Bibliografías temáticas / Archetype models / Libros
Siga este enlace para ver otros tipos de publicaciones sobre el tema: Archetype models.

Libros sobre el tema "Archetype models"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 15 de febrero de 2022

Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros

Elija tipo de fuente:

Consulte los 50 mejores mejores libros para su investigación sobre el tema "Archetype models".

Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.

También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.

Explore libros sobre una amplia variedad de disciplinas y organice su bibliografía correctamente.

1

Bourguignon, François. Distributional effects of adjustment policies: Simulations for two archetype economies. Office of the Vice President, Development Economics, World Bank, 1991.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

Bibliothek der Provinz (Weitra, Austria) and Landesgalerie Linz, eds. Archetypen: Zum Verhältnis von Gegenwartskunst und Antike. Publication PN°1, Bibliothek der Provinz, 2003.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
3

Codex Parisinus Graecus 1115 and its archetype. Dumbarton Oaks Research Library and Collection, 1996.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
4

Ni︠a︡mt︠s︡u, A. E. Arkhetipicheskie modeli v sovremennom literaturnom kontekste. "Ruta", 2006.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
5

Archetypa: Apo tis kalyves kai ta mantria stē synchronē technē kai architektonikē. K. Adam Ekdotikē, 2010.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
6

Escofet, Cristina. Arquetipos: Modelos para desarmar : palabras desde el género. Editorial Nueva Generación, 2000.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
7

Peligah, Yakubu Seidu. Archetypal psychology and traditional Ghanaian beliefs: Towards the construction of a cross-cultural model in art therapy. University of Central England in Birmingham, 1994.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
8

Wiegmann, Mira. The staging and transformation of gender archetypes in A midsummer night's dream, M. Butterfly, and A kiss of the spider woman. Edwin Mellen Press, 2003.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
9

Women in twentieth-century literature: A Jungian view. Pennsylvania State University Press, 1987.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
10

Stevens, Anthony. The two million-year-old self. Texas A&M University Press, 1993.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
11

The two million-year-old self. Fromm International Publishing, 1997.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
12

Ambjörnsson, Ronny. Mansmyter: Liten guide till manlighetens paradoxer. Fischer, 1990.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
13

Opacity in the writings of Robbe-Grillet, Pinter, and Zach: A study in the poetics of absurd literature. E. Mellen Press, 1991.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
14

L'écrivain et la danse - modeles d'un archetype. L'Harmattan, 2002.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
15

Joyce, Rosemary. The Future of Nuclear Waste. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190888138.001.0001.

Texto completo
Resumen
How can sites of waste disposal be marked to prevent contamination in the future? The United States government addressed this challenge in planning for nuclear waste repositories. Consulting with experts in imagining future scenarios, in language and communication, and in anthropology, the Department of Energy sought to develop plans that would satisfy demands from the Environmental Protection Agency for a marker system that would be effective long into the future. Expert consultants proposed two very different designs: one based on archaeological sites recognized as cultural heritage monuments; the other proposing that certain forms invoke universal feelings. The Department of Energy opted for a design based on archaeological ruins, cited as proof human-made markers could last and communicate warnings for thousands of years. This book explores the common-sense assumptions the experts made about their archaeological models and shows how they are contradicted by what archaeologists understand about these places and things. The book alternates between discussions of archaeological marker designs and reflections on the alternative proposal based on archetypes intended to arouse universal responses. Recognizing these archetype designs as similar in scale and form to Land Art projects, it compares the way government experts proposed that their designs would work with views of modern artists and critics. Drawing on views of indigenous people who disproportionately are asked to accommodate such projects, the book explores concessions within the project that only oral transmission is likely to ensure that such sites remain identifiable long into the future.
Los estilos APA, Harvard, Vancouver, ISO, etc.
16

Fischer-Lichte, Erika. Of Guilt and Archetypes. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199651634.003.0008.

Texto completo
Resumen
Chapter 6, ‘Of Guilt and Archetypes: Post-War productions of Greek Tragedies in the 1940s and 1950s’, discusses three topics. The first centres on productions of Oedipus the King during the first post-war years, which did not elaborate a new aesthetics but were received as contributions to the issue of being ‘guiltlessly guilty’ (Hegel) and of ‘collective guilt’ (Karl Jaspers). The next two productions each developed a new aesthetics: Brecht’s Antigone in Chur, Switzerland, in 1948 elaborated a model for a philosophical theatre, which at the time went almost unnoticed. Gustav Rudolf Sellner’s productions of Greek tragedies in Darmstadt in the 1950s, in contrast, marked a quest for the ‘universal human’. The productions negated any relationship to the social and political situation. Instead, they took refuge in ‘archetypes’. While aesthetically innovative, the productions served a restorative tendency that was widespread during this period of the economic miracle, particularly among the Bildungsbürgertum.
Los estilos APA, Harvard, Vancouver, ISO, etc.
17

Manny, Iarla. Oscar as (Ovid as) Orpheus. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789260.003.0016.

Texto completo
Resumen
Whereas Plato is more commonly considered as an ancient source for The Picture of Dorian Gray, this chapter looks at Ovid and his Metamorphoses as a classical model for Wilde’s sole novel. Unlike Narcissus and Pygmalion, who are more obviously alluded to in Dorian Gray, Ovid’s Orpheus has mainly been overlooked as a mythical archetype for Wilde’s novel. Orpheus, the legendary minstrel whose story is related in Books 10 and 11 of the Metamorphoses, has long been regarded as the archetypal artist who is the most relevant self-reflexive representative of the poet Ovid himself. While the tragic relationship between Dorian Gray and Sibyl Vane in Wilde’s novel has been compared to that between Orpheus and Eurydice in Ovid’s poem, this chapter proposes that the Ovidian Orpheus’ misogynistic and pederastic tendencies can help unravel the evocatively named Dorian’s troubled relations with the sexes, as well as those of Wilde himself.
Los estilos APA, Harvard, Vancouver, ISO, etc.
18

Ancient Greece, Modern Psyche: Archetypes Evolving. Routledge, 2015.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
19

Francisco José B. S. Leandro and Paulo Afonso B. Duarte. The Belt and Road Initiative: An Old Archetype of a New Development Model. Palgrave Macmillan, 2020.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
20

Iconography And Archetypes The Form Of Painting 19851994. Silvana Editoriale, 2011.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
21

Samson, Miles David. Hut Pavilion Shrine: Architectural Archetypes in Mid-Century Modernism. Taylor & Francis Group, 2017.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
22

Hut Pavilion Shrine: Architectural Archetypes in Mid-Century Modernism. Taylor & Francis Group, 2015.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
23

Ancient Greece, Modern Psyche. Routledge, 2015.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
24

Archetypes and Historicity: Paintings and Other Radical Forms 1995-2007. Silvana, 2012.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
25

Sègnonna Horace, Adjolohoun. Part 2 Archetypal Examples of Different Models of African Constitutional Adjudication, 2 Centralized Model of Constitutional Adjudication: The Constitutional Court of Benin. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198810216.003.0003.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
26

Sherman, Matthew Joseph. Architecture and archetypes: Jungian analysis in the search for architectural meaning. 1993.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
27

Pätzmann, Jens Uwe, and Jessica Hartwig. Markenführung mit Archetypen : Von Helden und Zerstörern: Ein neues archetypisches Modell für das Markenmanagement. Springer Gabler, 2018.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
28

Charlotte, Spivack, ed. Merlin versus Faust: Contending archetypes in Western culture. E. Mellen Press, 1992.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
29

Spivack, Charlotte. Merlin Versus Faust: Contending Archetypes in Western Culture. Edwin Mellen Press, 1992.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
30

Shailor, Jonathan. Kings, Warriors, Magicians, and Lovers. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037702.003.0002.

Texto completo
Resumen
This chapter illustrates how theater helps imprisoned men explore new modes of self-actualization. Recognizing that “bad masculinity” drives much of the violence in the American prison culture, it argues that imprisoned performers can draw upon Jungian archetypes, Buddhist meditation techniques, and collaborative theater to help craft new selves free from the habitual violence that lingers within typical male roles. The chapter also examines the Theater of Empowerment, a performance-based course emphasizing personal and social development. The perspective offered in the course incorporates both the feminist critique of a sexist, patriarchal model of manhood, and the Jungian vision of a male identity that evolves toward wholeness, embracing both masculine and feminine characteristics.
Los estilos APA, Harvard, Vancouver, ISO, etc.
31

Wasdin, Katherine. Modeling Perfection. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190869090.003.0006.

Texto completo
Resumen
This chapter shows how three heroic paradigms (Helen, Achilles, and the couple Peleus and Thetis) function in wedding and love poetry. The flexibility of their myths allows for both positive and negative presentations in different contexts. Helen, as the most beautiful woman, serves as a model for both brides and mistresses. Her ability to arouse desire and her willingness to follow her longings make her a complicated ideal. Achilles is equally complex as an archetypal young warrior, albeit one without a stable union who often brings death to his paramours. Peleus and Thetis, the parents of Achilles, are famed for their glorious wedding, yet do not go on to become devoted husband and wife. Weddings glamorize fleeting moments of excellence, but the discourse of love poetry shows how fragile these models can be.
Los estilos APA, Harvard, Vancouver, ISO, etc.
32

James, Fowkes. Part 2 Archetypal Examples of Different Models of African Constitutional Adjudication, 7 Constitutional Review in South Africa: Features, Changes, and Controversies. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198810216.003.0008.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
33

Ameze, Guobadia. Part 2 Archetypal Examples of Different Models of African Constitutional Adjudication, 6 Constitutional Adjudication in Nigeria: Formal Structures and Substantive Impact. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198810216.003.0007.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
34

Leck, Ralph M. Afterword. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040009.003.0007.

Texto completo
Resumen
This concluding chapter discusses how underlying the choice of Ulrichs as a symbol of resistance to Prussian–Nazi politics resulted to growing popular recognition of sexual politics as a vital feature of modern history. In this vein, Minister Einem's expulsion of homosexuals from the German officer corps reveals the cultural affinity between the rise of mass armies in the nineteenth century and the construction of modern masculinity. This affinity was a core cultural–political continuity between Prussian authoritarianism and the Nazi dictatorship. Indeed, the aspect of Nazi ideology that most closely resembled the fascist archetype was its gender politics. The choice of Ulrichs as a replacement for Einem, then, symbolizes rising acknowledgment that reactionary sexual politics was the greatest moral–cultural appeal of fascist populism.
Los estilos APA, Harvard, Vancouver, ISO, etc.
35

Charles M, Fombad. Part 2 Archetypal Examples of Different Models of African Constitutional Adjudication, 3 The Cameroonian Constitutional Council: Faithful Servant of an Unaccountable System. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198810216.003.0004.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
36

Adem, Abebe. Part 2 Archetypal Examples of Different Models of African Constitutional Adjudication, 8 Unique but Ineffective: Assessing the Constitutional Adjudication System in Ethiopia. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198810216.003.0009.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
37

Zohn, Steven. Aesthetic Mediation and Tertiary Rhetoric in Telemann’s. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038136.003.0002.

Texto completo
Resumen
This chapter focuses on Telemann's VI Ouvertures à 4 ou 6, a set of overture-suites for strings (with optional horns in three works) published by the composer at Hamburg in 1736. It reads the VI Ouvertures as Telemann's attempt to historicize the overture-suite by mediating stylistically between a late seventeenth-century, Lulliste archetype and the modern galant idiom of the 1730s. It argues that the VI Ouvertures, as a multiwork opus, engages in what Elaine Sisman calls “tertiary rhetoric,”a kind of intertextual rhetoric in which self-contained works converse among themselves and with performers and listeners alert to such connections. Furthermore, the VI Ouvertures can be heard to mediate aesthetically between civic and bucolic, serious and humorous, and familiar and foreign.
Los estilos APA, Harvard, Vancouver, ISO, etc.
38

André, Thomashausen. Part 2 Archetypal Examples of Different Models of African Constitutional Adjudication, 4 The Constitutional Court of Angola: Judicial Restraint in a Dominant Party State. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198810216.003.0005.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
39

Ferguson, Eamonn, and Barbara Masser. Emotions and Prosociality. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190499037.003.0017.

Texto completo
Resumen
Without volunteer blood a large proportion of healthcare delivery would not be possible. Blood donation is an archetypal altruistic and prosocial act, but like all altruism may also be motivated by selfish reasons. Key among these are the prosocial and moral emotions (e.g., gratitude, shame, guilt, anger). This chapter shows how blood donation can be used to manage negative emotions (e.g., guilt) and enhance well-being (warm-glow, pride). It also shows how negative emotions such as anger promote prosociality. It draws implications for interventions and develops a model showing how emotions and memory are linked across the donor cycle to influence behavior.
Los estilos APA, Harvard, Vancouver, ISO, etc.
40

Kling, Sheri D. Avoiding a Fatal Error: Extending Whitehead’s Symbolism Beyond Language. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429566.003.0008.

Texto completo
Resumen
Typically, discussion of Whitehead’s modes of perception and symbolic reference are limited to the perception of sense-data and the use and interpretation of language as symbolic, but Whitehead’s thought can be connected to the imaginal realm of art, dream symbols, and archetypes when he argues that broadening our definition of perception beyond solely sense perception ‘can be of no importance unless we can detect occasions of experience exhibiting modes of functioning which fall within its wider scope. If we discover such instances of non-sensuous perception, then the tacit identification of perception with sense-perception must be a fatal error barring the advance of systematic metaphysics’ (AI 180). In order to avoid the ‘fatal error’ of limiting perception to strictly sense perception, this chapter argues that since Whitehead included aesthetic expression in his understanding of symbolism, and was open to non-sensory perception, Whitehead’s symbolism can be connected to that of Carl Jung to broaden and enrich the scholarship on symbolism, and that such an integration can positively influence human society’s intensity of experience and overall aliveness, vitality, and zest for life, especially when a practice of dream work is incorporated in this integration.
Los estilos APA, Harvard, Vancouver, ISO, etc.
41

Proulx, Travis. Masters of Our Universe. Edited by Martijn van Zomeren and John F. Dovidio. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190247577.013.16.

Texto completo
Resumen
This chapter examines whether all animals are existential animals to meaningful degree. Drawing on existentialist perspectives, it bridges contemporary research in psychological science with classic work in philosophy, specifically Friedrich Nietzsche’s Genealogy of Morals, and the animated series Masters of the Universe. The chapter first considers Nietzsche’s archetypes of the human essence: the Priestly masters of outwardly vigilant self-control and the Knightly masters of egocentric conquest. It then explores the neurocognitive structures underlying the divergent behaviors, motivations, and values manifested by Nietzsche’s Knights and Priests. The chapter shows how humans accumulate experiences that are modeled by brain structures into associative networks, which are in turn projected onto the environment as expectations for subsequent experiences. It also describes how an approach-oriented mode of being impoverishes our ability to understand others’ mental states (i.e., theory of mind) as our ego-centrism increases.
Los estilos APA, Harvard, Vancouver, ISO, etc.
42

Githire, Njeri. Epilogue. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038785.003.0006.

Texto completo
Resumen
This chapter summarizes key themes and presents some final thoughts. This book has attempted to show the return of the cannibal in contemporary Caribbean and Indian Ocean writing, a return that is as much thematic as it is historical, economic, and political. As an archetypal othering trope, cannibalism is considered the antithesis of cosmopolitan ideals, ideals that persistently appeal to the elite for whom international mobility is synonymous with modernity, style, and indulgence. These elitist models of global interactions marginalize the knowledge and wisdom from which Caribbean and Indian Ocean societies draw. Yet through the cannibalistic incorporation of Caribbean and Indian Ocean societies within networks that mark the global world, these societies continue to play a crucial role in processes of transculturation and in the broader processes of cosmopolitan exchanges. It is hoped is that this book has brought together select texts in ways that open up new research directions.
Los estilos APA, Harvard, Vancouver, ISO, etc.
43

Lippert, Amy K. DeFalco. “These Lofty Aspirants of Fame”: The Making of the Gold Rush Legend. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190268978.003.0002.

Texto completo
Resumen
San Francisco constituted the epicenter of the vibrant image production and printing industry that produced visualizations of the gold rush experience for miners and their far-flung audiences around the world. This chapter examines the artist-rendered representations of the gold rush, especially in the form of illustrated letter sheets—the precursors to the modern postcard. Letter sheets, and the notes that miners scrawled on them to the folks at home, stressed the irreplaceability of direct experience through the popular metaphor of “seeing the elephant.” Gold rush illustrations crafted an archetypal (white, male) miner identity and juxtaposed it with depictions of nonwhite groups like the Chinese and California Indians, who were cast as visual exotics.
Los estilos APA, Harvard, Vancouver, ISO, etc.
44

Harrison, Douglas. Nostalgia, Modernity, and the Reconstruction Roots of Southern Gospel. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036972.003.0003.

Texto completo
Resumen
This chapter traces the emergence of modern southern gospel forward from its Reconstruction roots. It pays attention to the abiding influence of the songbook publisher, songwriter, romantic poet, and melancholic Civil War veteran Aldine S. Kieffer. As the more creative half of the Ruebush–Kieffer songbook publishing empire, Kieffer played an inimitable role in the industrialization of southern gospel at a pivotal moment when shape-note music education was transitioning from a paraprofessional recreation to a commercialized economy based on songbooks and increasingly professionalized music teachers and singers. In the process, this chapter makes the first comprehensive case in extant scholarship for Kieffer as the most important originator of modern southern gospel discourse, an archetypal figure whose work in early southern gospel infuses the music with a lasting concern for tensions between the self and society that arise from sociocultural upheaval in the postbellum South.
Los estilos APA, Harvard, Vancouver, ISO, etc.
45

Bohn, James, and Jeff Kurtti. Music in Disney's Animated Features. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496812148.001.0001.

Texto completo
Resumen
Music in Disney’s Animated Features: Snow White and the Seven Dwarfs to The Jungle Book investigates how music functions in Disney Animated films. The book identifies several techniques used in a number of Disney animated movies. In addition it also presents a history of music in Disney animated films, as well as biographical information on several of the Studios’ seminal composers. The popularity and critical acclaim of Disney animated features is built as much on music as it is on animation. From Steamboat Willie through Bambi, music is the organizing element of Disney’s animation. Songs that establish character and aid in narrative form the backbone of the Studios’ animated features from Snow White and the Seven Dwarfs through The Jungle Book and beyond. In the course of their early animated features the Studios’ composers developed a number of techniques and models that have been used throughout their oeuvre. Instrumental instances of a given film’s songs are used to comment on various character’s thoughts, as well as on the plot and action. Songs featured in Disney films are often transitioned into or out of using rhymed, metered dialog, functioning in much the same way as recitative in opera. The book also explores the use of theme and variation technique, leitmotif, theatrical conventions, and song archetypes.
Los estilos APA, Harvard, Vancouver, ISO, etc.
46

Cornia, Giovanni Andrea. The Macroeconomics of Developing Countries. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198856672.001.0001.

Texto completo
Resumen
The book focuses on the short- and long-term macroeconomic challenges faced by developing countries characterized by missing, incomplete, and dualistic markets and weak institutions. Such problems affect long-term growth, short-term macroeconomic equilibrium, employment, and inequality far more than in the advanced economies. A central message of the book is that ignoring these features and applying to developing countries models inspired by the reality of advanced economies may lead to wrong conclusions and policies. These challenges are discussed for a number of archetypes of developing economies dependent on land and natural resources, affected by supply rigidities in agriculture, and featuring dualistic markets, a dominant informal sector, fast population growth, and chronic dependence on the export of commodities and a volatile external finance. Finally, the book discusses the impact on growth, inequality, and poverty of the stabilization and structural adjustment reforms that were increasingly implemented during the last thirty years. These issues have taken centre stage since the launch of the Millennium Development Goals (MDGs) and Sustainable Development Goals (SDGs) initiatives that have not spelled out a clear macroeconomic approach. There is a risk, therefore, that the wrong policies and sudden shocks may derail progress towards the SDGs which might be achieved by means of social policies.
Los estilos APA, Harvard, Vancouver, ISO, etc.
47

Morieux, Renaud. Indigenous Comparisons. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198768784.003.0004.

Texto completo
Resumen
What are the purposes and uses of comparison for the historian? What is the heuristic value of comparing countries, cultures, and societies in the past? And how and why did historical actors deploy comparison in practice? The chapter focuses on two archetypal contemporary and neighbouring societies, France and Britain in the eighteenth century. Instead of the classic comparisons made by philosophers or travel writers, it is the comparisons formulated in situ by a much broader variety of actors that will provide the case studies. Prisoners of war who were complaining about their jailors or criminals who requested asylum resorted to a rich stock of arguments, highlighting the universality of moral norms and legal values that transcended national state borders or the superiority of one national model over another. Ultimately the chapter emphasizes the necessity for historians to engage in a reflexive analysis of what they compare and why.
Los estilos APA, Harvard, Vancouver, ISO, etc.
48

Murnaghan, Sheila, and Deborah H. Roberts. “Very Capital Reading for Children”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199583478.003.0002.

Texto completo
Resumen
This chapter treats the transformation of classical myth into children’s pleasure reading by Nathaniel Hawthorne (A Wonder-Book for Girls and Boys, 1851 and Tanglewood Tales, 1853) and Charles Kingsley (The Heroes, 1855), with attention to earlier handbooks and collections and to contemporary reservations about myth as suitable reading for children. Both authors use the fairy tale as a model and assume a natural affinity between children and the time in which the myths originated, but they also differ significantly. In Hawthorne’s Romantic vision, myth is archetypal and universal, equally suited to girls and boys, and conducive to free and imaginative play in an American setting; in Kingsley’s progressive vision, myth belongs to a childlike historical moment and serves as a prelude to the different sorts of education that await his boy and girl readers and as a vehicle for Christian and British values.
Los estilos APA, Harvard, Vancouver, ISO, etc.
49

Parr, Sean M. Vocal Virtuosity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197542644.001.0001.

Texto completo
Resumen
Vocal Virtuosity is a book about the apex of operatic vocalism. Nothing strikes the ear quite like a soprano singing in the sonic stratosphere. Whether thrilling, chilling, or repellent to the listener, the reaction to cascades of coloratura with climaxing high notes is strong. Coloratura—agile, rapid-fire singing—was originally essential for all singers, but its function changed greatly when it became the specialty of particular sopranos over the course of the nineteenth century. The central argument of Vocal Virtuosity runs counter to the historical commonplace that coloratura became an anachronism in nineteenth-century opera. Instead, the book demonstrates that melismas at mid-century were made modern. Coloratura became an increasingly marked musical gesture during the century with a correspondingly more specific dramaturgical function. In exploring this transformation, Parr’s research reveals the instigators of this change in vocal practice and the perpetuators of the art of coloratura. Vocal Virtuosity examines the historical traces of Parisian singers who were the period’s greatest exponents of vertiginous vocality as archetypes of the modern coloratura soprano. The book also explores what melismas can signify in operatic performance while constructing the historical trajectory of coloratura as it became gendered the provenance of the female singer. In arguing that vocal virtuosity was a source of power for women, generating space for female authorship and creativity, the book reclaims a place in history for the coloratura soprano.
Los estilos APA, Harvard, Vancouver, ISO, etc.
50

Hall, Edith. The Boys from Cydathenaeum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190649890.003.0013.

Texto completo
Resumen
In this chapter, Edith Hall reconsiders the figure of Cleon, the archetypal Athenian demagogue, with the aim of illuminating Aristophanes’ Knights, in which Cleon is represented by the Paphlagonian slave of Demos. When Cleon’s story is retold in modern histories of Athens or of democracy, it is almost always colored by one of our two (hostile) major sources, Aristophanes and Thucydides. Hall points out that at the end of the Knights the Paphlagonian slave is elevated to the office of beloved statesman. A whole tradition of scholarship—motivated, Hall thinks, in part by fear of the play’s radical implications—has argued that Aristophanes ironically undermines the general joy of the ending. But in this case subtlety is being sought where little is to be found. This has implications for our understanding of Cleon’s standing among the poorer Athenians who supported him, and for our reading of Thucydides’ portrait of Cleon.
Los estilos APA, Harvard, Vancouver, ISO, etc.
También puede estar interesado en las bibliografías sobre el tema "Archetype models" para otros tipos de fuentes:
Artículos de revistas Tesis
Ofrecemos descuentos en todos los planes premium para autores cuyas obras están incluidas en selecciones literarias temáticas. ¡Contáctenos para obtener un código promocional único!

Pasar a la bibliografía