http://dx.doi.org/10.15575/hm.v4i1.9186.

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This article deals with the role of a Peter William Hofland in developing the lands of Pamanoekan en Tjiasem in Subang Regency. William was considered to have successfully developed the lands, particularly in running the plantation business within the area of Subang. This study uses historical methods, namely heuristics, criticism, interpretation, historiography. Historically, William managed the land of Pamanoekan en Tjiasem since 1840 until his death in 1972. Within a period of 32 years, he had succeeded in developing the land of land in his territory namely Pamanoekan en Tjiasem Landen whic

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3

Vasic, Aleksandar. "Engagement in musical criticism: Pavle Stefanovic’s texts in The Music Herald (1938-1940)." Muzikologija, no. 27 (2019): 203–20. http://dx.doi.org/10.2298/muz1927203v.

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Pavle Stefanovic (1901-1985) is one of the most prominent Serbian music critics and essayists. He created extensive musicographic work, largely scattered in periodicals. A philosopher by education, he had an excellent knowledge of music and its history. His style was marked by eloquence, associativity and plasticity of expression. Between 1938 and 1940 he published eighteen music reviews in The Music Herald, the longest-running Belgrade music magazine in the interwar period (1928-1941, with interruption from 1934 to 1938). Stefanovic wrote about concerts, opera and ballet performances in Belgr

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4

Ar Razy, Mohammad Refi Omar. "The Sekar Rukun Association: Struggle of the Sundanese Youth National Movement Era (1919-1931)." Historia: Jurnal Pendidik dan Peneliti Sejarah 4, no. 2 (June 7, 2021): 159–72. http://dx.doi.org/10.17509/historia.v4i2.32045.

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This study aims to analyze the kirprah of the Sekar Rukun Association during the National Movement (1919-1931) which includes the formation, form of struggle, and the process of merging with the Young Indonesia organization. The research method used is the historical method which consists of heuristic, source criticism, interpretation, and historiography stages. Through this research, it can be seen that, first, the Sekar Rukun Association was formed by Sundanese figures who attended school in Batavia, such as Doni Ismail, Iki Adiwidjaja, Djuwariah, Hilman, Moh. Sapii, Mangkudiguna, Soetisna S

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5

Avram, Virtop Sorin. "Philosophy and education: The predicament of Ion Petrovici (1882–1972) work at Romania’s centennial (1918–2018)." New Trends and Issues Proceedings on Humanities and Social Sciences 6, no. 1 (May 10, 2019): 286–95. http://dx.doi.org/10.18844/prosoc.v6i1.4180.

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As one of the disciples of Titu Maiorescu (1840–1917) together with Constantin Radulescu–Motru (1868–1957) and Petre Paul Negulescu (1872–1951), they are regarded as the most prolific thinkers in Romanian modern thought and founders of the Romanian modern culture. History changes which they could not foresee have left the marks upon the perception, reception and interpretation of their work and Ion Petrovici is no exception to that. In order to understand and interpret his work reflected in his writings on philosophy, logic, philosophical monographs, travel diaries, speeches and notes, biograp

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6

Babak, Galina. "AHAPII SHAMRAI IN SEARCH OF SYNTHETIC THEORY OF LITERATURE: 1920s." Слово і Час, no. 3 (June 20, 2022): 28–44. http://dx.doi.org/10.33608/0236-1477.2022.03.28-44.

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This article reconstructs the theoretical views of a literary historian and critic Ahapii Pylypovych Shamrai (1896—1952) in the context of perception of Oleksandr Potebnia’s philological and linguistic heritage — and at the same time in the context of the development of the formal method and sociological approach in Ukrainian literary criticism in the 1920s. The study offers a detailed analysis of Shamrai’s early work “O. Potebnia and the methodology of the history of literature” (1924) in the connection with Russian formalists’ critical approach to Potebnia’s theoretical ideas. In his e

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7

Avram, Virtop Sorin. "An educational perspective on the philosophy of Petre Paul Negulescu (1872–1951) at the Romania Centennial’s (1918–2018)." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 1 (May 8, 2018): 57–67. http://dx.doi.org/10.18844/prosoc.v5i1.3383.

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   A disciple of Titu Maiorescu (1840–1917), Petre Paul Negulescu, along with Constantin Radulescu-Motru (1868–1957) and Ion Petrovici (1882–1972), is regarded as being among the most prolific thinkers in Romanian modern thought and one of the founders of the modern Romanian culture. Historical changes he could never envisage have left their mark upon the perception, reception and interpretation of his work. The paper reviews the key characteristics of Petre Paul Negulescu’s work as reflected in his studies on the origin of culture, the philosophy of Renaissance and two magni

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8

Jodi, Jergian, and Badrun Badrun. "Eksistensi Kawasan Pecinan dalam Bentuk Pemenuhan Tata Ruang Kota Jember, 1930-1970." Local History & Heritage 2, no. 1 (May 23, 2022): 38–44. http://dx.doi.org/10.57251/lhh.v2i1.330.

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The formation of the district of Jember was influenced by Europeans who were interested in establishing a plantation in Jember. Jember which was originally part of the Bondowoso afdeeling then on January 9, 1883 the Governor of the Dutch East Indies made a change to a separate afdeeling and in 1928 the Dutch East Indies government issued a regulation to increase the status to Regentschap Djember as a district. Changes in status caused a large number of migrants to come, especially ethnic Chinese who made their place of residence namely the Chinatown village. The Chinatown area which is located

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9

Pulkkinen, Veijo. "Muutokset Aaro Hellaakosken"Vieras"-runon ulkoasussa." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 2 (July 1, 2016): 5–23. http://dx.doi.org/10.30665/av.66034.

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   Changes in the Visual Form of Aaro Hellaakoski’s Poem ”Vieras” (”The Stranger”) The present article shows how genetic criticism (critique génétique) can enrich our understanding and interpretation of visual poetry by examining the manuscript, proofs and published versions of the poem ”Vieras” (” e Stranger”) from the typographically experimental collection Jää- peili (”Ice Mirror”, 1928) by the Finnish poet Aaro Hellaakoski (1893–1952). e collection is regarded as a forerunner of Finnish modernism, and particularly its experimental typography got successors only as l

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10

Аксенова, А., and A. Aksenova. "TO THE ISSUE OF THE APPLICATIVITY OF UNDERSTANDING: THE CONTROVERSY BETWEEN E. BETTI AND H. G. GADAMER." Bulletin of Kemerovo State University. Series: Humanities and Social Sciences 2017, no. 2 (June 25, 2017): 61–64. http://dx.doi.org/10.21603/2542-1840-2017-2-61-64.

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<p>Considering the controversy between E. Betti and H.-G. Gadamer, we do not seek to criticize or defend the views of one of the parties, but to draw attention to the phenomenon of the emergence of the controversy. The issue of the applicativity of understanding was considered by other scientists, but we see the clash of methodological and ontological hermeneutics as the problem of understanding situated on the border of science and life, man and world, subjectivity and objectivity. The sheer existence of the controversy evokes hermeneutic attitude to the phenomenon of historicity. Since

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11

Uhlmann, Anthony. "Approaches to the (Beckett) Archives: Popper, Coetzee, and Scientific Validity." Journal of Beckett Studies 26, no. 1 (April 2017): 103–17. http://dx.doi.org/10.3366/jobs.2017.0190.

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This paper concerns the nature of the archive and the kinds of statements that might be drawn from our interaction with the archive. In the first part, Karl Popper's concept of ‘falsifiability’ is examined, particularly insofar as it features in Nabokov criticism (via Brian Boyd) and in Beckett studies (through Matthew Feldman). Falsifiability brings with it the authority of science, which Feldman uses to challenge certain kinds of Beckett-based orthodoxies – such things as the unquestioned centrality of Descartes to the work, and the (perceived) imprecision of theory-driven readings. One of F

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12

Gersh, K. V., and A. A. Kuznetsov. "On the Correspondence between I.M. Grevs and S.I. Arkhangelsky (1920s): The Aspects of Personal Biography and Historiography." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 164, no. 3 (2022): 48–74. http://dx.doi.org/10.26907/2541-7738.2022.3.48-74.

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This article considers an important source on the evolution of Russian historical science. These are four letters written in 1926–1928 by the leading historian I.M. Grevs (1860–1941) to his colleague S.I. Archangelsky (1882–1958), a future corresponding member of the Academy of Sciences of the USSR. Unfortunately, the response letters of S.I. Arkhangelsky have been lost. The letters under study focus on two main problems. I.M. Grevs unsuccessfully helped S.I. Arkhangelsky to publish the historical source he had translated – “The Edict on Maximum Prices” of Emperor Diocletian. In this connectio

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13

Capellán De Miguel, Gonzalo. "Gumersindo de Azcárate: Derecho, "Selfgovernment" y Constitución inglesa." Teoría y Realidad Constitucional, no. 44 (November 15, 2019): 527. http://dx.doi.org/10.5944/trc.44.2019.26027.

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Gumersindo de Azcárate (León, 1840— Madrid, 1917) fue uno de los más influyentes catedráticos de derecho y políticos de la España contemporánea. Fue un miembro activo del denominado movimiento krausista que desempeñó un importante papel en la cultura y política española tras la revolución de 1868. Desde diferentes revistas y desde la propia Universidad defendió los principios liberales y democráticos que conducían al establecimiento de su ideal: Estado de derecho. En ese contexto apoyó la nueva constitución de 1869, que Azcárate considerará siempre un referente y el mejor código fundamental de

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14

"Sociological concept of Ukrainian literature by Professor KhINO V. Koryak." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 80 (2019). http://dx.doi.org/10.26565/2227-1864-2019-80-02.

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The article discusses the features of the concept of Ukrainian literature teacher and professor of KhINO, the head of the department of the history of Ukrainian literature (1933–1936) of the Kharkov University V. Koryak (1889–1937). His aesthetic views combined Marxism, sociological criticism and the ideas of building “proletarian culture”. The sociological concept of the dynamics of the national literary process and the interpretation of works of art reflected the Marxist approach to the analysis of writing and significantly influenced the Ukrainian literary criticism of the 1920s, as well as

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15

Dabek, Ryszard. "Jean-Luc Godard: The Cinema in Doubt." M/C Journal 14, no. 1 (January 24, 2011). http://dx.doi.org/10.5204/mcj.346.

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Photograph by Gonzalo Echeverria (2010)The Screen would light up. They would feel a thrill of satisfaction. But the colours had faded with age, the picture wobbled on the screen, the women were of another age; they would come out they would be sad. It was not the film they had dreamt of. It was not the total film each of them had inside himself, the perfect film they could have enjoyed forever and ever. The film they would have liked to make. Or, more secretly, no doubt, the film they would have liked to live. (Perec 57) Over the years that I have watched and thought about Jean-Luc Godard’s fi

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16

Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (December 13, 2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei

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17

Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (May 2, 2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li

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