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Artículos de revistas sobre el tema "Arts and society"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 29 de julio de 2024

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1

Sheard, Robert F., and Arthur Marwick. "The Arts, Literature, and Society." Rocky Mountain Review of Language and Literature 45, no. 4 (1991): 263. http://dx.doi.org/10.2307/1347844.

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2

Seo, Jung Il. "Liberal arts in posthuman society." Liberal Arts Innovation Center 4 (November 30, 2019): 57–73. http://dx.doi.org/10.54698/kl.2019.4.57.

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3

Blocker, Robert L. "The Arts: Reflections of Society." Design For Arts in Education 89, no. 6 (August 1988): 13–17. http://dx.doi.org/10.1080/07320973.1988.9935528.

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4

Robinson, Ken. "Children, Society and the Arts." Children & Society 9, no. 4 (December 18, 2007): 5–14. http://dx.doi.org/10.1111/j.1099-0860.1995.tb00299.x.

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5

Lloyd, Matthew, and Mikael Schilling. "The Royal Society of Arts." Journal of Architectural Conservation 19, no. 3 (November 2013): 232–45. http://dx.doi.org/10.1080/13556207.2013.872464.

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6

Sica, Beatrice. "TOTalitarian ARTs. The Visual Arts, Fascism(s) and Mass-Society." Italian Studies 74, no. 1 (November 2, 2018): 108–9. http://dx.doi.org/10.1080/00751634.2019.1537110.

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7

Cauwer, Stijn De, and Kim Hendrickx. "Introduction: Immunity, Society, and the Arts." Configurations 25, no. 3 (2017): 265–77. http://dx.doi.org/10.1353/con.2017.0019.

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8

POLISI, JOSEPH W. "THE ARTS IN A GREAT SOCIETY." Yale Review 96, no. 3 (July 2008): 30–51. http://dx.doi.org/10.1111/j.1467-9736.2008.00411.x.

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9

Oliver, James, and Paul Murray. "The arts, well‐being and society." Journal of Public Mental Health 6, no. 4 (December 2007): 6–11. http://dx.doi.org/10.1108/17465729200700022.

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10

Sinfield, Alan. "Review: The Arts, Literature and Society." Literature & History 1, no. 1 (March 1992): 107–8. http://dx.doi.org/10.1177/030619739200100129.

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11

Buhe, Elizabeth. "The New Arts Society: Failed Radicals." Getty Research Journal 11 (January 2019): 81–106. http://dx.doi.org/10.1086/702749.

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12

Nugent, Connie. "Alcohol and society in the arts." Southwest Respiratory and Critical Care Chronicles 6, no. 26 (October 19, 2018): 58–60. http://dx.doi.org/10.12746/swrccc.v6i26.500.

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13

TAKAHASHI, Yasusuke. "Graphic Arts Technology in Imformation Society." Journal of the Society of Mechanical Engineers 93, no. 857 (1990): 311–15. http://dx.doi.org/10.1299/jsmemag.93.857_311.

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14

Song, Hyeong-Seok, and Hak-Jun Lee. "Philosophical Inquiry of Martial Arts: Martial Arts Semantics in Modern Society." Journal of the Korean Society for the Philosophy of Sport, Dance, & Martial Arts’ 29, no. 2 (June 30, 2021): 33–43. http://dx.doi.org/10.31694/pm.2021.06.29.2.003.

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15

Dhakal, Bharat Raj. "Gandharva: Origin and Performing Arts." Journal of Development and Social Engineering 3, no. 1 (December 2, 2017): 59–64. http://dx.doi.org/10.3126/jdse.v3i1.27960.

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The prime objective of this research article is to explore the different forms of arts performed by the ‘Gandharvas’ along with their historicity of social and sacred religious origin towards which the mainstream Nepali society is indifferent. In the social context of Nepal, they are regarded as the musician caste. They are also treated as the so-called lower caste people, the ‘dalits’ and are also denied the prestigious position in the society as well as in the pages of history. Although neglected in the society as well as in the history, they have got a pious origin as mentioned in the Hindu

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16

Lowrey, Carol. "The Toronto Society of Arts, 1847-48." RACAR : Revue d'art canadienne 12, no. 1 (1985): 3. http://dx.doi.org/10.7202/1073688ar.

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17

Cunningham, Ellen. "Computers and society: a liberal arts perspective." ACM SIGCSE Bulletin 18, no. 1 (February 1986): 249–52. http://dx.doi.org/10.1145/953055.5904.

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18

Hamilton, Johanna. "Event Two: The BCS Computer Arts Society." ITNOW 61, no. 4 (2019): 28–29. http://dx.doi.org/10.1093/itnow/bwz099.

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Abstract In 1969, the newly formed Computer Arts Society staged its first show: the aptly named EVENT ONE. However, it was another fifty years before the advent of EVENT TWO. Johanna Hamilton AMBCS asks Graham Diprose Joint Chair of EVA London, about the inspirational five day show and its legacy.

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19

Chambers, N. A. "The Society of Arts and Joseph Banks: a first step in London learned society." Notes and Records of the Royal Society 61, no. 3 (July 6, 2007): 313–25. http://dx.doi.org/10.1098/rsnr.2007.0010.

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Joseph Banks (1743–1820) was President of the Royal Society from 1778 to 1820, the longest anyone has served in that capacity, and during his prolonged tenure Banks was elected to numerous other societies at home and abroad. In the present paper Banks's membership of the Society of Arts and Manufactures is discussed, this being the first society to which he was ever elected in 1761. Of particular interest are the previously unexplained reasons for his withdrawal from the society in 1764, and his eventual re-election in 1791, this being the only example of Banks leaving and then rejoining a soc

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20

Dowdall, Niamh. "“My Books are My Relation to Society”." DBS Applied Research and Theory Journal 1 (February 23, 2024): 134–50. http://dx.doi.org/10.22375/dbs.v1i1.119.

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This article contextualises the transition to an open access publishing future and sets it against the background of the current state of decline in arts and humanities research funding in the US and UK. It outlines the problems which have stymied and slowed the move towards open research and it highlights those issues which particularly pertain to the field of arts and humanities. It considers the demands of research assesement and to quantify value and the opportunities that open access publishing might afford to those who research in the arts and humanities.

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21

Kwon, Juria. "Platform Society, Liquid Liberal Arts and Visual Writing - Focusing on Liberal Arts Writing." Journal of Koreanology 66 (February 28, 2018): 403–29. http://dx.doi.org/10.15299/jk.2018.02.66.403.

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22

Fewster, Jenny. "Documenting Australian Society – Performing Arts Community of Practice." Archives & Manuscripts 51, no. 1 (December 1, 2023): 29–31. http://dx.doi.org/10.37683/asa.v51.10945.

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While the performing arts are a vitally important dimension of the cultural life of Australia, the performances themselves are often ephemeral and difficult to document in an enduring form. This article describes a successful, collaborative, community of practice-based model for ensuring the creation and curation of performing arts documentation in Australia. The collaboration involves key national professional and industry organisations and peak bodies, working together to ensure that important documentation is identified, preserved, and made available via the AusStage research and discovery

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23

Vanada, Delane Ingalls, Dean Adams, and Takiyah Amin. "Arts in Society Redesign: A Learner-Centered Approach." International Journal of Arts Education 12, no. 4 (2017): 1–18. http://dx.doi.org/10.18848/2326-9944/cgp/v12i04/1-18.

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24

Byrne, John. "Grizedale Arts: Use Value and the Little Society." Afterall: A Journal of Art, Context and Enquiry 30 (May 2012): 100–107. http://dx.doi.org/10.1086/667249.

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25

Tan, Sooi Beng. "The Performing Arts in Malaysia: State and Society." Asian Music 21, no. 1 (1989): 137. http://dx.doi.org/10.2307/834076.

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26

O'Conner, Francis A. "Craft and Community: Traditional Arts in Contemporary Society." Anthropology of Work Review 10, no. 4 (December 1989): 13–14. http://dx.doi.org/10.1525/awr.1989.10.4.13.

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27

Juliastuti, Nuraini. "Moelyono and the Endurance of Arts for Society." Afterall: A Journal of Art, Context and Enquiry 13 (April 2006): 3–7. http://dx.doi.org/10.1086/aft.13.20711600.

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28

Ultan, Lloyd. "Crises in Society: The Role of the Arts." Design For Arts in Education 90, no. 5 (June 1989): 14–21. http://dx.doi.org/10.1080/07320973.1989.9934809.

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29

Morrison, Elise. "Surveillance society needs performance theory and arts practice." International Journal of Performance Arts and Digital Media 11, no. 2 (July 3, 2015): 125–30. http://dx.doi.org/10.1080/14794713.2015.1084812.

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30

Mitcham, Carl. "The Liberal Arts in a High Tech Society." Bulletin of Science, Technology & Society 6, no. 2 (June 1986): 235–39. http://dx.doi.org/10.1177/027046768600600215.

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31

Mitcham, Carl. "The Liberal Arts in a High Tech Society." Bulletin of Science, Technology & Society 6, no. 3 (June 1986): 235–38. http://dx.doi.org/10.1177/027046768600600315.

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32

Pucherová, Dobrota. "CompLit: Journal of European Literature, Arts and Society." World Literature Studies 14, no. 4 (December 17, 2022): 146–49. http://dx.doi.org/10.31577/wls.2022.14.4.12.

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33

Van de Vyver, Julie, and Dominic Abrams. "The Arts as a Catalyst for Human Prosociality and Cooperation." Social Psychological and Personality Science 9, no. 6 (August 2, 2017): 664–74. http://dx.doi.org/10.1177/1948550617720275.

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We tested the hypothesis that engagement in the arts may act as a catalyst that promotes prosocial cooperation. Using “Understanding Society” data (a nationally representative longitudinal sample of 30,476 people in the UK), we find that beyond major personality traits, demographic variables, wealth, education, and engagement in other social activity (sports), people’s greater engagement with the arts predicts greater prosociality (volunteering and charitable giving) over a period of 2 years. The predictive effect of prosociality on subsequent arts engagement is significantly weaker. The evide

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34

Maksimović, Marijana. "Sport, human resources and basic values of japanese society." Sport — nauka i praksa = Sport — Science And Practice 10, no. 2 (2020): 47–64. http://dx.doi.org/10.5937/snp2001047m.

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Japan is a capitalist country that puts profit at the center of the organization of industrial relations, but puts the "man" at the center of the organization of society and, accordingly, attaches great importance to human resources. Sport, as part of a healthy lifestyle, is one of the ways to promote longevity in Japan. In addition to many other elements, it contributes to a higher quality of life along with a particular diet. In Japan, stress is present because change is part of everyday life, and in the elimination of stress, it helps the sport as part of a healthy approach to life. Japan h

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35

Guffroy, Yohann. "Anton Howes, Arts and Minds: How the Royal Society of Arts Changed a Nation." Artefact, no. 13 (January 7, 2021): 465–70. http://dx.doi.org/10.4000/artefact.7133.

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36

Bordowitz, Gregg. "Network Society." Art Journal 60, no. 1 (March 2001): 10–11. http://dx.doi.org/10.1080/00043249.2001.10792041.

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37

Bordowitz, Gregg. "Network Society." Art Journal 60, no. 2 (June 2001): 6–8. http://dx.doi.org/10.1080/00043249.2001.10792058.

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38

Bordowitz, Gregg. "Network Society." Art Journal 60, no. 3 (September 2001): 7–9. http://dx.doi.org/10.1080/00043249.2001.10792072.

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39

Bordowitz, Gregg. "Network Society." Art Journal 60, no. 1 (2001): 10. http://dx.doi.org/10.2307/778041.

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40

Bordowitz, Gregg. "Network Society." Art Journal 60, no. 2 (2001): 6. http://dx.doi.org/10.2307/778057.

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41

Bordowitz, Gregg. "Network Society." Art Journal 59, no. 4 (2000): 5. http://dx.doi.org/10.2307/778114.

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42

Bordowitz, Gregg. "Network Society." Art Journal 60, no. 3 (2001): 7. http://dx.doi.org/10.2307/778132.

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43

Bordowitz, Gregg. "Network Society." Art Journal 59, no. 4 (December 2000): 5–7. http://dx.doi.org/10.1080/00043249.2000.10792024.

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44

Cirakoglu, Huriye. "Hand arts and industrial design." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 6 (September 14, 2018): 128–33. http://dx.doi.org/10.18844/prosoc.v5i6.3849.

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The ornamentalism that starts with the history of mankind was born from the passion of mankind to embellish the material used and to shape it with an understanding of art. Handicrafts are income-generating, production-oriented activities based on the individual’s knowledge and skill, often using natural raw materials, made by hand and simple tools, reflecting the pleasure and skill of the person carrying the cultures, traditions folkloric characteristics of the community. Handicrafts are the most important items showing the level of culture and civilisation of the society or nation in which th

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45

Lambert, Nick. "Beyond NFTs: A Possible Future for Digital Art." ITNOW 63, no. 3 (August 16, 2021): 8–10. http://dx.doi.org/10.1093/itnow/bwab066.

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Abstract The Computer Arts Society, founded in 1969 as a BCS Special Interest Group and still going strong in its 51st year, has seen the ebb and flow of interest in various digital artforms, writes Dr Nick Lambert, Chair of the BCS Computer Arts Society SG.

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46

Becker, Claudia A., Sarolta Lipóczi, Ingelore Oomen-Welke, and Sarolta Lipoczi. "Students East-West: Languages, Society, Arts, Education. Arbeitsbuch/Workbook." Die Unterrichtspraxis / Teaching German 36, no. 1 (2003): 115. http://dx.doi.org/10.2307/3531718.

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47

Sharma, Yam Prasad. "Common Patterns in Contemporary Nepali Arts, Life and Society." Journal of Fine Arts Campus 3, no. 2 (December 31, 2021): 11–22. http://dx.doi.org/10.3126/jfac.v3i2.48226.

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There are common trends and patterns in contemporary Nepal arts, politics, society, culture and education along with other dimensions of life. Such similarities suggest the interconnectedness of diverse dimensions of reality. One area mirrors the other one. Looking at art, we can infer the life and culture of the people. Superstructure is reflected in the base; and the base has been reflected in superstructure. Hypocrisy, pretention and imitation are the common patterns of Nepali art, culture and life in contemporary context. Due to such features, the foundation of the nation is shaking. The t

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48

Stina Attebery. "Society for Literature, Science, and the Arts Conference Report." Science Fiction Studies 43, no. 1 (2016): 187. http://dx.doi.org/10.5621/sciefictstud.43.1.0187.

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49

Morató, Arturo Rodríguez, and Vera L. Zolberg. "Introduction Social Configurations of the Arts in Contemporary Society." Journal of Arts Management, Law, and Society 32, no. 4 (January 2003): 243–44. http://dx.doi.org/10.1080/10632920309596977.

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50

Turner, Henry S. "The Society for the Arts of Corporation: An invitation." postmedieval: a journal of medieval cultural studies 6, no. 4 (December 2015): 485–90. http://dx.doi.org/10.1057/pmed.2015.39.

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