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Libros sobre el tema "American Silent films American drama"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 4 de febrero de 2022

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1

Förster, Annette. Women in the Silent Cinema. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462989955.

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This magisterial book offers comprehensive accounts of the professional itineraries of three women in the silent film in the Netherlands, France and North America. Annette Förster presents a careful assessment of the long career of Dutch stage and film actress Adriënne Solser; an exploration of the stage and screen careers of French actress and filmmaker Musidora and Canadian-born actress and filmmaker Nell Shipman; an analysis of the interaction between the popular stage and the silent cinema from the perspective of women at work in both realms; fresh insights into Dutch stage and screen comedy, the French revue and the American Northwest drama of the 1910s; and much more, all grounded in a wealth of archival research.
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2

American silent film. New York: Da Capo Press, 1998.

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3

Langman, Larry. A guide to American silent crime films. Westport, Conn: Greenwood Press, 1994.

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4

American film cycles: The silent era. Westport, Conn: Greenwood Press, 1998.

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5

American animated films: The silent era, 1897-1929. Jefferson, N.C: McFarland & Co., 1990.

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6

Braff, Richard E. Silent short films, 1903-1929: An American filmography. Jefferson: McFarland, 2002.

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7

Navarro, Dan. Navarro's silent film guide: A comprehensive look at American silent cinema. Los Angeles: New University Press LLC, 2013.

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8

McCaffrey, Donald W. Guide to the silent years of American cinema. Westport, Conn: Greenwood Press, 1999.

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9

Council on Library and Information Resources, Library of Congress y National Film Preservation Board (U.S.), eds. The survival of American silent feature films, 1912-1929. Washington, D.C: Council on Library and Information Resources and The Library of Congress, 2013.

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10

Henry, Nicolella, Joyce Steve 1952- y Long Harry, eds. American silent horror, science fiction and fantasy feature films, 1913-1929. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2012.

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11

The last silent picture show: Silent films on American screens in the 1930s. Lanham, Md: Scarecrow Press, 2010.

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12

Kaye, Tony. American history X. [S.l.]: New Line Home Video, 1998.

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13

Picturing American modernity: Traffic, technology, and the silent cinema. Durham: Duke University Press, 2008.

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14

Simmon, Scott. More treasures from American film archives, 1894-1931: 50 films. San Francisco, Calif: National Film Preservation Foundation, 2004.

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15

Muriel Ostriche, princess of silent films, and early American film production. Vestal, N.Y: Vestal Press, 1987.

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16

Radicalism in American silent films, 1909-1929: A filmography and history. Jefferson, N.C: McFarland, 2000.

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17

1946-, Moreland Richard, ed. The not so silent night. Loveland, Colo: Group Pub., 1998.

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18

Hansen, Miriam. Babel and Babylon: Spectatorship in American silent film. Cambridge, Mass: Harvard University Press, 1991.

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19

Miller, Blair. American silent film comedies: An illustrated encyclopedia of persons, studios, and terminology. Jeferson, N.C: McFarland & Co., 2008.

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20

American silent film comedies: An illustrated encyclopedia of persons, studios, and terminology. Jeferson, N.C: McFarland & Co., 1995.

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21

Slide, Anthony. Early American cinema. Metuchen, N.J: Scarecrow Press, 1994.

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22

Chase, Debra Martin y Vince Marcello. American girl: Saige paints the sky. Universal City, CA: Universal Studios Home Entertainment, 2013.

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23

Shooting cowboys and Indians: Silent western films, American culture, and the birth of Hollywood. Boulder: University Press of Colorado, 2003.

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24

Ball, Alan. American beauty. London: FilmFour Books, 2000.

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25

Alan, Ball. American beauty. London: FilmFour Books ; Sight and Sound, 2000.

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26

Framing the feature film: Multi-reel feature film and American film culture in the 1910s. Stockholm: Stockholms Universitet, 2009.

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27

Lund, Karen C. American Indians in silent film: Motion pictures in the Library of Congress. [Washington, D.C: Library of Congress, 1992.

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28

Black manhood on the silent screen. Lawrence: University Press of Kansas, 2002.

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29

Smoke & Blue in the face: Two films. New York: Hyperion, 1995.

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30

Jacobs, Lea. The decline of sentiment: American film in the 1920s. Berkeley: University of California Press, 2008.

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31

1945-, Spence Louise, ed. Writing himself into history: Oscar Micheaux, his silent films, and his audiences. New Brunswick, N.J: Rutgers University Press, 2000.

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32

Bowser, Pearl. Writing himself into history: Oscar Micheaux, his silent films, and his audiences. New Brunswick, N.J: Rutgers University Press, 2000.

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33

Alan, Ball. American beauty: The shooting script. New York: Newmarket Press, 1999.

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34

L' eterna invasione: Il cinema americano degli anni Venti e la critica italiana. Gemona (Udine): La cineteca del Friuli, 2002.

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35

1951-, Bray William Robert, ed. Hollywood's Tennessee: The Williams films and postwar America. Austin: University of Texas Press, 2009.

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36

Early Black American playwrights and dramatic writers: A biographical directory and catalog of plays, films, and broadcasting scripts. New York: Greenwood Press, 1990.

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37

Musser, Charles. The emergence of cinema: The American screen to 1907. Berkeley: University of California Press, 1994.

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38

The emergence of cinema: The American screen to 1907. New York: Scribner, 1990.

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39

Musser, Charles. The emergence of cinema: The American screen to 1907. New York: Scribner, 1990.

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40

Mastrosimone, William, Mikael Salomon, Norman Stephens y John G. Phelan. Benedict Arnold: A question of honor. New York, NY: A & E Home Video, 2003.

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41

Los Angeles before Hollywood: Journalism and American film culture, 1905 to 1915. Stockholm: National Library of Sweden, 2008.

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42

Fire and desire: Mixed-race movies in the silent era. Chicago: University of Chicago Press, 2001.

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43

Pikser, Jeremy, Warren Beatty y Pieter Jan Brugge. Bulworth. Beverly Hills, CA: 20th Century Fox Home Entertainment, 1999.

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44

Queer theatre. New York: Methuen, 1986.

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45

Périer, Etienne y Charles Kaufman. Bridge to the sun. Burbank, CA: Warner Bros. Entertainment, Inc., 2012.

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46

Macpherson, Heidi Slettedahl. Courting failure: Women and the law in twentieth-century literature. Akron, Ohio: University of Akron Press, 2007.

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47

Korine, Harmony. Kids: A film by Larry Clark. New York: Grove Press, 1995.

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48

The book of illusions: A novel. New York: Picador, 2003.

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49

Platte, Nathan. “Drama Rising like Mighty Music”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371112.003.0003.

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Selznick’s move to RKO in 1931 brought the producer in contact with music director Max Steiner. Through their collaborative relationship they defined and directed the role of symphonic underscore in Hollywood. This chapter charts their systematic expansion of background scoring within individual films and the extension of this music beyond films in sheet music and concert performances. Special emphasis is placed on Symphony of Six Million (1932) and the “island-adventure trilogy” of Bird of Paradise (1932), The Most Dangerous Game (1932), and King Kong (1933). Tracking music’s role across these four films reveals how Steiner and Selznick’s experimental use of background scoring creatively reworked silent-era musical practices to produce a widely influential scoring model. Selznick’s RKO productions also feature critical but overlooked contributions from orchestrator Bernhard Kaun, sound engineer Murray Spivack, and African-American choral director Clarence Muse.
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50

Babel and Babylon: Spectatorship in American Silent Film. Harvard U. P., 1994.

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