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Artículos de revistas sobre el tema "Art and society – california – los angeles"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Selbo, Jule. "Society for Cinema and Media Studies Conference, 2010, Los Angeles, California." Journal of Screenwriting 2, no. 1 (2011): 129–31. http://dx.doi.org/10.1386/josc.2.1.129_7.

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2

Robertson, Barbara D. "Hope From Ashes: The Creation of the NEC Society—An Interview With Jennifer Canvasser." Clinical Lactation 6, no. 4 (2015): 156–60. http://dx.doi.org/10.1891/2158-0782.6.4.156.

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Jennifer Canvasser has served on the Ecology Center’s children’s health, first food, and environmental health campaigns since 2010. She completed University of California, San Francisco’s Reach the Decision Makers Fellowship program in 2011, with a focus on reform of the Toxic Substances Control Act. In 2014, Jennifer founded the NEC Society, a nonprofit organization, after losing her son, Micah, to necrotizing enterocolitis. She is a regular contributor to The Huffington Post on parenting, health, and food justice issues. Jennifer completed her undergraduate studies at University of Californi

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3

Olin, Margaret. "Book ReviewsJewish Icons: Art and Society in Modern Europe. By Richard I. Cohen. Berkeley and Los Angeles: University of California Press, 1998. Pp. xviii+358. $50.00." Journal of Modern History 71, no. 4 (1999): 925–26. http://dx.doi.org/10.1086/235369.

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4

Stubbs, Jean. "Through the looking glass on Cuba." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 1-2 (2006): 83–89. http://dx.doi.org/10.1163/22134360-90002489.

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[First paragraph]State Resistance to Globalisation in Cuba. Antonio Carmona Báez. Sterling VA: Pluto Press, 2004. vii + 264 pp. (Paper US$ 29.95)La Lucha for Cuba: Religion and Politics on the Streets of Miami. Miguel A. de la Torre. Berkeley: University of California Press, 2003. xi + 181 pp. (Paper US$ 21.95)By Heart/De Memoria: Cuban Women’s Journeys in and out of Exile. María de los Angeles Torres (ed.). Philadelphia PA: Temple University Press, 2003. vii + 192 pp. (Paper US$ 19.95)Looking at Cuba: Essays on Culture and Civil Society. Rafael Hernández. Gainesville: University Press of Flor

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5

Wang, Jie. "Overview and prospect of the history of air pollution control in the United States in the 20th century." International Journal of Social Sciences and Public Administration 2, no. 1 (2024): 139–47. http://dx.doi.org/10.62051/ijsspa.v2n1.18.

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Environmental history, as a comprehensive discipline method and research paradigm, started in the 1970s, and air pollution control is the most important field in environmental governance. After more than 50 years of relevant research and accumulation, scholars at home and abroad have achieved fruitful results in the history of air pollution control in the United States. In terms of the overall study of the history of air pollution in the United States, almost all the stages of American air control in the 20th century have been systematically studied by the academic community. In terms of case

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6

Ione, Amy. "Seventh Annual Meeting of the International Society for the History of the Neurosciences Los Angeles, California, 1–5 June 2002." Leonardo 36, no. 1 (2003): 88–89. http://dx.doi.org/10.1162/leon.2003.36.1.88.

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7

Unger, Nancy C. "Legislating Morality in the Gilded Age and Progressive Era: Moral Panic and the “White Slave” Case That Changed America." Journal of the Gilded Age and Progressive Era 23, no. 2 (2024): 141–69. http://dx.doi.org/10.1017/s1537781423000531.

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AbstractThis article is based on the presidential address presented to the Society for Historians of the Gilded Age and Progressive Era at the meeting of the Organization of American Historians in Los Angeles in 2023. Its focus is Maury Diggs and Drew Caminetti, two white men from Sacramento, California, charged with violating the Mann Act (known as the White Slave Trafficking Act) in 1913. The Gilded Age and Progressive Era obsession with white slavery, a phenomenon that has particular resonance in today’s climate, reveals the power of moral panics. Examining the steps, and missteps, that var

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8

Elizondo, Carlos. "James W. Wilkie (ed.), Society and Economy in Mexico (Los Angeles: UCLA Latin American Center Publications, University of California, 1990), pp. xxii + 163." Journal of Latin American Studies 23, no. 3 (1991): 653–54. http://dx.doi.org/10.1017/s0022216x00015960.

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9

Peters, Edward. "Stephen Haliczer. Inquisition and Society in the Kingdom of Valencia 1478-1834. Berkeley, Los Angeles, Oxford: University of California Press, 1990. 3 figs, + x + 444 pp. $45." Renaissance Quarterly 44, no. 4 (1991): 837–41. http://dx.doi.org/10.2307/2862495.

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10

Friedgut, Theodore H. "Steeltown, USSR: Soviet Society in the Gorbachev Era. By Stephen Kotkin. Berkeley and Los Angeles: University of California Press, 1991. 290 pp. Chronology. Illustrations. Map. $24.95, hard bound." Slavic Review 51, no. 1 (1992): 140–42. http://dx.doi.org/10.2307/2500271.

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11

Siegelbaum, Lewis H. "Russian Factory Women: Workplace and Society, 1880–1914. By Rose L. Glickman. Berkeley, Los Angeles, and London: University of California Press, 1984. xiii, 323 pp. Illustrations. Photographs. Tables. $28.50." Slavic Review 44, no. 3 (1985): 542–43. http://dx.doi.org/10.2307/2498026.

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12

Li, Alexander. "Art Feature: “Clouds over California”." Oregon Undergraduate Research Journal 21, no. 1 (2022): vii. http://dx.doi.org/10.5399/uo/ourj/21.1.5.

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I took this picture flying out of Los Angeles. As the plane climbed, watching the different clouds roll over the hills and against the blue sky was inspiring. Seeing the clouds cast shadow across each other from a high angle was a wonderful sight.

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13

Bakel, M. A., A. Appadurai, C. Baks, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 143, no. 1 (1987): 159–98. http://dx.doi.org/10.1163/22134379-90003345.

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- J. van Goor, Rechtzetting. - M.A. van Bakel, A. Appadurai, The social life of things. Commodities in cultural perspective, Cambridge: Cambridge University Press. 1986. XIV + 329 pp. - C. Baks, Ákos Östör, Culture and power; Legend, ritual, bazaar and rebellion in a Bengali society, New Dehli etc.: Sage Publications, 1984, 224 pp., including notes and glossary. - W.E.A. van Beek, B. Bernardi, Age class systems; Social institutions based on age, Cambridge University Press, 1985, 199 pp. - H.W. Bodewitz, J.-M Péterfalvi, Le Mahabharata. Livres I à V. Livres VI à XVIII. Extraits traduits du sans

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14

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 62, no. 3-4 (1988): 165–209. http://dx.doi.org/10.1163/13822373-90002043.

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-William Roseberry, Michel-Rolph Trouillot, Peasants and capital: Dominica in the world economy. Baltimore and London: The Johns Hopkins University Press. Johns Hopkins Studies in Atlantic History and Culture, 1988. xiv + 344 pp.-Michel-Rolph Trouillot, Robert A. Myers, Dominica. Oxford, Santa Barbara, Denver: Clio Press, World Bibliographic Series, volume 82. xxv + 190 pp.-Michel-Rolph Trouillot, Robert A. Myers, A resource guide to Dominica, 1493-1986. New Haven: Human Area Files, HRA Flex Books, Bibliography Series, 1987. 3 volumes. xxxv + 649.-Stephen D. Glazier, Colin G. Clarke, East Indi

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15

Darlow, Mark. "Book Reviews : Politics and Theater: The Crisis of Legitimacy in Restoration France, 1815-1830. By Sheryl Kroen. (Studies on the History of Society and Culture, 40.) Berkeley/Los Angeles/London: University of California Press, 2000. Pp. xiv + 394. £ 35.00." Journal of European Studies 31, no. 121 (2001): 124–25. http://dx.doi.org/10.1177/004724410103112117.

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16

Weber, Raimund J., and Ruth Mellinkoff. "Rezension von: Mellinkoff, Ruth, Outcasts." Württembergisch Franken 79 (August 15, 2023): 530–31. http://dx.doi.org/10.53458/wfr.v79i.7331.

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Ruth Mellinkoff, Outcasts. Signs of Otherness in Northern European art of the Late Middle Ages, 2 Bände (California Studies in the History of Art, begr. von Walter Horn, hrsg. von James Marrow, Bd. 32), Berkeley, Los Angeles, Oxford (University of California Press) 1993. LVIIL 3605. (Textband), 11, ohne Seitenzählung (Bildband).

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17

Russell, Maureen. "The Art, Music, and Recreation Department, Los Angeles Public Library, Los Angeles, California." Music Reference Services Quarterly 21, no. 1 (2018): 24–32. http://dx.doi.org/10.1080/10588167.2017.1378078.

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18

Helgerson, Richard. "Norbert Elias. The Court Society. Tr. Edmund Jephcott. Oxford: Basil Blackwell, 1983. 301 pp. £19.50. - Frank Whigham. Ambition and Privilege: The Social Tropes of Elizabethan Courtesy Theory. Berkeley-Los Angeles: University of California Press, 1984. 2 figs. + xiii + 257 pp. $27." Renaissance Quarterly 38, no. 3 (1985): 557–61. http://dx.doi.org/10.2307/2861100.

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19

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 72, no. 1-2 (1998): 125–99. http://dx.doi.org/10.1163/13822373-90002604.

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-Valerie I.J. Flint, Margarita Zamora, Reading Columbus. Berkeley: University of California Press, 1993. xvi + 247 pp.-Riva Berleant-Schiller, Historie Naturelle des Indes: The Drake manuscript in the Pierpont Morgan Library. New York: Norton, 1996. xxii + 272 pp.-Neil L. Whitehead, Charles Nicholl, The creature in the map: A journey to Eldorado. London: Jonathan Cape, 1995. 398 pp.-William F. Keegan, Ramón Dacal Moure ,Art and archaeology of pre-Columbian Cuba. Pittsburgh: University of Pittsburgh Press, 1996. xxiv + 134 pp., Manuel Rivero de la Calle (eds)-Michael Mullin, Stephan Palmié, Sla

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20

Bowlt, John E., and Elizabeth Durst. "“The Art of Concealing Imperfection”." Experiment 20, no. 1 (2014): 118–45. http://dx.doi.org/10.1163/2211730x-12341261.

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The focus of the essay is on Léon Bakst’s activities in the usa, especially in Los Angeles in 1924, when he lectured at the University of Southern California and at the Biltmore Hotel. The essay also touches on Bakst’s interest in Hollywood and cinema as the “new” medium and on his popularity as a dress and textile designer.

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21

Smith, Terry, and Saloni Mathur. "Contemporary Art: World Currents in Transition Beyond Globalization." Contemporaneity: Historical Presence in Visual Culture 3 (June 5, 2014): 163–73. http://dx.doi.org/10.5195/contemp.2014.112.

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An edited transcript of a colloquium between Terry Smith, Mellon Professor of Contemporary Art History and Theory at the University of Pittsburgh, and Saloni Mathur, Associate Professor of the History of Art, University of California, Los Angeles, held at the Department of the History of Art and Architecture, University of Pittsburgh, on October 17, 2012.

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22

Fischer, Michael J., Maren L. Outwater, Lihung Luke Cheng, Dike N. Ahanotu, and Robert Calix. "Innovative Framework for Modeling Freight Transportation in Los Angeles County, California." Transportation Research Record: Journal of the Transportation Research Board 1906, no. 1 (2005): 105–12. http://dx.doi.org/10.1177/0361198105190600113.

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Freight transportation is a critical element of the transportation system and the economy of Los Angeles County, California. Freight transportation links the large consumer market, major manufacturing industry sector, and international trade network of Los Angeles to the rest of the United States and the world. As the agency responsible for transportation planning and programming in Los Angeles County, the Los Angeles County Metropolitan Transportation Authority needs comprehensive tools for understanding the demands of the freight transportation sector and the effects of transportation invest

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23

Whaley, Joachim. "Book Reviews : What Difference Does a Husband Make? Women and Marital Status in Nazi and Postwar Germany. By Elizabeth D. Heineman. (Studies on the History of Society and Culture Vol. 33.) Berkeley, Los Angeles and London: University of California Press, 1999. Pp. xviii + 374. £35.00." Journal of European Studies 29, no. 3 (1999): 336–37. http://dx.doi.org/10.1177/004724419902900317.

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24

Zetterman, Eva. "The PST Project, Willie Herrón’s Street Mural Asco East of No West (2011) and the Mural Remix Tour: Power Relations on the Los Angeles Art Scene." Culture Unbound 6, no. 3 (2014): 671–95. http://dx.doi.org/10.3384/cu.2000.1525.146671.

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This article departs from the huge art-curating project Pacific Standard Time: Art in L.A., 1945–1980, a Getty funded initiative running in Southern California from October 2011 to April 2012 with a collaboration of more than sixty cultural institutions coming together to celebrate the birth of the L.A. art scene. One of the Pacific Standard Time (PST) exhibitions was Asco: Elite of the Obscure, A Retrospective, 1972–1987, running from September to December 2011 at the Los Angeles County Museum of Art (LACMA). This was the first retrospective of a conceptual performance group of Chicanos from

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25

Morton, A. H. "Tribalism and society in Islamic Iran. 1500–1629 By James J. Reid. (Studies in Near Eastern Culture and Society, issued under the auspices of the G. E. Von Grunebaum Center for Near Eastern Studies, University of California, Los Angeles, No. 4. pp. xiv, 220. 1 illus 1 map. Malibu Ca., Undena Publications, 1983. U.S.$24.50 (cloth), U.S.$18.50 (paperback)." Journal of the Royal Asiatic Society of Great Britain & Ireland 118, no. 2 (1986): 281–82. http://dx.doi.org/10.1017/s0035869x00140079.

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26

Tammisto, Tuomas. "Rupert Stasch. Society of Others: Kinship and Mourning in a West Papuan Place ." Suomen Antropologi: Journal of the Finnish Anthropological Society 35, no. 2 (2023): 101–3. http://dx.doi.org/10.30676/jfas.127481.

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Rupert Stasch. Society of Others: Kinship and Mourning in a West Papuan Place. Berkeley, Los Angeles and London: University of California Press, 2009. Pp.336. ISBN: 978-0-520-25685-9 (hardback); 978-0-520-25686-6 (paperback).

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27

Earhart, Nick. "Nonprofit Poetry: Lewis MacAdams and the Art of Environmental Bureaucracy." American Literary History 36, no. 3 (2024): 773–96. http://dx.doi.org/10.1093/alh/ajae070.

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Abstract Poet Lewis MacAdams is widely regarded as a founder of the movement to restore the Los Angeles River, a 51-mile concrete drainage channel that once served as the region’s primary water source. His nonprofit organization Friends of the Los Angeles River (FoLAR) began as a one-off performance art piece in 1985. Scholars in urban planning and geography have addressed FoLAR as a case study for grassroots environmentalism, but little attention has been paid to the interplay between poetry and politics in MacAdams’s work. Given that MacAdams described FoLAR as a “forty-year artwork to bring

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28

Sides, Josh. "The Sunland Grizzly." California History 91, no. 4 (2014): 56–63. http://dx.doi.org/10.1525/ch.2014.91.4.56.

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In 1916, Cornelius Birket Johnson, a Los Angeles fruit farmer, killed the last known grizzly bear in Southern California and the second-to last confirmed grizzly bear in the entire state of California. Johnson was neither a sportsman nor a glory hound; he simply hunted down the animal that had been trampling through his orchard for three nights in a row, feasting on his grape harvest and leaving big enough tracks to make him worry for the safety of his wife and two young daughters. That Johnson’s quarry was a grizzly bear made his pastoral life in Big Tujunga Canyon suddenly very complicated.

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Bernier, Ronald R., and Rachel Hostetter Smith. "Editors’ Introduction: Christianity and Latin American Art." Religion and the Arts 18, no. 1-2 (2014): 1–4. http://dx.doi.org/10.1163/15685292-01801001.

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‭This brief introduction discusses the need for scholars to turn their attention to the intersections between art and Christianity in Latin America, and traces the origins of this special double-issue of Religion and the Arts to a one-day scholarly symposium entitled “Christianity and Latin American Art: Apprehension, Appropriation, Assimilation.” This symposium was sponsored by the Association of Scholars of Christianity in the History of Art (ASCHA), and held at the Cathedral of Our Lady of the Angels in Los Angeles, California, in February 2012.‬

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Valencia, Joseph Daniel. "Queer Nightlife and Contemporary Art Networks: A Study of Artists at the Bar." Arts 13, no. 2 (2024): 72. http://dx.doi.org/10.3390/arts13020072.

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This article positions queer nightlife as a central vehicle in the lives and practices of queer Latinx artists working in Los Angeles over the past decade. It highlights how queer nightlife has provided a generative space for art making and community building in LA and considers how the usage of queer nightlife as a frame of study ruptures existing art historical and curatorial methodologies relative to Latinx art. I closely analyze works by artists rafa esparza, Sebastian Hernandez, and Gabriela Ruiz drawn from the gay bars and streets of downtown and East Los Angeles to underscore the radica

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Lassiter, Unna, Marcie Griffith, and Jennifer Wolch. "Animal Practices and the Racialization of Filipinas in Los Angeles." Society & Animals 10, no. 3 (2002): 221–48. http://dx.doi.org/10.1163/156853002320770056.

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AbstractMany factors contribute to the racialization of minority groups in the United States. Some individual characteristics, such as skin color or phenotype, are an obvious holdover from colonial times. Cultural differences in representational practices, customs and rituals, and belief systems are now more significant in racialization. Although not typically a focus of academic scrutiny, some of these differences involve contrasts in nature-society relations, and more specifically, nonhuman animal-society relations. In order to examine the relationship between culturally based animal practic

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32

Stern, Arden. "Awazu Kiyoshi, Graphic Design: Summoning the Outdated, at Los Angeles County Museum of Art, Los Angeles, California, USA." Design and Culture 9, no. 2 (2017): 246–49. http://dx.doi.org/10.1080/17547075.2017.1315222.

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Schad, Jasper G. ""A City of Picture Buyers": Art, Identity, and Aspiration in Los Angeles and Southern California, 1891-1914." Southern California Quarterly 92, no. 1 (2010): 19–50. http://dx.doi.org/10.2307/41172506.

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In less than twenty-five years, Los Angeles and other southern California urban centers evolved from culturally sterile communities into vibrant art centers. That remarkable transformation resulted from a combination of social, economic, and political changes that drew residents to landscape paintings. They enjoyed widespread popularity because residents invested them with meanings that transcended art. They became icons of identity, bolstered visions of an unspoiled suburban Eden, and helped southern California's white middle-class to cope with the mounting stress of modern urban life.

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Earhart, Nick. "The Layers of the Land: Urban Space and the Urban Environment in Judy Baca's The Great Wall of Los Angeles." American Quarterly 77, no. 1 (2025): 25–50. https://doi.org/10.1353/aq.2025.a953018.

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Abstract: Judy Baca's The Great Wall of Los Angeles is a massively scaled muralistic retelling of the history of California from the perspective of marginalized groups, located on a concrete tributary of the Los Angeles River. Here, I argue that this landmark of Chicana muralism bridges understandings of "urban space" and the "urban environment," offering a space to reassess the environmentalisms (plural) of the 1970s and anticipating the concerns of the contemporary environmental justice movement, which emerged in the United States in the 1980s. I consider Baca's position within the Chicana/o

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35

G.A.H. "Electrochemically-Induced Solid-State Fusion." Platinum Metals Review 33, no. 3 (1989): 114–16. http://dx.doi.org/10.1595/003214089x333114116.

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The 1989 Spring Meeting of the Electrochemical Society was held in Los Angeles, California, from 7th to 12th May. Without doubt the major talking point among the 1,626 delegates concerned the prospects of nuclear fusion being achieved by the simple electrolysis of heavy water, between a palladium cathode and a platinum anode.

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Bilgi, Irem. "Lowbrow Art Movement as a Subculture Art and its Effects on Visual Design." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 232–39. http://dx.doi.org/10.18844/prosoc.v4i11.2879.

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Beginning in Los Angeles, California, in the 1970s, and also known as pop surrealism, the Lowbrow art movement was born as a part of punk music, comic books, street and skateboard cultures and is seen in all fields of art. This study is the reflection of the Lowbrow art movement on visual design fields such as illustration graphic design and typography, animation and designer toys. Lowbrow artists were difficult to be adopted in the arts and design fields in the first years of the movement, because they did not have a diploma in fine arts and came from the street culture. But in recent years,

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Montgomery, S. Janelle. "“Oppressed and Destroyed”." Pacific Historical Review 89, no. 4 (2020): 528–56. http://dx.doi.org/10.1525/phr.2020.89.4.528.

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In 1932 in Depression-era Los Angeles, Mexican muralist David Alfaro Siqueiros took advantage of a unique site on Olvera Street to confront Los Angeles’s establishment on behalf of not only Mexican Americans in California but the proletariat everywhere. The resulting mural, América tropical, challenged Los Angeles’s sanitized history of its Mexican past and the persecution of the city’s immigrant working class. The establishment responded by requesting that Siqueiros leave the country and by whitewashing the mural. In the late 1960s, the white overpaint began to fade, and América tropical re-e

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Spitzzeri, Paul R. "The Historical Society of Southern California’s Hidden Treasures, Including an Angeleno’s Civil War Diary and Letter." Southern California Quarterly 98, no. 2 (2016): 147–56. http://dx.doi.org/10.1525/ucpsocal.2016.98.2.147.

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An account of the discovery of artifacts in the collection of the Historical Society of Southern California. Highlighted is the Civil War diary and a letter written by Charles Myers Jenkins, the only enlistee from Los Angeles to see combat for the Union during the Civil War. Included is a transcription of the November 1864 letter Jenkins wrote to his mother after his release from a Confederate prisoner-of-war camp.

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Borghi, Luca. "The Monuments Men." Anesthesiology 122, no. 3 (2015): 521–23. http://dx.doi.org/10.1097/aln.0000000000000576.

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Abstract A 2014 American-German war movie directed by and starring George Clooney (Actor, Screenwriter, Film Director, and Producer; Los Angeles, California and Laglio, Italy) (1961-current) popularized the work of a special United States Army unit devoted to the rescue of art treasures stolen or hidden by the Nazis during World War II. A similar story occurred in Paris to a curious little monument closely linked to the history of Anesthesia. This happened about 70 years ago, in December 1944.

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40

Khanna, Dinesh, Ron D. Hays, Paul Maranian, et al. "Reliability and validity of the university of california, los angeles scleroderma clinical trial consortium gastrointestinal tract instrument." Arthritis & Rheumatism 61, no. 9 (2009): 1257–63. http://dx.doi.org/10.1002/art.24730.

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Hoppit, Julian. "A Very Polite and Commercial People - The Making of the English Middle Class: Business, Society and Family Life in London, 1660–1730. By Peter Earle. Berkeley and Los Angeles: University of California Press, 1989. Pp. xiii + 446. $35.00. - The Culture of Capital: Art, Power, and the Nineteenth-Century Middle Class. Edited by Janet Wolff and John Seed. Manchester: Manchester University Press, 1988. Pp. ix + 236. $69.95." Journal of British Studies 30, no. 3 (1991): 345–49. http://dx.doi.org/10.1086/385988.

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Harris, Mark. "Thomas Crow, The Artist in the Counterculture: Bruce Conner to Mike Kelley and Other Tales from the Edge (2023)." Aesthetic Investigations 6, no. 2 (2023): 221–26. http://dx.doi.org/10.58519/aesthinv.v6i2.18527.

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Thomas Crow’s book The Artist in the Counterculture: Bruce Conner to Mike Kelley and Other Tales from the Edge reappraises West Coast art as enmeshed in the counterculture. The first five of its twelve chapters discuss Bruce Conner’s development as a multimedia artist in San Franscisco and Los Angeles producing assemblages, films, drawings, magazine illustrations, and light shows for rock concerts. The next five chapters expand Crow’s argument by appraising anti-war manifestations, Black and Latino protest work, Land Art, and West Coast conceptual practices as aspects of the counterculture. Mo

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43

Jolayemi, Oluwadamilola, Laura M. Bogart, Erik D. Storholm, et al. "Perspectives on preparing for long-acting injectable treatment for HIV among consumer, clinical and nonclinical stakeholders: A qualitative study exploring the anticipated challenges and opportunities for implementation in Los Angeles County." PLOS ONE 17, no. 2 (2022): e0262926. http://dx.doi.org/10.1371/journal.pone.0262926.

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Long-acting injectable (LAI) antiretroviral therapy (ART) is a novel HIV treatment option for people with HIV. The first LAI ART regimen for HIV treatment received regulatory approval in the United States in January 2021. In February 2020, we collected qualitative data from 18 consumers and 23 clinical and non-clinical stakeholders to catalog anticipated individual-consumer, healthcare system, and structural levels barriers and facilitators to LAI ART implementation in Los Angeles County, California. Thematic analysis was guided by the CFIR implementation science model. CFIR constructs of inte

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Bauch, Nicholas, and Emily Eliza Scott. "The Los Angeles Urban Rangers: actualizing geographic thought." cultural geographies 19, no. 3 (2012): 401–9. http://dx.doi.org/10.1177/1474474012441465.

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The Los Angeles Urban Rangers (LAUR) is one of a growing number of collectives associated with the art world that offer new methods for expressing and performing insights rooted in geographical thought. Borrowing the US National Park Service ranger ‘persona,’ the LAUR demonstrate a number of ways to untangle nature-society issues in cities. The ranger persona is successful in part because of its ability to spatially relocate the affect associated with (supposed) pristine nature to urban places. The article contains a toolkit of programs that the LAUR have employed to re-activate urban space.

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Zebba, Sam. "Making "Uirapuru": a musical quest in the Brazilian Rain Forest." Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas 5, no. 1 (2010): 173–84. http://dx.doi.org/10.1590/s1981-81222010000100012.

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Sixty years ago the author, an Israeli film student at the University of California, Los Angeles, set out to make a film based on a Brazilian Indian legend which had been set to music by Heitor Villa-Lobos (1887-1959). Filming was carried out among Urubú-Ka'apor Indians in the state of Maranhão. In Belém, capital of Pará, he was joined by German anthropologist Peter Paul Hilbert (1914-1989) of the Goeldi Museum on an adventurous and creative expedition, culminating in a prize-winning art-documentary film and a life-long friendship between the two.

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Shoked, Noam. "Hanging Out with Cyclists." Boom 6, no. 3 (2016): 84–88. http://dx.doi.org/10.1525/boom.2016.6.3.84.

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In 2014, architecture Professor Margaret Crawford and Associate Professor of Art Practice Anne Walsh taught the first University of California, Berkeley, Global Urban Humanities Initiative research studio course, called “No Cruising: Mobility and Identity in Los Angeles.” What occurred during the course had both varied and unexpected interpretations as ten students majoring in art practice, art history, architecture, and performance studies each selected a dimension of mobility they wished to identify on field trips to LA. One goal of these field trips, or research studios, was to get students

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Alamillo, Joséé M. "Playing Across Borders: Transnational Sports and Identities in Southern California and Mexico, 1930––1945." Pacific Historical Review 79, no. 3 (2010): 360–92. http://dx.doi.org/10.1525/phr.2010.79.3.360.

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This article examines the local and transnational dimensions of sports in Southern California through the activities of the Mexican Athletic Association of Southern California (MAASC) from the Great Depression to the end of World War II. This amateur athletic organization promoted sports in the barrios and colonias throughout Southern California and forged transnational ties with the Mexican government and its sports federation. MAASC and its related activities reflected two competing historical trajectories that have been subjects of debate in Chicano historiography. MAASC sports simultaneous

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Hildebrandt, William R. "Before California: An Archaeologist Looks at Our Earliest Inhabitants. Brian Fagan 2003. Altamira Press, Walnut Creek, California. 400 pp. $24.95 (cloth), ISBN 0-7425-2794-8. - Prehistoric California: Archaeology and the Myth of Paradise. L. Mark Raab and Terry L. Jones, editors. 2004. The University of Utah Press, Salt Lake City. 266 pp. $70.00 (cloth), $35.00 (paper), ISBN 0-87480-784-0. - Prehistoric Human Ecology of the Big Sur Coast, California. Terry L. Jones 2003. Contributions of the University of California Archaeological Research Facility, No. 61, Berkeley. 283 pp. $32.95 (paper), ISBN 1-882744-15-2. - Foundations of Chumash Complexity. Jeanne E. Arnold editor. 2004. Perspectives in California Archaeology, Vol. 7, Cotsen Institute of Archaeology, University of California, Los Angeles. 190 pp. $45.00 (cloth), $24.00 (paper), ISBN 1-931745-18-8. - The Island Chumash: Behavioral Ecology of a Martime Society. Douglas J. Kennett 2005. University of California Press, Berkeley. 298 pp. $60.00 (cloth), ISBN 0-520-24302-1." American Antiquity 72, no. 2 (2007): 382–89. http://dx.doi.org/10.2307/40035822.

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Fraser, Alison. "Urban Prophets: Creating Graffiti as a Means of Negotiating the Constructs of Urban Public Spaces." Stream: Interdisciplinary Journal of Communication 7, no. 2 (2016): 32–42. http://dx.doi.org/10.21810/strm.v7i2.128.

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For this examination, graffiti and neo-graffiti have been compared to public art in order to reveal the ideological constructions of urban public spaces. How does graffiti interact with the construction of urban public spaces? How is graffiti similar to and different from public art? Which of these art forms better represents the public and city living? By comparing public art to (neo)graffiti in Toronto, Ontario and Los Angeles, California, the gendered, racialized, and class-based exclusions present in R. Florida's (2002) creative cities framework as theorized by authors such as N. Smith (19

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Bolognini, Maurizio. "Globalization, art and the art system." Ekistics and The New Habitat 73, no. 436-441 (2006): 191–95. http://dx.doi.org/10.53910/26531313-e200673436-441115.

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The author's research interests are: art, technology and democracy. On this latter subject he has published several essays and a book entitled Democrazia elettronica (Carocci, Rome, 2001). As an artist he has worked with digital technologies since the 1980s. One of his best-known works is Computer sigillati (Sealed Computers, 1992): more than 200 machines which are programmed to produce flows of random images and then left to work indefinitely, usually without monitors. His works have been exhibited widely in Europe and the USA. He has put on shows, presentations and performances in Paris, New

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