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1

Dahlquist, Kirsten Lee. "Women and Architecture: Re-Making Shelter Through Woven Tectonics." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1606.

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Weaving and architecture, conceived simultaneously with cave paintings, are two ancient forms of craft used to enclose space and provide shelter harmoniously with nature. In its basic composition, a useable textile is the interlacing of two members, warp and weft, at right angles to create structure and surface respectively. Textile artist Anni Albers of the Bauhaus attributes the organization of weaving to the skills of an ancient goddess. Her understanding of prehistoric cultures further links women closer to the overall creation of structure, though perceived as a masculine endeavor. Conseq
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2

Alvarez, Isidro Eva María. "Women in architecture. 1975, 2015." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/63278.

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[EN] The aims of the present work are to document the context and the content of the copy of August, 1975 of Architectural Design, Women in Architecture and to see the sense and validity of a re-edition or equivalent edition 40 years later. The temporary lapse of the study focuses, basically, about the year 1975 and, about 2015. The resultant study consists of the following parts: Context: a) Study of context in the 70s where it is checked both the social and economic environment and the architectural one, especially regarding to women and architecture. b) Articles that explain the incorp
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3

Silberberg, Katrin Mary. "Women in architecture : path and practice." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/32662.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1995.<br>Includes bibliographical references (p. 109-112).<br>This project presents an exploration of the lives of three women in the field of architecture today. Through interview, discussion, and the use of electronic, digital media a history of each individual's history unfolds. The hierarchy of information and design were linked from the early stages of the project and it is in the final form of the project that one can discover a format that is consistent in its presentation and navigational structure. The goal w
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4

Sharp, Leslie N. "Women shaping shelter." Diss., Georgia Institute of Technology, 2004. http://hdl.handle.net/1853/7268.

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5

Woosnam, Margaret D. "Journey to leadership women administrators in architecture /." Connect to this title online, 2007. http://etd.lib.clemson.edu/documents/1181666395/.

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6

Hooper, Elizabeth Anne. "A feminist architecture." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/23945.

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7

Petrakis, Lauren M. "Breaking Boundaries: The Empowerment of Women Through Architecture." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427898873.

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8

Upton, Taylour M. "The Un-site: by Black Women, for Black Women." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1584001344654082.

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9

Sharp, Leslie Noel. "Women shaping shelter technology, consumption, and the twentieth-century house /." Available online, Georgia Institute of Technology, 2004:, 2004. http://etd.gatech.edu/theses/available/etd-06072004-131349/unrestricted/sharp%5Fleslie%5Fn%5F200405%5Fphd.pdf.

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10

Eskandari, Maryam S. M. Massachusetts Institute of Technology. "Women places and spaces in contemporary American mosque." Thesis, Massachusetts Institute of Technology, 2011. http://hdl.handle.net/1721.1/65546.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2011.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 104).<br>There is an ever-present demand for Mosques in American cities to accommodate the more than 8 percent of the American population that are Muslims; the majority of which are American-born Muslims or American converts. However, Muslim-American communities have implemented the same architectural vocabulary of mosques seen in the Middle East into their American neighborhoods. Nevertheless, this architectural transplantation
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11

White, Deborah. "Masculine constructions : gender in twentieth-century architectural discourse : 'Gods', 'Gospels' and 'tall tales' in architecture." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phw5834.pdf.

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Includes 2 previously published journal articles by the author: Women in architecture: a personal reflection ; and, "Half the sky, but no room of her own", as appendices. Includes bibliographical references (p. 233-251) An examination of some texts influential in the discourse of Australian architecture in the twentieth century. Explores from a feminist standpoint the gendered nature of discourse in contemporary Western architecture from an Australian perspective. The starting point for the thesis was an examination of Australian architectual discourse in search of some explanation for the con
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12

Paulin, Theresa M. "Forwarding New Forms in Transitional Housing for Women: Feminist Architecture Creates Potentialities after Partner Abuse." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1291408415.

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13

Volz, Kirsty. "Architect and Ceramist : Nell McCredie's Architectural Works." Thesis, University of Queensland, 2021. https://espace.library.uq.edu.au/view/UQ:b58cd59.

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Nellie (Nell) McCredie (1901-1968) worked as both an architect and a ceramist. She was enrolled in the second cohort of the Bachelor of Architecture at the University of Sydney between 1919 and 1923. However, after graduating, McCredie was unable to find employment in architecture; instead, she found work in various drafting roles in Sydney. In her search for full-time employment in architecture, she moved to Cairns in July 1925 and spent four months working for a small architectural firm, Lawrence and Lordan.[1] In November 1925, McCredie moved to Brisbane and joined the Queensland Government
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14

Callahan, Lisa J. (Lisa Jean). "The advent of women into the workforce as it affected housing trends." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/64888.

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15

Arceneaux, Kathleen Dugas. "The script-analogue and its application in architectural analysis: the relationship of African women to African traditional architecture." Diss., Virginia Polytechnic Institute and State University, 1989. http://hdl.handle.net/10919/54758.

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This work involves the presentation of an original critical theory, termed the "script-analogue", for the discovery of significance in works of traditional architecture within their cultural contexts. The theory includes a set of related ideas about the relationship of architecture and culture, and uses these ideas as a method to analyze the relationship of African women to African traditional architecture. The use of the script as an analogue refers to the script as it is used in theater, and indicates that the relationship of the individual, culture, and the architectural environment is dyn
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16

Hays, Johanna A. "Louise Blanchard Bethune architect extraordinaire and first American woman architect, practiced in Buffalo, New York (1881-1905) /." Auburn, Ala., 2007. http://repo.lib.auburn.edu/07M%20Dissertations/HAYS_JOHANNA_23.pdf.

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17

Palleroni, Sergio. "The Valle del Yaqui Project : building the capacity of Yaqui women to help themselves." Thesis, Massachusetts Institute of Technology, 2006. http://hdl.handle.net/1721.1/35122.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2006.<br>Includes bibliographical references (leaves 208-214).<br>A case study and evaluation, of a low-income housing program for single Yaqui mothers in Mexico, the Programa de Vivienda Ecologica (PVE). The PVE Program is a response to the desperate housing needs of the Yaqui, which employs micro-credit lending strategies to finance the purchase of a home. The financial model allows the PVE Program to also deal with the issues of economic, social and political integration that that the Yaqui, one of the oldest and p
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18

Suri, Sabina 1973. "Yellow helmets : work and worth of women workers on construction sites in northern India." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/70331.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.<br>Includes bibliographical references (leaves [58]-[61]).<br>The participation of women in the building sector is an exception rather than a rule. Inmost countries of the world the building industry is almost exclusively the domain of men. In India a large number of women are actively involved in the construction process itself. According to 1993-94 Statistics, the construction sector in India provided employment to 6% (5.9 million) of all employed women, constituting about 20% of the total workers in the indus
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19

Dimitropoulou, Vassiliki. "Komnenian imperial women as patrons of art and architecture : what and why." Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.404159.

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20

Woodhull, Margaret Louise. "Building power : women as architectural patrons during the early Roman Empire, 30 BCE-54 CE /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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21

Parslow, Michelle Lisa. "Women, science and technology : the genealogy of women writing utopian science fiction." Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/3058.

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For centuries utopian and science fiction has allowed women to engage with dominant discourses, especially those which have been defined as the “domain” of men. Feminist scholars have often characterized this genealogy as one which begins with the destabilization of Enlightenment ideals of the rational subject in the Romantic Revolution, with the publication of Mary Shelley’s Frankenstein (1818) in particular. This thesis demonstrates that there has in fact been an enduring history of women’s cognitive and rational attempts to explore key discourses such as science, technology and architecture
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22

French, Sara Lillian. "Women, space, and power : the building and use of Hardwick Hall in Elizabethan England /." Online version via UMI:, 2000.

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23

Abowd, Gabriele Therese. "Making room for art case studies of midwestern women artists and their studios /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3324529.

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Thesis (Ph.D.)--Indiana University, School of Education, 2008.<br>Title from home page (viewed on May 12, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 2990. Adviser: Lara Lackey.
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24

Alden, James M. (James Malcolm). "The Resolution Trust Corporation--compliance within the objectives of the enacting policy pertaining to minority and women outreach." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/62919.

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25

James, Susan Helen. ""Bedroom problems" : architecture, gender, and sexuality, 1945-63." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23699.

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Postwar North America saw a fundamental change in the function, layout, and location of the parents' bedroom and bathroom in the typical middle-class home. This thesis argues that the representations of bedrooms and bathrooms in house plans published by the Central Mortgage and Housing Corporation (CMHC), in bathroom advertisements which appeared in women's magazines, trade periodicals, and architectural journals, and, in the 1959 film Pillow Talk, point to women's increased power in the immediate postwar years and constitute a foreshadowing of the Women's Liberation Movement of the 1960s. By
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26

Sumertas, Firuzan Melike. "Female Patronage In Classical Ottoman Architecture: Five Case Studies In Istanbul." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607671/index.pdf.

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The aim of this thesis is to discuss and illustrate the visibility of Ottoman imperial women in relation to their spatial presence and contribution to the architecture and cityscape of sixteenth and seventeenth century istanbul. The central premise of the study is that the Ottoman imperial women assumed and exercised power and influence by various means but became publicly visible and acknowledged more through architectural patronage. The focus is on istanbul and a group of buildings and complexes built under the sponsorship of court women who resided in the Harem section of Topkapi Palace. T
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27

Davis, Mary McPherson. "Feminist Applepieville architecture as social reform in Charlotte Perkins Gilman's fiction /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5071.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on October 25, 2007) Includes bibliographical references.
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28

Gurol, Pelin. "Building For Women&amp." Master's thesis, METU, 2003. http://etd.lib.metu.edu.tr/upload/1268689/index.pdf.

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This study attempts to examine the architecture in Turkey during the Early Republican period as part of the social, economic and political context of the modernization process of the newly founded state, focusing on the case of the ismet PaSa Girls&amp<br>#8217<br>Institute in Ankara. Firstly, the education of woman in general and the Girls&amp<br>#8217<br>Institutes in particular are scrutinized in order to analyze the changes in the social role of women in the context of modernization in the Early Republic. Secondly, the relationship between women and the built environment is examined with r
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29

Alvarez-Giboyeaux, Carmelina. "Design of an adequate women's asylum : analysis and architectonic proposal for a home for women with children in need." FIU Digital Commons, 2003. http://digitalcommons.fiu.edu/etd/1344.

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The purpose of this study was to architecturally design a safe space where abused women with children can go to encourage changes in attitudes, beliefs, feelings, and behavioral patterns that hold back the progress of victims toward more satisfying lives. This study then achieves the conditions in existing battered women's shelters facilities in order to understand the building programming. Several problems were identified. Existing shelters typically isolate battered women from society, locating them far from the urban context. They encourage only minimal education and lack spaces that enhanc
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30

Li, Pingping. "Typological transformation of courtyard house in Lijiang area women and nuclear space of Naxi dwelling /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31564215.

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31

Benedikt, Eva Kjarvalsdottir. "Income generation activities for women in developing areas : a micro-planning model." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/71393.

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32

Ghodousi, Shayan. "The Role of Architecture in Systemic Gender Inequality: National Organization for Women's Headquarters." Thesis, Virginia Tech, 2021. http://hdl.handle.net/10919/104056.

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Nowadays, the world is facing an ocean of social problems and different types of oppressions and systemic inequality from east Asia all the way to North America can be found regarding this issue. With pointing social oppression out, a long list of groups of people is considered including immigrants, religious people, LGBTQ, black society, native Americans, Latinos and etc. as well as the difficulty of relationship between these people with other groups. Many of these problems are the outcomes of the government behavior and written laws in the country's constitution which caused an inequality i
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33

Karsten, Laurie. "Trauma and Transformation: a center for trafficked women in India." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337101748.

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34

Asif, Noor A. "Women Surrealists: Muses or Seekers?" Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/826.

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Surrealism has often been labeled as a misogynistic movement that sought to provide man with an avenue into a higher reality at the expense of the humanity of women. By perceiving the opposite sex as their muses, Surrealist men rendered women as mysterious sources of the marvelous, the name given to the higher realm, which they desired to attain. I propose that Surrealist women were empowered by the fact that ‘woman’, as an abstract concept, and femininity were synonymous with the marvelous. This entailed that Surrealist women had the advantage of being “sources of revelation, as provokers of
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35

AYERS, AMANDA KAY. "WOMEN, ENVIRONMENT, AND HEALING: A BATTERED WOMEN'S SHELTER." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1070897265.

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36

King, Sally Anita. "Thresholds in the Urban Environment: Women and Children's Shelter." Thesis, Virginia Tech, 2002. http://hdl.handle.net/10919/41796.

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The premise of this thesis is to explore the transition of spaces through thresholds. This exploration begins with the urban environment and how one transitions through spaces into private spaces. In particular, this thesis addresses battered women and children and how their transition in life relates to transitional spaces. The journey began with research of precedence. However, the existence of shelters for battered women and children is relatively new. Therefore, I began at the roots of housing, community housing, monasteries, orphanages and dormitories. I also drew from my own experi
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37

Menéndez, Lilian. "Creating Healing Spaces, the Process of Designing Holistically a Battered Women Shelter." Scholar Commons, 2001. https://scholarcommons.usf.edu/etd/1539.

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My interest in the environment has led me to study the effects of space on people, both natural and man-made. This project explores how architects and designers can design spaces conducive to the healing process. The emphasis of this thesis is on my design methodology, with the hope that this project will help other designers in their struggle to create spaces that heal the body, soul and spirit. To develop this project, I chose a shelter for battered women as the building type. This shelter is theoretically located in Bayamón, Puerto Rico. Its main goal is to create an environment in which ba
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38

Speaks, Elyse Marie Deeb. "The architecture of reception : sculpture and gender in the 1950s and 1960s /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174676.

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39

Al-Ansari, Mae. "Masked in the Protective Act: Women, Public Housing & the Construction of ''Modern/National'' Identities in Kuwait." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1479817691274608.

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40

Ziaee, Armaghan. "Transnational Modernization and the Gendered Built Environment in Iran: Altering Architectural Spaces and Gender Identities in the Early Twentieth Century (1925-1941)." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535373539561694.

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41

Pepchinski, Mary. "Feminist space : exhibitions and discourses between Philadelphia and Berlin 1865-1912 /." Weimar : VDG, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016250710&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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42

Marianacci, Caitlyn D. "Old Masterpieces, New Mistress-pieces: Cindy Sherman's Reinterpretations of Renaissance Portraits of Women." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/840.

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This thesis examines a selection of eight photographs in the History Portraits series by American photographer, Cindy Sherman, produced from 1989 to 1990. The photographs are based on Renaissance paintings of biblical and secular women painted by old master artists such as Leonardo da Vinci, Sandro Botticelli, and Raphael. Sherman focused on the female types of Biblical mother and femme fatale, as well as wives and models. These types are defined in their relation to men and are depicted by men. In Sherman’s reinterpretations of their portraits, she retells the stories of these women in ways t
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43

Massey, Carissa. "Mary Colter southwestern architect and innovator of indigenous style /." Huntington, WV : [Marshall University Libraries], 2003. http://www.marshall.edu/etd/descript.asp?ref=233.

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44

Li, Pingping, and 李萍萍. "Typological transformation of courtyard house in Lijiang area: women and nuclear space of Naxi dwelling." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31564215.

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45

Howes, Rosanne. "The temple within : house as symbol of God, self, and body." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22543.

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This thesis examines the house as symbol of God, self, and body. This is a way to explore the expression of individuality both incorporated in, and invoked by the middle-class single family home, particularly for women. The theme, "the temple within," is intended to create a conceptual framework for the identification of activities which give the elements of the house meaning for the occupants. The elements of house, garden, hearth, entrance, windows, attic/stair/cellar, and walls and spaces, are identified through the analysis of primary sources. These are the Canada Mortgage and Housing Corp
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46

Strasik, Amanda Kristine. "Reconceiving childhood: women and children in French art, 1750-1814." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/5647.

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My dissertation examines visual representations of children and childhood in French art from the 1750s until the first decades of the nineteenth century. This period in France is distinct because of the sweeping social and political changes with which images of children and childhood were in dialogue, including the redefinition of bourgeois familial relationships, new medical discoveries that influenced how artists interpreted the human mind and body, the chaos of the French Revolution, and the rise of Napoleon and his codification of the laws of nature. By 1750, Enlightenment thinkers and soc
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47

Chaudhary, Anindita R. "Gender norms and taboos as manifested in dichotomies of space." CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1538079.

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Dichotomies are a way we simplify interconnected hierarchical complexities of race, class, ethnicity, gender and power plays in our society. The division between male and female has been the primary dichotomy I have focused on in this discussion. My argument is that dichotomies create a cyclical loop which reinforces social injustice between genders in societies cross culturally and across time. This cycle of gender division includes cultural, built and activity patterns. There is no single point of origin of these patterns, but rather a constant loop of reinforcement from one pattern to the o
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48

Cronje, Jana Roda. "The Receptacle: Cultivating safe space for women at Constitution Hill Precinct, Johannesburg." Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78577.

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Recent statistics have shown that Violence Against Women (VAW) affects one in three women worldwide. Not only is the issue prevalent at a global scale, it is embedded in the societal fabric of South Africa. Women and girls disproportionately experience public and private environments as unsafe due to the fear or threat of violence against them. Thus, limiting their movement, use and occupation of space. In essence, such instances of violence infringe upon a women’s human rights. In 1996, two years after South Africa became a democracy, it was necessary to manifest physically through architectu
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49

Zaker, Farniyaz. "Allegories of the veil." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:1285e8e1-b9bb-4f0e-b17a-962377646957.

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'Allegories of the Veil' analyses the relationship between architecture and clothing as architecture. It expands the meaning of dwelling and of dwelling places (as they have been defined and conceptualised by scholars such as Martin Heidegger and Edward Casey) from architecture to women's dress. People's awareness of space and their interaction with it are crucially mediated by where and how they dwell. Moreover, dwelling greatly influences behaviour. This study interrogates the way in which building belongs to dwelling. It conceptualises specific women's clothing (the traditional dress and th
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50

Medema, Kara N. "Chiyo-ni and Yukinobu: History and Recognition of Japanese Women Artists." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3914.

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Fukuda Chiyo-ni and Kiyohara Yukinobu were 17th-18th century (Edo period) Japanese women artists well known during their lifetime but are relatively unknown today. This thesis establishes their contributions and recognition during their lifespans. Further, it examines the precedence for professional women artists’ recognition within Japanese art history. Then, it proceeds to explain the complexities of Meiji-era changes to art history and aesthetics heavily influenced by European and American (Western) traditions. Using aesthetic and art historical analysis of artworks, this thesis establishes
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