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Libros sobre el tema "Album concept"
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1
Thiesing, Lisa. Me & you: A mother-daughter album. New York: Hyperion Books for Children, 1998.
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Thiesing, Lisa. Me & you: A mother-daughter album. New York: Hyperion Books for Children, 1998.
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Carroll, Evan. Your digital afterlife: When Facebook, Flickr and Twitter are your estate, what's your legacy? Berkeley, CA: New Riders, 2011.
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Wolfson, Eric. Fifty Years of the Concept Album in Popular Music. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501391842.
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The concept album is one of popular music’s most celebrated—and misunderstood—achievements. This book examines the untold history of the rock concept album, from The Beatles to Beyoncé. The roots of the concept album are nearly as old as the long-playing record itself, as recording artists began using the format to transcend a mere collection of songs into a listening experience that takes the listener on a journey through its unifying mood, theme, narrative, or underlying idea. Along the way, artists as varied as the Moody Blues, Jimi Hendrix, Joni Mitchell, Pink Floyd, Parliament, Donna Summer, Iron Maiden, Radiohead, The Notorious B.I.G., Green Day, Janelle Monáe, and Kendrick Lamar created albums that form an extended conversation of art and music. Limits were pushed as the format grew over the subsequent eras. Seminal albums like the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, the Who’s Tommy, Marvin Gaye’s What’s Going On, stand alongside modern classics like Liz Phair’s Exile in Guyville, Kendrick Lamar’s good kid, “m.A.A.d city,” and Beyoncé’s Lemonade. Mixing iconic albums with some newer and lesser-known works makes for a book that ventures into the many sides of a history that has yet to be told—until now.
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Radiohead and the resistant concept album: How to disappear completely. Bloomington: Indiana University Press, 2010.
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Letts, Marianne Tatom. Radiohead and the Resistant Concept Album: How to Disappear Completely. Indiana University Press, 2010.
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Letts, Marianne Tatom. Radiohead and the Resistant Concept Album: How to Disappear Completely. Indiana University Press, 2011.
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Fifty Years of the Concept Album in Popular Music: From the Beatles to Beyoncé. Bloomsbury Publishing Plc, 2024.
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Fifty Years of the Concept Album in Popular Music: From the Beatles to Beyoncé. Bloomsbury Publishing Plc, 2024.
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Odyssey: The definitive examination of "Music From The Elder," KISS' cult-classic concept album. KISSFAQ Publishing, 2016.
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Shute, Gareth. Concept Albums. CreateSpace Independent Publishing Platform, 2015.
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Sapiro, Ian. The Pop-Music Industry and the British Musical. Editado por Robert Gordon y Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.13.
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This chapter discusses the intersection of the pop music industry and the British musical through the genre of the rock opera. In the late 1960s British artists started using the LP to create longer songs and projects, and theatrical practice began to move away from a reliance on narrative linearity and towards increased spectacle. The result of this experimentation was the concept album, and where such albums contained narratives they were termed rock operas. This chapter considers Tommy (1969) and Jesus Christ Superstar (1970)—two works fundamental to the establishment of rock opera—as well as the War of the Worlds (1978) and The Hunting of the Snark (1984), albums from the end of the genre’s short life. Consideration is given to their creation and formulation, and the issues and difficulties of adapting these and other such works for stage and screen are evaluated.
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Jenke, Tyler. TISM's Machiavelli and the Four Seasons. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9798765114124.
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An in-depth look at the rise of enigmatic Australian rock band TISM, the unexpected success of their 1995 album,Machiavelli and the Four Seasons, and the continued trajectory of their storied career. Focusing on one of Australia’s most enigmatic bands, This Is Serious Mum (better known as TISM), Tyler Jenke forms an in-depth analysis of the anonymous, pseudonymous Melbourne collective’s rise to prominence and unlikely success on the popular music charts with their third album,Machiavelli and the Four Seasons(1995). Jenke details TISM’s origins as they slowly went from a bedroom concept to an underground success to a staple of concert stages and commercial radio in Australia, growing a rabid fanbase in the process. Despite the anti-commercial tendencies of TISM, whose album artwork didn’t feature the band, whose band members performed under pseudonyms and who rarely gave interviews, never mind sincere answers, TISM became a commercially successful group. In this book, Jenke identifies the steps the band took to shift their sound from their tried-and-true experimental Australian pub-rock roots to the burgeoning, youthful electronic music genre, employing synthesizers and samplers. With their new sound, TISM incorporated Dadaism – the use of unusual or everyday sounds – and both avant-garde and classic pop musicianship. The band’s new sound resulted in both top ten success and an ARIA Award. This is the first book to dissect TISM’s rise to fame within the Australian music industry and analyze TISM’s status as one of the most memorable, mysterious and paradoxically successful groups in the country’s vibrant alternative music scene.
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Favreau, Alyssa. Janelle Monáe’s The ArchAndroid. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781501355738.
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In Janelle Monáe’s full-length debut, the science fiction concept album The ArchAndroid, the android Cindi Mayweather is on the run from the authorities for the crime of loving a human. Living in 28th century Metropolis, Cindi fights for survival, soon realizing that she is in fact the prophesied ArchAndroid, a robot messiah meant to liberate the masses and lead them toward a wonderland where all can be free. Taking into account the literary merit of Monáe’s astounding multimedia body of work, the political relevance of the science fictional themes and aesthetics she explores, and her role as an Atlanta-based pop cultural juggernaut, this book explores the lavish world building of Cindi’s story, and the many literary, cinematic, and musical influences brought together to create it. Throughout, a history of Monáe’s move to Atlanta, her signing with Bad Boy Records, and the trials of developing a full-length concept album in an industry devoted to the production of marketable singles can be found, charting the artist’s own rise to power. The stories of Monáe and of Cindi are inextricably entwined, each making the other more compelling, fantastical, and deeply felt.
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Swarthout, Gladys 1900-1969. Gladys Swarthout Album of Concert Songs and Arias. Creative Media Partners, LLC, 2021.
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(Editor), Debra Shipley y Mary Peplow (Editor), eds. London Theatres & Concert Halls (Shire Albums). Hyperion Books, 1989.
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Rose, Phil. Roger Waters and Pink Floyd: The Concept Albums. Fairleigh Dickinson University Press, 2016.
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Roger Waters and Pink Floyd: The Concept Albums. Fairleigh Dickinson University Press, 2015.
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Lange, Barbara Rose. “Good Old Days”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190245368.003.0002.
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Chapter 1 explores how musicians and dancers in the Hungarian folk revival have reflected on the social costs of masculinity in Hungary. It describes how in the 1990s and 2000s, Central European men were in crisis, as multiple conflicting masculinities emerged. The chapter explains how contradictions of masculinity already present in the region’s history and society had unfolded in the Hungarian folk revival of the 1970s. The chapter details how at the turn of the new millennium, Hungarian artists used folk music and dance to reflect on themselves as men. It details how some of these artists acted to change social pressures on men, focusing on two projects that critiqued Hungarian masculinity: Ferenc Kiss’s concept album Nagyvárosi bujdosók (Outlaws of the city) and Szabolcs Gombai’s dance piece A férfi tánca (Dance of a man).
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Valle, Mary. Depeche Mode's 101. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501390357.
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Depeche Mode’s 101 is, at first glance, a curious thing: a live double-album by a synth band. A recording of its “Concert for the Masses,” 101 marks the moment when doomy, cultish, electronic Depeche Mode, despite low American album sales and a lack of critical acclaim, declared they had arrived and ascended to the rare air of stadium rock. On June 18, 1988, 65,000 screaming, singing Southern Californians flocked to Pasadena’s Rose Bowl to celebrate DM’s coronation. The concert also revealed the power of Southern California radio station and event host KROQ, which had turned Los Angeles into DM’s American stronghold through years of fervent airplay. KROQ’s innovative format, which brought “new music” to its avid listeners, soon spread across the country, leading to the explosion of alternative rock in the 1990s. Eight years after its founding in Basildon, Essex, Depeche Mode, rooted in 1970s Krautrock, combined old-fashioned touring, well-crafted songs, and the steadfast support of KROQ to dominate Southern California, the United States, and then the world, kicking open the doors for the likes of Nirvana in the process. 101 is the hidden-in-plain-sight hinge of modern music history.
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Rose, Phil. Fairleigh Dickinson University Press Series in Communication Studies : Roger Waters and Pink Floyd: The Concept Albums. Fairleigh Dickinson University Press, 2015.
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Dibben, Nicola. Music and Environmentalism in Iceland. Editado por Fabian Holt y Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.9.
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This chapter is a scholarly response to environmental degradation in Iceland. In recognizing the scope of the crisis, the chapter questions conventional wisdom in musical geography and offers a new vision for music’s potential in transnational futures. The chapter offers an argument for eco-cosmopolitanism as an alternative to place-centered approaches to the analysis of contemporary spatial experiences, suggesting that recorded music might help people see themselves as part of a global biosphere. The analysis includes a discussion of musical activism in response to the Kárahnjúkar Hydropower Project and offers two case studies, illustrating a topophilic and a biophilic conception of the national environment. The first case study is the 2007 documentary Heima (Homeland) about a free, unannounced concert tour by Sigur Rós and the second is Björk’s 2011 album Biophilia.
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Goldsmith, Melissa Ursula Dawn. Listen to Jazz! Bloomsbury Publishing Inc, 2025. https://doi.org/10.5040/9798765110799.
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Listen to Jazz!: Exploring a Musical Genre explores jazz as both an American musical genre and a global creative exchange, with a focus on 50 must-hear musicians, composers, bands, groups, albums, and songs. Rather than focusing on jazz as a solely American genre with a limited set of established jazz greats, Listen to Jazz! explores the diversity of jazz's sounds, compositions, recordings, and styles. A background chapter concisely surveys the genre's sounds, concepts, performance practices, and interactions with the sound recording industry and technological advances in recording. The A-to-Z Must-Hear Music entries include recent jazz musicians from around the world, jazz musicians and recordings that have been marginalized or overlooked, as well as musicians, songs, and albums that have been recognized already for contributing to the defining aspects of specific jazz styles. Chapters on the impact of jazz on popular culture and its legacy, as well as a bibliography, enhance the historical and analytical content found in many jazz resources. This book stands out for its inclusive and comparative listening-centered approach, often pairing or grouping musicians and recordings in its entries. Music concepts such as improvisation, syncopation, tone color, musical structure, harmonic and rhythmic patterns, and music production techniques are introduced and explained thoroughly, making the book accessible to high school and undergraduate students without any previous musical background while still being of interest to jazz aficionados and scholars.
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Kahn, Andrew, Mark Lipovetsky, Irina Reyfman y Stephanie Sandler. Poetics and subjectivities between classicism and Romanticism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0018.
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In the context of Sentimentalism in the 1770s, literary culture opened up to representations of human subjectivity. The chapter considers genres of poetry devoted to the themes of pleasure, death, and posterity. It also considers the spaces of poetry and modes of exchange, whether through the album, the salon, and the verse epistle. Two case studies explore the use of different literary forms in the further development of identity, individual and also authorial. The first looks at Radishchev’s experiment in writing a fictional diary as a psychological exercise. The second examines the tradition of imitation of Horace’s Monument poem in Russian poetry in the eighteenth century as well as by later poets, such as Pushkin and Brodsky. The case study shows how these Russian versions express changing ideas about imitation and originality as well as poets’ concern with posterity.
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Hackett, Vernell. Carrie Underwood. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798400623547.
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In this book, follow the career of Carrie Underwood as she goes from the American Idol competition to worldwide celebrity. Carrie Underwood: A Biography follows the singer from a small town in Oklahoma to the stages of the most prestigious concert halls in the world. Along the way, fans will read about this girl-next-door's decision to compete on American Idol and her subsequent triumph there, about her first recordings in Nashville and her platinum albums, and about her sold-out concert tours with superstars like Brad Paisley, Kenny Chesney, and Keith Urban. But the book isn't only about Underwood as a celebrity. It is also about how she uses that celebrity to do good works, including speaking out for the Humane Society of the United States, participating in a song that benefited Stand Up For Cancer, doing public service announcements for the Do Something youth organization, and touring for the USO.
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Teukolsky, Rachel. Picture World. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198859734.001.0001.
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Many visual media that we take for granted today were in fact invented in the nineteenth century. New technologies led to the creation of new media such as the illustrated newspaper, the cheap caricature cartoon, the affordable illustrated book, the portrait photograph, and the advertising poster. Though these objects might seem like throwaway ephemera, Picture World argues that they were crucial parts of nineteenth-century everyday life. Studying these ubiquitous pictures in fact helps us to revise common understandings of key aesthetic concepts for the century—terms such as character, realism, illustration, sensation, the picturesque, and decadence. The Age of Paper might seem to be drawing to a close, but Picture World tracks nineteenth-century media effects into the present day, from the portrait albums of Facebook to the illusionistic otherworlds of 3D films.
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Furtado, Gustavo Procopio. Documentary Filmmaking in Contemporary Brazil. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190867041.001.0001.
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This book examines the vibrant field of documentary filmmaking in Brazil from the transition to democracy in 1985 to the present. Marked by significant efforts toward the democratization of Brazil’s highly unequal society, this period also witnessed the documentary’s rise to unprecedented vitality in quantity, quality, and diversity of production—including polished auteur films as well as rough-hewn collaborative works; films made in major metropolitan regions as well as in remote parts of the Amazon; intimate first-person documentaries as well as films that dive headfirst into struggles for social justice. The transformations of Brazilian society and of filmmaking coalesce and become entangled in this cinema’s preoccupation with archives. Historically linked to the exercise and maintenance of power, the concept of the archive is critical for the documentary as a cultural practice that preserves images from the present for the future, unearths and repurposes visual materials from the past, and is historically invested in filmic images as records of the real. Contemporary films incorporate, reflect on, and rework a variety of archives, such as documents produced by official institutions, ethnographic images, home movies, and photo albums—and engage not only with what is preserved but also with lacunas in the record and with alternate forms of remembering, retrieving, and transmitting the past. Through its interaction with archives, this book argues, the contemporary documentary reflects on and intervenes in the distribution of visibilities and invisibilities, centers and margins, silences and speech, living memory and its preservation in the record—thus locating the documentary on archival borders that concern Brazilian society and filmmaking alike.
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Goldsmith, Melissa Ursula Dawn. Listen To Classic Rock! Greenwood, 2019. http://dx.doi.org/10.5040/9798400679773.
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Listen to Classic Rock! Exploring a Musical Genre provides an overview of this diverse and complex musical genre for scholars of classic rock and curious novices alike, with a focus on 50 must-hear musicians, songwriters, bands, and albums. Listen to Classic Rock! Exploring a Musical Genre explores in detail the genesis, evolution, and proliferation of classic rock. It begins with a background on the development of classic rock and its subgenres. Next, an A to Z listing of artists (musicians, songwriters, and bands), albums, important concerts, and songs; a chapter on classic rock's impact on popular culture; a chapter on classic rock's legacy; and a bibliography. This organization gives readers the choice of starting from the beginning to learn how classic rock and each of its subgenres emerged after rock and roll or skip ahead to a specific artist, recording, or song in the Must-Hear Music section. This volume stands out from other resources on classic rock for its listening-centered approach. Most books on classic rock focus on trivia, history, terminology, or criticism. It also explores the sound of the music of important artists and offers musical analyses that are accessible to upper-level high school and lower-level undergraduates while at the same time maintaining the interest of classic rock aficionados and scholars.
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Youth Lens on the Silk Roads: best photos from the International Silk Roads Photo Contest, 4th edition. UNESCO, 2023. http://dx.doi.org/10.54678/ypas1663.
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This photo album, Youth Lens on the Silk Roads, is the result of the fourth edition of the international photo contest Youth Eyes on the Silk Roads, organized by the UNESCO Silk Roads Programme with the generous support of the Beijing International Peace Culture Foundation. This annual initiative offers young creatives from all over the world an opportunity to share their talents and explore the shared heritage, legacy, and spirit of the Silk Roads through photography. The term ‘Silk Roads’ is used to refer to a vast and complex network of maritime and land routes which have linked East, South, and Southeast Asia, to Central Asia, the Russian Steppes, the Indian Subcontinent, the Iranian and Anatolian Plateaus, and the Arabian Peninsula for thousands of years. They also stretched through North and Northeast Africa, as well as Eastern and Southern Europe, before reaching Western Europe and the Iberian Peninsula. These routes played a crucial role in shaping modern societies by facilitating the movement of people, goods, and ideas in an enriching cross-cultural exchange. Ultimately, movement along the Silk Roads resulted in the development of shared heritages and plural identities, still evident today, with the power to contribute to social cohesion, mutual respect, and understanding. The fourth edition of Youth Eyes on the Silk Roads tasked participants with exploring the themes of ‘Faith and Spiritualities’ and ‘Living Together’. Faith and spirituality concern the myriad ways we understand the world and make sense of our place within it through beliefs, values, expressions, and rituals. The photographic entries captured the vast range of faiths and beliefs exhibited in regions along the Silk Roads, while highlighting the shared nature of these expressions that bring vast numbers of people together. Likewise, the theme of ‘Living Together’ provided an opportunity to share images of intercommunity and multicultural gatherings, local and global events, and moments of dialogue. The resulting photo album presents 76 of the very best photos from the two age categories (14–17-year-olds and 18–25-year-olds) that reflect the themes and spirit of the contest. The images serve as a reminder of the shared heritage and legacy of the Silk Roads and provide insight into young people’s understanding of the ways in which they shape daily life. UNESCO Catno: 0000386140 https://doi.org/10.54678/YPAS1663 https://unesdoc.unesco.org/ark:/48223/pf0000386140
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Silver, Julie K. Polio Voices. Praeger, 2007. http://dx.doi.org/10.5040/9798400697791.
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Incorporating many rare photographs from the family albums of survivors who tell their stories, Harvard professor Julie Silver, M.D., and historian Daniel Wilson help readers understand the sheer terror that gripped parents of young children every spring and summer during the first half of the 20th century as polio epidemics ran rampant. Interviewed as part of the Polio Oral History Project directed by Silver and funded by Harvard, foundations, and private donors, the people featured in this book describe what is arguably the most feared scourge of modern times. Testimonies are included from people who worked in polio wards, as well as from those involved in worldwide eradication efforts. The book also addresses the emergence of the polio and disability rights movement, the challenges of post-polio syndrome, and the state of polio research and developments today. And it explores the concern that polio could return in an even more vicious form as a result of bioterrorism.
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Lowe, Kelly Fisher. Words and Music of Frank Zappa. Greenwood Publishing Group, Inc., 2006. http://dx.doi.org/10.5040/9798216038412.
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This is the first book to move beyond the details of Zappa's biography toward a focused treatment of his songs. Zappa worked in a musical realm unfamiliar to many radio listeners. Today, his music can be appreciated as a whole, emerging as a coherent, thoughtful, innovative—if somewhat daunting—body of work. Lowe has left no aspect of that work unexamined, from Zappa's role as a satirist of the highest order, to his place in the genre of progressive rock, and his importance as one of the foremost critics of American culture and society. Zappa's messages—musical and lyrical—may not always be clear, but they are well worth considering. The volume begins with a discussion of Zappa's role as a satirist and a discussion of his musical style, and then proceeds to a prolonged examination of his albums. Through this extended engagement with Zappa's music, a surprisingly clear perspective on his personal views is also provided, shedding light on his treatment of such topics as the falsified notion of love in popular culture, the compromising influence of money on popular music, and the concept of freedom in a systematized society, among other things. The book also features an official discography and a bibliographic essay that discusses the current state of Zappa scholarship.
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Bunn, Austin. Short Film Screenwriting. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9798765101841.
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Written by a Sundance alum and short filmmaker, this book combines the practical advice of a craft guide with a curated, diverse anthology, including revealing interviews with the writers and directors. Short Film Screenwritingdemystifies the process of writing effective, emotionally involving short films and, for the first time, publishes the screenplays of some award-winning shorts, providing unfiltered access to the voice, vision, and approach of the filmmakers. A ground-breaking new addition to both film and creative writing instruction, this book treats short film screenwriting as a literary mode worthy of close examination and exploration to inspire screenwriters. The book is built around accessible craft concepts and story forms: narrative design, visualizing character, uncommon relationship, the 10-minute journey, perception shift, formal experiments and hybrid forms, and revision. Contemporary, award-winning film scripts from the Oscars, Sundance, SXSW, and beyond accompany chapters as case studies, along with interviews with the writers/filmmakers about the drafting and revision process, production, and release. Each of the films is accessible for screening online, with additional screenplays included in an online resource.
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Cunha, Maria Zilda da y André Luiz Ming Garcia. Imagens em migrações poéticas: miradas potenciais. Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas, 2021. http://dx.doi.org/10.11606/9786587621838.
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Imagens em migrações poéticas: miradas potenciais propõe um feixe de reflexões sobre a imagem, sem que se reserve qualquer pretensão em alcançar um patamar de concretude sobre seu conceito. Pois, como formula a autora Maria João Cantinho,” quanto mais nos aproximamos mais ela nos foge, como um animal selvagem e esquivo, indiferente ao nosso apelo. A sua bravia beleza fascina-nos. Mas são em vão os nossos esforços, restam-nos os traços, a enigmática presença que nos escapa”. Assim, neste momento singular de nossa história e a partir dessas considerações, foram convidados alguns pensadores, especialistas que lidam com o tema, no intuito de oferecer ao leitor uma multiplicidade de olhares, perspectivas e caminhos de reflexão que, em sua pulsante heterogeneidade, de algum modo convergem em ritmos interpretativos complementares que, no final, conformaram o presente volume, orgulhosamente coeso em sua indiscutível diversidade. A sequenciação dos textos ora apresentados segue uma lógica de enunciação que parte do mais geral rumo ao mais específico, tendo-se em conta as perspectivas analíticas eleitas pelos diversos autores.
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Hagen, Trever. Living in The Merry Ghetto. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190263850.001.0001.
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Living in the Merry Ghetto reframes how people use music to build resistance. To do so, Hagen addresses the social context of illegal music-making in Czechoslovakia during state socialism, asking “How Do Aesthetics Nurture Political Consciousness?”. He tells the story of a group of rock ’n’ rollers who went underground after 1968, building a parallel world from where they could flourish: the Merry Ghetto. The book examines the case of the Czech Underground, the politics of their music and their way of life, paying close attention to the development of the ensemble the Plastic People of the Universe. Taking in multiple political transitions from the 1940s to the 2000s, the story focuses on non-official cultural practices such as listening to foreign radio broadcasts, seeking out copied cassette tapes, listening to banned LPs, growing long hair, attending clandestine concerts, smuggling albums via diplomats, recording in home-studios, and being thrown in prison for any of these activities. Drawing on ethnographic interviews with Undergrounders, archival research, and participant observation, Hagen shows how these practices shaped consciousness, informed bodies, and promoted collective action, all of which contributed to an Underground way of life.
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Cusic, Don, ed. Encyclopedia of Contemporary Christian Music. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798400631221.
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The first comprehensive overview of contemporary inspirational music, covering its historical roots and dramatic growth into one of America's most vital music genres. The Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship is the first comprehensive reference work on a form of American music that is far more popular than nonfans may realize. It fills a major gap in the literature on American music and Christian culture, looking at this increasingly popular genre in the context of the overall history of religious music in the United States. With over 200 entries, The Encyclopedia of Contemporary Christian Music covers important performers and industry figures, songs and albums, concerts and festivals, the rise of Christian radio and television, and other issues related to the growth of inspirational music. Scholars and fans alike will find a wealth of revealing information and insightful coverage illustrating the influence of gospel on modern American music with musicians such as Elvis, Sam Cooke, Johnny Cash, Bob Dylan, and U2.The work also examines the use of fundamental rock, pop, and rap music templates in the service of songs of faith.
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Tan-Tangbau, Stan BH, Văn Minh Quyên y Yosuke Yamashita. Playing Jazz in Socialist Vietnam. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496836335.001.0001.
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Is there jazz in socialist Vietnam? The answer is “yes,” even though jazz was once perceived as “music of the enemy.” Playing Jazz in Socialist Vietnam tells the story of saxophonist, Quyền Văn Minh, who helped to give jazz a place in socialist Vietnam. This is an intimate account of a life in jazz under socialism in Vietnam, set in the broader contexts of radical social revolution, war, and uncertainty of political change when peace returned. After accidentally encountering jazz on the transistor radio as a child, Minh embarked on a life-long quest to learn and play the music. From a self-taught musician who played at wedding gigs, he rose to become a respectable professional musician in successive song and dance troupes. Minh’s desire to play jazz motivated him to present the genre in socialist Vietnam’s public sphere, which inadvertently led to a teaching career at the national conservatoire. In 1994, he premiered three original jazz compositions in the first jazz concert performed by Vietnamese musicians at the Hà Nội Opera House. Releasing his debut jazz album, Birth ’99, Minh helped to give shape to the nascent genre of “Vietnamese jazz.” Eventually, he founded Minh’s Jazz Club to create a space for musicians to play jazz and Vietnamese audience to learn about jazz. Written in a creative melange of autoethnography, analytical interventions, and broad contextualizations that faithfully projects the voice of the protagonist, readers could see how the complex political and social contexts of socialist Vietnam are actually experienced by real people. Through the story of Minh, we show how jazz in socialist Vietnam, as we believe in many other Asian countries and formerly socialist Eastern European countries, is mediated by passion, tenacity, and innovation of devoted musicians who saw in jazz the power of artistic self-expression.
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Moskowitz, David V. Words and Music of Bob Marley. Praeger Publishers, 2007. http://dx.doi.org/10.5040/9798216038344.
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Throughout his life and perhaps even more since his death in 1981 at the age of 36, Bob Marley's music has demonstrated a unique ability to combine with almost any cultural setting, no matter how different the elements might at first appear. Through his adaptable, yet enduring musical messages, he represents an especially articulate type of singer-songwriter. Marley released a large quantity of introspective, autobiographical material at the height of his success and it is thus only in a work such as this—in which the artist is investigated through his recorded output—that one can understand who this great man truly was and what he hoped to achieve through his life and music. Timemagazine made Bob Marley's impact strikingly clear when it namedExodusthe most important album of the 20th century. Throughout his life and perhaps even more since his death in 1981 at the age of 36, Marley's music has demonstrated a unique ability to combine with almost any cultural setting, no matter how different the elements might at first appear. Through his adaptable, yet enduring musical messages, he represents an especially articulate type of singer-songwriter. Marley released a large quantity of introspective, autobiographical material at the height of his success and it is thus only in a work such as this—in which the artist is investigated through his recorded output—that one can understand who this great man truly was and what he hoped to achieve through his life and music. The Words and Music of Bob Marleyinvestigates Marley's creative output chronologically and provides complementary biographical information where it is relevant and helpful. Themes discussed throughout the book include protest, revolution, love, hate, biblical concepts, and Rastafari culture.
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Perone, James E. Listen to the Blues. Greenwood, 2019. http://dx.doi.org/10.5040/9798400679865.
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Listen to the Blues! Exploring A Musical Genre provides an overview of this distinctly American musical genre for fans of the blues and curious readers alike, with a focus on 50 must-hear artists, albums, and subgenres. Unlike other books on the blues, which tend to focus on musician biographies, Listen to the Blues! devotes time to the compositions, recordings, and musical legacies of blues musicians from the early 20th century to the present. Although the author references musical structure, harmony, form, and other musical concepts, the volume avoids technical language; therefore, it is a volume that should be of interest to the casual blues fan, to students of blues music and its history, and to more serious blues fans. The chapters on the impact of the blues on popular culture and the legacy of the blues also put the genre in a broader historical context than what is found in many books on the blues. The book opens with a background chapter that provides an overview of the history and structure of blues music. A substantial, encyclopedic chapter that focuses on 50 must-hear blues musicians follows, as does a chapter that explores the impact on popular culture of blues music and musicians and a chapter that focuses on the legacy of the genre. A bibliography rounds out the work.
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Clark, Walter Aaron. Los Romeros. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041907.001.0001.
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Spanish émigré guitarist Celedonio Romero gave his American debut performance on a June evening in 1958. In the sixty years since, the Romero family—Celedonio, his wife Angelita, sons Celín, Pepe, and Angel, as well as grandsons Celino and Lito—has become preeminent in the world of Spanish flamenco and classical guitar in the United States. Walter Aaron Clark’s in-depth research and unprecedented access to his subjects have produced the consummate biography of the Romero family. Clark examines the full story of their genius for making music, from their outsider's struggle to gain respect for the Spanish guitar to the ins and outs of making a living as musicians. As he shows, their concerts and recordings, behind-the-scenes musical careers, and teaching have reshaped their instrument’s very history. At the same time, the Romeros have organized festivals and encouraged leading composers to write works for guitar as part of a tireless, lifelong effort to promote the guitar and expand its repertoire. Entertaining and intimate, Los Romeros opens up the personal world and unfettered artistry of one family and its tremendous influence on American musical culture. It features a gallery of forty photographs as well as appendices providing a chronology, genealogy, list of albums, and a summary of Romero publications, editions, and educational materials.
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Gersztyn, Bob. Jesus Rocks the World. Praeger, 2012. http://dx.doi.org/10.5040/9798400674198.
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This book tells the story of contemporary Christian music over the course of more than half a century—a parallel music universe that the average person knows little about, but whose worldwide impact cannot be overemphasized. Christian theology has had a tremendous impact and influence on world civilization in the 20th and 21st centuries, and music has often acted as a catalyst in the evolution of the culture and religious thought of Western civilization. Similarly, contemporary Christian music has shaped other seemingly unrelated forums of modern music, and thereby influenced our society at large. Jesus Rocks the World: The Definitive History of Contemporary Christian Musicis organized chronologically, beginning in the 1960s and concluding with present-day developments in CCM. The core of the book is formed around the author's 40 years of direct experience with CCM, condensed into cultural and musical histories that explore every aspect of the genre, including the key artists, CCM-specific record companies, epic concerts and unforgettable festivals, groundbreaking albums, and its underlying philosophy and theology. Special attention is also paid to the intersection of contemporary Christian music with general market pop music, making mention of top artists such as Bob Dylan, Amy Grant, and U2.
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Coqueiro, Wilma dos Santos. Poéticas do deslocamento: O Bildungsroman de autoria feminina contemporânea. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-338-1.
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The novel as a great socio-literary institution, which projects the ideals of bourgeois class, becomes the maximum expression of modernity from the 18th century on. The genre, characterized by its malleability and ambivalence, reflects an individualistic and innovative orientation. In this sense, the novels of characters originate subtypes, as the Bildungsroman, whose paradigmatic model would be Wilhelm Meister’s Apprenticeship (1795), by the German writer Johann Wolfgang von Goethe. Since the novel is a genre in constant becoming, the concept of Bildungsroman undergoes problematizations and revisions and, today, it is possible to consider a novel of formation which includes ethnic, racial and sexual minorities. Some important steps in male Bildungsroman, such as fulfillment in love from several experiences and the discovery of a professional vocation and a philosophy of life, are still problematic in female novels of formation along the 20th century, due to the small space dedicated to woman in society, making her formative experiences more subjective, and culminating, in most cases, in the failed end of characters who cannot escape the webs of social oppresion. In this book I try to show that there is a process of subjectification of the female characters, in which the formative experiences occur through spatial and identity displacements, characteristic of modern times. Thus in the novels of formation from the 21th century – such as Pérolas Absolutas (2003), by Heloísa Seixas, Algum Lugar (2009), by Paloma Vidal, and Azul-corvo (2010), by Adriana Lisboa, – amid globalization and the dismantling of great utopias and truths, they experience other conflicts and problems resulting from the fluidity of human relations in modern times.
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Kemper, Jakko. Frictionlessness. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9798765104439.
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Frictionlessness provides an examination of the environmentally destructive digital design philosophy of "frictionlessness" and the critical significance of a technological aesthetic of imperfection. If there is one thing that defines digital consumer technologies today, it is that they are designed to feel frictionless. From smart technologies to cloud computing, from from one-click shopping to the promise of seamless streaming—digital technology is framed to host ever-faster operations while receding increasingly into the background of perception. The environmental costs of this fetishization of frictionlessness are enormous and unevenly distributed; the frictionless experience of the end user tends to be supported by opaque networks of exploited labor and extracted resources that disproportionately impact the Global South. This situation marks an urgent need for alternate, less destructive aesthetic relations to technology. As such, this book examines imperfection, as an aesthetic concept that highlights existential conditions of finitude and fragility, as a particularly powerful counterweight to the dominant digital design philosophy of frictionlessness. While frictionlessnessaims to draw the user’s perception away from the exploitative and destructive conditions of digital production, imperfection forms an aesthetic source of friction that alerts users to the fragile nature of technology and the finite resources on which it relies. These arguments are elaborated through a close reading of three technological objects—a video game that was programmed to expire, an audiovisual performance that laments the fate of disused technology and a collection of music albums that dramatize a techno-cultural logic of relentless consumerism. Together, these case studies underline the value of technological aesthetics of imperfection and point to the need for a renewed ethics of care in relation to technology.
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Platte, Nathan. Making Music in Selznick's Hollywood. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371112.001.0001.
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Making Music in Selznick’s Hollywood explores the network of musicians and filmmakers whose work defined the sound of Hollywood’s golden age (c. 1920s–1950s). The book’s central character is producer David O. Selznick, who immersed himself in the music of his films, serving as manager, critic, and advocate. By demonstrating music’s value in film and encouraging its distribution through sheet music, concerts, radio broadcasts, and soundtrack albums, Selznick cultivated audiences’ relationship to movie music. But he did not do it alone. Selznick’s films depended upon the men and women who brought the music to life. This book shows how a range of specialists, including composers (Max Steiner, Dimitri Tiomkin, Franz Waxman, and others), orchestrators, music directors (Lou Forbes), editors (Audray Granville), writers, instrumentalists, singers, and publicists, helped make the music for Selznick’s films stand apart from competitors’. Drawing upon thousands of archival documents, this book offers a tour of American cinema through its music. By investigating Selznick’s efforts in the late silent era, his work at three major Hollywood studios, and his accomplishments as an independent producer (including his films with Alfred Hitchcock), this book reveals how the music was made for iconic films like King Kong (1933), A Star is Born (1937), The Prisoner of Zenda (1937), Gone with the Wind (1939), Rebecca (1940), Spellbound (1945), The Third Man (1948), and A Farewell to Arms (1957).
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Draw with Me, Dad!: Draw, Color, and Connect with Your Child. Quarto Publishing Group USA, 2016.
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