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Artículos de revistas sobre el tema "Archetype (psychology)"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 1 de agosto de 2024

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1

Marie Mamchur, Carolyn. "IN THE ARMS OF AN ARCHETYPE." EPH - International Journal of Humanities and Social Science 3, no. 4 (November 10, 2018): 11–18. http://dx.doi.org/10.53555/eijhss.v3i4.59.

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Exploring the powerful nature of archetypes as they grab hold and thrust us, unaware, or release us into the conscious experience of their energy, In the arms of an archetype describes the author’s personal journey from one archetype, The Lover, to another, the Creator. Weaving narrative and poetry, psychological discourse and philosophy, the article examines the call and the shadow side of these two archetypes and the influences each had on the journey of a young girl into womanhood. The article presents a heartfelt reflection of Jung’s claim that “Our personal psychology is just a thin skin,

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2

Komarov, Vadim V. "Archetypal images of a leader." Izvestiya of Saratov University. Philosophy. Psychology. Pedagogy 24, no. 1 (March 21, 2024): 84–89. http://dx.doi.org/10.18500/1819-7671-2024-24-1-84-89.

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Introduction. The article examines the archetypal images of the leader, reveals the concept of the archetype of the leader, shows the image of the leader in the context of different historical and cultural epochs. Theoretical analysis. The analysis of key sources on the topic was carried out, the theory of the archetype and the collective unconscious of K. Jung was chosen as the methodological basis of the research. The author also gives the comparative analysis of leadership archetypes and modern ideas about the archetypes of leaders based on the own typology of leadership styles and V. G. Tu

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3

Yerzhanova, S. B., and K. K. Baidetova. "PSYCHOLOGICAL AND PHILOLOGICAL ASPECTS OF THE ARCHETYPE." BULLETIN Series Psychology 64, no. 3 (September 20, 2020): 85–89. http://dx.doi.org/10.51889/2020-3.1728-7847.15.

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In our article, we paid attention to the history of the concept of archetype, studied and analyzed the concepts of archetypal plot, motive, and stopped at its place in literature, mythology, psychology, and culture. We paid special attention to the work of the Swiss scientist-psychologist C. G. Jung, who introduced the term archetype into science and studied it in psychological, philosophical, and cultural aspects. Having identified the first archetypal images shown by Jung, we made an analysis, giving importance to the role of the concept of" collective unconscious " in the archetype. In addi

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4

Hordiienko, N. M. "Sociological archetypology: analysis of theoretical and methodological principles and postmodern practices in Ukraine." Ukrainian Society 81, no. 2 (June 28, 2022): 32–41. http://dx.doi.org/10.15407/socium2022.02.032.

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The author substantiates conceptual and methodological principles based on a comprehensive analysis of the theoretical and scientific status of sociological archetypology within the system of modern socio-humanitarian knowledge. These principles are represented in the conceptual system comprising the following central provisions: general orientation of scientific research in the area of sociological archetypology on society as a collective subject, whose vital activity at the implicit level of the collective unconscious is primarily determined by archetypes; the dialectic character of transfor

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5

Rozik, Eli. "Deconstruction of archetypal characterization: the case of Nina in Chekhov's The seagull." International Journal of Jungian Studies 3, no. 1 (March 1, 2011): 53–68. http://dx.doi.org/10.1080/19409052.2011.542372.

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This study explores the Jungian notions of ‘archetype’, ‘projection’ and ‘imago’, and suggests the distinction between ‘archetypal’ and ‘cognitive’ characterization on the level of intention, and its implications regarding dramatic creativity. Whereas archetypal characterization aims at matching archetypes in the spectators’ minds, cognitive characterization aims at saying something true on the nature of real people, in the spirit of naturalism. Archetypal characterization thus offers the opportunity for the spectators to confront suppressed contents of their psyches. This study also suggests

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6

Mills, Jon. "The Essence of Archetypes." International Journal of Jungian Studies 10, no. 3 (February 8, 2018): 199–220. http://dx.doi.org/10.1080/19409052.2018.1503808.

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Jung’s notion of the archetype remains an equivocal concept, so much so that Jungians and post-Jungians have failed to agree on its essential nature. In this essay, I wish to argue that an archetype may be understood as an unconscious schema that is self-constitutive and emerges into consciousness from its own a priori ground, hence an autonomous self-determinative act derived from archaic ontology. After offering an analysis of the archetype debate, I set out to philosophically investigate the essence of an archetype by examining its origins and dialectical reflections as a process system ari

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7

Akca, Uljana. "The Archetype as Form of Ontological Difference." International Journal of Jungian Studies 12, no. 2 (October 12, 2020): 180–200. http://dx.doi.org/10.1163/19409060-bja10004.

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Abstract It has often been argued that Jung failed to explain and ground his theory of the archetypes sufficiently, as he remained caught between a psychological, a biological, and a transcendent model of explanation. Inspired by Martin Heidegger’s methodology in Being and Time, this paper will combine an ontological inquiry with a phenomenological analysis of the archetype, to re-interpret it beyond the Jungian psychology and its inherent paradoxes. I will outline a distinction between a psychological appropriation of the archetype, and one that approaches its numinosity as such. According to

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8

Liu, Yingwei, Tao Wang, Ling Zhou, and Chunyan Nie. "Study on Chinese Brand cultural archetype: theory building and cross-cultural comparison." Journal of Contemporary Marketing Science 3, no. 1 (April 14, 2020): 57–80. http://dx.doi.org/10.1108/jcmars-12-2019-0050.

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PurposeThe essence of “Chinese element” has been pinpointed as the representation of national cultural archetype resource of China, which reflects to the overall power enhancement of China. Applying the Chinese national cultural archetype resource, which will be used for promoting the Chinese Brand internationalization, aims for the consumers' approval with the hope of integrating and spreading the unique cultural advantage of Chinese brand. The recognizing of Chinese brand's cultural archetype in this paper has constituted the basis of Chinese brand's cultural archetype strategy.Design/method

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9

Ghaffarinejad, A., and F. Estilai. "Persian talismans and psychology." European Psychiatry 26, S2 (March 2011): 1054. http://dx.doi.org/10.1016/s0924-9338(11)72759-6.

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Talisman is writing on metal, paper or animals skin which is a collection of diagrams, words, numbers and amazing patterns. Talismans usually are an illegible writings and not comprehensible for everyone.Talismans have had an important role in ordinary life and interpersonal relations of Iranians since the years.These talismans have used for making kindness, removing the evil eye effect, marriage, birth and…Despite, these are not studied scientifically and this question that talismans actually are archetype has no answer yet.Archetypes are a collection of perception and over perception which a

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10

Khair, Rahimal. "Arketipe Ketaksadaran Tokoh Faris dan Inayah dalam Novel Lail wa Qudbhan Karya Najib Al-Kailani." Arabiyatuna : Jurnal Bahasa Arab 4, no. 1 (May 8, 2020): 49. http://dx.doi.org/10.29240/jba.v4i1.1359.

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This research aims to describe the psychological conflict that can impact the changes of Faris and Inayah attitudes when acting on novel Lail wa Qudbhan by Najib al-Kailani. The approach of this research is the psychology of literature that discusses of the psychology aspects of figures in the work or is called the textual approach. The theory used to study the psychology of figures in this research is Carl Gustav Jung’s psychology theory and focused on the archetypes of the character’s unconsciousness. The research method used is a qualitative method, documentation technic with descriptive an

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11

Mahmood, Rua’a Ali. "The Devouring Mother in Gillian Flynn’s Sharp Objects." Journal of the College of Languages, no. 50 (June 1, 2024): 139–50. http://dx.doi.org/10.36586/jcl.2.2024.0.50.0139.

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While the mother archetype traditionally symbolizes nurturing, care, and unconditional love, its negative aspect, the devouring mother, embodies traits of control, manipulation, and suffocation. Drawing on Jung's theories, and his concept of the collective unconscious and symbolic archetypes, particularly the mother archetype, through close textual analysis and theoretical insights, this paper explores the dual nature of the mother archetype and its psychological implications in Gillian Flynn's novel "Sharp Objects, 2006". The paper analyzes the character of Adora Crellin as an embodiment of t

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12

Hart, David W., and F. Neil Brady. "Spirituality and Archetype in Organizational Life." Business Ethics Quarterly 15, no. 3 (July 2005): 409–28. http://dx.doi.org/10.5840/beq200515327.

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Abstract:Spirituality is an undeniable human need and is thus the subject of increasing interest among management scholars and practitioners. In this article, we propose using archetypal psychology as a framework for understanding the human need for spirituality more clearly because it provides important insights into spirituality and organizational life. Because most spiritual needs reside in the deepest aspects of the self, an archetypal approach helps us recognize not only that we have spiritual needs but alsowhywe have them. We present three common archetypes and their implications in a ma

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13

Guest, Hazel. "Identity as an archetype." Transpersonal Psychology Review 25, no. 1 (May 31, 2024): 36–41. http://dx.doi.org/10.53841/bpstran.2024.25.1.36.

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Identity is named as an archetypal energy and is linked to the works of Carl Jung and Abraham Maslow. The over-arching influence of archetypes in the human psyche is described with the aid of a simple map. Common psychological problems in relation to identity are discussed. The question is raised as to whether Humanistic and Transpersonal Psychology have changed their identities.

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14

Octavia Sylviana Dewi. "The levels of psyche and the archetype elements of Amy Loughren in The Good Nurse movie." Lililacs Journal : English Literature, Language, and Cultural Studies Journal 4, no. 1 (February 1, 2024): 40–53. http://dx.doi.org/10.21009/lililacs.041.05.

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Archetype was an originates concept from psychology by Swiss psychiatrist Carl Gustav Jung. The researcher analyzed the levels of the psyche and the archetype elements based on Carl Jung’s theory in Amy Loughren as the main character of The Good Nurse movie. The objective of the research is to find out the levels of the psyche and the Archetype elements that appear in Amy Loughren in The Good Nurse movie based on Carl Gustav Jung’s theory. The researcher used qualitative descriptive method. The data were collected from dialogues in the movie. The researcher found the levels of the psyche are r

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15

Hafi, Isnaini Yulianita, and Syukrina Rahmawati. "The Reality of The Father’s Archetype in Modern Indonesian Literature: Carl Jung’s Analytic Psychological Study." HUMANIKA 29, no. 2 (January 16, 2023): 293–302. http://dx.doi.org/10.14710/humanika.v29i2.50303.

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The purpose of this study is to describe the correlation between the results of literary research about the archetype symbol of the father complex with Jung's analytic psychological theory. Known literary works are concrete evidence of the existence of someone who tries to show his presence in the midst of social life which is full of symbols and myths. Based on the concept of the father complex that appears because of the archetypal characters, it has been clearly seen from the ancestors' time that an unconscious activity forms an adaptive psyche working system before the birth of consciousne

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16

Simurdić, Iva. "An Unlikely Hero: Reconsidering Michael Endeʼs Momo as a Divine Child". Филолог – часопис за језик књижевност и културу 22, № 22 (30 грудня 2020): 262–82. http://dx.doi.org/10.21618/fil2022262s.

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The Divine Child was introduced by Carl Gustav Jung as an archetype closely linked to the process of individuation. Beyond the realm of analytical psychology, this peculiar child figure has been observed in myths and folklore and eventually evolved into a literary archetype known alternatively as das fremde Kind (the strange/alien child). Numerous child figures have since been regarded as representations of this archetype, with the titular character of Michael Ende’s novel Momo (1973) being one of them. While her initial appearance is evocative of the Divine Child, over the course of the story

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17

SERBENA, Carlos Augusto. "Considerações sobre o inconsciente: mito, símbolo e arquétipo na psicologia analítica." PHENOMENOLOGICAL STUDIES - Revista da Abordagem Gestáltica 16, no. 1 (2010): 76–82. http://dx.doi.org/10.18065/rag.2010v16n1.9.

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This article conducts a theoretical discussion between C. G. Jung and other authors to relate and clarify aspects of the concepts of myth, symbol and archetype. On the concept of collective unconscious and archetype of the work of Jung, shows both forms of operation of the psyche: rational and causal to the ego and imaginal and analogic to the unconscious. Thus, the archetypes can be considered as categories of the imagination and are expressed in symbolic form, requiring a comprehensive, qualitative and acting role of mediation between the opposing dynamics through a redundant and repetitive,

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18

Badalov, A. A., S. N. Brovkina, M. R. Arpentieva, S. S. Kalinin, and G. K. Kassymova. "The Archetype of Intellectual Activity: A Modern Methodology for the Description of the Protophenomenon." Клиническая и специальная психология 9, no. 1 (2020): 1–16. http://dx.doi.org/10.17759/cpse.2020090101.

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Modern clinical psychology focuses on the problems of the culturological layer, the cultural background and consequences of the formation and development of productive and destructive anomalies, including the abnormal aspects of creative giftedness, the associated and accompanying anomalies of behavior, values expressed in deviations, borderline states, psychoses and somatoses. Endowment with its considerable diversity is a universal phenomenon. Moreover, and like any universal, it can be understood and described in the unity of its cultural, social, psychological and physiological aspects. Th

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19

Zharylgapov, Zhansaya, and Bibi Syzdykova. "THE CONCEPT OF ARCHETYPE IN LITERATURE AND JUNG'S THEORIES." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 3 (September 30, 2023): 172–84. http://dx.doi.org/10.55808/1999-4214.2023-3.12.

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Many thinkers of the twentieth century came to the conclusion that world culture does not have a common history, the content and meaning of each historical and cultural era cannot be borrowed from each other, nor can they be included. This conclusion opened an appeal to the study of traditional culture in the formation of a new culture of Kazakh literature. Along the way, the Masters of the word sought a new, global perception of the world through psychology, philosophy and mythology, and all directions became the prototype of the inner world. Any phenomenon in the universe, an emerging discov

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20

Kreinheder, Albert. "The job archetype." Psychological Perspectives 17, no. 2 (September 1986): 252–54. http://dx.doi.org/10.1080/00332928608408738.

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21

Şirin, Turgay. "Parallelisms between Jungian Archetypes with Ibn ‘Arabi’s Concept of Ayani-Sabita." Spiritual Psychology and Counseling 4, no. 1 (February 15, 2019): 25–37. http://dx.doi.org/10.37898/spc.2019.4.1.0052.

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This study attempts to put forth the relationship between Carl Gustav Jung’s concept of the archetype and Muhyiddin Ibn ‘Arabi’s concept of Ayani-sabita. In this context, the nature of the concepts of Muhyiddin Ibn ‘Arabi’s Ayani-sabita and Jung’s concept of the archetype are examined, as well as the similarities and differences between each of the two concepts, by researching the issues of the relationship of these concepts with existence and humans. Attention is attempted to be drawn in the study’s results to the topics that the concept of Ayani-sabita, which is often unrecognized in the lit

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22

Czapkowski, Krzysztof, and Andrzej Pankalla. "From Metapsychologie to Realpsychologie: archetypal imagery in the psychologies of C.G. Jung and J. Hillman." Analiza i Egzystencja 62 (2023): 43–64. http://dx.doi.org/10.18276/aie.2023.62-02.

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Although the relation between the theories of C.G. Jung and J. Hillman has been thoroughly analyzed, presented paper bring to the academic light a new aspect of their lineage of thought. By the means of the ideas of psychic Image and archetype, it reconstructs their evolution of thought - here presented in the context of freudian Metapsychologie (with its primary meaning an psychological scence replacing the metaphysics) and Dilthey’s project of Realpsychologie (descriptive psychology of dealing with the real activity soul). Presented study focuses on the years 1912-1979 capturing the period o

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23

Habeebul, Rahman. "The crisis “Archetypogram” – of prisoners, soldiers, sages and jesters." Asia Pacific Scholar 6, no. 3 (July 13, 2021): 83–86. http://dx.doi.org/10.29060/taps.2021-6-3/sc2390.

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Introduction: Archetypes in psychology are complete models of behaviours, thoughts and feelings, representative of universal experiences. From Plato’s description of Forms to Jung’s analytical introduction to archetypes in psychology, to common use of Moore’s masculine archetypes in popular culture, we use such “complete representations” to enable change. Methods: In examining psychologically driven responses to the recent and ongoing pandemic crisis, the use of a graphic representation of interacting archetypes is proposed—the ‘archetypogram’. Results: Drawing on concepts from psychodynamic t

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Smith-Marder, Paula. "The Rat as Archetype." Psychological Perspectives 43, no. 1 (January 2002): 50–64. http://dx.doi.org/10.1080/00332920208403530.

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Smith-marder, Paula. "The Pig as archetype." Psychological Perspectives 35, no. 1 (March 1997): 110–19. http://dx.doi.org/10.1080/00332929708403318.

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26

Raissa, Thalitha Yumna, and Arju Susanto. "MANIFESTASI ARKETIPE TOKOH LAISA DALAM NOVEL DIA ADALAH KAKAKKU KARYA TERE LIYE: ANALISIS PSIKOLOGI SASTRA." AKSARABACA Jurnal Bahasa, Sastra, dan Budaya 2, no. 1 (February 16, 2024): 176–85. http://dx.doi.org/10.47313/aksarabaca.v2i1.946.

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ABSTRACTThesis entitled “Archetypes Manifestation of Laisa’s Figure in The Novel Dia Adalah Kakakku by Tere Liye: Analysis Psychology Literature” is the study of character and personality Laisa’s figure through aspects of archetypes in the novel Dia Adalah Kakakku by Tere Liye. The study aims to describe archetypes persona, shadow, animus, and self in the main character Laisa’s as well as the characteristics of figures. This research is about qualitative research that produces descriptive data that then analyzed using a model of psychology literature, Carl Gustav Jung how about four archetypes

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27

W. Salter, Daniel. "An Archetypal Analysis of Doctoral Education as a Heroic Journey." International Journal of Doctoral Studies 14 (2019): 525–42. http://dx.doi.org/10.28945/4408.

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Aim/Purpose: The purpose of this conceptual paper is to align key aspects of the heroic journey archetype with existing research and writing about doctoral students, thereby extending previous discussions of this topic. Background: While obtaining a doctoral degree is often described as a heroic journey, that assertion has not been fully explored from a depth psychology standpoint. Because myth is a form of pedagogy, key heroic archetypes (Pearson, 1986; 1991) provide a means to describe and understand the student experience. Methodology: This synthesis of the scholarship on doctoral education

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28

Vrbata, Ales. "Image and imagery in imaginal psychology (mental image and theory of science)." Revista Ideação 1, no. 30 (April 18, 2018): 211. http://dx.doi.org/10.13102/ideac.v1i30.1328.

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This paper deals with theoretical concepts of image and imagery in foremost imaginal psychologists (James Hillman, Michael Vannoy Adams). Attributing primary epistemological status to image and imagery, archetypal/imaginal psychology school developed (both within philosophy and psychology) new theory of image and imagery, questioned older thesis about derivative and secondary epistemological status of image (image as imprint within human psyche, derivative of primary sensations). Using Jung’s concept of autonomous psyche of essentially archetypal nature, Hillman started to question Jung’s conc

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Evans Romero, Constance. "Ancient ecstatic theater and Analytical Psychology: creating space for Dionysus." International Journal of Jungian Studies 9, no. 2 (May 4, 2017): 75–83. http://dx.doi.org/10.1080/19409052.2017.1306332.

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ABSTRACTThis paper explores links between the theatrical aspect of the Dionysian archetype and Analytical Psychology. It looks at some of the Dionysian elements in Jung’s published work and follows up with a brief exploration into how some of the potentially generative aspects of the archetype continue to be suspect in current clinical practice. Plutarch’s historic anecdote about the first actor, Thespis, and his dialogue with the Athenian Magistrate, Solon, will provide a focus with which to explore Dionysian elements within the Individuation process. A final section includes a short case his

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English, Linda G., and Charles A. Weiner. "Story, archetype and healing." Journal of Poetry Therapy 19, no. 1 (March 2006): 31–39. http://dx.doi.org/10.1080/08893670600565629.

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31

Denton, Donald D. "Empathy and Archetype: The Structure of Healing." Journal of Pastoral Care 46, no. 3 (September 1992): 227–36. http://dx.doi.org/10.1177/002234099204600302.

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Presents a theoretical synthesis of object relations theory and Jungian psychology. Utilizes clinical vignettes, the writings of major theorists, and biblical material to illustrate ways in which the dynamics of transference, countertransference, and ESP-like experiences may be indications of the synthetic process at work within both therapist and client.

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32

HOCHMAN, JOHN. "The Divine Archetype: The Sociobiology and Psychology of Religion." American Journal of Psychiatry 149, no. 7 (July 1992): 974—a—975. http://dx.doi.org/10.1176/ajp.149.7.974-a.

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Efimova, Irina A. "STAGES OF AN ADULT HERO’S JOURNEY AS A REPRESENTATION OF ANIMA INTEGRATION: ON THE EXAMPLE OF “THE MATRIX RESURRECTIONS”." Articult, no. 3 (September 30, 2023): 97–103. http://dx.doi.org/10.28995/2227-6165-2023-3-97-103.

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The article analyzes the features of the passage of the stages of the Monomyth by a Hero with a midlife crisis. The author compares the classical stages of J. Campbell's Monomyth and the needs of the psyche of a mature man, derived by C.G. Jung in the study Archetypes and the Collective unconscious. The material for the analysis is the last film of the film franchise “The Matrix” (1999-2021), the main character of which has already realized the stages of the Monomyth in the previous parts and in “The Matrix Resurrections” (directed by L. Wachowski, 2021) found himself in a midlife crisis. When

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Roesler, Christian. "Are archetypes transmitted more by culture than biology? Questions arising from conceptualizations of the archetype." Journal of Analytical Psychology 57, no. 2 (March 23, 2012): 223–46. http://dx.doi.org/10.1111/j.1468-5922.2011.01963.x.

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35

Boe, John. "Metaphor, Thought, Projection, and Archetype." Psychological Perspectives 48, no. 1 (January 2005): 68–83. http://dx.doi.org/10.1080/00332920591001591.

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36

Demessinova,, L. M. "Madame Bovary: philistinism or the archetype of the wild woman." Bulletin of the Karaganda University. Philology series 101, no. 4 (December 30, 2020): 67–72. http://dx.doi.org/10.31489/2020ph4/67-72.

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The article is devoted to the problems of the female archetype, the light and dark side of women, which has become the basis for artistic works since ancient times. In the study are subjected to comparative analysis critical views about the image of Madame Bovary. If in previous studies the heroine is considered as a sinner, then in this article the authors proceed from the inner world of Madame Bovary and explain the reasons for Emma's behavior and psychology from the point of view of the female archetype of the «primordial woman». In the course of the work, methods of comparison and systemat

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37

Watson, P. J. "The Divine Archetype: The Sociobiology and Psychology of Religion (Book)." International Journal for the Psychology of Religion 1, no. 1 (January 1991): 63–67. http://dx.doi.org/10.1207/s15327582ijpr0101_8.

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38

Maidenbaum, Aryeh. "The Golem of Prague: An Archetype." Psychological Perspectives 64, no. 2 (April 3, 2021): 201–10. http://dx.doi.org/10.1080/00332925.2021.1959209.

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39

Nevin Welsh, Sarah. "Archetype X: Visible and Invisible Otherness." Psychological Perspectives 61, no. 4 (October 2, 2018): 517–28. http://dx.doi.org/10.1080/00332925.2018.1536510.

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40

STEWART, LOUIS H. "A Brief Report: Affect and Archetype." Journal of Analytical Psychology 32, no. 1 (January 1987): 35–46. http://dx.doi.org/10.1111/j.1465-5922.1987.00035.x.

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41

Fike, Matthew A. "C. G. Jung on plagiarism in Pierre Benoît’s L’Atlantide." International Journal of Jungian Studies 9, no. 3 (September 2, 2017): 167–82. http://dx.doi.org/10.1080/19409052.2017.1355331.

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ABSTRACTJung explained the possible plagiaristic relationship between Henry Rider Haggard’sSheand Pierre Benoît’sL’Atlantideas either cryptomnesia or archetypal inspiration, but he was misinformed about the case and unfamiliar with Benoît’s life. This essay critiques Jung’s statements about Benoît and then considers the case for plagiarism that was published inThe French Quarterlyin 1919–1920. Neither the typical reply – thatL’Atlantidereflects the author’s African experience and historical knowledge – nor the reading of the novel that arose from Jung’s 1925 seminar adequately refutes the plag

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Burke, Joseph W. "The Rainmaker's Reality and the Holographic Archetype." Psychological Perspectives 50, no. 1 (May 30, 2007): 6–30. http://dx.doi.org/10.1080/00332920701319467.

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HUBBACK, JUDITH. "The Changing Person and the Unchanging Archetype." Journal of Analytical Psychology 35, no. 2 (April 1990): 111–23. http://dx.doi.org/10.1111/j.1465-5922.1990.00111.x.

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Browning, Don. "The Divine Archetype: The Sociobiology and Psychology of Religion. Brant Wenegrat." Journal of Religion 73, no. 2 (April 1993): 303. http://dx.doi.org/10.1086/489175.

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45

Merylova, I. O., and K. V. Sokolova. "Recreational Space as the Embodiment of the Garden of Eden Archetype." Антропологические измерения философских исследований, no. 25 (June 28, 2024): 77–83. http://dx.doi.org/10.15802/ampr.v0i25.307627.

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The purpose of the article is to research the spiritual basis and motivation of human activity in the relationships between humans and the natural environment to create various forms of recreational spaces in the socio-cultural context of the post-industrial era. Theoretical basis. The research is based on the approach of analytical psychology by C. Jung, who identified the archetypes of the collective unconscious. These archetypes help overcome the limitations of the functional and pragmatic approach, which is focused on mere survival. They make sense and provide values in the relationship be

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46

Zhou, Caihong, and Zongmei Fu. "An Archetypal Analysis of the Queen Mother of the West in Chinese Mythology." Folklore: Electronic Journal of Folklore 92 (April 2024): 167–84. http://dx.doi.org/10.7592/fejf2024.92.zhou_fu.

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Amongst all the goddesses in ancient China, the Queen Mother of the West (Xiwangmu) represents the most multi-layered mother archetype with the richest connotations. Through a longitudinal literature review, this paper aims to explore different facets of the Queen Mother of the West as a representation of the Great Mother archetype in Jungian psychology. In ancient China, she was a supreme goddess controlling the order of the universe. Her residence, Mount Kunlun, is capable of nourishing and devouring life. She possesses the elixir of life and controls the punishments of the world. Thus, the

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47

Lee, Youngjae, and Ilho Park. "A Study on the Symbol of Self Archetype Appeared in E. Munch’s Series of <The Sun> in the Light of Jung’s Analytical Psychology." Korean Society of Culture and Convergence 44, no. 5 (May 31, 2022): 1175–90. http://dx.doi.org/10.33645/cnc.2022.5.44.5.1175.

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Edvard Munch is an important artist representing modernity in the world art history. This study aims to analyze Munch’s paintings in the latter half of his life by using Jung’s theory of analytical psychology, and to see how the artist’s self-realization process appears through symbols in the paintings. By comparing the symbolism of the sun and mandala represented in a series of works in his later years, <The Sun>, this study examines Jung’s individuation, and the archetype and symbolic theory of self-realization. It deals with <The Sun>, a series of works created in the second hal

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48

Tait, Pamela. "The Kore: My Experiences with the Maiden Archetype." Psychological Perspectives 53, no. 2 (June 17, 2010): 175–88. http://dx.doi.org/10.1080/00332921003780679.

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Zayed, Richard S., and Bertha Mook. "Jung's concept of the archetype: An existential phenomenological reflection." Humanistic Psychologist 27, no. 3 (1999): 343–68. http://dx.doi.org/10.1080/08873267.1999.9986914.

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Terentyeva, D. "The cultural hero archetype in E. Aipin’s story “Waiting for the First Snow”." Philology and Culture, no. 2 (June 25, 2024): 209–13. http://dx.doi.org/10.26907/2782-4756-2024-76-2-209-213.

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The article presents the mythopoetic analysis of the story “Waiting for the First Snow” (1979) by the Khanty prose writer E. D. Aipin and characterizes the mythopoetic image of the protagonist. The object of the study is the cultural hero archetype, widely spread in any mythology, which allows us to talk about the ways of the classical cultural myth creative interpretation in the modern prose of the Khanty peoples. The protagonist’s activity in this story, like that of the mythological cultural hero, is aimed at maintaining the natural order of things, protecting the sacred land of the ancesto

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