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Tesis sobre el tema "Abject body"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 4 de febrero de 2022

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1

Grogan, Bridget Meredith. ""Abject dictatorship of the flesh" : corporeality in the fiction of Patrick White." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001554.

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2

Rauzier, Valérie. "Diamanda Galás et Kathy Acker : contre-pouvoir à corps et à cris." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30051/document.

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Ce travail propose d'observer les stratégies d'individualisation, de résistance et de subversion mises en place dans les œuvres d'artistes américaines ces 40 dernières années en me penchant tout particulièrement sur les productions de Kathy Acker et de Diamanda Galás. À travers leur pratique de la performance, de la musique, des textes et divers travaux visuels ancré dans l'expérimentation, je voudrais analyser comment elles révèlent, explorent et déconstruisent les dynamiques de pouvoir<br>In this paper, I wish to explore and discuss the strategies of resistance and of subversion implemented
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3

Nutter, Benjamin Joseph. "THE ABJECT BODY, ILLNESS, AND STAND-UP COMEDY: A NARATIVE ANALYSIS OF TIG NOTARO’S LIVE." Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1400026812.

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4

Stenström, Kristina. "Abject and Liminal Bodies : The Dead Body in CSI: Miami and Six Feet Under." Thesis, Stockholms universitet, Institutionen för journalistik, medier och kommunikation (JMK), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-41744.

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This study researches fictional representations of dead bodies in two television series in which representations of dead bodies are prominent features. The study introduces a brief history of the  human body as a societal metaphor. The narrower theme of the study, the dead body as a cultural surface and carrier of meaning and ritual potential, is discussed through specific popular cultural television productions. The two television series discussed in this study, CSI: Miami and Six Feet Under, are researched both through film analyses and focus group discussions. The film analyses have aimed t
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5

Flisher, Mark Andrew. "Reflections on leaking men and abject masculinities : challenging representations of male identity in and through body-based performance art." Thesis, University of Plymouth, 2017. http://hdl.handle.net/10026.1/9290.

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Towards the end of the last century discussions on the representation of masculinity in male body-based performance art placed emphasis on the deconstruction of normative masculine identities. The focus of these investigations tended to position the image of masculinity within Lacan’s sexuation matrix, and as such, these representations were usually referred to as being phallic. That is, they reinscribed the behaviours, traits and characteristics of normative masculinity into the performance space. The central thrust of this practice-as-research thesis is that while some male artists deconstru
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6

Pereira, Franciele Alves. "Desexcomungando corpos: narrativas indecorosas de Rubem Fonseca." Universidade Estadual do Oeste do Parana, 2016. http://tede.unioeste.br:8080/tede/handle/tede/2440.

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Made available in DSpace on 2017-07-10T18:55:59Z (GMT). No. of bitstreams: 1 17-06-2LIDO PRONTA.pdf: 1216250 bytes, checksum: a75af8148d02d17246013f7394ec3a4c (MD5) Previous issue date: 2016-04-10<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The researched focused on reflections and analyses of the body and biopower agency in short stories from two Rubem Fonseca's works. Secreções, excreções e desatinos (2010) and Axilas e outras histórias indecorosas (2011). From studies about today's body lauding and forms of social body control by defined aesthetical patterns, we hav
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7

Ferreira, Sílvia Raimundi. ""Marcas do abjeto"." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/37299.

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Esta pesquisa analisa os efeitos subjetivos resultantes das transformações sociais contemporâneas, tais como o impacto da tecnologia e o crescente poder da imagem, que resultam na problematização sobre o lugar do corpo na sociedade. Esta análise é proposta a partir da leitura de obras específicas de artistas contemporâneos identificados à arte abjeta, modalidade da arte vinculada à constituição do ser humano e à apresentação do real.<br>This research analyzes the subjective effects resulting from the contemporary social changes, such as the impact of technology and the increasing power of imag
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8

Bell, Patrick Ryan. "Frankly." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1587731147179324.

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9

Forman, Sophia R. "Bringing Back Color, Bringing Back Emotion: Exploring Phenomenological Empathy in the Reclamation of the Female Nude in Painting." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/187.

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At the nexus of the seemingly disparate art-theoretical topics of color and the female nude is a critical consideration of phenomenology in both one of its most basic senses—as the first-person experience of perceived phenomena—and as a larger philosophical position which, through its abstraction of perception to subject-object relationships, implicates the painted figure. Specifically, this paper conflates the phenomenology of color with the transcendental phenomenology of Edmund Husserl and Maurice Merleau-Ponty in investigating empathy. Structured as a dialectic, it establishes the most pro
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10

Scheibmeir, Julia T. "Film, Fashion and Fotografía: The Exoticism and Eroticism of Female Victims in Juárez." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/132.

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This thesis examines the phenomenon of feminicide in Ciudad Juarez, Mexico, and the representation of female victims in U.S. and Mexican mainstream media and performance activism. Specifically analyzing representations of maquiladora workers and feminicide victims in film, fashion and photography, this thesis explores the simultaneous fetishization and devaluation of border women in patriarchal society. By broadening the base of pressure for justice, via performance and internet activism, misogynist governments and policies can and will change.
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11

Stuever-Williford, Marley Katherine. "Hex Appeal: The Body of the Witch in Popular Culture." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1610295587336417.

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12

Harlin, Andrea Nikki. "CRAFTING THE FEVER." CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/368.

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The Hibiscus Snake is a collection of poetry investigating the female experience encountering danger. She explores psychic landscapes descended in the unconscious uncanny, the feminine body within the context of horror, and lyrical poems about living in working class communities in San Bernardino. The collection attempts to subvert the presentation of the female body in Horror genres, moving it from a position of victimization to empowerment. In other poems, the speaker ventures into horror-like psychic landscapes filled with images representing the anxiety experienced growing up in a city whe
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13

Wing, Jennifer Mary. "Resisting the Vortex: Abjection in the Early Works of Herman Melville." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-04192008-191516/.

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Thesis (Ph. D.)--Georgia State University, 2008.<br>Title from file title page. Robert Sattelmeyer, committee chair; Janet Gabler-Hover, Calvin Thomas, committee members. Electronic text (215 p.) : digital, PDF file. Description based on contents viewed June 10, 2008. Includes bibliographical references (p. 207-215).
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14

Helms, Brittany Faye. "Finding Form." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461157156.

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15

Ingbrant, Renata. "From Her Point of View : Woman's Anti-World in the Poetry of Anna Świrszczyńska." Doctoral thesis, Stockholms universitet, Slaviska institutionen, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-6966.

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This book is a monograph about Anna Świrszczyńska’s poetry. It may be described as one woman’s attempt to read another woman’s literary work by taking into account established canons as well as the tools of feminist literary analysis. Part One begins with a discussion of Świrszczyńska’s biography (Chapter One). It then moves on to an overview of critical (mainly male) reactions to Świrszczyńska’s work (Chapter Two), with special regard to Czesław Miłosz’s contribution to its interpretation and popularization (Chapter Three). In Part Two there are three principal discussions: 1) of Anna Świrszc
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16

Barbosa, Marta Maria Coêlho. "A borboleta azul na parede de vidro: o imaginário medieval em Nove, novena, de Osman Lins." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/14850.

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Made available in DSpace on 2016-04-28T19:59:09Z (GMT). No. of bitstreams: 1 Marta Maria Coelho Barbosa.pdf: 731755 bytes, checksum: b6f9794d5181a5d41daa797f02e7c869 (MD5) Previous issue date: 2008-05-06<br>The core of approach of the writer Osman Lins s lies in a restoration of the process of reconstructing the connection between the modern man to cosmos, applied to the called narratives abject, term of Walter Benjamin. That is because, when Middle Age allegory was rescued, Osman Lins constructs an interpretative way of this process that has as epicenter images of insects and animals, bas
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17

Greyvenstein, Lisa. "An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists." Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/27466.

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This research investigates the Neo-Baroque aesthetic of excess in contemporary South African art, and explores reasons for the emergence of this style. It investigates artists who use their bodies as a site of resistance, to contest or reconstruct the dominant social values which establish differences between bodies to place them within the marginal position of ‘Other’. This investigation relates to post-colonial concerns. The artists’ exploitation of the Neo-Baroque aesthetic of excess as a comment on social concerns reveals a sense of crisis within South African society, similar to the condi
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18

Hallberg, Therese. "Mellan livet och döden : Den litterära gotikens närvaro i dokumentära skildringar av självskada." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30505.

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Autobiographies and documentaries usually aim to elicit a discussion about social issues by shocking and horrifying readers and viewers, often through graphic imagery. This study's ambition is to examine how literary documentary borrows from the gothic tradition to depict real societal issues. My aim is to show how the gothic style transcends the borders of the genre and that literary documentary about self-harm tends to work through the same thematic and narrative structures as the literary gothic. With a focus on contemporary depictions of self-harm and mental illness in young women and girl
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19

Guldbacke, Lund Linnéa. "Äcklet, Äcklet : En äckelstudie om doft, kroppsvätskor och skriftliga spyor samt att äta sig själv och andra i Aliide, Aliide, Parfymen, Nekrofilen, Våtmarker och Tid för kärlek." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-185285.

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This essay explores and examines disgust in five literary figures and books based on scent, bodyfluids and abjection. Together with Julia Kristeva's Powers of Horror: An Essay on Abjection and Sara Ahmed's "The Performativity of Disgust" in The Cultural Politics of Emotion, I analyze these books, and my position as a researchsubject. The questions I ask are: What does disgust mean? How do the subject's boundaries shift when things penetrate the body? How are scents, body fluids and disgust expressed in relation to power and the female body? And what does it mean that I stick my reading experie
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20

Huang, Wei-Ting, and 黃瑋婷. "The Historical Trauma and Abject Body: Subject Identity in John Okada''s No No Boy." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/24686317019594986429.

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碩士<br>國立中興大學<br>外國語文學系所<br>103<br>The paper mainly focuses on Japanese Americans of 1950s'' America.The psychological trauma and consistent search for the cultural identity become the issue and value of their unformed community ideology.
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21

Yang, Meng-chieh, and 楊孟潔. "Food and the Abject Body in Ruth Ozeki’s My Year of Meats." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/41836713186821658072.

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碩士<br>國立中興大學<br>外國語文學系所<br>100<br>This thesis aims to place Ruth L. Ozeki’s My Year of Meats (1998) in the framework of Julia Kristeva’s concepts of abjection to explore women’s plight in the patriarchal society and the dilemma of the minority group in America. This thesis consists of three chapters. Chapter One introduces Julia Kristeva’s theories of abjection and Karen Shimakawa’s interpretation of racial abjection in the national context. Chapter Two examines the plight of Jane’s and Akiko’s maternal bodies in the patriarchal sociey, Akiko’s resistance to Ueno’s domination through vomiti
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22

Ford, Larkin H. "Discount Meat." 2017. http://scholarworks.gsu.edu/art_design_theses/225.

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In the narrative painting series Discount Meat, I employ grotesque realism to emphasize the rupture of corporeal and social boundaries, reframing the body as a site of discontinuity whose physical and perceptual structures are in constant flux. Through this approach, I synthesize fragments of lived and observed experience into invented narratives with an emphasis on embodiment. By emphasizing the apertures connecting the body’s interior with the outside world, I seek to problematize the image of a discrete self, suggesting instability as a central element of physical identity. Across this web
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23

Su, Hsin-Lin, and 蘇欣臨. "Ambiguity of the Abject: Connotation and Suversion betweenMeats and the Female Body in Ruth L. Ozeki''s My Year of Meats." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/59089601056371081855.

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碩士<br>國立中興大學<br>外國語文學系所<br>95<br>Decorated by the consumable signs in capitalism, the essence of meats turns into desiring images of cultural fetishism in Ruth L. Ozeki’s My Year of Meats. Namely, both in the novel and in capitalistic society, the female body is molded as products in accordance with the object of male sexual desire. If beef is a singular consumable sign signifying the exclusion of undesirable and heterogeneous elements in the dominant discourse more than an option on the dinning plate, it is transformed into a deferred signifier. Excluding the ugly, unhealthy, unattractive,
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