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Artículos de revistas sobre el tema "Anthropology, Archaeology. Art"

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Publicado: 4 de junio de 2021
Última modificación: 15 de febrero de 2022

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1

Heras, Ion Fernandez de las. "Making: Anthropology, Archaeology, Art and Architecture". Cadernos de Campo (São Paulo, 1991) 24, n.º 24 (17 de junio de 2016): 598. http://dx.doi.org/10.11606/issn.2316-9133.v24i24p598-602.

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2

Andía, Juan J. Rivera. "Ingold, Tim: Making, Anthropology, Archaeology, Art, and Architecture". Anthropos 110, n.º 1 (2015): 232–34. http://dx.doi.org/10.5771/0257-9774-2015-1-232-1.

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3

Charlton, Thomas H. "Art and archaeology: A potpourri". Reviews in Anthropology 22, n.º 3 (octubre de 1993): 185–99. http://dx.doi.org/10.1080/00988157.1993.9978063.

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4

Porr, Martin. "Rock art as art". Time and Mind 12, n.º 2 (3 de abril de 2019): 153–64. http://dx.doi.org/10.1080/1751696x.2019.1609799.

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5

Jeevendrampillai, David. "Making: Anthropology, archaeology, art and architecture, by Tim Ingold". Anthropological Forum 25, n.º 1 (23 de mayo de 2014): 95–97. http://dx.doi.org/10.1080/00664677.2014.906025.

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6

Robb, John. "‘Art’ in Archaeology and Anthropology: An Overview of the Concept". Cambridge Archaeological Journal 27, n.º 4 (11 de septiembre de 2017): 587–97. http://dx.doi.org/10.1017/s0959774317000725.

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The concept of art has proved controversial in archaeology and anthropology. Many feel that the concept, developed to fit high art in modern Western society, is inappropriate for objects made for other uses, in other times, or in other cultures. Yet there is no widely agreed critique or alternative concept. This introduction reviews responses to this dilemma, ranging from using the concept uncritically, using the term ‘art’ simply as an archaeological convenience to refer to things such as petroglyphs and figurines, and treating art simply as material culture. It then explores the recent concepts of art as affective material culture, as socially defined networks, and as locally defined aesthetic action. Finally, it raises the possibility that art is our local category of the kind of powerful objects found in many cultures.
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7

Solheim, Wilhelm G. "Archaeology and Anthropology in Southeast Asia". Journal of Southeast Asian Studies 18, n.º 2 (septiembre de 1987): 175–81. http://dx.doi.org/10.1017/s0022463400020488.

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I agreed in the fall of 1979 to be the guest editor of a special issue of the Journal of Southeast Asian Studies on the state of the art of archaeology and anthropology in Southeast Asia. This special issue was to be published in March 1984 and I was to have the papers to the editor by the 15th of October 1983; plenty of time I thought. I first attempted to get two senior American anthropologists to be associate editors, one for Mainland Southeast Asia and one for Island Southeast Asia. This did not work out so in the fall of 1980 I started to organize authors for each country. By the summer of 1981 I had arranged authors for thirteen reports.
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8

DuBois, Thomas A. "Trends in Contemporary Research on Shamanism". Numen 58, n.º 1 (2011): 100–128. http://dx.doi.org/10.1163/156852710x514339-2.

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Recent research on the topic of shamanism is reviewed and discussed. Included are works appearing since the early 1990s in the fields of anthropology, religious studies, archaeology, cognitive sciences, ethnomusicology, medical anthropology, art history, and ethnobotany. The survey demonstrates a continued strong interest in specific ethnographic case studies focusing on communities which make use of shamanic practices. Shamanic traditions are increasingly studied within their historical and political contexts, with strong attention to issues of research ideology. New trends in the study of cultural revitalization, neoshamanism, archaeology, gender, the history of anthropology, and the cognitive study of religion are highlighted.
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9

Berman, Mary Jane. "Art and Archaeology of Pre-Columbian Cuba:Art and Archaeology of Pre-Columbian Cuba." Museum Anthropology 23, n.º 1 (marzo de 1999): 56–57. http://dx.doi.org/10.1525/mua.1999.23.1.56.

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10

Goldhahn, Joakim. "Rock art worldings". Time and Mind 12, n.º 3 (3 de julio de 2019): 165–67. http://dx.doi.org/10.1080/1751696x.2019.1645525.

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11

Farbstein, Rebecca. "Technologies of Art". Current Anthropology 52, n.º 3 (junio de 2011): 401–32. http://dx.doi.org/10.1086/660057.

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12

Petru, Simona. "Palaeolithic art in Slovenia". Documenta Praehistorica 36 (1 de diciembre de 2009): 299. http://dx.doi.org/10.4312/dp.36.18.

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13

Kitchenham, Paul. "Rock Art: “Tatooing” Rocks?" Time and Mind 2, n.º 3 (enero de 2009): 347–48. http://dx.doi.org/10.2752/175169609x12464529903254.

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14

Pearce, Scott. "Yungang: Art, History, Archaeology, Liturgy". Early Medieval China 2020, n.º 26 (29 de octubre de 2018): 110–14. http://dx.doi.org/10.1080/15299104.2018.1493830.

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15

Andrews, B. "Olmec Art and Archaeology in Mesoamerica; Greater Mesoamerica: The Archaeology of West and Northwest Mexico". Ethnohistory 50, n.º 4 (1 de octubre de 2003): 733–37. http://dx.doi.org/10.1215/00141801-50-4-733.

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16

Flood, Josephine. "Interpretation of Australian Rock Art". Time and Mind 6, n.º 1 (enero de 2013): 59–64. http://dx.doi.org/10.2752/175169713x13500468476600.

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17

SIEVERT, APRIL K. "Moche Art and Archaeology in Ancient Peru by Joanne Pillsbury". Museum Anthropology 32, n.º 1 (marzo de 2009): 74–75. http://dx.doi.org/10.1111/j.1548-1379.2009.01033.x.

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18

Fowler, William R., H. B. Nicholson y Eloise Quinones Keber. "Mixteca-Puebla: Discoveries and Research in Mesoamerican Art and Archaeology". Ethnohistory 43, n.º 2 (1996): 356. http://dx.doi.org/10.2307/483414.

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19

Nash, George. "Aesthetics and Rock Art, IIIrd Symposium". Time and Mind 3, n.º 3 (enero de 2010): 331–33. http://dx.doi.org/10.2752/175169610x12754030956057.

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20

Hutton, Ronald. "Image and Audience: Rethinking Prehistoric Art". Time and Mind 3, n.º 3 (enero de 2010): 347–48. http://dx.doi.org/10.2752/175169610x12754030956228.

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21

Masseti, Marco. "Representations of birds in Minoan art". International Journal of Osteoarchaeology 7, n.º 4 (julio de 1997): 354–63. http://dx.doi.org/10.1002/(sici)1099-1212(199707/08)7:4<354::aid-oa387>3.0.co;2-r.

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22

Aroon Enlander, Rebecca. "Going Round in Circles? (Or Revisiting the Relationship between Megalithic Art and Landscape Art in Ireland)". Time and Mind 8, n.º 3 (3 de julio de 2015): 237–55. http://dx.doi.org/10.1080/1751696x.2015.1066126.

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23

Hamilakis, Yannis. "Contemporary art and archaeology: reflections on a relationship". Journal of the Royal Anthropological Institute 13, n.º 3 (septiembre de 2007): 739–42. http://dx.doi.org/10.1111/j.1467-9655.2007.00456.x.

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24

Koreniako, V. A. "Nomadic Animalistic Art". Anthropology & Archeology of Eurasia 38, n.º 1 (julio de 1999): 73–94. http://dx.doi.org/10.2753/aae1061-1959380173.

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25

Cooper, Michael y Laurance P. Roberts. "Roberts' Guide to Japanese Museums of Art and Archaeology." Monumenta Nipponica 42, n.º 4 (1987): 509. http://dx.doi.org/10.2307/2384996.

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26

Klein, Cecelia F., Eulogio Guzmán, Elisa C. Mandell y Maya Stanfield‐Mazzi. "The Role of Shamanism in Mesoamerican Art". Current Anthropology 43, n.º 3 (junio de 2002): 383–419. http://dx.doi.org/10.1086/339529.

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27

Wallis, Robert J. "Animism and the Interpretation of Rock Art". Time and Mind 6, n.º 1 (enero de 2013): 21–28. http://dx.doi.org/10.2752/175169713x13500468476402.

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28

Bednarik, Robert G. "On the Neuroscience of Rock Art Interpretation". Time and Mind 6, n.º 1 (enero de 2013): 37–40. http://dx.doi.org/10.2752/175169713x13500468476484.

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29

McDonald, Jo. "Contemporary Meanings and the Recursive Nature of Rock Art: Dilemmas for a Purely Archaeological Understanding of Rock Art". Time and Mind 6, n.º 1 (enero de 2013): 65–72. http://dx.doi.org/10.2752/175169713x13500468476646.

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30

Vinson, Steve. "State of the Art? The International Handbook of Underwater Archaeology". Reviews in Anthropology 33, n.º 2 (abril de 2004): 95–109. http://dx.doi.org/10.1080/00938150490447420.

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31

Layton, Robert. "Shamanism, Totemism and Rock Art: Les Chamanes de la Préhistoire in the Context of Rock Art Research". Cambridge Archaeological Journal 10, n.º 1 (abril de 2000): 169–86. http://dx.doi.org/10.1017/s0959774300000068.

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Les Chamanes de la Préhistoire: Transe et Magie dans les Grottes Ornées, by Jean Clottes & David Lewis-Williams, 1996. Paris: Éditions Seuil; ISBN 2-02-028902-4 hardback 249FF, 110 pp., 114 colour ills.The Shamans of Prehistory: Trance and Magic in the Painted Caves, by Jean Clottes & David Lewis-Williams, 1996. New York (NY): Harry N. Abrams; ISBN 0-8109-4182-1 hardback, US$49.50, 120 pp., 116 colour ills.Jean Clottes and David Lewis-Williams' recent book Les Chamanes de la Préhistoire builds on a body of rock art research which has come to dominate the field, marginalizing interest in other cultural themes such as totemism and records of everyday foraging. Shamanism and totemism are, however, two of the most pervasive indigenous theories of being to have been discussed in the anthropological literature. The word totem comes from the Ojibwa, a native North American people, while the word shaman comes from the Tungus of central Siberia. Their use cross-culturally to refer to types of religion (i.e. shamanism and totemism), is an artefact of anthropology. Shamanism can be applied to customs that are inferred to have arisen independently in different parts of the world; customs in a single circum-arctic culture area; or scattered survivals from an allegedly original human condition. The cross-cultural validity of shamanism has been considered by Eliade, Lewis, Hultkrantz and Vitebsky. Shamanism refers to the use of spirits as guardians and helpers of individuals, contacted through trance. The validity of totemism as a cross-culturally-valid category has been vigorously debated in anthropology. It is generally agreed to refer to the use of animals or plants as emblems or guardians of social groups celebrated in ritual. The rationale of totemism is that each group is identified with a different species; the significance of each species derives from its place in the cognitive structure. Group A is kangaroo because it is not emu or python. While Durkheim interpreted totemism as the original human religion, Lévi-Strauss persuasively argued that totemism is a product of human cognition, which has developed independently in North America, Australia and Africa.
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32

Nash, George. "Light at the end of the tunnel: the way megalithic art was viewed and experienced". Documenta Praehistorica 33 (31 de diciembre de 2006): 209–27. http://dx.doi.org/10.4312/dp.33.19.

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This paper explores how megalithic art may have been viewed during a period when Neolithic monuments were in use as repositories for the dead. The group of monuments discussed are primarily passage graves which were being constructed within many of the core areas of Neolithic Atlantic Europe. Although dates for the construction of this tradition are sometimes early, the majority of monuments with megalithic art fall essentially within the Middle to Late Neolithic. The art, usually in the form of pecked abstract designs appears to be strategically placed within the inner part of the passage and the chamber. Given its position was this art restricted to an elite and was there a conscious decision to hide some art and make it exclusively for the dead? In order to discuss these points further, this chapter will study in depth the location and subjectivity of art that has been carved and pecked on three passage graves in Anglesey and NW England. I suggest that an encoded grammar was in operation when these and other passage grave monuments with megalithic art were in use.
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33

Hodgson. "Shamanism, Phosphenes, and Early Art: An Alternative Synthesis". Current Anthropology 41, n.º 5 (2000): 866. http://dx.doi.org/10.2307/3596749.

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34

Michaud, Jean. "The Art of Not Being Scripted So Much". Current Anthropology 61, n.º 2 (1 de abril de 2020): 240–63. http://dx.doi.org/10.1086/708143.

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35

Goldhahn, Joakim. "On unfolding present and past (rock art) worldings". Time and Mind 12, n.º 2 (3 de abril de 2019): 63–77. http://dx.doi.org/10.1080/1751696x.2019.1610217.

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36

Zawadzka, Dagmara. "Rock art and animism in the Canadian Shield". Time and Mind 12, n.º 2 (3 de abril de 2019): 79–94. http://dx.doi.org/10.1080/1751696x.2019.1610219.

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37

Loubser, Johannes. "A Holistic and Comparative Approach to Rock Art". Time and Mind 6, n.º 1 (enero de 2013): 29–36. http://dx.doi.org/10.2752/175169713x13500468476448.

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38

HURD, RYAN. "Integral Archaeology: Process Methodologies for Exploring Prehistoric Rock Art on Ometepe Island, Nicaragua". Anthropology of Consciousness 22, n.º 1 (marzo de 2011): 72–94. http://dx.doi.org/10.1111/j.1556-3537.2011.01042.x.

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39

Hays-Gilpin, Kelley. "Art and Archaeology of the Puebloan Region: New Views from the Basement". Museum Anthropology 19, n.º 3 (diciembre de 1995): 47–57. http://dx.doi.org/10.1525/mua.1995.19.3.47.

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40

Troncoso, Andrés. "Rock art, ontology and cosmopolitics in the Southern Andes". Time and Mind 12, n.º 3 (3 de julio de 2019): 239–50. http://dx.doi.org/10.1080/1751696x.2019.1645529.

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41

Slack, Laura. "Transforming the landscape: rock art and the Mississippian cosmos". Time and Mind 13, n.º 4 (1 de octubre de 2020): 427–29. http://dx.doi.org/10.1080/1751696x.2020.1835090.

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42

Taçon, Paul. "Talking with the Past: The Ethnography of Rock Art". Time and Mind 2, n.º 2 (enero de 2009): 247–49. http://dx.doi.org/10.2752/175169709x423736.

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43

Lewis-Williams, J. D. "Southern African Rock Art and Beyond: A Personal Perspective". Time and Mind 6, n.º 1 (enero de 2013): 41–48. http://dx.doi.org/10.2752/175169713x13500468476529.

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44

Hampson, Jamie. "Trans-Pecos Texas: Approaching Rock Art in Understudied Regions". Time and Mind 6, n.º 1 (enero de 2013): 89–96. http://dx.doi.org/10.2752/175169713x13518042629298.

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45

Slack, Laura. "Design and connectivity: the case of Atlantic rock art". Time and Mind 14, n.º 1 (2 de enero de 2021): 169–70. http://dx.doi.org/10.1080/1751696x.2021.1880823.

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46

Huffman, Thomas N. y Frank Lee Earley. "Pueblo ethnography, Sopris archaeology, and the sacred geography of sopris rock art". Time and Mind 14, n.º 2 (1 de abril de 2021): 217–51. http://dx.doi.org/10.1080/1751696x.2021.1903179.

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47

Leidy, Denise Patry. "Yungang: Art, History, Archaeology, Liturgy by Joy Lidu Yi". Asian Perspectives 58, n.º 2 (2019): 406–8. http://dx.doi.org/10.1353/asi.2019.0023.

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48

Rivera Andia, Juan Javier. "Ingold, Tim: “Making: Anthropology, Archaeology, Art and Architecture”. London and New York: Routledge. 2013." Perifèria. Revista d'investigació i formació en Antropologia 20, n.º 1 (25 de junio de 2015): 205. http://dx.doi.org/10.5565/rev/periferia.455.

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49

Sognnes, Kalle. "Encounters of Different Kinds: On Presence in Rock Art Interpretations". Time and Mind 6, n.º 1 (enero de 2013): 15–20. http://dx.doi.org/10.2752/175169713x13500468476367.

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50

Whitley, David S. "Archaeologists, Indians, and Evolutionary Psychology: Aspects of Rock Art Research". Time and Mind 6, n.º 1 (enero de 2013): 81–88. http://dx.doi.org/10.2752/175169713x13518042629252.

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