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Artículos de revistas sobre el tema "Afro-american youth"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 29 de julio de 2024

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1

Johnston, Sholeh. "Persian Rap: The Voice of Modern Iran's Youth." Journal of Persianate Studies 1, no. 1 (2008): 102–19. http://dx.doi.org/10.1163/187471608784772760.

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AbstractPersian Rap, or Rap-e Farsi, is the latest craze in contemporary underground Iranian music, both with Iran and its extensive Diaspora. In Iran, rap is met with strong opposition from the Islamic government, but continues to enjoy immense popularity amongst web-savvy Iranian youths who consume the songs online through internet chat forums, websites, blogs and radio. This article examines the development of Persian Rap from an imitation of Afro-American "Gangsta" Rap, to a unique style of fusion rap with a distinctly Iranian identity, grounded in cultural tradition and a powerful social

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2

Hollands, Robert. "‘Rappin’ on the Reservation: Canadian Mohawk Youth's Hybrid Cultural Identities." Sociological Research Online 9, no. 3 (2004): 55–67. http://dx.doi.org/10.5153/sro.953.

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This study of Canadian Mohawk youth examines the complex construction of hybrid identities, by looking at the interaction between their consumption of western media/ culture and local Native traditions and customs. The article poses the question, to what extent does western youth culture as expressed in TV, film, music and sport get taken up and moulded around a more contemporary Native youth identity? Utilising theoretical notions of hybridity and hegemony, and a mixed methodology of questionnaire data and focus group interviews, the study argues that young Mohawks actively consume global you

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3

Scarabello, Serena, and Marleen de Witte. "Afroeuropean Modes of Self-Making: Afro-Dutch and Afro-Italian Projects Compared." Open Cultural Studies 3, no. 1 (2019): 317–31. http://dx.doi.org/10.1515/culture-2019-0028.

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Abstract This article contributes to scholarship on Afroeurope by investigating the intersection of blackness, Africanness, and Europeanness in everyday discourses and social practices in the Netherlands and Italy. We examine how young African-descended Europeans are forging new ways of being both African and European through practices of self-making, which should be understood against both the historical background of colonialism and the contemporary politics of othering. Such practices take on an urgency for these youth, often encompassing a reinvention of Africanness and/or blackness as wel

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4

Pachter, Lee M., Cleopatra H. Caldwell, James S. Jackson, and Bruce A. Bernstein. "Discrimination and Mental Health in a Representative Sample of African-American and Afro-Caribbean Youth." Journal of Racial and Ethnic Health Disparities 5, no. 4 (2017): 831–37. http://dx.doi.org/10.1007/s40615-017-0428-z.

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5

Kelekay, Jasmine Linnea. "Too Dark to Support the Lions, But Light Enough for the Frontlines”: Negotiating Race, Place, and Nation in Afro-Finnish Hip Hop." Open Cultural Studies 3, no. 1 (2019): 386–401. http://dx.doi.org/10.1515/culture-2019-0033.

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Abstract In this article, I examine cultural production as an avenue for mapping African diasporic identities and racialised experiences in Finland. Hip hop culture has long acted as a lingua franca for the African diaspora and has been central in the development of collective identities among second-generation European youth of colour. Prior to the 2010s, the landscape of Finnish hip hop was largely white with little engagement with race or hip hop’s roots as a Black American cultural form. This status quo was disrupted by the rise of Afro-Finnish rappers. Since gaining mainstream visibility,

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6

Kormilitsyna, A. N. "PROBLEMS OF AFRO-AMERICAN CHARACTER IN CHARLES CHESNUTT’S COLLECTION OF “‘THE WIFE OF HIS YOUTH’ AND OTHER STORIES OF THE COLOR-LINE”." Rossiiskii Gumanitarnyi Zhurnal 2, no. 3 (2013): 270. http://dx.doi.org/10.15643/libartrus-2013.3.6.

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7

Lewis-McCoy, R. L’Heureux. "Suburban Black Lives Matter." Urban Education 53, no. 2 (2017): 145–61. http://dx.doi.org/10.1177/0042085917747116.

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This article explores the range of experiences and meanings of Black life in suburban space. Drawing from educational, historical, and sociological literatures, I argue that an underconsideration of suburban space has left many portraits of educational inequality incomplete. The article outlines the emergence of American suburbs and the formation of the city suburb divide which governs much framing of educational inequality and why this frame has limited thinking about what suburbs are and who lies within them. I follow with a discussion of the contemporary state of the suburbs which are now o

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8

Mušić, Lejla. "The Sociology of Afrofuturism in the New Disney Princesses: From Pinocchio and Anastasia, to Tiana." Journal of Research in Social Science and Humanities 3, no. 5 (2024): 18–22. http://dx.doi.org/10.56397/jrssh.2024.05.04.

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Afro-American Music, Dance, and culture, inspired entire movement Afrofuturism, afrofabulist Nyong, Tavio, Vincent Joslin, and John Szwed “Space is the place”, support the ideas of YTasha L. Womack, that can be found in the representation of blackness, as a new model of Princess and the Frog. Pinocchio, Anastasia and Tiana, were left out on the streets, but only one of the three becomes restaurant owner. Investigation on Gender dimension of comparison in between the Anastasia, and Pinocchio characters in cartoons, was conducted in group of BA students, of Sociology, at Faculty of Political Sci

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9

Urnov, Andrey. "The Second United States – Africa Leaders Summit (13–15 December 2022)." Asia and Africa Today, no. 2 (2023): 25. http://dx.doi.org/10.31857/s032150750024405-7.

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The article is devoted to the second U.S.-Africa Leaders Summit, which was convened by Biden’s Administration and took place in Washington on 13–15 December 2022. 47 African countries were invited. 35 state presidents and 12 prime-ministers and ministers of foreign affairs participated in the work of the Summit. The African Union was represented by its chairperson, president of Senegal M.Sall. In the course of the first day of the Summit, the key spheres of cooperation were considered at 7 sessions. Business Forum was held on the second day. On the third day – “Leaders Day” – the heads of dele

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10

Matusevich, Maxim. "Journeys of Hope: African Diaspora and the Soviet Society Voyages d'espoir : la diaspora africaine et la société soviétique,." African Diaspora 1, no. 1-2 (2008): 53–85. http://dx.doi.org/10.1163/187254608x346033.

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Abstract African presence in Russia predated the Bolshevik takeover in 1917. The arrival of the new Communist rule with its attendant vociferous anti-racist and anti-colonial propaganda campaigns enhanced the earlier perceptions of Russia as a society relatively free of racial bias, a place of multiethnic coexistence. As a result dozens of black, mostly Afro-Caribbean and African-American, travellers flocked to the "Red Mecca" during the first two decades of its existence. Some of those arrivals were driven by the ideology; however, the majority of them were simply searching for a place of rac

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11

Nakienė, Austė. "Shifts in the Traditional Culture. Folksongs in the 21st Century City." Tautosakos darbai 49 (May 22, 2015): 171–92. http://dx.doi.org/10.51554/td.2015.29011.

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The traditional culture existing in the city experienced considerable changes in the course of the last century. Rather than comprising continuous, gradual development, this change involved several radical cultural shifts, taking place in the 20th century (e. g. in the beginning of the century, in the 1960s, and 1990s). The article compares the urban, social and cultural changes in order to determine periods when the traditional culture experienced the most crucial transformations and when various new phenomena appeared. A clear shift in the urban culture took place in the 1960s in Lithuania,

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12

Forman, Murray. "‘Represent’: race, space and place in rap music." Popular Music 19, no. 1 (2000): 65–90. http://dx.doi.org/10.1017/s0261143000000015.

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Say somethin' positive, well positive ain't where I liveI live around the corner from West HellTwo blocks from South Shit and once in a jail cellThe sun never shined on my side of the street, see?(Naughty By Nature, ‘Ghetto Bastard (Everything's Gonna Be Alright)’, 1991, Isba/Tommy Boy Records)If you're from Compton you know it's the 'hood where it's good(Compton's Most Wanted, ‘Raised in Compton’, 1991, Epic/Sony)IntroductionHip hop's capacity to circumvent the constraints and limiting social conditions of young Afro-American and Latino youths has been examined and celebrated by cultural crit

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13

Gómez-Sánchez, Pío-Iván Iván. "Personal reflections 25 years after the International Conference on Population and Development in Cairo." Revista Colombiana de Enfermería 18, no. 3 (2019): e012. http://dx.doi.org/10.18270/rce.v18i3.2659.

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In my postgraduate formation during the last years of the 80’s, we had close to thirty hospital beds in a pavilion called “sépticas” (1). In Colombia, where abortion was completely penalized, the pavilion was mostly filled with women with insecure, complicated abortions. The focus we received was technical: management of intensive care; performance of hysterectomies, colostomies, bowel resection, etc. In those times, some nurses were nuns and limited themselves to interrogating the patients to get them to “confess” what they had done to themselves in order to abort. It always disturbed me that

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14

Gamez, Rebeca. "Constructing Latinidad as a constrained credential: Anti‐Blackness and racialized inequities in a majority Latinx middle school." Anthropology & Education Quarterly, August 28, 2023. http://dx.doi.org/10.1111/aeq.12477.

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AbstractFrom data gathered during 18 months of ethnographic fieldwork, this paper unpacks the implications of five ethnographic examples describing interactions between educators and students at New Horizons, a majority Latinx middle school, to demonstrate that the circulation of racialized “good Latinx” narratives legitimates differential allocation of limited school resources between those imagined as falling into the good Latinx category and those that do not because they are ascribed Blackness (i.e., African American and Afro‐Latinx youth). That is, the discursive construction of Latinidad

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15

Benvenga, Luca. "Hip-hop, identity, and conflict: Practices and transformations of a metropolitan culture." Frontiers in Sociology 7 (September 27, 2022). http://dx.doi.org/10.3389/fsoc.2022.993574.

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In this paper, I expose how it is possible to investigate the hip-hop culture on three levels of analysis—historical, semiotic, and phenomenological—precisely as theorized by Cohen (1997) for his study on modern subcultures. The analysis will focus on the hip-hop of the beginning, since the middle of the Seventies and Eighties in the United States, but then it will broaden to a reflection on its diffusion and re-invented, with particular reference to the interactions with the globalization and the changes occurred in contemporary metropolis. In this sense, considering hip-hop as a subculture i

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16

North, Connie E. "La Importancia del Crecimiento Interno y el Bienestar Comunitario en la Evaluación Educativa para la Justicia Social." Revista Iberoamericana de Evaluación Educativa 4, no. 1 (2016). http://dx.doi.org/10.15366/riee2011.4.1.002.

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En el año 2009, mientras facilitaba un grupo de docencia sobre indagación para la acción en Estados Unidos, presencié un hecho de violencia académica generado por el uso de exámenes estandarizados que fomentan la exclusión. Este artículo destaca mi vivencia con este instrumento de evaluación en relación con dos programas educativos extracurriculares dirigidos a jóvenes afro-americanos, la Philadelphia Freedom School y el National Rites of Passage Institute, en una escuela secundaria pública de población mayoritariamente negra, en la que uno de los miembros de mi grupo de trabajo imparte docenc

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17

Manning, Peter. "OS ESTUDOS SOBRE A POLÍCIA NOS PAÍSES ANGLO-AMERICANOS." Caderno CRH 18, no. 45 (2006). http://dx.doi.org/10.9771/ccrh.v18i45.18537.

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O artigo faz uma revisão crítica do pragmatismo americano que situa no sujeito, primordialmente, a forma social de ser e de agir, colocando em segundo plano as condições sociais de vida. O puritanismo calvinista, o moralismo e a ideologia do Ocidente são analisados, situando a realidade brasileira e o convívio com a violência crescente, focando a questão da construção social do medo e da juventude, sobretudo a dos bairros periféricos, e marcada pela condição de ser afro-descendente, o que implica no racismo estrutural da sociedade brasileira. Retomando Weber, e fazendo um contraponto – e não u

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18

Espinheira, Gey. "VIOLÊNCIA E POBREZA: janelas quebradas e o mal-estar da civilização." Caderno CRH 18, no. 45 (2006). http://dx.doi.org/10.9771/ccrh.v18i45.18539.

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O artigo faz uma revisão crítica do pragmatismo americano que situa no sujeito, primordialmente, a forma social de ser e de agir, colocando em segundo plano as condições sociais de vida. O puritanismo calvinista, o moralismo e a ideologia do Ocidente são analisados, situando a realidade brasileira e o convívio com a violência crescente, focando a questão da construção social do medo e da juventude, sobretudo a dos bairros periféricos, e marcada pela condição de ser afro-descendente, o que implica no racismo estrutural da sociedade brasileira. Retomando Weber, e fazendo um contraponto – e não u

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19

Mercieca, Paul Dominic. "‘Southern’ Northern Soul: Changing Senses of Direction, Place, Space, Identity and Time." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1361.

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Music from Another Time – One Perth Night in 2009The following extract is taken from fieldwork notes from research into the enduring Northern Soul dance scene in Perth, Western Australia.It’s 9.30 and I’m walking towards the Hyde Park Hotel on a warm May night. I stop to talk to Jenny, from London, who tells me about her 1970s trip to India and teenage visits to soul clubs in Soho. I enter a cavernous low-ceilinged hall, which used to be a jazz venue and will be a Dan Murphy’s bottle shop before the year ends. South West Soul organiser Tommy, wearing 34-inch baggy trousers, gives me a Northern

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20

Haupt, Adam. "Queering Hip-Hop, Queering the City: Dope Saint Jude’s Transformative Politics." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1125.

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This paper argues that artist Dope Saint Jude is transforming South African hip-hop by queering a genre that has predominantly been male and heteronormative. Specifically, I analyse the opening skit of her music video “Keep in Touch” in order to unpack the ways which she revives Gayle, a gay language that adopted double-coded forms of speech during the apartheid era—a context in which homosexuals were criminalised. The use of Gayle and spaces close to the city centre of Cape Town (such as Salt River and Woodstock) speaks to the city as it was before it was transformed by the decline of industr

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