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Libros sobre el tema "Animated photography"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de abril de 2022

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1

3D and animated lenticular photography: Between Utopia and entertainment. Walter De Gruyter GmbH, 2015.

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2

Matuszewski, Bolesław. A n ew source of history. Animated photography, what it is, what it should be. Filmoteka Narodowa, 1999.

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3

al-Rusūm al-mutaḥarrikah fī mīzān al-sharīʻah. s.n., 2011.

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4

Muybridge, Eadweard. The human figure in motion: A source book of sequential action images by a master photographer. Bonanza Books, 1989.

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5

Muybridge, Eadweard. The human figure in motion: A source book of sequential action images by a master photographer. Bonanza Books, 1989.

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6

Beck, Jeanine. Los animales: An introduction to commonly used Spanish words and phrases about animal friends, with more than 425 lively photographs. Southwater, 2008.

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7

Braun, Marta. Picturing time: The work of Etienne-Jules Marey (1830-1904). University of Chicago Press, 1992.

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8

Muybridge, Eadweard. Animals in motion. Dover Publications, 1994.

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9

Swinburne, Stephen R. Muchas, muchísimas rayas de cebra =: Lots and lots of zebra stripes. Boyds Mill Press, 2008.

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10

Making an Animated Movie. North Star Editions, 2020.

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11

Making an Animated Movie. North Star Editions, 2020.

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12

Lanier, Wendy Hinote. Making an Animated Movie. North Star Editions, 2020.

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13

Finnegan, Cara A. The Presence of Unknown Soldiers and Imaginary Spirits. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039263.003.0002.

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This chapter analyzes close readings of photographs of the battlefield dead at Antietam, published accounts of photographs of unknown soldiers, and public commentary and trial transcripts related to the practice of spirit photography. Such photographs posed considerable reading problems for viewers who were unaccustomed to the idea of photographic representations of death and the afterlife. In a time of national crisis, grief, and trauma, viewers made sense of such images by drawing on their recognition of photography's capacity to produce presence. The chapter first provides an overview of Ci

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14

Shor, Thomas K. Sculpture Garden of the Gods: Animated Landscape Photography from the Greek Island of Ikaria. City Lion Press, 2018.

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15

Anime: A History. British Film Institute, 2013.

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16

Luttrell, Wendy. Children Framing Childhoods. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447352853.001.0001.

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Urban educational research, practice, and policy is preoccupied with problems, brokenness, stigma, and blame. As a result, too many people are unable to recognize the capacities and desires of children and youth growing up in working-class communities. This book offers an alternative angle of vision—animated by young people's own photographs, videos, and perspectives over time. It shows how a racially, ethnically, and linguistically diverse community of young people in Worcester, Massachusetts, used cameras at different ages to capture and value the centrality of care in their lives, homes, an

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17

Braun, Marta. Picturing Time: The Work of Etienne-Jules Marey (1830-1904) (1830-1904). University Of Chicago Press, 1995.

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18

Dallmeier, Francisco, Adriana Bravo, and Michael Tweddle. Amarakaeri: Connecting Biodiversity | Conectando la Biodiversidad. Open Monographs, 2021. http://dx.doi.org/10.5479/si.16847062.

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<p><b><i>This digital monograph is made available by the publisher. Print copies are available for purchase through our distributor, Penguin Random House and on Amazon.com</i></b></p> <p><em><b> </b></em></p><p>Highlighting the enormous biodiversity of the Amarakaeri Communal Reserve (ACR) and the critical role this protected area plays in the conservation of Madre de Dios, in southeastern Peru, with more than 1,700 vivid photographs, <i>Amarakaeri: Connecting Biodiversity</i> offers readers a glimpse int

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19

Curious George: Dinosaur Tracks. HMH, 2011.

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