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1

Grauzľová, Lucia. "Canadian literature as an American literature : CanLit through the lens of hemispheric American literary studies." Brno studies in English, no. 1 (2022): 149–62. http://dx.doi.org/10.5817/bse2022-1-8.

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This paper addresses the noticeably low presence of Canadian literature in hemispheric American literary research. The fact that hemispheric literary studies focuses on a comparison of the United States and Spanish America is partly because of Canada's marginal position in the Americas, its lack of identification with the continent, and Canadian scholars' reluctance to engage in hemispheric studies due to their insecurity concerning cultural identity and the discipline's potential imperialistic impulses. By examining a representative history of Canadian literature and several literary studies
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2

See, Fred G. "American Literature in American Literature." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 46, no. 2 (1990): 111–28. http://dx.doi.org/10.1353/arq.1990.0007.

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3

Hemenway, Stephen I. "Review: Three American Literatures: Essays in Chicano, Native American, and Asian-American Literature for Teachers of American Literature." Christianity & Literature 34, no. 3 (1985): 71–72. http://dx.doi.org/10.1177/014833318503400316.

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4

Wang, Xiaotao. "Transnationalism in Maxine Hong Kingston’s China Men and Amy Tan’s The Joy Luck Club." Journal of Education and Culture Studies 4, no. 2 (2020): p122. http://dx.doi.org/10.22158/jecs.v4n2p122.

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Chinese American literature is commonly interpreted as the narrative of the living experiences of Chinese Americans. Under the past nation-state research paradigm, Chinese American literature critics both in China and America are preoccupied with the “assimilation” of immigrants and their descendants in Chinese American literature texts, they argue that Chinese culture is the barrier for the immigrants to be fully assimilated into the mainstream society. But putting Chinese American literature under the context of globalization, these arguments seem inaccurate and out of date. This article exa
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5

Akar, Mahmut. "IDENTITY CONFUSION IN DOROTHY WEST’S THE LIVING IS EASY." Bingöl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 28 (October 7, 2024): 480–89. http://dx.doi.org/10.29029/busbed.1485004.

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Literature is a media for conveying the authors’ ideas and feelings to the payers, or it is a mean of relief for them to bare their souls. In this context, literature involves an enormous place in human life. In this regard, African American literature has an important place in American literature and culture. It is also one of the strongest pillars of the literature produced by black writers in the United States of America. African American literature goes and continues in the course of history as oral literature from generation to generation. Since African Americans’ place changes gradually
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6

Sherly. H, Ms Monica, and Dr Aseda Fatima.R. "Patriarchal Oppression in Pearl S Buck’s Novel The Good Earth." SMART MOVES JOURNAL IJELLH 8, no. 2 (2020): 5. http://dx.doi.org/10.24113/ijellh.v8i2.10406.

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The story of American literature begins in the early 1600’s, long before there were any “Americans”. American literature blossomed with the skillful and brilliant writer during 1900s. Pearl S Buck was born to the family of Presbyterian missionary in 1892 in West Virginia. Being a successful writer in nineteenth century, she published various novels and she was the first female laureate in America and fourth woman writer to receive Nobel Prize in Literature. Oppression is an element that is common in patriarchal society where the women are always subjugated by the men in the family. This paper
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7

Fitz, Earl E. "“Brazilians are natural comparatists”." Revista Brasileira de Literatura Comparada 24, no. 45 (2022): 102–11. http://dx.doi.org/10.1590/2596-304x20222445eef.

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ABSTRACT Comparatism and Brazilian and Hispanic-American literatures. The role of the North American University in the propagation of Latin American literatures. Trends of the recent Brazilian and Hispanic-American literary production. Circulation of Brazilian literature in North America. Afro-descendant writers and American culture.
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8

Melton, Zachary J. "Race, Religion and the Medieval Norse Discovery of America." Religions 15, no. 9 (2024): 1084. http://dx.doi.org/10.3390/rel15091084.

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In 1837, Danish philologist Carl Christian Rafn published Antiquitates Americanæ, which introduced Americans to the Vinland sagas—medieval texts that suggest that Norse explorers “discovered” North America around the turn of the first millennium. Rafn, who saw it as his mission to promote Old Norse literature around the globe, presented some of his research in a way that would appeal to Anglo-American prejudices, particularly through the obsession with American Antiquities and the question of a pre-Columbian civilization. His conclusions and the Vinland sagas consequently entered the American
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9

Rostagno, Irene. "Waldo Frank's Crusade for Latin American Literature." Americas 46, no. 1 (1989): 41–69. http://dx.doi.org/10.2307/1007393.

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Waldo Frank, who is now forgotten in Latin America, was once the most frequently read and admired North American author there. Though his work is largely neglected in the U.S., he was at one time the leading North American expert on Latin American writing. His name looms large in tracing the careers of Latin American writers in this country before 1940. Long before Franklin D. Roosevelt launched the Good Neighbor policy, Frank brought back to his countrymen news of Latin American culture.Frank went to South America when he was almost forty. The youthful dreams of Frank and his fellow pre-World
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10

Lease, Benjamin. "How ‘American’ is American Literature?" English Today 1, no. 2 (1985): 39–42. http://dx.doi.org/10.1017/s0266078400000183.

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What do we understand nowadays by the phrase ‘American literature’? What factors have shaped it and made it distinctive and autonomous, and what relation does it now bear to the traditional conception of ‘English literature’?
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11

Franco, Dean J. "Teaching Jewish American Literature as Global Ethnic American Literature." MELUS: Multi-Ethnic Literature of the U.S. 37, no. 2 (2012): 183–84. http://dx.doi.org/10.1353/mel.2012.0036.

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12

Chorieva, Asila A. "THE BEGINNING OF ROMANTICISM PERIOD AND THE INFLUENCE OF EUROPEAN ROMANTICISM TO AMERICAN LITERATURE." Oriental Journal of Social Sciences 02, no. 06 (2022): 55–61. http://dx.doi.org/10.37547/supsci-ojss-02-03-07.

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Thе mаin tоpic оf our article is about Romanticism in American literature. The article will cover the history of American Romanticism and how it developed, as well as the writing style of American authors and also we speak about the influence of European Romanticism to America literature. Finally, the study will give arguments that investigate the concept of American Romanticism and well-known works of this genre in that period.
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13

Pinsker, Sanford, and Peter Shaw. "Recovering American Literature." American Literature 66, no. 4 (1994): 833. http://dx.doi.org/10.2307/2927706.

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14

Chemezova, Ekaterina Rudol'fovna. "“Toxic” American literature." Litera, no. 10 (October 2021): 97–103. http://dx.doi.org/10.25136/2409-8698.2021.10.36271.

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The subject of this research is the behavior model of the characters in modern American literature. The goal lies in examination of the key attributes of “toxicity” as an element of artistic world resembled in modern American literature. The object of this research is the prose of Chuck Palahniuk. It is established that “toxicity” is one of the plotline components for building the characters of the heroes in modern American literature. The conducted analysis of the images of heroes and the components of artistic world of C. Palahniuk’s prose al
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15

Post-Lauria, Sheila, Shelley Fisher Fishkin, Eric J. Sundquist, and Ronald Takaki. "Revisioning American Literature." College English 56, no. 8 (1994): 938. http://dx.doi.org/10.2307/378774.

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16

Arias, Arturo. "Central American Literature." World Literature Today 75, no. 3/4 (2001): 104. http://dx.doi.org/10.2307/40156758.

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17

Thomas, Trudelle, and Paul Lauter. "Reconstructing American Literature." MELUS 12, no. 3 (1985): 109. http://dx.doi.org/10.2307/467124.

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18

Brannon, Lil, and Brenda M. Greene. "Rethinking American Literature." College Composition and Communication 50, no. 2 (1998): 293. http://dx.doi.org/10.2307/358522.

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19

Wagner-Martin, Linda. "Teaching American Literature." Pedagogy 2, no. 2 (2002): 271–75. http://dx.doi.org/10.1215/15314200-2-2-271.

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20

Castronovo, Russ. "American Literature Internationale." ESQ: A Journal of the American Renaissance 50, no. 1-3 (2004): 59–93. http://dx.doi.org/10.1353/esq.2004.0008.

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21

Vizenor, Gerald, and Andrew Wiget. "Native American Literature." American Indian Quarterly 9, no. 1 (1985): 121. http://dx.doi.org/10.2307/1184680.

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22

Saposnik, Irving, and Sam B. Girgus. "Jewish American Literature." Contemporary Literature 26, no. 4 (1985): 492. http://dx.doi.org/10.2307/1208120.

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23

McKay, Nellie Y., Charles T. Davis, Henry Louis Gates, and Michael G. Cooke. "Afro-American Literature." Contemporary Literature 27, no. 2 (1986): 270. http://dx.doi.org/10.2307/1208662.

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24

De Marco, Alessandra. "Italian American literature." Literature Compass 13, no. 11 (2016): 693–700. http://dx.doi.org/10.1111/lic3.12354.

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25

Donougho, Martin. "Theorizing American Literature." Owl of Minerva 23, no. 2 (1992): 196–200. http://dx.doi.org/10.5840/owl199223210.

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26

Black, Christopher Allan. "American Literature Association." Early American Literature 58, no. 1 (2023): 287–94. http://dx.doi.org/10.1353/eal.2023.0025.

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27

McGann, Jerome. "Colonial Exceptionalism on Native Grounds: American Literature before American Literature." Critical Inquiry 45, no. 3 (2019): 640–58. http://dx.doi.org/10.1086/702593.

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28

Xayrulloyevna, Shamamedova Zinnat. "DEVELOPMENT OF THE DETECTIVE GENRE IN AMERICAN LITERATURE." International Journal Of Literature And Languages 03, no. 03 (2023): 24–33. http://dx.doi.org/10.37547/ijll/volume03issue03-06.

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The article is devoted to the historical aspect of the development of the American detective genre. Various approaches to the formulation of the rules for creating works in the detective genre are also considered. The plot of the crime and the role of law enforcement agencies in the disclosure and elimination of criminal cases in the modern detective genre are studied in detail.
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29

Pratt, Lloyd. "Early American Literature and Its Exclusions." PMLA/Publications of the Modern Language Association of America 128, no. 4 (2013): 983–88. http://dx.doi.org/10.1632/pmla.2013.128.4.983.

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James Allen, the author of an “epic poem” entitled “Bunker Hill,” of which but a few fragments have been published, lived in the same period. The world lost nothing by “his neglect of fame.”—Rufus Griswold, The Poets and Poetry of AmericaAcross several of his influential anthologies of american literature, rufus griswold—nineteenth-century anthologist, poet, and erstwhile editor of Edgar Allan Poe—offers conflicting measures of what we now call early American literature. In The Prose Writers of America, for example, which first appeared in 1847 and later went into multiple editions, Griswold o
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30

Gomez Galisteo, Mª Carmen. "Representing Native American Women in Early Colonial American Writings: Álvar Núñez Cabeza de Vaca, Juan Ortiz and John Smith." Sederi, no. 19 (2009): 25–45. http://dx.doi.org/10.34136/sederi.2009.2.

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Most observers of Native Americans during the contact period between Europe and the Americas represented Native American women as monstrous beings posing potential threats to the Europeans’ physical integrity. However, the most well known portrait of Native American women is John Smith’s description of Pocahontas, the Native American princess who, the legend goes, saved Smith from being executed. Transformed into a children’s tale, further popularized by the Disney movie, as well as being the object of innumerable historical studies questioning or asserting the veracity of Smith’s claims, the
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31

Bogue, Ronald. "On the Superiority of Anglo-American Literature." Deleuze Studies 7, no. 3 (2013): 302–18. http://dx.doi.org/10.3366/dls.2013.0113.

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In Dialogues, Deleuze contrasts French and Anglo-American literatures, arguing that the French are tied to hierarchies, origins, manifestos and personal disputes, whereas the English and Americans discover a line of flight that escapes hierarchies, and abandons questions of origins, schools and personal alliances, instead discovering a collective process of ongoing invention, without beginning or determinate end. Deleuze especially appreciates American writers, and above all Herman Melville. What ultimately distinguishes American from English literature is its pragmatic, democratic commitment
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32

Dworkin, Ira. "Radwa Ashour, African American Criticism, and the Production of Modern Arabic Literature." Cambridge Journal of Postcolonial Literary Inquiry 5, no. 1 (2018): 1–19. http://dx.doi.org/10.1017/pli.2017.44.

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In 1973, at the suggestion of her mentor Shirley Graham Du Bois, the Egyptian scholar, activist, teacher, and novelist Radwa Ashour enrolled at the University of Massachusetts, Amherst, to study African American literature and culture. Ashour’s 1975 dissertation “The Search for a Black Poetics: A Study of Afro-American Critical Writings,” along with her 1983 autobiography,Al-Rihla: Ayyam taliba misriyya fi amrika[The Journey: An Egyptian Woman Student’s Memoirs in America], specifically engage with debates that emerged at the First International Congress of Negro Writers and Artists in Septemb
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33

Pun, Min. "Anti-Racist Pedagogy in the Canonization of Toni Morrison." Crossing the Border: International Journal of Interdisciplinary Studies 5, no. 2 (2017): 15–24. http://dx.doi.org/10.3126/ctbijis.v5i2.18434.

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The paper aims to examine the anti-racist approach in pedagogy in relation to the issues of representations of African Americans in American schools, curricula, and literary canon. It has considered anti-racist pedagogy as a correct approach to creating a truly democratic society in a racist society like the United States of America. In order to address these issues, Toni Morrison has been considered the most successful African American writer who has attained canonical status within the mainstream of both African American and American literature. The paper has, thus, raised some of the vital
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34

Jerbi, Syrine. "Unveiling the tapestry of Arab American writings." International Journal of Language and Literary Studies 5, no. 2 (2023): 384–99. http://dx.doi.org/10.36892/ijlls.v5i2.1362.

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Arab Americans living in the United States are represented in the intriguing and varied body of Arab American Literature. It is a diverse and significant body of writing that reflects the experiences and perspectives of Arab Americans in the United States. It explores powerful examples of how difficult it is to deal with identity, heritage, and belonging concerns in a diverse community. Arab American writers, from Ameen Rihani to Naomi Shihab Nye, have made creative contributions with their viewpoints, illuminating the rich tapestry of life in Arab America in everything from provocative novels
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35

Bruce, Heather E. "Hoop Dancing: Literature Circles and Native American Storytelling." English Journal 93, no. 1 (2003): 54–59. http://dx.doi.org/10.58680/ej20032611.

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Misrepresentations of Indian culture can be addressed through the study of Native American oral traditions and literatures. Simply teaching works by Native Americans, however, is not enough, according to Heather E. Bruce. Here she details the use of literature circles and storytelling in the classroom to combat negative stereotypes and racism.
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36

Schoene, Berthold. "Contemporary American Literature as World Literature: Cruel Cosmopolitanism, Cosmopoetics, and the Search for a Worldlier American Novel." Anglia 135, no. 1 (2017): 86–104. http://dx.doi.org/10.1515/ang-2017-0006.

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AbstractWith reference to Jennifer Egan’s A Visit from the Goon Squad (2010), Amy Waldman’s The Submission (2011) and Teju Cole’s Open City (2011), the first two parts of the article attempt a reappraisal of contemporary American literature’s world-literary potential by problematizing cosmopolitanism and neoliberal globalization in close relation to 9/11, the ideal of American multiculture and non-American assertions of alterity. Introducing Lauren Berlant’s Cruel Optimism (2011) and Mitchum Huehls’ After Critique (2016), the third part then shifts its focus onto the crisis of the neoliberal c
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37

Al-Nuaimi, Mustafa Mohammed Rashid. "The Impact of Trumpism on American Literature." International Journal of Language, Literature and Culture 4, no. 1 (2024): 43–47. http://dx.doi.org/10.22161/ijllc.4.1.7.

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The era of Donald J. Trump’s presidency (2017–2021) was a tumultuous time in American history defined by political dissension, societal division, and a redefined national identity. This paper examines the president's impact on the literature being produced by American writers through the decades. Contemporary writers engaged in the changes in politics, society, and culture that resulted from Trump. This paper demonstrates a response to Trumpism through the literary works of some writers. Through their literary works, these writers illustrate a variety of issues, including power, truth, and ide
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38

Al-Nuaimi, Mustafa Mohammed Rashid. "The Impact of Trumpism on American Literature." International Journal of English Language, Education and Literature Studies (IJEEL) 4, no. 3 (2025): 45–50. https://doi.org/10.22161/ijeel.4.3.6.

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The era of Donald J. Trump’s presidency (2017–2021) was a tumultuous time in American history defined by political dissension, societal division, and a redefined national identity. This paper examines the president's impact on the literature being produced by American writers through the decades. Contemporary writers engaged in the changes in politics, society, and culture that resulted from Trump. This paper demonstrates a response to Trumpism through the literary works of some writers. Through their literary works, these writers illustrate a variety of issues, including power, truth, and ide
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39

Мухаммедова, Нилуфар. "Native americans in the stories of Sherman Alexie." Актуальные вопросы лингвистики и преподавания иностранных языков: достижения и инновации 1, no. 1 (2024): 399–402. http://dx.doi.org/10.47689/topical-tiltfl-vol1-iss1-2024-pp399-402.

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In the XX century of American Literature the themes, new characters, new directions and genres could be observed in the novels, stories and poems. In their scholarly articles literary critics analyzed the multicultural dimension in the literature of this period as the country had raised a new generation of immigrants, who were writing about their national identities in American society. Thus XX century American literature could be considered as multicultural literature that depicted the life of new generation of people who belong to various cultures but who grew up and were educated in modern
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40

CHATTARJI, SUBARNO. "“The New Americans”: The Creation of a Typology of Vietnamese-American Identity in Children's Literature." Journal of American Studies 44, no. 2 (2010): 409–28. http://dx.doi.org/10.1017/s0021875809991411.

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The influx of Vietnamese refugees, “boat people,” and immigrants into the United States after April 1975 has led to the establishment of a significant Vietnamese-American community. There is a body of literature written for children and young adults that creates and delineates this new community within the topography of a welcoming and immigrant-friendly USA. This paper will examine the meanings and implications of the appellation “Vietnamese-American” as defined within a body of nonfiction children's literature. It will highlight how these texts negotiate questions related to refugee status,
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41

Miller, Nicola. "Recasting the Role of the Intellectual: Chilean Poet Gabriela Mistral." Feminist Review 79, no. 1 (2005): 134–49. http://dx.doi.org/10.1057/palgrave.fr.9400206.

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The life and work of Gabriela Mistral, the first Latin American writer to be awarded the Nobel Prize for Literature in 1945, is examined as an example of how difficult it was for women to win recognition as intellectuals in 20th-century Latin America. Despite an international reputation for erudition and political commitment, Mistral has traditionally been represented in stereotypically gendered terms as the ‘Mother’ and ‘Schoolteacher’ of the Americas, and it has been repeatedly claimed that she was both apolitical and anti-intellectual. This article contests such claims, arguing that she was
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42

Harrington, J. "Why American Poetry Is Not American Literature." American Literary History 8, no. 3 (1996): 496–515. http://dx.doi.org/10.1093/alh/8.3.496.

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43

Abarry, Abu. "The African-American Legacy in American Literature." Journal of Black Studies 20, no. 4 (1990): 379–98. http://dx.doi.org/10.1177/002193479002000401.

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44

Mount, Graeme S., and Edelgard E. Mahant. "Review of Recent Literature on Canadian-Latin American Relations." Journal of Interamerican Studies and World Affairs 27, no. 2 (1985): 127–52. http://dx.doi.org/10.2307/165721.

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In 1976, Macmillan of Canada published the first recent book-length study of Canadian-Latin American relations, Gringos from the Far North: Essays in the History of Canadian-Latin American Relations, 1866-1968, by Professor J.C.M. Ogelsby of the University of Western Ontario (1976a). Ogelsby deals with interactions between the residents of Canada and those of the Latin American republics – diplomatic, trade, business and religious relations; he includes subjects such as the emigration of Canadian Mennonites to South America. Ogelsby, who consulted Canadian and Spanish-American archives and tra
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45

Falke, Cassandra. "Essentially the Greatest Poem: Teaching New Ways of Reading American Literature." Nordic Journal of English Studies 20, no. 2 (2021): 283–301. http://dx.doi.org/10.35360/njes.699.

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This essay arose from a debate held at the 2018 American Studies Association of Norway (ASANOR) about the value of teaching American Literature and Culture survey courses at Norwegian universities. My role, as ASANOR’s president, was to facilitate the debate and offer a response. In the extended version of that response published here, I accept the critique of national survey courses as tending toward exceptionalism and nationalist interpretations of transnational political and aesthetic flows, but in the end advocate for American survey courses. I shift the focus from whether these courses sh
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46

Malik, Shaista, Ayaz Muhammad Shah, and Abdul Shakoor Abassi. "AMERICAN INDIAN LITERATURE AS ‘LITERATURE OF COMBAT’." Pakistan Journal of Social Research 05, no. 01 (2023): 267–80. http://dx.doi.org/10.52567/pjsr.v5i01.1002.

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The present research paper aims to explore the ways in which literature and its celluloid stepchild, the cinema, have been employed in combination with supposedly nonfictional venues to falsify the realities of Euro- American interaction with the continent’s indigenous people, both historically and in the contemporary setting. Its purpose is to shred away to some extent an elaborate shroud of misimpression and misinformation behind which the dreadful visage of Euro-American subjugation, occupation and massacre have been so prudently veiled. These all complications are accredited to ethnic and
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47

Leigh, Egbert G., Aaron O'Dea, and Geerat J. Vermeij. "Historical biogeography of the Isthmus of Panama." Biological Reviews 89, no. 1 (2014): 148–72. https://doi.org/10.5281/zenodo.13452911.

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(Uploaded by Plazi for the Bat Literature Project) About 3 million years ago (Ma), the Isthmus of Panama joined the Americas, forming a land bridge over which inhabitants of each America invaded the other—the Great American Biotic Interchange. These invasions transformed land ecosystems in South and Middle America. Humans invading from Asia over 12000 years ago killed most mammals over 44 kg, again transforming tropical American ecosystems. As a sea barrier, the isthmus induced divergent environmental change off its two coasts—creating contrasting ecosystems through differential extinction and
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48

Leigh, Egbert G., Aaron O'Dea, and Geerat J. Vermeij. "Historical biogeography of the Isthmus of Panama." Biological Reviews 89, no. 1 (2014): 148–72. https://doi.org/10.5281/zenodo.13452911.

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(Uploaded by Plazi for the Bat Literature Project) About 3 million years ago (Ma), the Isthmus of Panama joined the Americas, forming a land bridge over which inhabitants of each America invaded the other—the Great American Biotic Interchange. These invasions transformed land ecosystems in South and Middle America. Humans invading from Asia over 12000 years ago killed most mammals over 44 kg, again transforming tropical American ecosystems. As a sea barrier, the isthmus induced divergent environmental change off its two coasts—creating contrasting ecosystems through differential extinction and
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49

Leigh, Egbert G., Aaron O'Dea, and Geerat J. Vermeij. "Historical biogeography of the Isthmus of Panama." Biological Reviews 89, no. 1 (2014): 148–72. https://doi.org/10.5281/zenodo.13452911.

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(Uploaded by Plazi for the Bat Literature Project) About 3 million years ago (Ma), the Isthmus of Panama joined the Americas, forming a land bridge over which inhabitants of each America invaded the other—the Great American Biotic Interchange. These invasions transformed land ecosystems in South and Middle America. Humans invading from Asia over 12000 years ago killed most mammals over 44 kg, again transforming tropical American ecosystems. As a sea barrier, the isthmus induced divergent environmental change off its two coasts—creating contrasting ecosystems through differential extinction and
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Leigh, Egbert G., Aaron O'Dea, and Geerat J. Vermeij. "Historical biogeography of the Isthmus of Panama." Biological Reviews 89, no. 1 (2014): 148–72. https://doi.org/10.5281/zenodo.13452911.

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(Uploaded by Plazi for the Bat Literature Project) About 3 million years ago (Ma), the Isthmus of Panama joined the Americas, forming a land bridge over which inhabitants of each America invaded the other—the Great American Biotic Interchange. These invasions transformed land ecosystems in South and Middle America. Humans invading from Asia over 12000 years ago killed most mammals over 44 kg, again transforming tropical American ecosystems. As a sea barrier, the isthmus induced divergent environmental change off its two coasts—creating contrasting ecosystems through differential extinction and
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