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Tesis sobre el tema "1887-1965 Criticism and interpretation"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 6 de febrero de 2022

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1

Gadbois, Pauline. "La parole parlée dans l'oeuvre de Jacques Brault 1954-1965 /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59886.

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Often designated as "le poete de la parole parlee", Jacques Brault, author of a substantial and rigourous work dealing with poetry, language, writing and art, is one of the most significant modern writers of Quebec. In our literature, rare are the figurative expressions inventing their own trajectory and rarer still is the emblematic used to evoke simultaneously the essence of a generation, a work, a writer, a style. The expression "la parole parlee" says it all.<br>This figure of speech, intimately linked to though and writing, has progressed from a rhetorical to a living expression throughou

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2

Sanborn, Robert E. "Free servitude : a study of the mythos in the poetry of Edwin Muir." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/468077.

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The poetry of Edwin Muir has inspired a distinctive body of criticism. Realizing that his poetry is inexorably linked with his life, Roger Knight, Michael Phillips, Peter Butter and others have produced fine studies of his work against a biographical background. Margaret Anderson has contributed an important dissertation on the importance of dualism in the poems. R. P. Blackmur, J. R. Watson and Kathleen Raine have published articles that are central in informing any new Muir scholarship.This study intends to illuminate the source of Muir's inspiration, to show that his imagery is drawn from t

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3

Reiswig, Amy. "Robinson Jeffers, hermit of Carmel : recontextualizing inhumanism." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64185.pdf.

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4

Bagraim, Abigail Sarah. "The Hasidic spirit as the foundation of the art of Marc Chagall." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1002189.

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In considering Chagall's art the observer is immediately struck by the constancy of his almost obsessive repetition of certain symbols and themes. In this way Chagall has created his own fantasy world, one with which the observer soon becomes acquainted and grows to love and understand.

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5

Laue, Ingrid Elizabeth. "Pictorialism in the fictional miniatures of Albert Paris Gütersloh." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/27367.

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The purpose of this study has been to investigate and analyze the "fictional miniatures," i.e., the short prose works, of Albert Paris Gütersloh. The assumption was that a marked interrelationship exists between these and Gütersloh's painted miniatures. Given the fact that Gütersloh was both writer and painter, and since many of the questions which logically arise out of this duality either have not been addressed at all in the scholarly literature on Gütersloh, or dealt with only superficially, it was felt that the approach used in the present study had to focus, to some extent, on the artist

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6

Pham, Thien Truong. "Tanizaki Junʼichirō and the art of storytelling". Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25504.

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This thesis deals with the storytelling art of Tanizaki Jun'ichirō. An esthete par excellence, this prolific writer produced for over half a century a string of works that are essentially dedicated to the glorification of art and beauty. This glorification in turn enhances the quality of life which, also in the author's view, is both a dream and a game. Art and beauty, dreams and games are virtually the building blocks of Tanizaki's fictional universe in which illusion and reality are meant to be complementary rather than opposing forces that govern human existence. Transplanting this fabulous

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7

Iwama, Marilyn Joy. "When Nikkei women write, transforming Japanese Canadian identities, 1887-1997." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ34557.pdf.

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8

Wishart, Ruth. "Georg Trakl and the literature of decadence." Thesis, University of St Andrews, 1994. http://hdl.handle.net/10023/13361.

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This thesis examines the poetry of Georg Trakl within the context of literary decadence in Europe at the turn of the century (1880-1914). It provides an analysis of Trakl's early writing, and traces themes of literary decadence which recur throughout his work, particularly in the late prose and the dramatic fragment of 1914. In so doing, it also undertakes a comparative study of Trakl's poetry and decadent literature in Austria, Germany, France and England. Chapter One looks at the literary background and attempts a definition of what was understood by literary decadence in France and Germany

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9

Danezi, Irene. "Richard Jefferies as a social critic : modern loneliness." Thesis, University of Wales Trinity Saint David, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683338.

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10

Van, Wyk André Johan. "Die dood, die minnaar en die oedipale struktuur in die Ingrid Jonker-teks." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1003917.

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From Inleiding: In dié inleiding word die implikasies van die woord "teks", asook die resepsie van die Ingrid Jonker-teks in die lig van haar dood, en 'n eie benaderingswyse, in teenstelling met die tradisionele kritiese metodes, bespreek. 1.1 Die teks: Die Ingrid Jonker-teks behels (met die dood, die rninnaar en die OedipaIe struktuur as uitgangspunt) aIIes waarop die woorde "Ingrid Jonker", as teks - die parentese tussen die datums op haar grafsteen - dui. Dit beteken dat genre-onderskeidinge en die onderskeid biografie en literatuur opgehef word. Verdere implikasies van die woord "teks" gaa

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11

Rayneard, Max James Anthony. "Reading William Blake and T.S. Eliot: contrary poets, progressive vision." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1007545.

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Many critics resort to explaining readers' experiences of poems like William Blake's Jerusalem and T.S. Eliot's Four Quartets in terms of "spirituality" or "religion". These experiences are broadly defined in this thesis as jouissance (after Roland Barthes' essay The Pleasure of the Text) or "experience qua experience". Critical attempts at the reduction of jouissance into abstract constructs serve merely as stopgap measures by which critics might avoid having to account for the limits of their own rational discourse. These poems, in particular, are deliberately structured to preserve the read

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12

Haedrich, Alexandra. "L' opera narrativa di Maria Messina : maschi e femmine "alla deriva" in un'epoca di transizione." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23214.

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Maria Messina (1887-1944) is one of the writers whose work has been "rediscovered" as a result of the recent interest in women writers of the past. Until now, criticism has tended to focus on her representation of the female condition. This thesis attempts to offer a more precise and yet more broadly contextualized characterization of her work. The analysis takes into account the social and economic upheavals of the early decades of this century which affected both men and women. In fact, the crisis of the rigid division of gender roles is shown to be the real thematic source of her work.

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13

Poirier, Guy. "La structure symbolique de la poésie de Pierre Jean Jouve /." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66050.

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14

Laver, Sue 1961. "Poets, philosophers, and priests : T.S. Eliot, postmodernism, and the social authority of art." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37755.

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This comprehensive analysis of T. S. Eliot's literary-critical corpus provides both a long-overdue reassessment of the nature and extent of his commitment to notions of aesthetic autonomy, and an Eliotic critique of the hypostatization of art that characterizes both philosophical postmodernism and its literary-theoretical derivatives.<br>The broader context for these two primary objectives is the "ancient quarrel" between the poets and the philosophers and its various manifestations in the work of a number of prominent post- and anti-Enlightenment thinkers. Accordingly, I begin by highlighting

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15

Shih-Ching, Judy Tao, and Shih-Ching Judy Tau. "The holy spirit in the Qur'an : an assessment from a Christian perspective." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1965.

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Thesis (MTh (Practical Theology and Missiology))--University of Stellenbosch, 2006.<br>This study is an attempt to gain an understanding of the al-ruh (Holy Spirit) from a Muslim perspective and a comparison with the Christian perspective. Chapter 1 is an introduction. Chapter 2 and 3 are textual study; the meaning and usage of the al-ruh (Holy Spirit) in the Qur’an will be examined, especially in Muslim Dictionaries, Encyclopaedias and Commentaries as compared with the meaning and usage in the Biblical and Jewish scriptures. Obviously, the Holy Spirit plays an active role with humankind in cr

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16

Snyman, Jacobus Wilhelmus Otto. "A life worthy of being lived : dialectics in Svevo and Michelstaedter." Thesis, Stellenbosch : Stellenbosch University, 1991. http://hdl.handle.net/10019.1/69085.

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Thesis (MA)--Stellenbosch University, 1991.<br>ENGLISH ABSTRACT: The aim of this study is to point out and elaborate the affinities, culturally as well as textually, between the two Italian authors, Italo Svevo and Carlo Michelstaedter. Furthermore, it is the object of this study to demonstrate how, implicitly, the two authors provide an answer, each in his own way, to the question of "una vita degna di essere vissuta" - "a life worthy of being lived". The central theme in this regard concerns the distinctive notions that each author has in respect of 'Ihealth" and "disease", and "life"

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17

Berns, Torben. "Artifice and witness : representation judgement and accountability within a non-transcendent framework." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69583.

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This thesis considers the notion that it is the future which judges the present and that judgement is always guilty. In effect to understand modernity on its own terms one would have to inquire if we have any more right to affirm a given future than to deny one?<br>The question arises as follows. If a subject exists prior to the process which is its being, an uncomfortable aporia ensues.<br>Firstly, if being human is understood as "becoming", i.e. humans can and do appear through the enactment of change, then "being" itself is temporal. How then does this self secure its appearance other than

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18

Porcina, Mark. "I am not a ceramicist." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Art, c2012, 2012. http://hdl.handle.net/10133/3393.

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Ceramics has always existed on the fringes of craft and high art. The purpose of this thesis project is to elevate clay beyond the traditions of craft by examining the historical use of clay and the everyday object. My research looks specifically at works by Marcel Duchamp, Andy Warhol, Jeff Koons and Jasper Johns in order to examine the origin of displaying the massproduced object and reflecting upon it’s validity as high status art object. In this project I am also interested in infrastructural systems within modern architecture-- plumbing, wiring, heat ducts vents-- with a specific focus on

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19

Zipp, Collin. "A theoretical exploration of the transformative properties of experience." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Art, 2011, 2011. http://hdl.handle.net/10133/3243.

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This thesis document serves as a support paper for my exhibition titled, Selected Work. The goal of this document is to present and discuss a set of ideas and interests as they pertain to my studio practice and thesis project in particular, and to contemporary (ie. current) art practices in general. In this document I examine selected works from Marcel Duchamp, Andy Warhol, Andy Kaufman, Maurizio Cattelan and Richard Prince. Through the exploration of these artists and their works, I begin by examining the object and the conditions that give it approval as an art object. Using these conditions

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20

Prisco, Mario. "Journeys beyond binaries : storytelling and polyphony in the narratives of Gabriella Ghermandi, Igiaba Scego, Ubax Cristina Ali Farah and Amara Lakhous." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11947.

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In the last two decades, in media and political discourses, Italianness has been increasingly represented as a homogeneous and compact entity, which is intruded on and contaminated by immigrants. In this study, the binary opposition between Italians and migrants is investigated from the perspective of writers who inhabit a liminal space, between at least two cultures, with the main intent to problematize the binary itself and to show its nature of fabrication. On the basis of Said's contrapuntal method, the novels by Ghermandi, Scego, Ali Farah and Lakhous are thought to establish a counterpoi

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21

Barr, A. F. M. Abdul. "Text and sub-text in T.S. Eliot : a general study of his practice, with special reference to the origins and development through successive drafts of 'The Confidential Clerk'." Thesis, University of St Andrews, 1985. http://hdl.handle.net/10023/15142.

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This thesis explores Eliot's allusive method, that is his use of Judaeo-Christianity with its analogues (and sometimes sources) in pre-Biblical primitive myths and legends. The first chapters study The Confidential Clerk and the draft material of the play which contains overt allusions-subsequently expurgated - to Sargon and Dionysos'as pre-Biblical archetypes of Moses and Christ respectively. I discuss the growth and development of the two legends of Sargon and Dionysos and their Biblical counterparts through successive drafts of the' play. In adapting the Sargon-Moses legend, Eliot was influ

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22

McAlonan, Pauline. "Wrestling with angels : T. S. Eliot, W. H. Auden, and the idea of a Christian poetics." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100653.

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This thesis addresses the impact of religious conversion on the later works of Eliot and Auden, and the manner in which they responded to each other as they developed a Christian poetics. Following an introduction which discusses the nature of their relationship as well as their basic theological positions, Chapter One examines their postconversion criticism, and particularly their stance on what is typically formulated as "the problem of belief in poetry," which focuses on how ideology influences a work's creation and reception. Chapter Two considers their transitional poetry, wherein their n

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23

Barker, Debra Kay Stoner. "Ironic designs in the exotic short fiction of W. Somerset Maugham." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/558342.

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This study analyzes the expression of Maugham's ironic vision in his short stories set in the South Seas and Southeast Asia. Through point of view, setting, character, and plot, Maugham explores the dialectic of expectation outcome, hope-disappointment, and illusion-reality. In the exotic short stories, not only do Maugham's characters confront this dialectic, but readers do as well. Using irony as a heuristic, Maugham prods his readers into rethinking unexamined assumptions about human nature and about the often disillusioning repercussions of clinging to ideals or having unrealistic expectat

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24

Jeffrey, Johnson Kirstin Elizabeth. "Rooted in all its story, more is meant than meets the ear : a study of the relational and revelational nature of George MacDonald's mythopoeic art." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1887.

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Scholars and storytellers alike have deemed George MacDonald a great mythopoeic writer, an exemplar of the art. Examination of this accolade by those who first applied it to him proves it profoundly theological: for them a mythopoeic tale was a relational medium through which transformation might occur, transcending boundaries of time and space. The implications challenge much contemporary critical study of MacDonald, for they demand that his literary life and his theological life cannot be divorced if either is to be adequately assessed. Yet they prove consistent with the critical methodology

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25

Hogue, Cynthia Anne. "Figuring woman (out): Feminine subjectivity in the poetry of Emily Dickinson, Marianne Moore, and H.D." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/185054.

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Historically, women have not been "speaking subjects" but "spoken objects" in Western culture--the ground on which male-dominated constructions have been erected. In literature, women have been conventionally held as the silent and silenced other. Lyric poetry especially has idealized not only the entrenched figures of masculine subject/feminine object, but poetry itself as the site of prophecy, vision, Truth. Most dramatically in lyric poetry then, the issue of women as subjects has been collapsed into Woman as object, that figure who has been the sacrifice necessary for the production of lyr

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26

Cumps, Dorian. "De eenheid in de tegendelen: de psychomachische verhaalwereld van F. Bordewijk (1884-1965) en de mythe van de hermafrodiet." Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212522.

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27

Buaes, Aline Greff. "Protegido pelas contradições - Coletânea de crônicas jornalísticas de Pier Paolo Pasolini (1960 a 1965)." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-03022010-173749/.

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Este trabalho apresenta a tradução comentada da língua italiana para o português de uma seleção das crônicas publicadas pelo escritor e cineasta italiano Pier Paolo Pasolini em sua coluna semanal na revista Vie Nuove, órgão oficial do Partido Comunista Italiano, entre os anos de 1960 e 1965. As crônicas foram divididas em três blocos temáticos: Literatura, Cultura e Política e Sociedade. Uma introdução ensaística acompanha a tradução comentada.<br>This thesis presents a commented translation from Italian to Portuguese language of a selection of chronicles published by the Italian writer and fi

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28

Pycroft, Hayley. "Beyond Afrocentricism and Orientalism contemporary representations of transnational identities in the works of Nontsikelelo "Lolo" Veleko and Tracy Payne." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002216.

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South African photographer Nontsikelelo “Lolo” Veleko and South African painter Tracy Payne explore different ways of communicating African realities. The visual imagery of these two artists focuses a lot on movement, challenging the rigidity of boundaries set by Western social constructs. In their work, Veleko and Payne critique the limitations of terms such as “authenticity.” It is extremely difficult to portray shifting notions of contemporary African identity in light of the stain of colonial philosophies which have, in times past, exoticised and appropriated the African body and ascribed

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29

White, Deborah. "Masculine constructions : gender in twentieth-century architectural discourse : 'Gods', 'Gospels' and 'tall tales' in architecture." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phw5834.pdf.

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Includes 2 previously published journal articles by the author: Women in architecture: a personal reflection ; and, "Half the sky, but no room of her own", as appendices. Includes bibliographical references (p. 233-251) An examination of some texts influential in the discourse of Australian architecture in the twentieth century. Explores from a feminist standpoint the gendered nature of discourse in contemporary Western architecture from an Australian perspective. The starting point for the thesis was an examination of Australian architectual discourse in search of some explanation for the con

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30

Adams, Stephen D. (Stephen Duane). ""Looking into the Heart of Light, the Silence": The Rule of Desire in T.S. Eliot's Poetry." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc935756/.

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The poetry of T. S. Eliot represents intense yet discriminate expressions of desire. His poetry is a poetry of desire that extenuates the long tradition of love poetry in Occidental culture. The unique and paradoxical element of love in Occidental culture is that it is based on an ideal of the unconsummated love relationship between man and woman. The struggle to express desire, yet remain true to ideals that have deep sacred and secular significance is the key animating factor of Eliot's poetry. To conceal and reveal desire, Eliot made use of four core elements of modernism: the apocalyptic v

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31

關冠斌. "論錢基博白話文體研究的創見與反思 = The original thoughts and reflections of Qian Jibo's study on vernacular Chinese". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2485813.

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32

Query, Patrick. ""They called me the hyacinth girl" : T. S. Eliot, masculinity, and the Great War." Thesis, 2001. http://hdl.handle.net/1957/33073.

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This thesis traces the relationship between the First World War, constructions of masculinity, and the life and poetry of T.S. Eliot. Central to this relationship is a study of homoeroticism, which the author characterizes as different from homosexuality but not exclusive of it, in late 19th and early 20th century poetic traditions. The argument begins by establishing a critical framework that draws on contemporary paradigms of Modernist literary gender studies but also seeks to revise them by shifting the focus to issues surrounding masculinity. With this framework in place, the thesis goes o

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33

Bang, Solveig Marina. "The "observers" attendant in the poems The love songs of J. Alfred Prufrock, Portrait of lady, Preludes and Rhapsody on a windy night from Thomas Stearns Eliot's Prufrock and other observations as quintessential figures of modernity as defined by Alain Touraine's, Critique of modernity." Thesis, 2000. http://hdl.handle.net/10413/3805.

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This thesis posits that the "observers" attendant in Eliot's poems The Love Song of Alfred Prurock, Portrait of a Lady, Preludes and Rhapsody on a Windy Night can be considered quintessential figures of modernity. Against a backdrop of more than 200 years of thought on the concept of modernity - a notion that in recent decades has been much under siege - French sociologist Alain Touraine, in his Critique of Modernity, offers a reinterpretation of the modern. I chose to hold this text against the four poems by Eliot because Eliot himself has been described as "emphatically modem". Recalling the

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34

Holden, Philip Joseph. "Colonizing masculinity : the creation of a male British subjectivity in the oriental fiction of W. Somerset Maugham." Thesis, 1994. http://hdl.handle.net/2429/6830.

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This thesis discusses the oriental fiction of W. Somerset Maugham in the light of current theoretical models introduced by postcolonial and gender studies. Immensely popular from their time of publication to the present, Maugham's novels and short stories set in Asia and the South Pacific exhibit a consummate recycling of colonialist tropes. Through their manipulation of racial, gender, and geographical binarisms, Maugham's texts produce a fantasy of a seemingly stable British male subjectivity based upon emotional and somatic continence, rationality, and specularity. The status of t

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35

Yannacci, Christin Essin. "Landscapes of American modernity: a cultural history of theatrical design, 1912-1951." Thesis, 2006. http://hdl.handle.net/2152/3444.

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