Bibliografías temáticas / Auditory hallucinations – Fiction

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Literatura académica sobre el tema "Auditory hallucinations – Fiction"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Auditory hallucinations – Fiction"

1

Toop, David. "The Mediumship of Listening: Notes on Sound in the Silent Arts." Journal of Visual Culture 10, no. 2 (2011): 169–76. http://dx.doi.org/10.1177/1470412911402887.

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This article is a series of excerpts from the author’s most recent book Sinister Resonance. It begins with the premise that sound is a haunting, a ghost, a presence whose location in space is ambiguous and whose existence in time is transitory. The intangibility of sound is uncanny – a phenomenal presence both in the head, at its point of source and all around, and never entirely distinct from auditory hallucinations. The close listener is like a medium who draws out substance from that which is not entirely there. The history of listening must be constructed from narratives of myth and fictio
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2

Liu, Yuexi. "Hearing Voices: The Extended Mind in Evelyn Waugh's The Ordeal of Gilbert Pinfold." Modernist Cultures 15, no. 2 (2020): 202–24. http://dx.doi.org/10.3366/mod.2020.0289.

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Waugh's last comic novel The Ordeal of Gilbert Pinfold (1957) takes ‘exterior modernism’ to a new height, no longer avoiding interiority – as in his interwar fiction – but exteriorising the interior through dissociation. ‘The Box’, to which the writer-protagonist attributes the source of the tormenting voices, may well be his own mind, an extended – albeit unhealthy – mind that works as a radio: he transmits his thoughts and then receives them as external signals in order to communicate with them. Pinfold's auditory hallucinations are caused by the breakdown of communication. Interestingly, wr
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Libros sobre el tema "Auditory hallucinations – Fiction"

1

Copyright Paperback Collection (Library of Congress), ed. Falling upwards. Tom Doherty, 2007.

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2

Fuqua, Jonathon Scott. King of the pygmies. Candlewick Press, 2007.

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Sims, Kassandra. Falling Upwards: Paranormal Romance. Doherty Associates, LLC, Tom, 2013.

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4

George and the angels. Beachfront Pub., 2006.

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5

Todd, G. X. Defender (The Voices Book 1). Headline Publishing Group, 2017.

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Todd, G. X. Defender: The most gripping read-in-one-go thriller since The Stand. Headline, 2017.

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7

Todd, G. X. Defender. Headline Publishing Group, 2017.

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8

You know what you have to do. Amazon Children's Pub., 2013.

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9

You Know What You Have to Do. Amazon Publishing, 2013.

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10

You Know What You Have to Do. Amazon Publishing, 2016.

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Capítulos de libros sobre el tema "Auditory hallucinations – Fiction"

1

Bernini, Marco. "A Brain Listening to Itself." In Beckett and the Cognitive Method. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190664350.003.0002.

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The ubiquitous presence of ambiguous voices in Beckett’s work remains an enduring mystery. The narrative work is no exception, to the point that Beckett’s fiction after Murphy (1938) can be read as, to quote The Unnamable (1953), “entirely a matter of voices; no other metaphor is appropriate” (319). Given the alien qualities of these voices, their intrusive independent agency, and their sometimes tormenting phenomenology, two frameworks of interpretation have so far prevailed. On the one hand, there are narratologists such as Brian Richardson (2006) who have proposed an “unnatural” reading of
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