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Libros sobre el tema "Aesthetics of mobility"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 11 de febrero de 2022

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1

Lindner, Christoph, and Gerard Sandoval, eds. Aesthetics of Gentrification. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722032.

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Gentrification is reshaping cities worldwide, resulting in seductive spaces and exclusive communities that aspire to innovation, creativity, sustainability, and technological sophistication. Gentrification is also contributing to growing social-spatial division and urban inequality and precarity. In a time of escalating housing crisis, unaffordable cities, and racial tension, scholars speak of eco-gentrification, techno-gentrification, super-gentrification, and planetary gentrification to describe the different forms and scales of involuntary displacement occurring in vulnerable communities in
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2

Tracking modernity: India's railway and the culture of mobility. University of Minnesota Press, 2010.

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3

Anthony, Hoete, and Hadid Zaha, eds. Reader on the aesthetics of mobility. Black Dog Pub., 2003.

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4

Peeren, Esther, Jeroen de Kloet, Robin Celikates, and Thomas Poell. Global Cultures of Contestation: Mobility, Sustainability, Aesthetics & Connectivity. Palgrave Macmillan, 2020.

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5

Hoete, Anthony. ROAM: A Reader in the Aesthetics of Mobility. Black Dog, 2004.

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6

Peeren, Esther, Jeroen de Kloet, Robin Celikates, and Thomas Poell. Global Cultures of Contestation: Mobility, Sustainability, Aesthetics & Connectivity. Palgrave Macmillan, 2017.

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7

Ceuterick, Maud. Affirmative Aesthetics and Wilful Women: Gender, Space and Mobility in Contemporary Cinema. Springer Nature, 2020.

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8

Straus, Joseph N. Stravinsky’s Aesthetics of Disability. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190871208.003.0003.

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The central features of Stravinsky’s musical style, including its formal splinteredness, its harmonic immobility, its stratification into contrasting textural layers, and its radical simplification of musical materials, can be understood as ways of representing and narrating disability, including deformity/disfigurement, mobility impairment, madness, and idiocy. These representations sometimes perpetuate pernicious eugenic-era stereotypes and sometimes are more accepting, even celebratory, of extraordinary bodies. This chapter offers a close look at three musical works from Stravinsky’s early
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9

Walking and the Aesthetics of Modernity: Pedestrian Mobility in Literature and the Arts. Palgrave Macmillan, 2016.

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10

Benesch, Klaus, and François Specq. Walking and the Aesthetics of Modernity: Pedestrian Mobility in Literature and the Arts. Palgrave Macmillan, 2017.

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11

Socio-Cultural Mobility and Mega-Events: Ethics and Aesthetics in Brazil's 2014 World Cup. Taylor & Francis Group, 2015.

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12

Nail, Thomas. Theory of the Image. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190924034.001.0001.

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We live in the age of the mobile image. Our world is now saturated with moving images of all kinds, both analog and digital. This sea change in image production and circulation is nothing less than the Copernican revolution of our time. The centrality of the movement and mobility of the image has never been more dramatic. And just like the Copernican revolution, the aesthetic revolution of the image has consequences not only for the way we think about the contemporary image but also the way we think about all previous images. Theory of the Image offers a new and systematic philosophy of art an
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13

Straus, Joseph N. Representing Disability. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190871208.003.0001.

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In modernist music, disability functions as an artistic resource: a source of images and an impetus for narrative. Disability enables musical modernism. Modernist music is centrally concerned with the representation of disabled bodies. Its most characteristic features—fractured forms, immobilized harmonies, conflicting textural layers, radical simplification of means in some cases, and radical complexity and hermeticism in others—can be understood as musical representations of disability conditions, including deformity/disfigurement, mobility impairment, madness, idiocy, and autism. Although m
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14

Shaikh, Fariha. Nineteenth-Century Settler Emigration in British Literature and Art. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474433693.001.0001.

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Nineteenth-Century Settler Emigration in British Literature and Art takes an interdisciplinary approach, combining literary criticism, art history, and cultural geography, to argue that the demographic shift in the nineteenth century to settler colonies in Canada, Australia and New Zealand was also a textual one: a vast literature supported and underpinned this movement of people. Through its five chapters, Nineteenth-Century Settler Emigration brings printed emigrants’ letters, manuscript shipboard newspapers, and settler fiction into conversation with narrative painting and novels to explore
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15

Larasati, Diyah. Crossing the Seas of Southeast Asia. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.012.

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This chapter rearticulates the study of female citizenship and the transmission of dance among the Islamic communities of the Sama and Bajau of Southeast Asia. The research examines how indigenous people’s aesthetic practices have been shared, distributed, and passed down through internal genealogical alliances, as well as through transmission in public, internationalized space. The traditional, genealogical transmission of these practices has been disrupted and challenged by post-9/11 antiterrorism laws, which affect border crossings. Examining regulation and its consequences for society by e
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16

DeLucia, JoEllen, and Juliet Shields, eds. Migration and Modernities. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474440349.001.0001.

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Migration and Modernities recovers a comparative literary history of migration by bringing together scholars from the US and Europe to explore the connections between migrant experiences and the uneven emergence of modernity. The collection initiates transnational, transcultural and interdisciplinary conversations about migration in the eighteenth and nineteenth centuries, demonstrating how mobility unsettles the geographic boundaries, temporal periodization, and racial categories we often use to organize literary and historical study. Migrants are by definition liminal, and many have existed
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17

Halle, Randall. Interzone Dis/continuous. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038457.003.0005.

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This chapter analyzes how the German–Polish border became a new object of filmic representation and investigation. Subsequently, this space has become a regular region of cinematic exploration, and the contacts that began during this period have led to an expansion of Polish–German coproductions in general. The chapter argues that borders are first ideational before they are spatial geographical, demonstrating how the mobility of the apparatus is not simply a matter of technological indulgence. Rather, the liberated lens is an expansion of cinema's semiotic field. The cinematic apparatus provi
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18

Leitch, Thomas, ed. The Oxford Handbook of Adaptation Studies. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.001.0001.

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This collection of forty original essays reflects on the history of adaptation studies, surveys the current state of the field, and maps out possible futures that mobilize its unparalleled ability to bring together theorists and practitioners in different modes of discourse. Grounding contemporary adaptation studies in a series of formative debates about what adaptation is, whether its orientation should be scientific or aesthetic, and whether it is most usefully approached inductively, through close analyses of specific adaptations, or deductively, through general theories of adaptation, the
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19

Archer, Harriet. Richard Niccols’s Mirour for Magistrates (1610). Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806172.003.0006.

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The final chapter addresses Richard Niccols’s ghost complaint collection, A Winter Nights Vision, and the edition to which it was appended in 1610. It reflects on the changed political and literary landscape within which Niccols situates his new Mirror, and considers potential explanations for the collection’s declining popularity. Niccols made substantial editorial changes, perpetuating the narrative of imperfection which had characterized its Elizabethan evolution. Using Niccols’s wider oeuvre and late Elizabethan influences to reconstruct a picture of his ethical and aesthetic priorities, t
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20

Haacke, Paul. The Vertical Imagination and the Crisis of Transatlantic Modernism. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198851448.001.0001.

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From the invention of skyscrapers and airplanes to the development of the nuclear bomb, ideas about the modern increasingly revolved around vertiginous images of elevation and decline and new technologies of mobility and terror from above. In The Vertical Imagination and the Crisis of Transatlantic Modernism, Paul Haacke examines this turn by focusing on discourses of aspiration, catastrophe, and power in major works of European and American literature as well as film, architecture, and intellectual and cultural history. This wide-ranging and pointed study begins with canonical fiction by Fran
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21

Biomechanics and Esthetic Strategies in Clinical Orthodontics. Saunders, 2005.

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