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Artículos de revistas sobre el tema "Aristotle’s Illusion"

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Publicado: 11 de marzo de 2023

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1

Tinazzi, Michele, Angela Marotta, Alfonso Fasano, et al. "Aristotle’s illusion reveals interdigit functional somatosensory alterations in focal hand dystonia." Brain 136, no. 3 (2013): 782–89. http://dx.doi.org/10.1093/brain/aws372.

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2

Fiorio, Mirta, Angela Marotta, Sarah Ottaviani, Lara Pozzer, and Michele Tinazzi. "Aristotle’s Illusion in Parkinson’s Disease: Evidence for Normal Interdigit Tactile Perception." PLoS ONE 9, no. 2 (2014): e88686. http://dx.doi.org/10.1371/journal.pone.0088686.

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3

Closson, Marianne. "Mélancolie, illusion diabolique et création poétique." Studia Litteraria 17, no. 2 (2022): 61–73. http://dx.doi.org/10.4467/20843933st.22.007.15595.

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The sixteenth century inherited three discourses on melancholy: the medical, philosophical, and religious ones. While the first presented it as a mental illness linked to a disorder of the humours, the second, with the rediscovery of Aristotle’s Problem XXX, saw it as a sign of creative genius, and the third reminded us that it was, according to Saint Jerome’s expression, the balneum diaboli; it allowed Satan to take possession of the patient’s mind, causing him to hallucinate. So how can we distinguish the melancholy of the genius from the pathology of the same name, especially when the latte
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4

Walter, Martin. "Dialektik als Logik des Scheins. Zu Kants Lektüre von Michael Piccarts Isagoge." Kantian journal 41, no. 3 (2022): 7–41. http://dx.doi.org/10.5922/0207-6918-2022-3-1.

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An unrecognised copy (1665) in Kant’s private library of Michael Piccart’s Isagoge (1605), an introduction to the system of Aristotelian philosophy together with Kant’s own remarks on this author (Refl 4160, AA 17, p. 439) can be established as an original source for the Kantian ‘ideosphere’. First, I point out contexts and consequences of Piccart’s Altdorfian Aristotelianism, in contrast to the Königsbergian Aristotelianism (emphasised by Tonelli’s research). To further check the quality of Piccart as a source of Kant’s, a conceptual case-study is elaborated with Kant’s critical distinction b
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5

Gershowitz, Uri. "“The Best Thing in Poetry is a Lie”: Perception of the Song of Songs in Medieval Jewish Philosophical and Theological Thought in the Light of the Arab Aristotelian Approach to Poetics." Voprosy Filosofii, no. 7 (2022): 184–98. http://dx.doi.org/10.21146/0042-8744-2022-7-184-198.

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This article deals with the question of how the Jewish Aristotelians, followers of Maimonides, combined the exclusive status of the Song of Songs with the no­tion of the falsity of poetry. According to Aristotle’s Arabic commentators, poet­ics is part of the logical organon. The poetic syllogisms are based on deliberately false premises and rules of inference, and thus poetic discourse is the lowest in the hierarchy of the logical corpus. At the same time, the following Talmudic maxim is known: “If all Scripture is holy, then the Song of Songs is the Holy of Holies”. Thus, Jewish theologians,
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6

FINKELBERG, MARGALIT. "ARISTOTLE AND EPISODIC TRAGEDY." Greece and Rome 53, no. 1 (2006): 60–72. http://dx.doi.org/10.1017/s0017383506000039.

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It is no exaggeration to say that Aristotle's Poetics is one of the most influential documents in the history of Western tradition. Not only, after its re-discovery in the early sixteenth century, did it dominate literary theory and practice for no less than three hundred years. Even after it had lost its privileged status – first to the alternative theories of literature brought forth by the Romantic movement and then to the literary theory and practice of twentieth-century modernism – the Poetics still retained its role of the normative text in opposition to which those new theories were bei
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7

Leighton, Stephen. "Aristotle's Account of Anger: Narcissism and Illusions of Self‐Sufficiency." Ratio 15, no. 1 (2002): 23–45. http://dx.doi.org/10.1111/1467-9329.00174.

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8

Verstraten, Frans A. J. "On the Ancient History of the Direction of the Motion Aftereffect." Perception 25, no. 10 (1996): 1177–87. http://dx.doi.org/10.1068/p251177.

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Scientists agree that Aristotle in his Parva Naturalia was the first to report a visual illusion known as the motion aftereffect (MAE). But there is less consensus as to who was the first to report the direction of the MAE. According to some, Aristotle only described the phenomenon without saying anything about its direction. Others have defended the position that Aristotle did report a direction, but the wrong one. Therefore, it has been suggested that Lucretius in his poem De Rerum Natura was the first to report the correct direction of the MAE. In this paper it is shown why and how it can b
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9

Bloch, David. "Robert Grosseteste's Conclusiones and the Commentary on the Posterior Analytics." Vivarium 47, no. 1 (2009): 1–23. http://dx.doi.org/10.1163/156853408x383015.

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AbstractThis article examines the nature of Robert Grosseteste's commentary on Aristotle's Posterior Analytics with particular reference to his “conclusions” (conclusiones). It is argued (using book 1, chapter 2, of the commentary as a case study) that the simple demonstrative appearance of the commentary, which is very much the result of the 64 conclusions, is in part an illusion. Thus, the exposition in the commentary is not simply based on the strict principles of the Posterior Analytics and on the proof-procedures of Euclidean geometry; rather the commentary is a complicated mixture of dif
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10

Magnette, Paul. "La Citoyenneté dans la pensée politique Européenne : Eléments pour une histoire doctrinale du concept." Res Publica 38, no. 3-4 (1996): 657–78. http://dx.doi.org/10.21825/rp.v38i3-4.18616.

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This article tries to describe the conceptual evolution of the concept of citizenship. Following the history of the word, it defines the succeeding meanings of this idea from Aristotle to Marx. It argues that this history shows that the concept is inherent in the republican tradition, which affirms that man's freedom is an illusion without the institution of the State. The modern concept, in particular, brings together the ideas of the Rule ofLaw and Popular Sovereignty and demonstrates that they are conceptually undividable. This, it is concluded, means that opposing "liberal" and "republican
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11

Ross, Helen E. "The Sun/Moon Illusion in a Medieval Irish Astronomical Tract." Vision 3, no. 3 (2019): 39. http://dx.doi.org/10.3390/vision3030039.

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The Irish Astronomical Tract is a 14th–15th century Gaelic document, based mainly on a Latin translation of the eighth-century Jewish astronomer Messahala. It contains a passage about the sun illusion—the apparent enlargement of celestial bodies when near the horizon compared to higher in the sky. This passage occurs in a chapter concerned with proving that the Earth is a globe rather than flat. Here the author denies that the change in size is caused by a change in the sun’s distance, and instead ascribes it (incorrectly) to magnification by atmospheric vapours, likening it to the bending of
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12

Brewer, Talbot. "IS WELFARE AN INDEPENDENT GOOD?" Social Philosophy and Policy 26, no. 1 (2008): 96–125. http://dx.doi.org/10.1017/s0265052509090050.

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AbstractIn recent years, philosophical inquiry into individual welfare has blossomed into something of a cottage industry, and this literature has provided the conceptual foundations for an equally voluminous literature on aggregate social welfare. In this essay, I argue that substantial portions of both bodies of literature ought to be viewed as philosophical manifestations of a characteristically modern illusion—the illusion, in particular, that there is a special kind of goodness that is irreducibly person-relative. Theories that are built upon this idea suffer from a recurring defect. Such
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13

Lenartowicz, Piotr. "The Body-Mind Dichotomy a Problem or Artifact." Forum Philosophicum 1, no. 1 (1996): 9–42. http://dx.doi.org/10.35765/forphil.1996.0101.2.

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The principles of the physical patterns of self-organization are numerous, different upon various levels of the scale of complexity (subatomic, molecular, geological, astrophysical). The integrated pattern of the changes going on in a living body indicates an integrated nature of its principle - whatever it might happen to be. Aristotle called this kind of principle „psycho", H . Driesch called it „entelecheia", sociobiolo- gists believe that D N A is the right name for it. The fundamental problem consists in seeing - not just deciding a priori - if the empirical data do require - in a living
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14

Carlson, Marvin. "Modern Theatre’s Expansion into Reality." ARJ – Art Research Journal / Revista de Pesquisa em Artes 3, no. 1 (2016): 1–19. http://dx.doi.org/10.36025/arj.v3i1.8429.

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Although the tension between the real and the illusion based upon it are at the heart of the theatrical experience, in the final years of the twentieth century and the opening years of the twenty-first, many theatres in Europe and the United States became particularly interested in calling attention to the real in their work. Although Hans-Thies Lehmann in his Postmodern Theatre (2006) devotes a few pages to this phenomenon, as one type of postmodern experimentation, what he designates as “the irruption of the real” he considers only one among many types of postmodern experimentation. I will a
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15

Fenenko, A. "The Illusion of a Discipline: Continuation of the Discussion on Quantitative Methods in International Relation." International Trends / Mezhdunarodnye protsessy 19, no. 4 (2021): 163–91. http://dx.doi.org/10.17994/it.2021.19.4.67.9.

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This article continues the dispute about the application of quantitative methods in regard to international relations. In 2019, two groups of scholars published their critical reviews of my article “Statistic Against History”: 1) «Towards “Second Great Debate” in Russian IR» (by Denis Degterev); 2) «International Relations, Science without Method?” (by Igor Istomin, Andrey Baykov, Konstantin Khudoley). This paper consistently analyses the opponents's views and puts forward some counterarguments. The author emphasizes that natural sciences deal with long-term, relatively steady phenomena and pr
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16

Jakubovská, Viera, and Jana Waldnerová. "Reflections on happiness and a happy life." Ars Aeterna 12, no. 2 (2020): 34–44. http://dx.doi.org/10.2478/aa-2020-0009.

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Abstract The main objective of the following text is to focus on and exemplify the basic axioms of theories of happiness that come from historical and philosophical tradition and are still, at least in some cases, relevant nowadays. As philosophers claim, the longing for happiness is a naturally human desire that has taken various forms in their thinking: happiness was connected with beatitude (Aristotle), with self-preservation (Spinoza), social helpfulness (Hume), living in the present moment without expostulations or false illusions (Comte-Sponville), and others. The desire for happiness me
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17

Glytzouris, Antonis. "Karolos Koun in the 1930s and the Birth of Modernist Shakespeare in Greece." New Theatre Quarterly 30, no. 1 (2014): 40–50. http://dx.doi.org/10.1017/s0266464x14000062.

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The author aims in this article is to highlight a significant moment in the history of the reception of Shakespeare in modern Greek theatre. The article outlines the main developments in the perception of Shakespeare's work in Greece from the mid-nineteenth century until the Second World War, and examines Karolos Koun's early experiments in Shakespearean production. Koun's initiatives were diametrically opposed to local theatre traditions, which emphasized psychological or historical realism and pictorial or spectacular illusion. The use of non-realistic stage conventions such as masks and sim
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18

Khan, Raees, Kamran Zeb, and Sanaa Malaikah Noor. "Exploration of Idealism and Realism in Arthur Miller's Play, Death of a Salesman." Global Language Review VII, no. I (2022): 217–28. http://dx.doi.org/10.31703/glr.2022(vii-i).19.

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The current research examines the elements of Idealism and Realism in Arthur Miller’splay Death of a Salesman. Miller’s play is opted through purposive sampling technique. Primary source, a Play, Death of a Salesman, and secondary sources, such as dissertations, articles, thesis, and newspapers are used as an instrument for data collection. Plato's Idealism and the realism of Aristotle are used as a framework for the present work. Idealism is revealed through the analysis of the hero, Willy Loman's Character. The protagonist misunderstands American Dream, he is a dreamer salesman. He wants to
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19

Berryman, Sylvia. "Euclid and the Sceptic: A Paper on Vision, Doubt, Geometry, Light and Drunkenness." Phronesis 43, no. 2 (1998): 176–96. http://dx.doi.org/10.1163/15685289860511078.

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AbstractPhilosophy in the period immediately after Aristotle is sometimes thought to be marked by the decline of natural philosophy and philosophical disinterest in contemporary achievements in the sciences. But in one area at least, the early third century B.C.E. was a time of productive interaction between such disparate fields as epistemology, physics and geometry. Debates between the sceptics and the dogmatic philosophical schools focus on epistemological problems about the possibility of self-evident appearances, but there is evidence from Euclid's day of a quite different response. The s
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20

Jankauskas, Skirmantas. "APIE (FILOSOFIJOS) PRIGIMTĮ." Problemos 75 (January 1, 2009): 8–33. http://dx.doi.org/10.15388/problemos.2009.0.1979.

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Straipsnyje aptariama graikiškojo filosofavimo genezė, t. y. nagrinėjamos pirmojo filosofijos teiginio susiklostymo prielaidos ir tų prielaidų numanoma teiginio prasmė. Filosofijos istorijoje nusistovėjusios pirmųjų filosofų teiginių interpretacijos kilmė siejama su Aristotelio filosofija. Teigiama, kad Aristotelis graikiškąjį filosofavimą jau visiškai įkurdina rašte. Iš rašto pozicijų Aristotelis žvelgia ir į pirmųjų filosofų ištaras, todėl suvokia jas vien kaip rašto (teorinio mąstymo) elementus. Straipsnyje daroma prielaida, kad filosofavimas prasidėjo ne kaip raštas, o kaip su žmogaus veik
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21

"That freaky feeling 1: Aristotle illusion." New Scientist 201, no. 2699 (2009): 34–35. http://dx.doi.org/10.1016/s0262-4079(09)60728-4.

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22

Hari Wibowo, Philipus Nugroho. "Ande-Ande Lumut: Adaptasi Folklor ke Teater Epik Brecht." Resital: Jurnal Seni Pertunjukan 13, no. 1 (2013). http://dx.doi.org/10.24821/resital.v13i1.502.

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Karya ini mengadaptasi folklor “Ande-Ande Lumut” sebagai ide dasar penciptaannya. Folklor ini dituangkan dalam pementasan teater berjudul “Kemuning”. Folklor “Ande-Ande Lumut” merupakan turunan dari cerita Panji yang menceritakan pengembaraan Raden Panji mencari Putri Candrakirana. Cerita Panji tidak hanya dikenal di Indonesia, tetapi dikenal hingga Asia Tenggara dan Jepang. Perkembangan teori adaptasi begitu pesat, apapun kini bisa dijadikan obyek adaptasi, puisi, novel, drama panggung, lukisan, tarian, dan video games. “Kemuning” ini dikemas dengan konsep pemanggungan teater epik Brecht. Hal
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23

"Stay, moment, you are terrible: reinventing the philosophy of tragedy." Vox. Philosophical journal, March 30, 2022. http://dx.doi.org/10.37769/2077-6608-2022-36-5.

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In order to be spoken, a tragic monologue which is the quintessence of any great tragedy, always required quite a special moment amidst action, approximately described as ‘stop-time’, ‘falling-out-of-time’ or ‘time-within-time’. This abruption of natural time-durance, formation of some strange lacuna in its usually monolith and constant flow, along with the strengthening of the emotional effect of such dramatic meditation by portraying it against the most depressing, uncomfortable or disastrous convulsions in the world around which seems to literally fall apart and leave the man to his own — w
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24

Dixon, Ian. "Film Writing Adapted for Game Narrative: Myth or Error?" M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1225.

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J.J. Gittes (Jack Nicholson) is appalled to learn that his lover is a victim of incest in Robert Towne and Roman Polanski’s definitive, yet subversive film Chinatown (Roman Polanski, 1974). Similarly, Ethan Mars (Pascale Langdale), the hero of the electronic game Heavy Rain (David Cage, 2010), is equally devastated to find his child has been abducted. One a cinema classic of the detective genre, the other a sophisticated electronic game: both ground-breaking, both compelling, but delivered in contrasting media. So, what do Chinatown and Heavy Rain have in common from the writer’s point of view
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25

Neilsen Glenn, Lorri. "The Loseable World: Resonance, Creativity, and Resilience." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.600.

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[Editors’ note: this lyric essay was presented as the keynote address at Edith Cowan University’s CREATEC symposium on the theme Catastrophe and Creativity in November 2012, and represents excerpts from the author’s publication Threading Light: Explorations in Loss and Poetry. Regina, SK: Hagios Press, 2011. Reproduced with the author’s permission].Essay and verse and anecdote are the ways I have chosen to apprentice myself to loss, grief, faith, memory, and the stories we use to tie and untie them. Cat’s cradle, Celtic lines, bends and hitches are familiar: however, when I write about loss, I
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26

Kincheloe, Pamela J. "The Shape of Air: American Sign Language as Narrative Prosthesis in 21st Century North American Media." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1595.

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The word “prosthetic” has its origins as a mathematical term. According to scholar Brandon W. Hawk, Plato uses the words prosthesis and prostithenai in Phaedo to mean "addition, add to, to place", and Aristotle uses it in a similar, algebraic sense in the Metaphysics. Later, as the word appears in classical Latin, it is used as a grammatical and rhetorical term, in the sense of a letter or syllable that is added on to a word, usually the addition of a syllable to the beginning of a word, hence pro-thesis (Hawk). This is the sense of the word that was “inherited … by early modern humanists”, sa
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27

Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th
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28

Fineman, Daniel. "The Anomaly of Anomaly of Anomaly." M/C Journal 23, no. 5 (2020). http://dx.doi.org/10.5204/mcj.1649.

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‘Bitzer,’ said Thomas Gradgrind. ‘Your definition of a horse.’‘Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth.’ Thus (and much more) Bitzer.‘Now girl number twenty,’ said Mr. Gradgrind. ‘You know what a horse is.’— Charles Dickens, Hard Times (1854)Dickens’s famous pedant, Thomas Gradgrind, was not an anomaly. He is the pedagogical manifestation of the rise of quantification in modernism that was t
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