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Libros sobre el tema "Afro -Cuban culture"

Autor: Grafiati
Publicado: 9 de noviembre de 2024
Última modificación: 31 de julio de 2025

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1

1943-, Pérez Sarduy Pedro, and Stubbs Jean 1946-, eds. Afro-Cuban voices: On race and identity in contemporary Cuba. University Press of Florida, 2000.

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2

Rodríguez-Mangual, Edna M. Lydia Cabrera and the construction of an Afro-Cuban cultural identity. University of North Carolina Press, 2004.

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3

Garoutte, Claire. Crossing the water: A photographic path to the Afro-Cuban spirit world. Duke University Press, 2007.

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4

(Editor), Judith Bettelheim, and Fernando Ortiz (Editor), eds. Cuban Festivals: A Century of Afro-Cuban Culture. Markus Wiener Publishers, 2001.

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5

Bettelheim, Judith. Cuban Festivals: A Century of Afro-Cuban Culture. Ian Randle Publishers,Jamaica, 2001.

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6

Gonzalez, Michelle A. Afro-Cuban Theology: Religion, Race, Culture, and Identity. University Press of Florida, 2009.

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7

Afro-cuban Theology: Religion, Race, Culture, And Identity. University Press of Florida, 2006.

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8

Fernando Ortiz on Music: Selected Writing on Afro-Cuban Culture. Temple University Press, 2018.

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9

Fernando, Ortiz. Fernando Ortiz on music: Selected writing on Afro-Cuban culture. Temple University Press, 2018.

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10

Arnedo-Gómez, Miguel. Uniting Blacks in a Raceless Nation: Blackness, Afro-Cuban Culture, and Mestizaje in the Prose and Poetry of Nicolás Guillén. Bucknell University Press, 2019.

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11

Uniting Blacks in a Raceless Nation: Blackness, Afro-Cuban Culture, and Mestizaje in the Prose and Poetry of Nicolás Guillén. Bucknell University Press, 2016.

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12

Uniting Blacks in a Raceless Nation: Blackness, Afro-Cuban Culture, and Mestizaje in the Prose and Poetry of Nicolás Guillén. RLPG - Bucknell UP, 2016.

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13

Lapidus, Benjamin. Origins of Cuban Music and Dance. The Rowman & Littlefield Publishing Group, 2008. https://doi.org/10.5040/9798881819033.

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Origins of Cuban Music and Dance: Changüí is the first in-depth study of changüí, a style of music and dance in Guantánamo, Cuba. Changüí is analogous to blues in the United States and is a crucible of Cuban Creole culture. Benjamin Lapidus describes changüí and its relationship to the roots of son, Cuba's national genre and the style of music that contributed to the development of salsa, in Eastern Cuba. He also highlights the connections between Afro-Haitian music and Cuban popular music through changüí, connections with the Caribbean that have been largely overlooked in the past. After an i
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14

Bailey, Jim. The Yoruba of Southwestern Nigeria and Santeria in the Southeastern United States: History Culture, Rituals, and Ceremonies of an Afro-Cuban Cult. Godolphin House, 1991.

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15

Edison, Thomas Wayne. Ashé-Caribbean Literary Aesthetic in the Cuban, Colombian, Costa Rican, and Panamanian Novel of Resistance. Lexington Books, 2020. https://doi.org/10.5040/9781666984439.

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Ashé-Caribbean Literary Aesthetic in the Cuban, Colombian, Costa Rican, and Panamanian Novel of Resistance contributes to understanding the important role that African-influenced spiritualcultures play in literature that challenges the concept that European aesthetics are superior to African-inspired cultures. Thomas W. Edison highlights the novels of four courageous Caribbean writers who have used their novels to integrate aspects of African ontology with literary techniques, themes, and history. The common element in these works is the inclusion of African-inspired faith traditions and cultu
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16

Nationalizing blackness: Afrocubanismo and artistic revolution in Havana, 1920-1940. University of Pittsburgh Press, 1997.

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17

Rodr?guez-Mangual, Edna M. Lydia Cabrera and the Construction of an Afro-Cuban Cultural Identity (Envisioning Cuba). The University of North Carolina Press, 2003.

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18

Rodr?guez-Mangual, Edna M. Lydia Cabrera and the Construction of an Afro-Cuban Cultural Identity (Envisioning Cuba). The University of North Carolina Press, 2003.

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19

Unbecoming blackness: The diaspora cultures of Afro-Cuban America. New York University Press, 2012.

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20

Palmié, Stephan. Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition. Duke University Press, 2002.

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21

Palmié, Stephan. Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition. Duke University Press, 2002.

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22

Palmié, Stephan. Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition. Duke University Press, 2002.

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23

Wizards and scientists: Explorations in Afro-Cuban modernity and tradition. Duke University Press, 2002.

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24

H, Brown David. Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. Taylor & Francis Group, 2021.

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25

Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. Routledge, 2022.

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26

Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. Taylor & Francis Group, 2021.

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27

Castillo, Daisy Rubiera, Inés María Martiatu Terry, Karina Alma, and Devyn Spence Benson, eds. Afrocubanas. Rowman & Littlefield International, 2020. https://doi.org/10.5040/9798881809553.

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Originally published in Spanish and edited by Cuban historian Daisy Rubiera Castillo and playwright and theater critic Inés María Martiatu Terry, this ground-breaking edited collection is the first work of its kind. It places the experiences of black and mulata women at the center of Cuban history. Including essays from a mix of well-known and newly published Cuban authors, the volume examines the lives of Afrocubanas from the late nineteenth century to the present. The volume’s contributors collect and interrogate the voices of black Cuban women and the political, cultural, social, and ideolo
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28

Cabrera, Lydia. La foret et les dieux. religions afro-cubaines et medecine sacrée a cuba. Jean-Michel Place, 2003.

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29

Garoutte, Claire, and Anneke Wambaugh. Crossing the Water: A Photographic Path to the Afro-Cuban Spirit World. Duke University Press, 2007.

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30

Crossing the Water: A Photographic Path to the Afro-Cuban Spirit World. Duke University Press, 2007.

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31

Carrillo, Karen Juanita. African American–Latino Relations in the 21st Century. Praeger, 2017. http://dx.doi.org/10.5040/9798400607936.

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Latino and African American communities in the United States share neighborhoods, similar family values, and many of the same challenges faced by minorities, yet are often at odds about their distinctive cultures and position in society. This book looks at the social and political history of both groups, pointing out their differences and similarities, and exploring their perceived role in America’s social strata. Author Karen Juanita Carrillo delves into the often-controversial issues that have undermined Afro-Latino race relations in this country, including how the war on poverty led to comp
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