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Tesis sobre el tema "Arthurian legends in art"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 28 de julio de 2025

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1

Poulson, Christine. "Arthurian legend in fine and applied art of the nineteenth and early twentieth centuries." Thesis, Keele University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.255843.

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2

López, Martínez María Itzel. "Representaciones del héroe en los manuscritos ilustrados de Chrétien de Troyes : estudio iconográfico." Doctoral thesis, Universitat Pompeu Fabra, 2015. http://hdl.handle.net/10803/286736.

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Los manuscritos ilustrados que conservan las obras de Chrétien de Troyes, poeta del siglo XII y uno de los primeros autores de romans con tema artúrico, permiten formular nuevas hipótesis acerca de la práctica de la lectura en el Medioevo. A partir de un soporte como el manuscrito ilustrado, en el que coexistían la representación pictórica y el texto escrito, leer pudo resultar una experiencia epistemológica compleja, en la que diversas facultades –percepción, imaginación, memoria y razonamiento– colaboraban para vincular las palabras con las imágenes y extraer interpretaciones y significados

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3

Rogers, Melissa. "Lofty depths and tragic brilliance the interweaving of Celtic and Anglo-Saxon mythology and literature in the Arthurian legends /." Lynchburg, Va. : Liberty University, 2010. http://digitalcommons.liberty.edu.

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4

Peters, Patricia Fulkes. "Ceridwen and Christ: An Arthurian Holy War." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc501114/.

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Marion Zimmer Bradley's novel The Mists of Avalon is different from the usual episodic versions of the Arthurian legend in that it has the structural unity that the label "novel" implies. The narrative is set in fifth-century Britain, a time of religious conflict between Christianity and the native religions of Britain, especially the Mother Goddess cult. Bradley pulls elements from the Arthurian legend and fits them into this context of religious struggle for influence. She draws interesting family relationships which are closely tied to Avalon, the center of Goddess worship. The author also

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5

Mitchell, Janet. "The recurrence of the Arthurian legends in the fiction of Robertson Davies /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64042.

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6

Michelsson, Elisabeth. "Appropriating King Arthur : the Arthurian legend in English drama and entertainments 1485-1625 /." Uppsala (Suède) : AUU, 1999. http://catalogue.bnf.fr/ark:/12148/cb38972859t.

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7

Ancona, Alexis Faith. "King Arthur as Transcendent Rhetoric of Anxiety: Examining Arthurian Legends as Sociopolitical Paratexts." University of Dayton / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1525102970057973.

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8

L'Official, Pete Thomas. "Urban Legends: The South Bronx in Representation and Ruin." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13065024.

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"Urban Legends: The South Bronx in Representation and Ruin" examines the construction of the South Bronx in the American imagination during the 1970s and 1980s--a time when the South Bronx was synonymous with the failures of urbanism. The project attempts a multidisciplinary excavation of the cultural manifestations of urban ruin as articulated through the histories, literatures, and visual arts produced within and inspired by the ruins of the Bronx. The dissertation contends that Bronx ruins offered a site for visual artists, writers, and photographers to create new ways of understanding the

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9

Iafrate, Allegra. "The wandering throne of Solomon: precious objects and legends of kingship in the Medieval Mediterranean." Doctoral thesis, Scuola Normale Superiore, 2013. http://hdl.handle.net/11384/85772.

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10

Carver, Dax Donald. "Goddess Dethroned: The Evolution of Morgan le Fay." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04282006-082115/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Timothy Renick, committee chair; Kathryn McClymond, Jonathan Herman, committee members. Electronic text (p. 54 p.) : digital, PDF file. Description based on contents viewed Apr. 30, 2007; title from title screen. Includes bibliographical references (p. 51-54).

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11

Devon, Donesse Noly. "Legends the nexus between drag and identity : this exegesis [thesis] is submitted to the Auckland University of Technology in partial fulfilment of the degree of Masters of Art and Design, 2003." Full thesis. Abstract, 2003.

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12

Hanna, Elizabeth H. "Arthur and the Scots : narratives, nations, and sovereignty in the later Middle Ages." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/9750.

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13

Huang, Yen-Chi, and 黃燕圻. "Indus Flower－The Art of Painting Used in the Design of Folk Legends." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/y27d5f.

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碩士<br>嶺東科技大學<br>流行設計系碩士班<br>105<br>The Hakka culture and art representatives in the tradition of new ideas, simple and unrestrained and vitality. Hakka art enriches Taiwan's cultural connotation, social pluralism, respect and tolerance of vitality. Hakka culture and art, has become part of daily life. The creation of the creative design process, the use of ideas, modeling, material selection, the most important implication for the meaning and spirit of Hakka. The creative painting design process to take the basic data collection, story description, creative ideas, ideas induction, design works

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14

Chen, Yi-tzu, and 陳怡孜. "The Honor of Ancestral Soul – the Myths and Legends of “Fire” and “Light” in the Art Lighting of Taiwanese Aborigines." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/9s48zc.

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15

Thirion, Frank R. "Circular continuum : the depiction of historical time in the art of Paddy Fordham Wainburranga." Phd thesis, 2004. http://hdl.handle.net/1885/148548.

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