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Libros sobre el tema "All Time Low (Musical group)"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Case, George. Led Zeppelin FAQ: All that's left to know about the greatest hard rock band of all time. Backbeat Books, 2011.

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2

Duswalt, Craig. Welcome to my jungle: An unauthorized account of how a regular guy like me survived years of touring with Guns n' Roses, pet wallabies, crazed groupies, Axl Rose's moth extermination system, and other perils on the road with one of the great rock bands of all time. BenBella Books, 2014.

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3

All Time Low Presents: Young Renegades. Z2 Comics, 2021.

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4

All Time Low Presents: Young Renegades. Z2 Comics, 2021.

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5

All Time Low Presents: Young Renegades Deluxe Edition. Z2 Comics, 2021.

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6

Bollen, Andy. Nirvana - a Tour Diary: My Life on the Road with One of the Greatest Bands of All Time. Friedman Publishing Group, Incorporated, Michael, 2013.

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7

Bream, Jon. Whole Lotta Led Zeppelin, 2nd Edition: The Illustrated History of the Heaviest Band of All Time. Quarto Publishing Group USA, 2015.

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8

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2001.

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9

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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10

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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11

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2002.

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12

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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13

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2002.

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14

Contemporary musicians: Profiles of the people in music. Gale Group :Thomson Gale, 2004.

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15

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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16

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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17

Johansen, Bruce, and Adebowale Akande, eds. Nationalism: Past as Prologue. Nova Science Publishers, Inc., 2021. http://dx.doi.org/10.52305/aief3847.

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Nationalism: Past as Prologue began as a single volume being compiled by Ad Akande, a scholar from South Africa, who proposed it to me as co-author about two years ago. The original idea was to examine how the damaging roots of nationalism have been corroding political systems around the world, and creating dangerous obstacles for necessary international cooperation. Since I (Bruce E. Johansen) has written profusely about climate change (global warming, a.k.a. infrared forcing), I suggested a concerted effort in that direction. This is a worldwide existential threat that affects every living t
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18

Kresky, Jeffrey. A Reader's Guide to the Chopin Preludes. Greenwood, 1994. http://dx.doi.org/10.5040/9798216005162.

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In Chopin's set of 24 interconnectedPreludes (Op. 28), we are presented with 24 distinct compositional surfaces, aiming at as many distinguishable emotional expressions. As such, the Preludes stand as a virtual survey of the developing musical manners of the 19th century--which was, after all, the stylistic period in which mood was promoted most energetically and frankly. Under analytic investigation, the technical means to these varied expressive ends can be discovered and assessed. 24 separate explorations reveal themselves to the inquiring musician, who can investigate any or as many of the
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19

Perone, James E. Words and Music of Prince. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798216038535.

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Prince's early albumsDirty Mind, 1999, andPurple Rain, established him as a major force in American pop music. His combination of rock and funk was unique, and drew both critical praise and commercial attention. The 1990s found Prince forming a new group, moving back in the direction of R&B, and eventually adopting an unpronounceable symbol as his moniker. By the end of the millennium, he was again exploring an eclectic collection of musical styles and enjoying a resurgence of interest in his well-known song 1999. Prince is one of the few artists of the entire rock era who successfully bri
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20

Varas-Díaz, Nelson, and Niall Scott, eds. Heavy Metal Music and the Communal Experience. Published by Lexington Books, 2016. https://doi.org/10.5040/9781666999310.

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It is common to hear heavy metal music fans and musicians talk about the “metal community”. This concept, which is widely used when referencing this musical genre, encompasses multiple complex aspects that are seldom addressed in traditional academic endeavors including shared aesthetics, musical practices, geographies, and narratives. The idea of a “metal community” recognizes that fans and musicians frequently identify as part of a collective group, larger than any particular individual. Still, when examined in detail, the idea raises more questions than answers. What criteria are used to de
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21

McAlpine, Kenneth B. The Commodore 64. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190496098.003.0004.

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Commodore’s C64 was a musical powerhouse. Its on-board sound chip, the Sound Interface Device, gave it the functionality of a professional three-channel digital synthesizer. This chapter explores the development of the machine and how its feature set was determined by a corporate battle over cheap calculator chips. The power of the Sound Interface Device, however, made it very complex and difficult to use. Even seasoned developers needed time to explore all of its intricacies, and it took time to unlock its full potential. In the days before graphical editors, writing music on the Commodore re
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22

Perone, James E. Mods, Rockers, and the Music of the British Invasion. Praeger, 2008. http://dx.doi.org/10.5040/9798400687051.

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Musical floodgates were opened after the Beatles' first appearance onThe Ed Sullivan Showon February 9, 1964. Suddenly, the U.S. record charts, radio, and television were overrun with British rock and pop musicians. Although this British Invasion was the first exposure many Americans had to popular music from the United Kingdom, British pop — and more specifically British rock and roll — had been developing since the middle of the 1950s. Author James Perone here chronicles the development of British rock, from the 1950s imitators of Elvis Presley and other American rockabilly artists, to the n
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23

Hall, Susan G., and Dennis R. Hall, eds. American Icons. Greenwood, 2006. http://dx.doi.org/10.5040/9798400610882.

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What do Madonna, Ray Charles, Mount Rushmore, suburbia, the banjo, and the Ford Mustang have in common? Whether we adore, ignore, or deplore them, they all influence our culture, and color the way America is perceived by the world. In this A-to-Z collection of essays scholars explore more than one hundred people, places, and phenomena as they seek to discover what it means to be labeled icon. From the Alamo to Muhammad Ali, from John Wayne to the zipper, the American icons covered in this unique three-volume set include subjects from culture, law, art, food, religion, and science. By providing
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