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Artículos de revistas sobre el tema "Art"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Chia, Kok Hwee, and Boon Hock Lim. "Projective drawings between the intersection of diagnosis & dialogics: The birth of a new allied domain - Part 1." Unlimited Human! 2024, Fall (2024): 8–9. https://doi.org/10.5281/zenodo.15236746.

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The field of Art Therapy (AT) is often confused with that of Arts Therapy (AsT). The latter includes other creative therapies (e.g., dance and movement therapy, drama therapy, music therapy, poetry therapy, etc.) and it is a distinct discipline from AT. The AsT incorporates many creative methods of expression through visual art media. The former as a creative arts therapy profession, originated in the fields of art and psychotherapy and may vary in its definition. The AT includes analytic art therapy (AAT), art psychotherapy (APT), and art as therapy (AaT). Then there are also other allied off

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2

Basnet, Alina, Margaret K. Formica, Poornima Ramadas, and Sam Benjamin. "Overall survival outcomes with the use of adjuvant chemotherapy, radiation therapy and hormone therapy in high-risk, very-high-risk and node-positive prostate cancer post radical prostatectomy: A NCDB analysis." Journal of Clinical Oncology 37, no. 7_suppl (2019): 118. http://dx.doi.org/10.1200/jco.2019.37.7_suppl.118.

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118 Background: Phase III trials have not consistently demonstrated overall survival (OS) advantage of adjuvant radiation therapy (ART) in prostate cancer (PC) with high risk/very high risk features after radical prostatectomy (RP). Adjuvant hormone therapy (AHT) in PC after RP improved OS in patients with positive lymph nodes (pLNs). We report an observational study on the impact of AHT to ART in NCCN defined high-risk/very high risk (Group 1), and adjuvant chemotherapy (ACT) to AHT in pLNs (group 2) post RP on OS. Methods: We conducted a retrospective study of PC patients (group 1 and group

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3

Dankwa-Mullan, Irene, M. Christopher Roebuck, Joseph Tkacz, et al. "Disparities in receipt of and time to adjuvant therapy after lumpectomy." Journal of Clinical Oncology 38, no. 15_suppl (2020): 534. http://dx.doi.org/10.1200/jco.2020.38.15_suppl.534.

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534 Background: Adjuvant treatment after breast conserving surgery (BCS) has been shown to improve outcomes, but the degree of uptake varies considerably. We sought to examine factors associated with post-BCS receipt of and time to treatment (TTT) for adjuvant radiation therapy (ART), cytotoxic chemotherapy (ACT) and endocrine therapy (AET) among women with breast cancer. Methods: IBM MarketScan claims data were used to select women diagnosed with non-metastatic invasive breast cancer from 01/01/2012 to 03/31/2018, who received primary BCS without any neoadjuvant therapy, and who had continuou

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4

Stanley, Janet L. "AFRICAN ART AND AAT." Art Documentation: Journal of the Art Libraries Society of North America 4, no. 3 (1985): 103–5. http://dx.doi.org/10.1086/adx.4.3.27947450.

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5

Chang, Yongsock. "The Broadening of Art Perspectives in an Art Course of Non-Art Major Students through a Korean Art Teacher’s Asian Art Viewpoint." Asian Qualitative Inquiry Association 2, no. 1 (2023): 51–68. http://dx.doi.org/10.56428/aqij.2023.2.1.51.

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This research explores how Multicultural and Asian art affects college students in a U.S. university. The students did not major in art, and they chose art as elective subjects. The art course consisted of art theory and practice based on DBAE(Discipline-Based Art Education). In the art class, some non-white students always enrolled in the course. The researcher found that DBAE was satisfactory but sometimes inappropriate because DBAE is rooted in Western high art. The researcher changed the art studio class with a multicultural perspective, especially Asian art because he wanted to introduce

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6

Buisine, Valérie. "Art roman et art moderne : « affinités sentimentales »." Anastasis. Research in Medieval Culture and Art 8, no. 1 (2021): 165–94. http://dx.doi.org/10.35218/armca.2021.1.08.

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7

Heyd, Thomas. "UNDERSTANDING PERFORMANCE ART: ART BEYOND ART." British Journal of Aesthetics 31, no. 1 (1991): 68–73. http://dx.doi.org/10.1093/bjaesthetics/31.1.68.

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8

Carrier, David. "New York Art, Pittsburgh Art, Art." Journal of Aesthetic Education 37, no. 3 (2003): 99–104. http://dx.doi.org/10.1353/jae.2003.0020.

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9

Murphy, Gabrielle. "Mad art, Bad art, Sad art?" Lancet 351, no. 9100 (1998): 455. http://dx.doi.org/10.1016/s0140-6736(98)25006-9.

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10

Grossberg, Stephen. "Bring ART into the ACT." Behavioral and Brain Sciences 26, no. 5 (2003): 610–11. http://dx.doi.org/10.1017/s0140525x03290130.

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ACT is compared with a particular type of connectionist model that cannot handle symbols and use nonbiological operations which do not learn in real time. This focus continues an unfortunate trend of straw man debates in cognitive science. Adaptive Resonance Theory, or ART-neural models of cognition can handle both symbols and subsymbolic representations, and meet the Newell criteria at least as well as connectionist models.

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11

Wieand, Kenneth, Jeff Donaldson, and Socorro Quintero. "Are Real Assets Priced Internationally? Evidence from the Art Market." Multinational Finance Journal 2, no. 3 (1998): 167–87. http://dx.doi.org/10.17578/2-3-1.

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12

Muraz, Özlem. "BODY AS AN ART OBJECT IN CONTEMPORARY ART." E-journal of New World Sciences Academy 14, no. 2 (2019): 136–44. http://dx.doi.org/10.12739/nwsa.2019.14.2.d0232.

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13

Moravcsik, Julius M. "Art and 'Art'." Midwest Studies in Philosophy 16 (1991): 302–13. http://dx.doi.org/10.1111/j.1475-4975.1991.tb00245.x.

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14

Yamey, G. "Art: Outsider Art." BMJ 324, no. 7347 (2002): 1222. http://dx.doi.org/10.1136/bmj.324.7347.1222.

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15

Tarricone, Paul. "Art Imitates Art." Lighting Design + Application 38, no. 11 (2008): 39–41. https://doi.org/10.1177/036063250803801108.

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16

Lopes, D. M. "Art Without 'Art'." British Journal of Aesthetics 47, no. 1 (2007): 1–15. http://dx.doi.org/10.1093/aesthj/ayl035.

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17

Greenfield, Gary, and Penousal Machado. "Ant- and Ant-Colony-Inspired ALife Visual Art." Artificial Life 21, no. 3 (2015): 293–306. http://dx.doi.org/10.1162/artl_a_00170.

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Ant- and ant-colony-inspired ALife art is characterized by the artistic exploration of the emerging collective behavior of computational agents, developed using ants as a metaphor. We present a chronology that documents the emergence and history of such visual art, contextualize ant- and ant-colony-inspired art within generative art practices, and consider how it relates to other ALife art. We survey many of the algorithms that artists have used in this genre, address some of their aims, and explore the relationships between ant- and ant-colony-inspired art and research on ant and ant colony b

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18

Lapointe, François-Joseph. "Bio Art + Body Art = Inner-Body Art." International Journal of the Arts in Society: Annual Review 6, no. 3 (2011): 1–8. http://dx.doi.org/10.18848/1833-1866/cgp/v06i03/36047.

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19

Brighton, Andrew. "Art: Consensus art: serious art: Greenberg: Wyeth." Critical Quarterly 42, no. 2 (2000): 132–36. http://dx.doi.org/10.1111/1467-8705.00294.

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20

Hohdorf, Yann. "Abnahmevereinbarungen und das System der aggregierten Nachfrage nach dem Critical Raw Materials Act im Widerspruch zum unionalen Kartellrecht?" Zeitschrift für europarechtliche Studien 28, no. 1 (2025): 46–76. https://doi.org/10.5771/1435-439x-2025-1-46.

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Der vorliegende Beitrag analysiert die kartellrechtlichen Implikationen des Critical Raw Materials Act (CRMA) der Europäischen Union, insbesondere hinsichtlich der neu eingeführten Instrumente der Abnahmevereinbarungen (Art. 17 CRMA) und der aggregierten Nachfragesysteme (Art. 25 CRMA). Eine wettbewerbsrechtliche Untersuchung zeigt, dass beide Instrumente, die unter anderem zur Sicherung der strategischen Rohstoffversorgung konzipiert wurden, tatbestandlich unter Art. 101 Abs. 1 AEUV fallen, da sie zu einer Koordinierung des unternehmerischen Verhaltens führen. Eine Rechtfertigung kann zwar üb

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21

Antoine, Jean-Philippe. "Art, publics, art public." Multitudes 4, no. 1 (2001): 53. http://dx.doi.org/10.3917/mult.004.0053.

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22

San Choon Kim. "Fine Art? Ugly Art?" Sogang Journal of Philosophy 37, no. ll (2014): 9–29. http://dx.doi.org/10.17325/sgjp.2014.37..9.

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23

Aboudrar, Bruno-Nassim. "Art contemporain, art Africain ?" Médium 5, no. 4 (2005): 101. http://dx.doi.org/10.3917/mediu.005.0101.

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24

Baumann, Daniel. "Art brut ? Outsider Art ?" Ligeia N°53-56, no. 2 (2004): 57. http://dx.doi.org/10.3917/lige.053.0057.

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25

Invernizzi, Antonio. "Parthian Art – Arsacid Art." Topoi 17, no. 1 (2011): 189–207. http://dx.doi.org/10.3406/topoi.2011.2403.

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26

Kiang, Tanya. "Art Projects: Terminal Art." Circa, no. 68 (1994): 40. http://dx.doi.org/10.2307/25562663.

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27

Blocker, H. Gene. "Is Primitive Art Art?" Journal of Aesthetic Education 25, no. 4 (1991): 87. http://dx.doi.org/10.2307/3332906.

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28

Morais, Inês. "Art and Art-Attempts." Disputatio 6, no. 39 (2014): 247–50. http://dx.doi.org/10.2478/disp-2014-0016.

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29

Court, Raymond. "Art et non-art." Archives de Philosophie 65, no. 4 (2002): 565. http://dx.doi.org/10.3917/aphi.654.0565.

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30

Wharton, Annabel Jane. "Jewish Art, Jewish art." IMAGES 1, no. 1 (2007): 29–35. http://dx.doi.org/10.1163/187180007782347584.

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AbstractAs the Jews have always produced art, the question arises, why is the notion of a Jewish Art so problematic? No effort is made in this paper to review or summarize the arguments for or against "Jewish Art." Rather, it attempts a modest shift in the terms of the debate. The essay addresses the question by considering the historiography of Jewish art in relation to both the End-of-Art debates and the Holocaust industry.This paper offers a provisional answer to the question: Why has Jewish art never managed to become Jewish Art? The End of Art debate conditions the discussion; the institu

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31

Porr, Martin. "Rock art as art." Time and Mind 12, no. 2 (2019): 153–64. http://dx.doi.org/10.1080/1751696x.2019.1609799.

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32

GOODAY, JOHN. "Art and Art Therapy." Australian Occupational Therapy Journal 13, no. 1 (2010): 8–12. http://dx.doi.org/10.1111/j.1440-1630.1966.tb00160.x.

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33

GOODAY, JOHN. "Art and Art Therapy." Australian Occupational Therapy Journal 13, no. 2 (2010): 9–13. http://dx.doi.org/10.1111/j.1440-1630.1966.tb00169.x.

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34

Price, Sally. "Others art ‐our art." Third Text 3, no. 6 (1989): 65–72. http://dx.doi.org/10.1080/09528828908576216.

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35

Fish, Barbara J. "Response Art: The Art of the Art Therapist." Art Therapy 29, no. 3 (2012): 138–43. http://dx.doi.org/10.1080/07421656.2012.701594.

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36

DAUER, FRANCIS. "ART AND ART CRITICISM: A DEFINITION OF ART." Metaphilosophy 21, no. 1-2 (1990): 111–32. http://dx.doi.org/10.1111/j.1467-9973.1990.tb00835.x.

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37

Okore, Nnenna. "The Bioplastic Art and Fiber Art: Eco-art." Ecozon@: European Journal of Literature, Culture and Environment 14, no. 2 (2023): 217–19. http://dx.doi.org/10.37536/ecozona.2023.14.2.5256.

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38

Dosmann, Michael S., and Kyle Port. "The Art and Act of Acquisition." Arnoldia 73, no. 4 (2016): 2–17. http://dx.doi.org/10.5962/p.251228.

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39

Y., Aria. ""Ant Communities" Art by Aria Y." Questions: Philosophy for Young People 23 (2023): 24. http://dx.doi.org/10.5840/questions20232316.

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40

Dillern, Thomas. "Science as Art, Art as Science - Human Thinking and the Act of Understanding." European Journal of Philosophy in Arts Education 06, no. 01 (2021): 42–68. https://doi.org/10.5281/zenodo.4657599.

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In this essay, I am exploring scientific conduct within an artistic frame. I endeavour to reveal the closeness between science and art by displaying the similarities in both the intellectual and practical human effort within artistic and scientific work. I will thus use art and artistic work, and especially the work of Leonardo da Vinci, as a kind of allegory of science and scientific work. The focus in the essay will be on the underlying and formative scientific and artistic work, and with the human act of understanding serving as the contextual framework for this exploration. My thesis is th

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41

Portes, Edileila Maria Leite. "Art, Indigenous art, Borum / Krenak art: the intertwined paths to understanding the art." ARS (São Paulo) 13, no. 25 (2015): 89. http://dx.doi.org/10.11606/issn.2178-0447.ars.2015.105525.

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Objetivando compreender e interpretar os desenhos da etnia Borum Krenak2,<br />o presente artigo propõe uma discussão acerca dos conceitos dados à arte<br />orientados pela hegemonia dos códigos culturais europeus e norte-americanos brancos e das próprias mutações pelos quais estes conceitos têm passado desde a Idade Moderna. Para tanto, trago para análise, os desenhos borum colhidos por meio de uma caminhada etnográfica pelo território3 Krenak, no Vale do Rio Doce, Minas Gerais, aliado a uma reflexão teórica calcada na linha epistemológica baseada na teoria compreensiva de Weber (

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42

Wu, Colleen Suching. "Thomas Bernhard's Art of Critiquing Art in OLD MASTERS: Can Art Question Art?" Explicator 75, no. 1 (2017): 10–12. http://dx.doi.org/10.1080/00144940.2016.1273182.

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43

John, Patricia A. St. "Art Education, Therapeutic Art, and Art Therapy: Some Relationships." Art Education 39, no. 1 (1986): 14. http://dx.doi.org/10.2307/3192934.

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44

Giles, G. J. "Art and Religion, Art and Science, Art and Production." British Journal of Aesthetics 42, no. 1 (2002): 99–101. http://dx.doi.org/10.1093/bjaesthetics/42.1.99.

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45

WESSELING, HENK. "Primitive art, early art or no art at all?" European Review 15, no. 03 (2007): 271. http://dx.doi.org/10.1017/s1062798707000294.

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46

Wang, Shuyu. "Crypto Art: NFT Art Trading and the Art Market." Asian Journal of Social Science Studies 7, no. 10 (2022): 14. http://dx.doi.org/10.20849/ajsss.v7i10.1311.

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This article introduces what NFT art is and what virtual art trading is and analyses the advantages, disadvantages, and current status of NFT art. It also discusses how NFT artworks have changed the trend and demand in the art market.

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47

STREHOVEC, Janez. "Art State, Art Activism and Expanded Concept of Art." Cultura 18, no. 2 (2021): 55–73. http://dx.doi.org/10.3726/cul022021.0003.

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Abstract: Contemporary post-aesthetic art implies an expanded concept of the work of art that also includes political functions. Beuys’s concept of social sculpture and Marcuse’s idea of society as a work of art can be complemented by Abreu’s project of a musical orchestra as a social ideal (the Venezuelan example of the music and education project El Sistema) and the Neue Slowenische Kunst transnational state formed from the core of art. These concepts are close to the views of Hakim Bey (Temporary Autonomous Zone), with D’Annunzio also touching upon them with his State of Fiume (1919–1920),

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48

Botirova, Khilola Tursunbaevna. "Performance And Art." American Journal of Social Science and Education Innovations 03, no. 05 (2021): 465–74. http://dx.doi.org/10.37547/tajssei/volume03issue05-83.

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This article provides detailed information about the performing arts, including scientific and theoretical information about the commonality of performance and art. The scholars’ scientific approaches to music are described in detail.

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49

Trawiński, Włodzimierz. "Science and art. Scientism, art versus science and knowledge." Developments in Mechanical Engineering 10, no. 18 (2022): 79–86. http://dx.doi.org/10.37660/dme.2022.18.10.9.

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The text, shows the nature of cognition in visual art, and signals the application of knowledge and science in the creative act, directions and currents of art. The author uses quotes from eminent thinkers dealing with the relationship between science, art and the unreal character. It presents the nature of the applied knowledge in art and specific examples of archetypal procedures and principles included in the Composition.

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50

Chen, Ye, Baoxia Zhang, Chang Liu, Ye Cao, Cheng Lyu, and Meng Qiu. "Clinical efficacy of adjuvant treatments for patients with resected biliary tract cancer: a systematic review and network meta-analysis." BMJ Open 12, no. 4 (2022): e051421. http://dx.doi.org/10.1136/bmjopen-2021-051421.

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ObjectiveThis study aimed to determine the benefits of adjuvant therapy in patients with resected biliary tract cancer (BTC) and identify the optimal adjuvant treatment scheme.DesignSystematic review and network meta-analysis.Data sourcesStudies comparing different adjuvant therapies in patients with BTC were searched in PubMed, Embase, CINAHL, Cochrane Central Register of Controlled Trials and ClinicalTrials.gov databases from inception to December 2021. Additionally, the references were manually searched for the related literature.Materials and methodsEligible studies were identified, and da

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