Literatura académica sobre el tema "Arranged marriage – Fiction"

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Artículos de revistas sobre el tema "Arranged marriage – Fiction"

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ÇELİKEL, Mehmet Ali. "Traumatized Immigrant: Monica Ali’s Brick Lane." Cankaya University Journal of Humanities and Social Sciences 16, no. 2 (2022): 169–80. http://dx.doi.org/10.47777/cankujhss.1160709.

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Postcolonial fiction and trauma are almost coalesced into one another as a result of the nature of postcolonial cultural condition. Trauma emerges as one of the most important and inevitable themes in postcolonial novels written, in particular, by the British authors of colonial origin. In Brick Lane, Monica Ali portrays the tragic destiny of Nazneen, a young Bangladeshi woman, forced into an arranged marriage, when she is eighteen, to a Bangladeshi man in his forties living in London. It is a story of trauma, migration and adultery. After her mother’s suicide, Nazneen’s father arranges her ma
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Goodman, Bryna. ""Words of Blood and Tears": Petty Urbanites Write Emotion." NAN NÜ 11, no. 2 (2009): 270–301. http://dx.doi.org/10.1163/138768009x12586661923063.

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AbstractRecent attention to the modern history of emotion in China has traced multiple and shifting discourses. The New Culture Movement that competed with "butterfly fiction" in the first decade of China's new Republic championed an autonomous form of individual personhood that broke with the authoritarian family and arranged marriages, and embraced free love and free choice marriage. In the late 1920s, projects of revolutionary emotional retooling reoriented passion, loyalty, and identity in the direction of the nation. But historians have relatively little source material that illuminates t
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Ravindra Shivaji Mali and DR. P. G. Sonawane. "Subjugation and Transformation of the Major Female Character in Chetan Bhagat’s One Indian Girl." Creative Launcher 5, no. 6 (2021): 28–33. http://dx.doi.org/10.53032/tcl.2021.5.6.05.

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Chetan Bhagat is a popular Indian writer. He exposes the various issues being practiced in society. All his novels present the problems of youths, their hopes, aspirations, dreams and frustrations. The Present novel One Indian Girl is acclaimed for his stance on female issues. This novel is presented from the female perspective. Radhika is the major female character in the fiction. She is victim of the male chauvinism. She undergoes many tribulations but in the end she takes her own decision. She doesn’t accept the male choice. After much emphasis she accepts to do arrange marriage but at the
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Kopciński, Jacek. "Upupianie Henryka, czyli Nekrošius inscenizuje Gombrowicza." Załącznik Kulturoznawczy, no. 5 (2018): 223–39. http://dx.doi.org/10.21697/zk.2018.5.13.

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The subject of the essay is the staging of Gombrowicz’s Ślub [The Marriage], directed by Eimuntas Nekrošius at the National Theatre in Warsaw, treated as an example of ‘creative betrayal’ of the stage arranger towards the author of the dramatic text. ‘Creative betrayal’ is a perfect metaphor for directorial interpretation, which consists not so much in the stage materialisation of the fictional universe of the drama, as in the translation of the literary work’s meanings into the signs of a theatrical work. Referring to the theory of the spectacle as intersemiotic translation, the author shows
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Rahmasari, Gartika, and Iis Kurnia Nurhayati. "Strategies in Power Relations in a Fictional Work: A Foucauldian Analysis." TEKNOSASTIK 17, no. 2 (2019): 19. http://dx.doi.org/10.33365/ts.v17i2.301.

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In a family, power relations can be seen in a father-child relationship, where the father has the authority to control the life of the child and the child must approve the father's decision. Not only the father, however, the son might also have different objective that he wants to achieve. Here both parties will usually try to keep pursuing their own objectives. In other words, both parties will look for strategies of how to win their objective in the power relation by acting certain ways. Hence, strategy can be used as the means to obtain victory (Foucault, 2002). The purpose of this paper is
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Hamilton, Natalie. "Heap House by E. Carey." Deakin Review of Children's Literature 4, no. 3 (2015). http://dx.doi.org/10.20361/g2ww3t.

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Carey, Edward. Heap House. Toronto: HarperCollins, 2014. Print.Heap House is Edward Carey’s first foray into young adult fiction. The author of two of the most original adult novels in recent years—Observatory Mansions and Alva and Irva—Carey brings his quirky and emotionally resonant style to Book One in the Iremonger trilogy.For generations, the Iremonger family has been responsible for “the Heaps,” a tremendous sea of trash outside an alternate-universe London with Dickensian echoes. The story has an Upstairs/Downstairs structure that is masterfully managed by Carey’s use of two protagonist
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Smith, Jorden. "An Infidel in Paradise by S.J. Laidlaw." Deakin Review of Children's Literature 3, no. 2 (2013). http://dx.doi.org/10.20361/g25w2x.

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Laidlaw, S.J. An Infidel in Paradise. Toronto: Tundra Books, 2013. Print.In S.J. (Susan) Laidlaw’s first novel, she takes us to a contemporary Canadian diplomatic compound in Pakistan. Emma, the sixteen-year-old protagonist, has been suddenly uprooted from a comfortable life in the Philippines. Her father has left her family and her mother has moved Emma and her two siblings to Islamabad. Suffering from culture shock, adjusting to a new school, and playing parent to her younger sister, Emma is frustrated and takes her anger out on her family. Emma offends a dreamy young man, Mustapha, whom she
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López Asensio, Jorge. "Ideology, Identity And Power: The Linguistic Construction Of The Voice Of The Other In Two Immigration Short Stories." ODISEA. Revista de estudios ingleses, no. 17 (June 22, 2017). http://dx.doi.org/10.25115/odisea.v0i17.356.

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Abstract: this article explores how the concepts of ideology, identity, and power contribute to the construction of the voice of the Other in immigration short fiction. For this purpose, a twofold linguistic analysis using Critical Discourse Analysis (CDA)and stylistics is carried out. The innovative nature of the study can be perceived in its theoretical background as well as in its analytic process given that it combines CDA and stylistics andit proposes a corpus of immigration literature. The two short stories analyzed are “Negocios” by Junot Díaz and “The Arrangers of Marriage” by Chimaman
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Mathur, Suchitra. "From British “Pride” to Indian “Bride”." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2631.

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 The release in 2004 of Gurinder Chadha’s Bride and Prejudice marked yet another contribution to celluloid’s Austen mania that began in the 1990s and is still going strong. Released almost simultaneously on three different continents (in the UK, US, and India), and in two different languages (English and Hindi), Bride and Prejudice, however, is definitely not another Anglo-American period costume drama. Described by one reviewer as “East meets West”, Chadha’s film “marries a characteristically English saga [Austen’s Pride and Prejudice] with classic Bollywood format “transf
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Shiloh, Ilana. "A Vision of Complex Symmetry." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2674.

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 The labyrinth is probably the most universal trope of complexity. Deriving from pre-Greek labyrinthos, a word denoting “maze, large building with intricate underground passages”, and possibly related to Lydian labrys, which signifies “double-edged axe,” symbol of royal power, the notion of the labyrinth primarily evokes the Minoan Palace in Crete and the myth of the Minotaur. According to this myth, the Minotaur, a monster with the body of a man and the head of a bull, was born to Pesiphae, king Minos’s wife, who mated with a bull when the king of Crete was besieging Athen
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Tesis sobre el tema "Arranged marriage – Fiction"

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Mallick, Suman. "Apples and Knives (A Novel)." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3023.

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ZULEIKHA, who was trained as a pianist in her hometown of Lahore, Pakistan, arrives in Irving, Texas after her arranged marriage to ISKANDER, but finds it difficult to get accustomed to the appurtenances, encumbrances, and perquisites of the middle-class housewife lifestyle. Despite giving birth to a son, WASIM, she quickly falls out of love with her dutiful but straight-laced husband. She begins giving private lessons, and commences an affair with PATRICK, a transplanted Canadian who is trapped in his own loveless marriage. When she gets pregnant, Zuleikha is convinced the child belongs to he
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Roy, Reshmi. ""Saptapadi" -- the seven steps : a study of the urban Hindu arranged marriage in selected Indian-English fiction by women authors." Thesis, University of Canterbury. English, 2004. http://hdl.handle.net/10092/4690.

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This study explores the influence of the Indian socio-cultural hegemonic discourse on the urban Hindu arranged marriage. For this purpose, four novels in English by Indian women writers have been selected for their location within the specific urban Indian socio-cultural tradition. These novels are the avenues through which the Gramscian theories of hegemony and consensual control are observed. The study focuses on unravelling the damage caused by the hegemonic socio-cultural traditions within the marriages portrayed in the fiction. The interplay between the reader and the texts is vital in fu
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Libros sobre el tema "Arranged marriage – Fiction"

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Leonard, Tina. His Arranged Marriage. Harlequin, 2010.

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Divakaruni, Chitra Banerjee. Arranged marriage: Stories. Anchor Books, 1995.

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Copyright Paperback Collection (Library of Congress), ed. An Arranged Marriage. Zebra Books, 1991.

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McKenzie, Catherine. Arranged: A novel. William Morrow Paperbacks, 2012.

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Copyright Paperback Collection (Library of Congress), ed. Tis the season to be sinful. Zebra Books/Kensington Pub., 2011.

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Bianchin, Helen. The marriage arrangement. Mills & Boon, 2001.

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Milburne, Melanie. THE FIORENZA FORCED MARRIAGE. Harlequin, 2009.

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Milburne, Melanie. The Fiorenza Forced Marriage. Harlequin, 2009.

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Leclaire, Day. Dante's Contract Marriage. Silhouette, 2008.

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DesJardien, Teresa. The Marriage Masquerade. New American Library, 2001.

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Capítulos de libros sobre el tema "Arranged marriage – Fiction"

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van Houts, Elisabeth. "Making of Marriage." In Married Life in the Middle Ages, 900-1300. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198798897.003.0001.

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This chapter traces the process of who arranged marriages and how they were planned, with particular attention to the role of parents and kin, kings and lords, and initiatives of the couples themselves. In the period under discussion, marital arrangements were made by parents, kin, and lords with minimal input from the couple. In fact, the legality of marriage was subject to parental consent, not the couple’s. In the course of the eleventh and twelfth centuries evidence emerged that suggests a development in thinking amongst the laity and clergy about what established a valid union. In narrative sources, such as chronicles, hagiography, and fiction, demands of young men and women for self-determination with respect to marriage were recorded. There seems to have been a gendered aspect to these emerging voices with more women than men, mostly from elite or well-to-do backgrounds, demanding a say in the choice of marriage partner.
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van Houts, Elisabeth. "Sexuality and Love." In Married Life in the Middle Ages, 900-1300. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198798897.003.0003.

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This chapter discusses sex and the married couple, beds and bedrooms, and love and affection. The chapter illustrates in a sense the enduring human experience of living in sexually satisfying relationships if couples were fortunate to have found compatible partners. Amongst the elites arranged marriages could result in disastrous unions, though they were probably exceptions rather than the rule. Once the couple were married the clergy became even more invisible than they were during the process of couples getting married. The evidence on sexual pleasure as compatible with happy marriages in fictional narratives seems in line with loving and affectionate married bonds. Admittedly, evidence of love and affection mostly surfaced in moments of crisis characterized by the threat of loss of the beloved husband or wife.
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Bose, Mandakranta. "Postcolonial Identity as Feminist Fantasy A Study of Tamil Women’s Short Fiction on Dowry." In Faces of the Feminine in Ancient, Medieval, and Modern India. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195122299.003.0019.

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Abstract In Canada in 1996, an Indian man’s massacre of almost all of his ex-wife’s family in the British Columbia town of Kelowna was immediately misrepresented in the media as a fatal consequence of the Indian system of arranged marriages, so that the incident was portrayed as something other than family violence and as indicating an Indian cultural pathology. The Inda-Canadian community stepped in to correct this misrepresentation and argue that the perpetrator of violence was operating from within patriarchal ideologies common to most cultures, including those of the West. However, for the West, even feminist studies departments, Indian dowry culture continues to function as the vehicle for a Western imperialist epistemology of India as its Third World “other.” The Indian nation’s central meanings are deliberately and reductively quilted to the experiences of the Indian woman’s body to produce an India that is culturally retrogressive and, more particularly, to represent its culture in sexual metaphor as a masculinity that is always-already pathologically inadequate in its greed and brutal perversity and as always-already less than masculine. This discourse has entailed the West’s willful refusal to recognize Indian women’s response to the dowry system as intending subjects of resistance and also to misrecognize one aspect of Indian culture as the representative of the whole. This burden-the excessive meaning that the dowry system is made to bear as signifier-is also made possible by the West’s imaginary perception of the dowry system as present everywhere in India and in the self-same form; in actual fact, dowry practices occur in specific pockets of the country and involve different activities, sometimes generating meanings for women that are other than disempowerment. For instance, in some southern parts of India, as well as in the diaspora, women are given control over their dowry money, and it is not unheard of for them to use this money for additional education.
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