Bibliografías temáticas / Adolphe (Privateer)

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Literatura académica sobre el tema "Adolphe (Privateer)"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Adolphe (Privateer)"

1

Arena, Richard, and Harald Hagemann. "Adolphe Landry and Otto Effertz: Lessons from a Debate." HISTORY OF ECONOMIC THOUGHT AND POLICY, no. 2 (October 2012): 77–94. http://dx.doi.org/10.3280/spe2012-002005.

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In his work Arbeit und Boden (Labor and Land) (1889) Otto Effertz outlined the foundations of a "Ponophysiocracy". This book which in its final, strongly modified version Les Antagonismes économiques was published in 1906, had a stronger impact on Adolphe Landry, who praises as well as criticizes the work of the German author who spent a greater part of his life in Paris. Both economists were strongly interested in the conflict between the private and the social interest. They belong to the small group of socialists who early on took notice of the development of marginalism in their economic t
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2

Forster-Hahn, Francoise. "Public Concerns - Private Longings: Adolph Menzel's Studio Wall (1872)." Art History 25, no. 2 (2002): 206–39. http://dx.doi.org/10.1111/1467-8365.00313.

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Bednarek, Anna, and dr Wojciech Walanus. "Fotografia jako narzędzie dokumentacji i popularyzacji zbiorów Czartoryskich w XIX wieku / Photography as a Tool of Documenting and Promoting the Czartoryski Collection in 19th Century (Summary)." Rozprawy Muzeum Narodowego w Krakowie/Papers of the National Museum in Krakow 13, no. 13 (2025): 70–100. https://doi.org/10.52800/rmnk13.a5.

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After the mid-19th century, the reproduction of private and public collections by means of photography for academic, publishing and commercial purposes became an increasingly common practice. The earliest known photographs of the artworks belonging to the Princes Czartoryski Museum were taken during exhibitions, and their authors were Karol Beyer (1858), Franck (1865) and Adolphe Braun (1878). The latter published a separate catalogue of the photographs of paintings from the Czartoryski Museum in 1883. Some works were recorded also by other photographers (e.g. Awit Szubert). However, the cruci
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4

WILSON, LEONARD G. "A scientific libel: John Lubbock's attack upon Sir Charles Lyell." Archives of Natural History 29, no. 1 (2002): 73–87. http://dx.doi.org/10.3366/anh.2002.29.1.73.

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John Lubbock's charge that Sir Charles Lyell's discussion of Danish shell mounds in Antiquity of man (1863) was derived from Lubbock's 1861 article on the same subject was assumed by Lubbock's associates to have a basis in fact. In the preface to Pre-historic times (1865), Lubbock said that Lyell had made much use of his article without acknowledgement. The charge was untrue. In correcting proofs, Lyell had inadvertently used two sentences from Lubbock's article. The rest of his discussion was his own. The similarity between Lyell's and Lubbock's treatments of Danish archaeology resulted from
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5

Parant, Alain. "Population and population policy: French model." Stanovnistvo 46, no. 1 (2008): 7–39. http://dx.doi.org/10.2298/stnv0801007p.

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Generations born today, or at least are trying to be, are scarcer than before all over the world. This decrease in the number of children is affecting modern societies in many spheres. If it was to be supported by efficient policies, it could be the source of a general improvement of life conditions. However, if this phenomenon continues or becomes drastic, it could ultimately lead to slower or faster demographic ageing, which could endanger many social heritages. Public intervention must, in that case, impinge much deeper, but without guarantees for a complete, if not permanent, success. The
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6

Stix, Daniela Cornelia, and Susanne Eggert. "Editorial: Wo guter Rat nicht teuer ist." merz | medien + erziehung 67, no. 2 (2023): 6–13. https://doi.org/10.21240/merz/2023.2.6.

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Menschen suchen in der Regel Rat, wenn sie in einer herausfordernden Situation oder Problemlage selbst keine geeigneten Lösungsmöglichkeiten sehen: „Also betrifft das Überlegen die Dinge, die zumeist begegnen, die ungewiss sind, wie sie herauskommen, und bei denen unbestimmt ist, wie man handeln soll. Bei den großen Sachen nehmen wir Berater dazu, da wir uns selbst misstrauen und uns nicht für fähig halten, allein zu entscheiden.“ (Aristoteles, Eth. Nic 1112b, zit. n. DBSH 2002, S. 6) Die hinzugezogenen Berater*innen sind dabei in ihrer Form so alt wie vielfältig. Neben der besten Freundin und
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7

Trautwein, Hans-Michael. "Lending of Last Resort in Monetary Unions." Uppsala Papers in Economic History, no. 1 (February 1, 2022). http://dx.doi.org/10.33063/upeh.vi1.84.

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The European Central Bank’s activities as lender of last resort are especially controversial in Germany. The overriding concern of the critics is an alleged tendency of creating moral hazard on the side of public and private borrowers in the European Monetary Union. This contrasts with the predominant views among German economists in the classical gold standard era, when the newly founded German empire merged the many currency areas in its realm into monetary union. Prominent experts and policy advisors, such as Erwin Nasse, Adolph Wagner and Friedrich Bendixen, argued that in view of the cost
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8

Graure, Cristian. "„Argint şi soare”. Originile fotografiei prin evoluții tehnice între 1800 şi 1900 / “Silver and sunshine”. The Origins of Photography by means of Processes between 1800 and 1900". Analele Banatului XXII 2014, 1 січня 2014. http://dx.doi.org/10.55201/fuhv2967.

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As a result of the improvements made to the camera obscura and the study of light sensitivity of silver salts, photography is a product of the 19th century, and by definition an image produced by the effect of light on a foto-sensitized surface. The genesis of the term is closely related to the discovery of the journal of Antoine Hércules Romuald Florence, a French-brazilian painter and a few years later, to Sir John Herschel who for the first time proposed the term “Photography” for the image obtained in the camera obscura in his private correspondence of 28th February 1839.Around the year 18
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9

Angela, Mitt. "education human capital and economic growth in Nigeria." August 13, 2020. https://doi.org/10.5281/zenodo.3982749.

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<strong>Gyeongsang University Turnitin Trash Files</strong> <strong>HUMAN CAPITAL NEXUS AND GROWTH OF NIGERIA ECONOMY</strong> <strong>CHAPTER ONE</strong> <strong>INTRODUCTION</strong> <strong>Background to the Study </strong> Government expenditure equally known as public spending simply refers to yearly expenditure by the public sector (government) in order to achieve some macroeconomic aims notably high literacy rate, skilled manpower, high standard of living, poverty alleviation, national productivity growth, and macro-economic stability. It is also expenditure by public authorities at va
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Libros sobre el tema "Adolphe (Privateer)"

1

Jensen, Jens Christian. Adolph Menzel. DuMont, 2003.

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2

A, Amaral Aracy, and Leirner Adolpho, eds. Arte construtiva no Brasil: Coleção Adolpho Leirner = Constructive art in Brazil : Adolpho Leirner collection. Dórea Books and Art, 1998.

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3

Ilkka, Mäkinen, ed. Bokvurm i Tammerfors: Lantmätare Gustaf Adolph Tuderus (1766-1817) bibliotek. Tampereen yliopiston Virtain kulttuurintutkimusasema, 2005.

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4

Goldfarb, Hilliard T. A humanist vision: The Adolph Weil, Jr. collection of Rembrandt prints. Hood Museum of Art, Dartmouth College, 1988.

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5

Montgomery Museum of Fine Arts., ed. Dürer, Rembrandt & beyond: From the collection of Mr. & Mrs. Adolph Weil, Jr. Montgomery Museum of Fine Arts, 1994.

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6

Barzilay, Freund Joan, ed. Masterpieces of Americana: The collection of Mr. and Mrs. Adolph Henry Meyer. Sotheby's Books, 1995.

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7

Jensen, Jens Christian. Adolph Menzel: Gemälde, Gouachen, Aquarelle, Zeichnungen aus der Sammlung-Dr.-Georg-Schäfer-Stiftung, Schweinfurt. Hirmer, 1998.

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8

author, Migliaccio Luciano, ed. Art déco no Brasil: Coleção Fulvia e Adolpho Leirner. 2020.

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9

Hood Museum of Art (Corporate Author), Timothy Rub (Editor), Egbert Haverkamp-Begemann (Editor), Kelly Pask (Editor), and Juliette M. Bianco (Editor), eds. A Gift to the College: The Mr. and Mrs. Adolph Weil, Jr. Collection of Master Prints. Home Builder Pr, 1998.

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10

Hood Museum of Art (Corporate Author), Timothy Rub (Editor), Egbert Haverkamp-Begemann (Editor), Kelly Pask (Editor), and Juliette M. Bianco (Editor), eds. A Gift to the College: The Mr. and Mrs. Adolph Weil, Jr. Collection of Master Prints. Hood Museum of Art Darmouth College, 1998.

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Capítulos de libros sobre el tema "Adolphe (Privateer)"

1

Trollope, Anthony. "The Longestaffes." In The Way We Live Now. Oxford University Press, 2016. http://dx.doi.org/10.1093/owc/9780198705031.003.0015.

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Mr Adolphus Longestaffe, the squire of Caversham in Suffolk, and of Pickering Park in Sussex, was closeted on a certain morning for the best part of an hour with Mr Melmotte in Abchurch Lane, had there discussed all his private affairs, and was about...
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2

Diago Ortega, José-Modesto. "Masterstroke." In The Battle for Control of the Brass and Instruments Business in the French Industrial Revolution. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198895053.003.0010.

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Abstract This chapter contains the unprecedented episode in which late modern France passed a state law for a private individual (Adolphe Sax) to enjoy a five-year extension to prolong the validity of his patents (saxotromba and saxophone) and, ultimately, for that entrepreneur to continue to enjoy a double monopoly. Although this was a contingency provided for in the legislation, it was remote because it required strong involvement of the Executive, approval by the Council of State, passage through committees, procedures, and debates in both the Parliament and Senate, and ratification by the
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3

Debost, Michel. "Paris Conservatoire and French School." In The Simple Flute. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195145212.003.0051.

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Abstract Although in the 1970s the French republic created another Conservatoire National Supérieur de Musique in Lyon, on an equal standing with Paris, the model for most musical institutions of Europe was the Paris Conservatoire. Founded in 1784 as École Royale de Musique, in 1795 it assumed its present title. Past directors include Luigi Cherubini, Ambroise Thomas, Theodore Dubois, Gabriel Fauré, and Marcel Dupré. Among its professors were Hector Berlioz, Anton Reicha, Paul Dukas, Jules Massenet, Charles-Marie Widor, Charles Tournemire, Marcel Dupré, Olivier Messiaen, and Nadia Boulanger. U
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