Bibliografías temáticas / 1916-1993

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Literatura académica sobre el tema "1916-1993"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de febrero de 2022

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Artículos de revistas sobre el tema "1916-1993"

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JAKOBIEC, FREDERICK A. "Henry Freeman Allen 1916-1993". American Journal of Ophthalmology 118, n.º 1 (julio de 1994): 133–34. http://dx.doi.org/10.1016/s0002-9394(14)72870-3.

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Hinderer, Ulrich T. y Hans Anderl. "Obituary: Paul Wilflingseder (1916?1993)". Aesthetic Plastic Surgery 17, n.º 3 (1993): 265–66. http://dx.doi.org/10.1007/bf00636275.

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Wells, Peter N. T. "Denis Naldrett White (1916–1993)". Ultrasound in Medicine & Biology 19, n.º 6 (enero de 1993): 433. http://dx.doi.org/10.1016/0301-5629(93)90117-7.

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Anderl, H. "Professor Dr Paul Wilflingseder 1916–1993". British Journal of Plastic Surgery 46, n.º 7 (1993): 626. http://dx.doi.org/10.1016/0007-1226(93)90122-r.

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Marder, Victor J. y Arthur A. Sasahara. "Sol Sherry, M. D. (1916–1993)". Thrombosis and Haemostasis 70, n.º 04 (1993): 548–49. http://dx.doi.org/10.1055/s-0038-1649624.

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Shumway, Norman E. "F. John Lewis, MD: 1916–1993". Annals of Thoracic Surgery 61, n.º 1 (enero de 1996): 250–51. http://dx.doi.org/10.1016/0003-4975(95)00768-7.

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Alan Moghissi, A. "Tributes to John H. Harley (1916–1993)". Environment International 20, n.º 5 (enero de 1994): 557–59. http://dx.doi.org/10.1016/0160-4120(94)90002-7.

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Ettre, Leslie S. y Albert Zlatkis. "In Memoriam Evan C. Horning (1916–1993)". Chromatographia 37, n.º 3-4 (agosto de 1993): 127–28. http://dx.doi.org/10.1007/bf02275848.

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Mosesson, Michael W. "A memorial to Sol Sherry, M.D. (1916–1993)". Thrombosis Research 72, n.º 2 (octubre de 1993): 91–98. http://dx.doi.org/10.1016/0049-3848(93)90210-f.

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Henry, B. Dinsdale. "Denis Naldrett White, M.A., M.D., F.A.C.R, F.R.C.P.C. (1916-1993)". Canadian Journal of Neurological Sciences / Journal Canadien des Sciences Neurologiques 20, n.º 4 (noviembre de 1993): 341. http://dx.doi.org/10.1017/s0317167100048290.

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ABSTRACT:Denis Naldrett White was born in Bristol. He completed his premedical and medical education at Cambridge. This was followed by graduate training at the London Hospital with Russell Brain, Hospital for Sick Children, National Hospital for Nervous Diseases and the Institute of Psychiatry, University of London, where he completed a senior registrar post in 1948. That same year he was recruited by Dr. Ford Connell, Head of the Department of Medicine, to Queen’s University.
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Tesis sobre el tema "1916-1993"

1

Mersiol, Jean-Baptiste. "Léo Ferré, auteur de chansons ou compositeur ? : un nouveau genre de chanson française". Université Marc Bloch (Strasbourg) (1971-2008), 2008. https://publication-theses.unistra.fr/public/theses_doctorat/2008/MERSIOL_Jean-Baptiste_2008.pdf.

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Grâce à plus de cinquante années de création musicale et poétique, Léo Ferré est aujourd’hui considéré comme l’une des références majeures de la chanson française. Ses succès populaires comme Paris canaille, Jolie môme, C’est extra ou Avec le temps lui ont valu une renommée mondiale, tant par la qualité des paroles que par celle des mélodies. Derrière l’auteur de plus de quatre cents chansons se cache pourtant un compositeur qui a produit des œuvres symphoniques de grande ampleur, dans plusieurs genres : messe, symphonie, ballet, opéra, oratorio… Il a, en outre, mis en musique des poèmes de toutes époques, en remontant jusqu’au Moyen Âge. La présente thèse étudie la démarche de Ferré essentiellement sous l’angle musical. Elle met en évidence les préoccupations qui l’ont incité à cultiver le genre « savant » au lieu de se contenter de la veine « légère », et à se présenter comme le créateur d’un nouveau type de chanson française. À cet effet, les œuvres de Ferré sont analysées sous leurs divers aspects. La question de l’enregistrement est également abordée, ainsi que celles de la consommation de musique et de l’interprétation
Though over fifty years of musical and poetic creation, Léo Ferré has gained recognition as a major standard in French songwriting. His popular best-seller songs Paris canaille, Jolie môme, C’est extra or Avec le temps succeded in giving him worldwide renown, though both lyrical and their melodic qualities. Behindhe who wrote over four hundred songs hides yet a true composer of symphonic pieces of great magnitude in many different genres : mass, symphony, ballet, opera, oratorio. . . Furthermore, he put into song poems out of any time period dating as far back as the middle-ages. This doctoral thesis shall study Ferré’s path mainly from a musical perspective. It shall cast light upon the reasons which caused him to work the « savant » genre instead of merely going « légère », and hence to present himself as creator of a new type of French songwriting. Ferré’s works shall this be analysed though their many aspects. The matter of recording technics and proceeds shall also be dealt with, as well as musical consumption and interpretation
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Ornaghi, Mário André [UNESP]. "Nacionalismo e música erudita de vanguarda no Brasil e Argentina: Camargo Guarnieri e Alberto Ginastera (1930-1960)". Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/110589.

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Made available in DSpace on 2014-11-10T11:09:52Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-11-08Bitstream added on 2014-11-10T11:57:48Z : No. of bitstreams: 1 000795615.pdf: 1358473 bytes, checksum: 1244e30fac47b363ca8abe119f4ab969 (MD5)
A partir das trajetórias artísticas dos compositores Alberto Ginastera e Camargo Guarnieri, este trabalho tem por objetivo analisar os desdobramentos do nacionalismo e das vanguardas musicais na Argentina e no Brasil, de 1930 a 1960. Desenvolveremos, assim, um enfoque comparado entre esses dois países de modo que essas trajetórias sejam analisadas em consonância com paradigmas intelectuais mais amplos – inclusive internacionais - que terminaram por privilegiar determinadas formas estéticas nos diferentes períodos abordados. Acreditamos, nesta medida, que as opções artísticas de Ginastera e Guarnieri estão relacionadas ao passado musical de suas respectivas sociedades, daí a importância de se discutir a história cultural argentina e a brasileira, assim como o lugar e a força que os movimentos nacionalistas e as estéticas de vanguarda lá encontraram
From the artistic careers of composers Alberto Ginastera and Camargo Guarnieri, this essay aims to analyze the consequences of nationalism and musical ―avant-garde‖ in Argentina and Brazil from 1930 to 1960. So, we will develop a focus compared between these two countries in a way that these trajectories can be analyzed in line with broader intellectual paradigms – including international ones - that ended up favoring certain aesthetic forms in different periods covered. We believe that the artistic options of Ginastera and Guarnieri are related to the musical past of their respective societies, hence the importance of discussing the Argentine and Brazilian cultural history, as well as the place and the strength that the nationalist movements and ―avantgarde‖ aesthetics forms found there
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Despax, Arnaud. "La question de la totalité dans la poésie française postérieure à la Seconde Guerre mondiale (André Frénaud, Patrice de La Tour du Pin, Pierre Emmanuel)". Toulouse 2, 2010. http://www.theses.fr/2010TOU20007.

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On considère souvent que la modernité poétique se caractérise par une tension vers le silence, l’effacement, la fragmentation. Or certains poètes français de la seconde moitié du XXe s. Revendiquent explicitement le désir et le droit d’une confrontation au grand Tout, dans des œuvres élaborant, selon un héritage romantique, diverses stratégies de totalisation poétique : ainsi, en particulier, d’André Frénaud, Patrice de La Tour du Pin et Pierre Emmanuel. Sous cet apparent anachronisme de leurs œuvres se laisse en réalité lire une tension, où s'exprime la dualité sémantique de la notion de totalité – entre intensivité et extensivité : le Livre total prétend-il au pouvoir de ramener le multiple à un Tout homogène, ou s’ouvre-t-il à tout sans nier l’infini ? La rupture instaurée par la Seconde Guerre mondiale exacerbe cette incertitude : elle jette en effet le doute sur l’ambition de totalité qui, dans sa dimension intensive, court un risque d’ordre totalitaire – celui de la parole définitive qui nie le reste du monde. Loin de rester aveugle à un tel risque, les trois poètes en question l’exposent : la tentation du tout se trouve limitée par la singularité irréductible des êtres et des choses. Subissant alors une détotalisation due à la crise axiologique d’une posture énonciative compromise, les œuvres acceptent la blessure de l’altérité qui les fragmente. Parce qu’elle fonde sur une éthique de la relation la possibilité de jouer librement le jeu de la multiplicité extensive, la poésie réinvente son droit, sans doute précaire, à se développer comme dynamique de totalisation : l’œuvre existe dès lors pour aboutir au monde
Poetic modernity is often said to be typified by its inclination towards silence, self-effacement, and fragmentation. Yet some poets belonging with the second half of the XXth century explicitly claim their desire and their right to confront the Great Totality. They do so in works that elaborate various strategies of poetic totalization in keeping with a Romantic tradition : that is particularly the case of André Frénaud, Patrice de La Tour du Pin and Pierre Emmanuel. In spite of their apparent anachronism, their works actually imply a tension that expresses the semantic dualism of the notion of totality, between intension (wholeness) and extension (allness) : does the whole-inclusive and self-contained Book ambition the fusing of multiplicity into a homogeneous whole, or does it open up to every thing without denying the infinite ? The breaking off induced by World War II enhances this problem, questioning the ambition of intensive totality and its inner risk of totalitarianism : that of the final Word which denies the rest of the world. Far from being blind to that risk, the three poets we study exhibit it. The temptation of totality is consequently checked by the irreducible singularity of beings and things. Undergoing a de-totalization caused by the axiological crisis of a compromised enunciatory posture, the works willingly suffer the injury of otherness that fragments them. Poetry is able to play the game of an extensive multiplicity : this capacity being grounded on an ethic of relationships, it thus reinvents its right to develop according to a totalizing dynamics. Therefore, the work exist by virtue of its issuing into the world
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Dambacher, Martine Tania. "L'écriture de l'île dans l'oeuvre de Marie Susini et de Maria Giacobbe". Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAC003.

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Deux écrivaines méridionales, insulaires et de même génération, Marie Susini et Maria Giacobbe, ont écrit à l’étranger au sujet de leur île : la Corse et la Sardaigne. Chaque auteure s’est réapproprié, par sa plume et son imaginaire exacerbé par l’éloignement, l’Ithaque natale qu’elle a quittée. L’étude des conditions de la genèse de l’écriture, ainsi que l’analyse des formes et des thématiques des écrits liées au fait de “revisiter” constamment l’île, constituent les enjeux principaux de cette recherche. Si le comparatisme poussera plus loin ses investigations, par des confrontations avec les critères de Margherita Marras et des comparaisons avec des textes d’autres auteurs insulaires et non insulaires, le questionnement concernant le parcours identitaire des écrivaines toutefois demeure. Qu’est-ce qu’un écrivain insulaire ? Qu’est-ce que l’écriture de l’île ?
Marie Susini and Maria Giacobbe, two female writers who were born in two islands of the Mediterranean - Corsica and Sardinia - and belonged to the same generation, have written about their native islands while they were abroad. Through her imagination exacerbated by the distance, each of them has recaptured her native Ithaca. The main object of this research is to study the genesis of their writing, the analysis of forms and themes connected to their constant interior “revisitation”. A comparative approach will further examine the text through the critical standards of Margherita Marras, and comparisons with the texts of other authors, whether they are insular or not. What is basically at stake is the question of identity: what is an insular writer? What does writing about an island consist in?
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Booth, Erin A. M. "The Manitoba Provincial Architect's Office (1904-1916)". 1995. http://hdl.handle.net/1993/7364.

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From the turn of the twentieth century to the onset of the First World War, Manitoba experienced extensive social, demographic, and economic changes. Additionally, the architectural profession in Canada went through a metamorphosis from a haphazard practice to a standardized profession. During this period, the Provincial Architect's Office (PAO) of the Manitoba Department of Public Works initiated and completed numerous new building projects. In the context of rapid changes, the PAO evolved to adjust. The Provincial Architects, Samuel Hooper (1904-11) and Victor Horwood (1911-15), were varyingly successful in fulfilling the demands of the Office and the directions in which the PAO was taken by the Ministers. The major building projects undertaken during Horwood's term vastly altered the role of the Provincial Architect and occasioned the demise of the PAO. Scandals associated with these projects served as a catalyst for the dissolution of the PAO in 1916 as a result of charges of mismanagement. Upon realizing the scope of the mismanagement, the Liberals, led by Tobias C. Norris, used the Office and Provincial Architect, Victor Horwood to disparage the Roblin Conservatives. By reviewing the Department of Public Works annual reports, focusing particularly on those of The Provincial Architect, I examine how the Manitoba Provincial Architect's Office changed and evolved to fit the rapidly changing world around it, as well as the changing directions of the Ministers. I analyze the design styles of the Provincial Architects to determine the messages which were conveyed to the public about the government. I then examine Reports of the various Royal Commissions convened to inquire into the major building projects to determine the roles of the Office, the Provincial Architect, and the Ministers.
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Plett, Lynette. ""How the vote was won" : adult education and the Manitoba woman suffrage movement, 1912-1916". 2000. http://hdl.handle.net/1993/12289.

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Hebert, Monique. "Les grandes gardiennes de la langue et de la foi : une histoire des Franco-Manitobaines de 1916 a 1947". 2009. http://hdl.handle.net/1993/3705.

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La presente these retrace la contribution des Franco-Manitobaines a la survie de la communaute. L'hypothese s'articule autour du role joue par ces femmes de 1916 a 1947. Adoptant une approche du feminisme historique, la these documente de facon qualitative et descriptive, par l'histoire orale, le vecu de dix-neuf meres de famille et de dix-neuf maitresses d'ecole nees entre 1893 et 1923. Les resultats de la recherche sont multiples. Les entrevues sont analysees par themes, selon le groupe des meres et celui des maitresses d'ecole. D'abord, les recensements de Statistique Canada et les entrevues permettent de montrer la composition demographique de la communaute franco-manitobaine entre 1921 et 1951. Ensuite, la these retrace la vie des meres de famille de l'epoque : l'enfance et la socialisation, les rites entourant les frequentations et le mariage, la naissance et l'education des enfants, et les conditions de vie materielle. Puis, la recherche devoile la vie des institutrices, le choix de la carriere, les etudes a l'Ecole normale, les conditions de travail dans les ecoles francophones de la province. Enfin, l'evaluation de la contribution communautaire des deux groupes d'informatrices vient completer le tableau. Les experiences des Franco-Manitobaines sont riches en diversite. Ces femmes ont contribue a la reproduction biologique et sociale de leur communaute d'origine.
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Butt, Michael William. ""To each according to his need, and from each according to his ability. Why cannot the world see this?" : the politics of William Ivens, 1916-1936". 2009. http://hdl.handle.net/1993/3720.

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Following capitalism's arrival on the Canadian Prairies, the desire to challenge the existing order grew within a number of sharply divided communities. Immediately following World War I, moderates and radicals alike responded to the grim realities of unemployment, starvation wages, poor working conditions, and unsanitary housing by challenging a contradictory system of social relations in a battle over the meaning of "democracy". It was a golden age of social criticism, as pioneer reformers reached out to the large community audiences. In colleges, in churches, and in a radicalized press, the arrival of reform was heralded as the coming of a new day. Few persons were as outspoken or were able to gain as wide an audience as William Ivens. As a Methodist minister, a Labour Church leader, a working-class intellectual, and eventually as a member of the Manitoba Legislative Assembly, William Ivens challenged the existing order. He represented a tendency in Western Canadian thought throughout the 1910s, 1920s, and 1930s. His Labour Church as a working-class institution helped forge a political space in the community. Ivens offered Manitobans a new social order based not on competition, but rather on co-operation. His tendency was the result of passing various elements of Marxism, and Labour Marxist thought through the lens of a non-conformist Christianity and Methodism. The end result was an ethical socialist social philosophy that effectively addressed the social problems of the period. As a spokes-person and as an agitator for social reform, Ivens' ethical socialist outlook achieved a consensus among radical and moderate labourists. His importance as an activist in the community and the type of reforms that he was advocating, make him an important, interesting and worthwhile study in Western Canadian history.
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Libros sobre el tema "1916-1993"

1

Teresa, Orengo Maria y Ragazzi Franco, eds. Francesco Messina: Sculture, disegni e poesie, 1916-1993. Milano: Mazzotta, 2002.

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Invisible wings: An annotated bibliography on Blacks in aviation, 1916-1993. Westport, Conn: Greenwood Press, 1994.

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Pasini, Stefano. The collection. Bologna: Editrice Compositori, 2003.

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United States. Congress. House. Committee on Merchant Marine and Fisheries. Marine Investment Act of 1993: Report (to accompany H.R. 1916) (including cost estimate of the Congressional Budget Office). [Washington, D.C.?: U.S. G.P.O., 1993.

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Bischof, Werner Adalbert. Werner Bischof 1916-1954: Museo de Bellas Artes, Caracas del 22 de agosto al 26 de septiembre de 1993. Caracas: Museo de Bellas Artes, 1993.

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Raimund, Meyer, Elger Dietmar, Hossli Judith, Kunsthaus Zürich, Hypo-Kulturstiftung (Munich Germany) Kunsthalle y Sprengel Museum Hannover, eds. Dada: Eine internationale Bewegung, 1916-1925 : Kunsthalle der Hypo-Kulturstiftung München, 4. September bis 7. November 1993, Sprengel Museum Hannover, 21. November 1993 bis 6. Februar 1994, Kunsthaus Zürich 11. März bis 29 Mai 1994. Zurich: Kunsthaus Zürich, 1993.

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Combined master index to Niles Township, by E. Palma Beaudette, ca. 1916; Luxembourg Brotherhood of America, by Richard J. Witry, 1987; Skokie, a centennial history, by Richard Whittingham, 1988; St. Peter Catholic Church, 1868-69 to 1993-94, by David Buisseret, Richard J. Witry and Rosemary Schmitt, 1994. [Skokie, Ill.]: Skokie Historical Society, 1998.

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Capítulos de libros sobre el tema "1916-1993"

1

Torrance, Isabelle. "Trojan Women and Irish Sexual Politics, 1920–2015". En Classics and Irish Politics, 1916-2016, 254–67. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864486.003.0013.

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This chapter traces representations of the status of women in Ireland through three twentieth-century productions based on the Trojan Women of Euripides. As a tragedy about the brutalities of colonialism, the play was immediately topical when it was produced by the Dublin Drama League in 1920, with Maud Gonne in the starring role as Hecuba. The play’s reception, however, underlined women’s lack of political agency, as did Brendan Kennelly’s Trojan Women (1993) and Marina Carr’s Hecuba (2015). Kennelly’s Trojan women are inspired by suffering Irish women from rural villages, but his Hecuba represents female collusion in sexist oppression from which men escape responsibility. Carr’s women are sexually liberated but they remain prisoners. Female sexuality continues to be connected with disempowerment at a moment when the absence of women from the Abbey Theatre’s 1916 commemoration programme was generating significant public criticism.
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Rundstrom, Robert y Douglas Deur. "American Indian Geography". En Geography in America at the Dawn of the 21st Century. Oxford University Press, 2004. http://dx.doi.org/10.1093/oso/9780198233923.003.0052.

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Contemporary geographical research concerning North America’s native peoples is most conspicuous for its remarkably diverse set of subjects, methods, and epistemological stances. Indeed, it would be hard to find another AAG specialty group whose members do research in as many corners of the natural and social sciences and humanities. Some perspectives developed quite recently, while others emanate from a century of prior research by geographers, especially Carl Sauer and his students. We think these observations important enough to require opening our review with a description, albeit a painfully brief one, of the historical context for the current scene. In the early twentieth century, as now, there was a great deal of cross-fertilization between anthropology and geography. Deterministic thinking associated with environmentalist theory (e.g. Hans 1925; Huntington 1919; Semple 1903) elicited many critical responses from both fields. For example, the geographer-turned-anthropologist Franz Boas and his students sought to illuminate the full complexity of Native American life, producing a vast corpus of empirical studies. Many addressed geographical topics, including Native North American place-names, environmental knowledge, and resource use. These works were frequently termed “ethnogeographies” (e.g. Barrett 1908; Boas 1934; Harrington 1916). Others attempted sweeping continental studies of regional variation based on historical and cultural processes (Kroeber 1939; Wissler 1926). The historicist critique of environmentalist theory resonated with a young geographer, Carl Sauer. Sauer (1920) long had interests in American Indian land-use practices, or “land management” in current parlance. Regular interaction with Boas’s students, especially Kroeber and Lowie, coupled with independent development of their own geographical ideas, led Sauer and his students to expand their research on North American Indian cultural geography, including such subjects as settlement patterns (e.g. Sauer and Brand 1930), plant use (e.g. Carter 1945), and resources and material and oral culture (e.g. Kniffen 1939). Sauer, his large number of Ph.D. students, and his student’s students, continued to define this research agenda throughout the twentieth century (e.g. Kniffen et al. 1987; Sauer 1971). The continued relevance of this work was signaled recently by the reissue of two classic texts in new editions (Denevan 1992a; Waterman 1993).
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