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1

Earl, Samantha C. "The tilted trajectory of public art : New York City, 1979 - 2005." Thesis, Massachusetts Institute of Technology, 2011. http://hdl.handle.net/1721.1/69530.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2011.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 142-148).<br>This thesis explores the relationship between urban planning and public art, and questions the efficacy of past and current models, whilst pushing us to develop new ones. It strives to glean the most salient issues universal to all instances of public art, and uses four case studies to illuminate such issues in practice. Tilted Arc by Richard Serra and Metronome by Jones and Ginzel adhere to a convent
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2

Ketcham, Christopher M. (Christopher Michael). "Minimal art and body politics in New York City, 1961-1975." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/120870.

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Thesis: Ph. D. in Architecture: History and Theory of Art, Massachusetts Institute of Technology, Department of Architecture, 2018.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged student-submitted from PDF version of thesis.<br>Includes bibliographical references (pages 335-362).<br>In the mid-1960s, the artists who would come to occupy the center of minimal art's canon were engaged with the city as a site and source of work. These artists drew on the social, material, and spatia
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3

Sills, Rachel Marianne. "The city, art and death in the poetry of Frank O'Hara." Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266142.

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4

Gluibizzi, Amanda. ""The Entire Visual World": Art, Design, and 1960s New York." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1342617358.

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5

Andary, Chetana. "Curating place: Public art and city identity." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/202922/1/Chetana_Andary_Thesis.pdf.

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This Thesis investigates the impact and influence of the public art-curator to engender place-identity. It focuses on the connected relationship between curating, public art, and place identity to develop a contemporary understanding of the challenges, drivers, players and intersections that determine spatial and custodial narratives. Through the theories of placemaking and brand marketing and the review of the art and cultural policies of New York, Singapore, and Qatar, it draws upon the practice in curating public art.
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6

Vona, Viktoria. "The role of art and artists in contesting gentrification in London and New York City." Thesis, King's College London (University of London), 2016. http://kclpure.kcl.ac.uk/portal/en/theses/the-role-of-art-and-artists-in-contesting-gentrification-in-london-and-new-york-city(b7db0c51-6276-4094-8bce-77a72bab0c92).html.

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Gentrification, the contentious terrain where neo-liberalism meets housing, has been widely explored in urban geography, with few under researched areas remaining. This thesis fills one such gap by focusing on artists - a group who have been historically noted to contribute at all stages of gentrification, from triggering it to ultimately being displaced themselves. With increased consciousness of the process opening up their role in a new direction, artists are also more recently engaging in fervent activism and resistance in trying to control the aggressive spread of gentrification. This stu
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7

Saint-Surin, Sandra. "Community Services by Haitian Churches in New York City as a Means of Fulfilling the Great Commission| A Qualitative Investigation." Thesis, Nyack College, Alliance Theological Seminary, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10271737.

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<p> The respective research focuses on Haitian Christian leaders&rsquo;, particularly Millennials&rsquo;, perception of commitment to community service in the metro New York City area in their churches&rsquo; neighborhood. Prior to this present study, Haitian Christian leaders&rsquo; perception commitment to community service in their churches&rsquo; neighborhoods were unknown. Therefore, this present research created a measuring tool &ndash; &ldquo;Rubric for Evaluating Commitment to Community Service&rdquo; (RECCS) to assess Haitian Christian leaders&rsquo; perception commitment to community
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8

Smith, Steven C. ""The art of printing shall endure" journalism, community, and identity in New York City, 1800-1810 /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4906.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on January 10, 2008) Includes bibliographical references.
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9

Shiffrar, Genevieve Ruth 1966. ""Its future beyond prophecythe City of New Jersey, worthy sister of New York": John Cotton Dana's vision for the Newark Museum, 1909-1929." Thesis, The University of Arizona, 1994. http://hdl.handle.net/10150/278461.

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A member of America's established cultural elite, John Cotton Dana (1856-1929) aimed to wrest cultural and economic authority from the nouveau riche through his role as the first director of the Newark Museum. In his favorite exhibition, "New Jersey Textiles," he encouraged local immigrant laborers to improve the design of goods that he simultaneously prompted middle-class women to purchase. He imagined that, as a result, Newark's manufacturing sector would blossom without nouveau-riche involvement; the region would soon rival its new-money neighbor, New York City. Under Dana's supervision, Ja
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10

Manzano, Raul. "Language, Community, and Translations| An Analysis of Current Multilingual Exhibition Practices among Art Museums in New York City." Thesis, Union Institute and University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10060087.

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<p> This dissertation provides an analysis of current multilingual practices among art museums in New York City. This study is located within the current theoretical analysis of 1) museums as sites of cultural production and 2) the politics of language, interpretative material, and technology. This study demonstrates how new roles for museums embracing multilingual exhibitions and technology may signal new ways of learning and inclusion.</p><p> The first part is a theoretical-based approach. The second part consists of a mixed-method research design using qualitative and quantitative methods
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11

Moon, Jiyoung. "Satellite Dispersion in Narrow Spaces: A New Urban Campus Diagram." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367938401.

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12

Lawson, Benjamin A. "Garbage mountains: the use, redevelopment, and artistic representation of New York City's Fresh Kills, Greater Toronto's Keele Valley, and Tel Aviv's Hiriya landfills." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1983.

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Garbage landfills are at the heart of debates over sustainable urban development. Landfills are the cheapest waste-disposal method, but have specific environmental problems and are a common target for citizen activism such as environmental justice and Not In My Backyard (NIMBY) protests. As a means of covering up the scars at recently closed landfills, it has been common for cities to redevelop landfills into parks. The ongoing redevelopment projects at New York City's Fresh Kills, Greater Toronto's
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13

Costa, Andreia Paulina. "Downtown scene: arte e política no espaço urbano." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/102/102132/tde-10102016-094406/.

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Os modos, a um só tempo estéticos e políticos, pelos quais a arte se apropria do espaço urbano, adquirem na contemporaneidade enorme relevância não somente por permitir o questionamento do fazer artístico e de sua relação com o sistema das artes, mas também por ser a inscrição estética geradora de pensamento sobre a cidade, contribuindo para a sua produção. O confronto entre a criatividade e a transgressão inerente ao trabalho artístico e os limites e constrangimentos impostos pelas outras esferas, neste caso, pela dinâmica da própria cidade, torna-se, desta forma, ingrediente fundamental para
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14

Cappelle, Laura. "Nouveaux classiques. La création de ballets dans les compagnies de répertoire." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA157.

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Cette thèse a pour objet d’étude les processus d’élaboration de nouveaux ballets dans les compagnies de répertoire. À travers une enquête internationale, elle se propose d’interroger dans une perspective sociologique la situation de création spécifique qui est celle des chorégraphes de formation classique, insérés dans des institutions vouées principalement à l’entretien d’un répertoire d’œuvres existantes. Leurs trajectoires professionnelles et les différences genrées qu’elles mettent en évidence y sont élucidées, ainsi que la dimension fondamentalement collective d’un travail artistique qui
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15

Kondo, Jennifer Mari. "The spatial and temporal diffusion of museums in New York City, 1910-2010." Thesis, 2013. https://doi.org/10.7916/D8W9589F.

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The aim of this dissertation is to understand and analyze the museum location decision, defined as where museum founders choose to establish or relocate their institution. The empirical case is the museum population of New York City from 1910-2010. In three substantive chapters, I explore this complex decision process from the organizational-level, the population-level, and the audience-level. In the first chapter, I argue that the museum location decision has evolved over the past century, and has experienced three major paradigm shifts. Out of each era, a new model of the museum location dec
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16

"The Role of Informal Transit in New York City: A Case Study of Commuter Vans in Eastern Queens." Master's thesis, 2017. http://hdl.handle.net/2286/R.I.46365.

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abstract: Informal public transport is commonplace in the developing world, but the service exists in the United States as well, and is understudied. Often called "dollar vans", New York's commuter vans serve approximately 120,000 people every day (King and Goldwyn, 2014). While this is a tiny fraction of the New York transit rider population, it is comparable to the total number of commuters who ride transit in smaller cities such as Minneapolis/St Paul and Phoenix. The first part of this study reports on the use of commuter vans in Eastern Queens based on a combination of surveys and a rider
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17

Gustin, Kelsey. "Picturing reform: Ashcan women and the visual culture of the progressive era in New York City." Thesis, 2020. https://hdl.handle.net/2144/41822.

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Between 1895 and 1925, social movements in New York City focused on improving the lives of the urban working classes. Progressive reformers maintained that the environment of the city, growing industry, and systems of exploitation threatened the personal sovereignty of the individual. I argue that the visual culture of the period marshaled documentary photography and styles of realism to comprehend such systemic problems through familiar, recognizable forms. By visualizing overcrowding and oppressive labor conditions on working-class bodies, these realities could be comprehended and reformed.
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